Colour photograph of students using keyboards. Photo labelled "Computer Vietnamese '91" (removed from album)

An ergonomic keyboard designed for people who need to type with one hand. Typing speeds of 85 WPM are possible with this keyboard. The layout of the keyboard is designed for one handed users to type quickly and efficiently.The shape allows the natural movement of the hand. The company was formed in 1977 and this model was created in 1981. Single handed keyboard with grey and yellow buttons and power cord. Maltronkeyboard, maltron, disability, one handed keyboard, impaired aid, electronic

The Remington Typewriter Company originated from the firearms manufacturer E. Remington and Sons which was founded in 1816 in Ilion, New York. After the American Civil War, the company diversified into farm implements, sewing machines and typewriters. Remington started production of their first typewriter on 1st March 1873 with their first commercially successful typewriter, the Sholes & Glidden being produced in 1874. Key milestones include the 1878 Remington No. 2 which was the first typewriter to have both upper and lowercase. They were also the first typewriters to feature the QWERTY keyboard layout. E. Remington and Sons sold the typewriter division to Wyckoff, Benedict, and Seamans, who formed the Remington Typewriter Company in 1886. In 1927 a further merger created the company Remington Rand. It later became one of the biggest computer manufacturers in the United States. Production of Remington typewriters eventually ceased after a 1986 merger that formed the Unisys Corporation. The Remington Standard No.7 typewriter was manufactured by Wyckhoff, Seamans & Benedict of Ilion, New York, U.S.A. Remington typewriters were originally made by the Remington Typewriter Company but in 1893 Wyckhoff, Seamans & Benedict obtained sole distribution rights for Remington typewriters and sole manufacturing rights in 1896. It is an up strike class typewriter in which the typebars rest in a semicircular vertical type basket and rotate upwards to strike the paper and platen from below. As a result the printed characters are not immediately visible to the operator. The platen had to be pivoted upwards and backwards for the operator to check their work. Remington persisted with the upstrike design until 1908 when they introduced the Model 10 which was a visible writer where the work could be seen as it was typed.This item is significant because typewriters such as were used widely throughout businesses in Wodonga and internationally.A Remington upstrike typewriter. It features a black-finished metal frame with gold decoration. Type-bars are arranged in a vertical circular basket with cylindrical platen on top. The 1.5 inch (38 mm) ribbon carried between spools on horizontal axes. QWERTY keyboard with 42 keys in four rows, including one shift key. Keys are circular, with black lettering on a light background. Black spacebar along front of keyboard.On trade mark To Save Time is to Lengthen Life" Standard Remington On frame below keyboard, in gold lettering: "Remington Standard Typewriter No. 7typewriter, remington type writers

Used at the UCA Synod Offices 130 Little Collins Street. Possibly by Cliff Wright.Telecom computer phone Executive Series consisting of monitor; keyboard with handset; Teledrive unit model number: TELDV1.3; Thermal colour printer Okimate 20 mdoel number EN3212; 8 ICL microdrive cartridges in 2 cases: one labelled "Demonstration", one labelled "Welcome", one labelled "Help"; Cables; 51 page printer manual.Telecom log on monitor and keyboard

Created to meet the growing need for Braille users to access computers, and the creation of talking terminals, Clarke and Smith released the Brailink in 1982. Fitting the unit into a briefcase style for portability, it allowed Braille users to read the screen via the refreshable Braille display located above the QWERTY keyboard as well as record data on to either of the cassette recorders for use with other computers.CPU with keyboard, Braille display and two miniature cassette recorders inside a vinyl caseCS Brailinkbraille equipment, clarke and smith

This Remington No.12 typewriter is of the typebar, front-strike class. It was made by the Remington Typewriter Company of Ilion, New York, U.S.A. in about 1925. The Model No. 12 was introduced in 1922 and was one of the first 'visible writer' machines, in which the typed characters were visible to the operator. Previous models were of the upstrike class in which the characters were typed on the underside of the platen. To see what had been typed the operator had to raise the platen, meaning the typist was typing blind much of the time. This machine was used by Margaret Ganly née Burn in the 1930s. It was purchased for her by one of the sons of William Pride, a famous saddle maker in Geelong, William was Margaret’s grandfather. The typewriter was donated with original sales receipt and servicing tools. Margaret worked at Dennys for 7 years during the 1930s. The typewriter is accompanied with a story written by Margaret about her time working at the company. Margret married Jack Ganly, a fellow employee of Dennys. The Ganly name was well known within Dennys, with three generations of the Ganly family working at the company. WORKING CONDITIONS & OFFICE WORK DUTIES. Written by Margaret Burn in 2021. Worked at Dennys Lascelles in the 1930s. In the 1930s coming out of the Depression, jobs were hard to come by and had to be clung to by efficiency and subserviency. There was no union to protect workers – bosses could be tough and rough. Dennys Lascelles revolved around fortnightly wool sales in the “season” – September to May. Sale day was always a day of suppressed excitement. Preparation from a clerical point of view was complete and we now awaited the aftermath of the actual wool auction. The building teemed with people. There were country people down to see their wool sold, buyers of many nationalities, or from the big cities, who were coming in and out of the building all day. Their role was to inspect the acres of wool bales displayed on the show floors; however, caterers were present to feed clients, and there was plenty of social interactions on top of business. The office staff did not go home but waited until the first figures came back from the wool sales and the machines went in to action, both human and mechanical, preparing the invoices for the buyers’ firms. This comprised of lists of lot numbers, weights, prices per lb., and the total prices paid. A lot of this was done by old-school typewriters, making this work a big, heavy, tiring job. Before the finished lists could be dispatched, they were collated on an “abstract”. The lists had to balance with the catalogue from which the invoices had been prepared. This never happened automatically. All the paperwork had to be split up amongst pairs of workers and checked until discrepancies were found. This would happen until midnight but occasionally went until 2 or 3 am. Once complete, the invoices could then be rushed off to the buyers’ firms usually in Melbourne, and hire cars took the staff home. It was back on the job the next morning, usually around 8.30. The office hours varied according to the size of the sale and work involved. Some days started as early as 8 and could finish around 5.30. The second phase of work began with the account sales to be prepared for the sellers of the wool. These detailed all the weights, descriptions of wool, brands, and prices. One Sales account could have multitudes of lot numbers, all needing to be individually described. Various charges needed to be deducted such as finance for woolpacks, extra stock, or farmers who were given a loan to live on during the season. Details of how payment was to be made was also noted, whether the seller was to be paid by cheque, to a bank, or credited to their account with the company (which often left the seller still in debt). For a couple of months in the winter, things were quieter when staff took holidays and were sometimes given afternoons off. But there were still weekly skin sales and stock sales around the state. The annual end of June figures to be prepared for a big company like Dennys with branches all around the state also kept the staff busy. In good years there was sometimes a bonus. On sale days there was a bar open for the clients and wool buyers. This added to the excitement for the young girls, who were strictly barred from using it, but somehow managed to sneak a gin and tonic. This is how I had my first ever, before the evening meal. There was also the romantic notion in some minds, with all the influx of males, that some of us might end up on a wealthy station, or be noticed by an exotic buyer. To my knowledge, this never happened at Dennys Lascelles Limited. Group staff photo at Dennys Lascelles Limited. Margaret Burn. Age 18 or 19. Jack Ganly (Margaret’s future husband). 22.The typewriter has a black painted metal frame. The top section of the typewriter consists of a cylindrical platen on a carriage featuring plated metal fittings. A curved folding paper guide sits behind the platen and moves on the horizontal axis when the user types on the keyboard. A horizontal semicircular type basket with typebar links the top section to the lower keyboard. The ink ribbon is carried between two spools on a horizontal axis, one on each side of the type-basket. At the rear, a paper tray features gold lettering which reads ‘Remington’. At the front, a four-row QWERTY keyboard is found with 42-character keys total. 'SHIFT LOCK' and 'SHIFT KEY' are to the left of the keyboard, 'BACK SPACER' and 'SHIFT KEY' to the right. All keys are circular, white with black lettering. At the top of the keyboard are five circular red keys with the numbers 1-5 displayed behind their respective keys. A Spacebar is found along the front of the keyboard. The typewriter is accompanied by a cardboard box. This box contains the original sales receipt, on blue paper with grey lead handwriting. It also contains spare parts, a spare ribbon stretched between two spools, and cleaning tools such as brushes of differing sizes. Serial Number. Engraved. "LX45395" Gold lettering. Paper tray. “Remington” Gold Lettering. Behind keyboard. “Made in Ilion, New York, U.S.A. Gold Lettering. Mirrored both sides of type-basket. “12”remington, dennys lascelles ltd, worker conditions 1930s

In late 2000, Arthritis Victoria (formerly the Rheumatism and Arthritis Association of Victoria) celebrated the 80th birthday of its founder, rheumatologist Dr Leslie Koadlow AO (1920-2006). Around 90 people attended the celebratrions at AV's headquarters, including Dr Koadlow's family, colleagues, and friends. In this photo, Dr Koadlow and two other men stand around a boy who is playing an electric keyboard.COL photo of a boy playing a Roland E-500 electric keyboard. Standing around him are three men. One of them is wearing a 'kippah' or 'yarmulke' - a small hat traditionally worn by Jewish boys and men. There is a microphone on a stand poised over the keyboard, above the boy's head.dr leslie koadlow, rheumatologist, founder, co-founder, arthritis foundation of victoria, afv, rheumatism and arthritis association of victoria, raav, 80th birthday, celebration, electric piano, roland, keyboard, microphone, music, kippah, yarmulke, 2000

A piano keyboard once owned by George Lansell when Bendigo was known as Sandhurst. The item was bought at a clearing sale on the Morning PeninsulaFortuna Article - "Piano, owned by George Lansell, Sandhurst, Victoria" - The "way we were" Bendigo Advertiser Oct 12 2002 This item contains the following: 11217.30a Black and White photo of a piano keyboard with engraving on the topnon-fictionbendigo, fortuna, george lansell, piano

Built on a cast iron base the machine is designed for Sterling currency with a full-keyboard that has five decimal columns for pounds, three columns for shilling and pence, one column for the 10 and 11 pence keys and three farthing (1/4 penny) keys. The machine was imported and distributed by Chartres Pty. Ltd, Capel Court, 375-377 Collins Street MelbourneHand operated comptometer or adding machine with side handle. Sterling currency with full-keyboard with columns for Pounds Shillings and Pence'Chartres Pty Ltd/Capel Court/375-377 Collins Street Melbourne/23359'commerce, office equipment / stationery, bookkeeping

This is a book of 120 pages, with blue metal spiral binding. The pages contain a preface, an introduction and an index, printed material and illustrations.Loose inside the book are two sheets showing a typewriter keyboard and a pamphlet entitled 'Accurate Touch Typing'.non-fictionThis is a Pitman typing manualvintage text books, warrnambool history

Apple IIe complete computer system from Mount Helen Campus Nursing Co-hort. Complete Apple IIe Computer - monitor, keyboard, mouse and disk drive 22456.1 Monitor 22456.2 keyboard, spare keyboard, mouse and disc drive.Apple IIe computer, mount helen campus, apple iie, bachelor of nursing

This Farrand & Votey pump organ was manufactured in Detroit USA c1885. It was lovingly restored by the late Peter Frost of Tallangatta. The organ was gifted to Peter in 2000 in a state of disrepair and was not working. Peter was born in Devon, England in 1930 and completed an apprenticeship in joinery and cabinetry, specialising in ornate church and cathedral furniture. He migrated to Australia in 1957 and became a highly regarded woodwork and building science teacher as well as a Building Inspector. He was also a passionate musician. On completion of the refurbishment Peter gave the organ to his daughter at Georges Creek. Farrand & Votey started out as the Detroit Organ Co. in 1881. They started building pipe organs in 1888. Votey did pioneering work on piano players, developing the famous Pianola. However, in 1897 the company split up, Farrand remaining with the reed organs as the Farrand Organ Co., and Votey taking the pipe organ and player piano business. The Farrand Organ Co. later brought out its own piano player, the Cecilian, but went bankrupt in 1915.This organ is an example of a craftsmanship from the late 19th century and has been fully refurbished by a skilled craftsmen from the Tallangatta district near Wodonga.An upright Farrand & Votey Pump Organ which was originally manufactured in Detroit, USA. It has been fully refurbished and is in working condition. Ron Fudge, a pump organ restorer in USA has dated it at c.1885 based on its serial number 14404 83.Above keyboard: "Farrand & Votey"farrand & votey, pump organ, organ restoration

There is a brass plaque that states: THIS PLAQUE IS IN MEMORY OF DORA CHAPMAN daughter of William and Estelle Chapman CALLED HOME WHILE PLAYING THE ORGAN ON THE OCCASION OF THE 30TH ANNIVERSARY OF THE SILVAN CHURCH. SEPTEMBER, 27TH 1936 DORA WAS A SISTER TO MR ERNEST CHAPMAN On another plaque it states: THIS ORGAN WAS A WEDDING PRESENT TO ERN AND BERYL CHAPMAN AND WAS DONATED TO MONT DE LANCEY IN THE YEAR 1994 BY MAVIS, BOB, LES AND ALBERT CHAPMAN The organ was a present from Mr Ernest Chapman and his bride on the occasion of their wedding on October 26th 1927. The organ was made in Meriden Connecticut USA by Wilcox and White in 1885. A date inside the organ indicates that it was last tuned June 16th 1900. A highly decorated, delicate ornate carved wooden pump organ with a round mirror set back into the front panel. It has a sheet music rest or shelf with an opening lid to store sheet music inside the cupboard. There are two side shelves with five knobs on each at the front. It has a keyboard with thirteen stops below. Next to the key stops above the keyboard is gold lettering with 'Wilcox & White Meriden. Connecticut. USA.There are two brass patterned pump foot pedals below: the left one has 'WILCOX' stamped on it, the right pedal has '& WHITE' stamped on it and the metal is damaged from use. There are two carved levers underneath the keyboard: the left one has a sticker saying "Grand Organ", the right one's sticker says, "Knee Swell". There is no stool.The brass covered left foot pump pedal has 'WHITE' stamped on it, the right pedal has '......' stamped on it. There are two carved levers underneath the keyboard: the left one has a sticker saying 'Grand Organ', the right one's sticker says, 'Knee Swell'. The manufacturer : WILCOX AND WHITE is printed in gold letters on ......The thirteen 'stops' all have different musical terms printed in a sticker. e.g...............parlour organs, cabinet organs, harmoniums, pump organs

The Apple IIe was one of the first computers to become popular among blind and vision-impaired users due to its Textalker screen reader and Echo II synthesizer.Beige plastic CPU and keyboard audio equipment, assistive devices

This organ was gifted by the Bethel Community in 1890 to the then Victorian Seamen's Mission, originally founded by the Bethel Union in 1857. The gift was intended to assist with worship. Despite all appearance, this organ is not a pipe organ but a reed organ that works in a similar manner to an accordion. In May 1890, the sum of seventy pounds was put towards the purchase of the organ. The sum being raised via subscriptions. The organ was inaugurated in September 1890. Jabez Carnegie (1832-1892), importer of piano and organs in Melbourne, had made a trip to Europe and Canada in 1887 and had secured the agency of Bell organs. W. Bell & Co were a Canadian organ and piano manufacturer, considered the premier organ manufacturer of the time. W Bell & Co changed its name to Bell Organ and Piano Co in 1888 meaning this organ had to be manufactured prior to the name change. The organ was first used in the mission main room from 1890 to 1915 when the St Nicholas chapel was built at the back (see item 0548. It was transfered to the new Port Melbourne mission in 1937 (link on postcard from State Library Victoria). In 1972, it was transferred to the Holy Trinity Church in Bay Street after the closure of the Mission In the late 1980s during a National Trust campaign to save the building, the organ was sold by the Anglican Men's Society to the Trust's organ committee, who carried out some restoration work and returned it to the former Missions to Seamen chapel. In 1991 the Office of Major Projects had control of the whole 'Bayside' development site. With the Mission to Seamen Building emptied and proposed for demolition, the Office of Major Projects removed the organ and placed it in storage in various locations - finally, in the Museum of Victoria store in Abbotsford. In 1995-6, enquiries by Jim Hillis resulted in the return of the organ to the control of the Port Melbourne HIstorical & Preservation Society. As the Society had no suitable location for the organ, several churches and schools in Port Melbourne were approached to take the organ with no results. The nearby suburbs were suggested next. Finally the Melbourne Maritime Museum (Polly Woodside) was approached and agreed to place it in their Museum on a long term loan. In 1997 it was on display in no 5 shed South Wharf (23/3/1997). In 2006, the Polly Woodside South Wharf site was to be re-developed, and they could no longer retain the organ. Accordingly, on 4 May 2006, the organ was transferred to the Mission To Seafarers building in Flinders Street Extension as an indefinite loan (refer OL 022) The PMHPS deaccessioned it to finally transfered it in 2018 to MTSV.(See also acquisition details re 21st C finalisation of acquisition) This organ is a tangible reminder of the longevity of the Mission to Seafarers, a link with the original Bethel Union which was instrumental in 1856 calling a public meeting and inviting subscriptions by various non-conformist churches to found a mission to Seamen. Rev Kerr-Johnson delivered the first service in 1857 aboard the Emily. The Mission to Seafarers has been in operation ever since and continues to operate to the same purpose today.Large reed organ that looks like a pipe organ with fifteen elaborately painted pipes bearing a floral motif. The body of the organ is elaborately decorated in carved wood. It has 17 knobs above the keyboard both which can be concealed when the keyboard cover is lowered. There are two foot pedals at the bottom of the organ with "Mouse Proof Pedals" cast into the framing iron. list of stop names: Viola 4Ft Diapason 8Ft Dolce 4Ft Violetta 2Ft Sub Bass 16 Ft Octave Coupler Vox Humana Forte Picciolo 2Ft Hautboy 8Ft Aeoline 8Ft Cremona 16Ft E---bone 16Ft Echo 8Ft Celeste 8Ft Melodia 8Ft Flute 4FtMaker's mark in gold lettering above keyboard: W. Bell & Co Brass plaque on front board: Presented to/The Victorian Seamen's Mission/by/Congregation worshipping in Bethel/& friends./1st September 1890 Behind the stops a wooden plaque: J. CARNEGIE & SONS, SOLE AGENTS FOR VICTORIA MELBOURNE organ, worship, bethel, pipes, reed, bethel union, pipe top, jabez carnegie, w. bell & co, port melbourne, mission to seafarers, seamens' mission, mission to seamen, guelph, ontario, canada, pmhps, polly woodside, harmonium, reed organ

Song book with musical score for keyboard.Sylvia Schultz written on cover.books, music, musical books, granddad's songs, song book.

Typewriter touch typing guide poster THE TYPEWRITER KEYBOARD (the correct fingering is indicated by the lines and fingers)

Used by the Physics Department at the Ballarat College of Advanced Education.Grey desktop computer with keyboard and paper roll.ballarat college of advanced education

Pipe organ is as of 27/6/21 one hundred years old. It is a Dodd Organ made in South Australia. Previously Presbyterian Church still St Matthews.Two colour photographs of the pipes and one of the keyboard religion, music

Colour photograph. Band members on stage. Banjo. Lute. Keyboard. Piano accordion. Guitar. Wongawilli Standard in front of keyboard. Man with beard in red shirt singing.entertainment, music, bush band

This speaking calculator was designed to perform several functions as well as memory, in synthetic voice. With two modes - visual or visual plus voice - it was powered by a nickel cadmium rechargeable battery or by a special adaptor from mains supply voltage. Dark brown rectangular box with numerical and mathematical keyboardTSIassistive devices, audio equipment, office equipment and supplies

Piano keyboard enclosed in a black wooden box. Box has three rusted hinges back, closed with two latches. Printed on front in white paint " George Lansell, Sandhurst, Victoria" Sticker on front of piano keyboard "Pleyel Wolff et cie". Numbers under keyboard '2 2 6 5 4. Keyboard was purchased from an antique shop in Rosebud in late 1990s by the donor, Joan McEwan."Pleyel Wolff et cie"musical instruments, keyboard, george lansell

Black metal typewriter with moveable parts, carriage with a rubber roller. The keys are white with black lettering and silver surrounds. 10 extra push-in keys are situated at the lower front with a decimal tabulator attached to the base. Black and red ribbons on a spool."11" in gold lettering on either side of the keyboard. RX80508 inscrtibed on a disc at the rear.uebergang, allansford, remington, typewriters

IBM Electric typewriter Blue body with black keyboard and interior sectionsIBM

Song book with musical score for keyboard including 1200 musical pieces.Sylvia Schultz 581 written on inside front cover. Sticker reading Keswick Book Depot 315 Collins Street Melbourne. On fly leaf stamp reads Post Office Christian Assn. Melb. Branch. In pencil NH12/6 written.books, music, musical books, hymns, ira d. sankey, marshall, morgan, scott ltd, lutheran, song book

Photos .1P, .2P, and.4P were most likely taken in the 1980s and photos .3P, .5P to .8P in the c1990s at the Army Survey Regiment, Fortuna, Bendigo. Despite lacking annotation on exact dates, locations and personnel, they are positively identified. CPL Ian Nelson in photo .1P is operating a Wild Pug 4 point transfer device in Air Survey Squadron c1980s. Control points were transferred onto the mapping diapositives of aerial photography by drilling their locations into the photographic emulsion. SPR Viv (Hawkins) Doherty in photo .2P, SPR Jeanette Drury-Lane in photo .5P and SGT Sandy Craig are operating a Wild B8 Stereoplotter coupled to a digital workstation in Air Survey Squadron c1994. Topographic features were extracted with the B8 in 3D and feature coded with attributes, using keyboard, menu, keypad and voice inputs to the computer. The features were stored in the AUTOMAP 2 digital database for subsequent cartographic production and printing. CPL Mick Ellis in photo .3P is operating the Optronix 4040 Scanner/Film Writer in Lithographic Squadron c1990s. In scanning mode, compilation sheets were mounted on the drum and scanned. The resultant raster file was vectorized, feature coded with attributes and stored by cartographic technicians in the AUTOMAP 2 database. In film writing mode, digital cartographic files were output at very high resolution for each print colour on photosensitive film, for subsequent finalisation, platemaking and printing.This is a set of eight photographs of technicians operating map production equipment at the Army Survey Regiment, Bendigo. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. Photo negatives were scanned at 2400 dpi. .1) - Photo, colour, c1980s. CPL Ian Nelson operating a Wild Pug 4 point transfer device in Air Survey Squadron. .2) - Photo, colour, c1980s. Wild B8 Aviograph stereoplotter feature extraction, SPR Viv (Hawkins) Doherty in Air Survey Squadron. .3) - Photo, colour, c1990s. CPL Mick Ellis operating the Optronics 4040 Scanner in Lithographic Squadron. .4) - Photo, colour, c1984. AUTOMAP 2 Graphic Edit Workstation, SPR Craig Kellet in Cartographic Squadron. .5) - Photo, colour, c1994. Wild B8 Aviograph stereoplotter feature extraction, SPR Jeanette Drury-Lane in Air Survey Squadron. .6) - Photo, colour, c1994. AUTOMAP 2 Graphic Edit Workstation, L to R: unidentified, SPR Rachel (Stanford) Scott, CPL Chris Wynn in Cartographic Squadron. .7) - Photo, colour, c1994. Wild B8 Aviograph stereoplotter AUTOMAP 2 Graphic Edit Workstation, L to R: unidentified (x2), SGT Sandy Craig in Air Survey Squadron. .8) - Photo, colour, c1994. AUTOMAP 2 Graphic Edit Workstation, L to R: unidentified, SPR Peter Smyth, SPR Frank Savy, SPR Quentin Seecamp, CPL Steve McGuiness in Cartographic Squadron. .1P – no annotations .2P – annotated “Stereoplotter Workstation. The operator has the use of keyboard, menu, keypad and voice for input to the computer. Feedback is given through voice and screen messages.” .3 to .8P – no annotationsroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, air survey, litho, aerotrig, automap 2

Unknown male sitting with computer keyboard on his lap in front of 2 monitorsFujiperson, individual, male

The folding Corona typewriter was the first portable manual typewriter. Due to this pioneering, innovative design, the popularity of Corona typewriters soared in the 1910s leading to the Corona Typewriter Company in the USA developing new and improved machines to meet a growing demand. Consequently, businesses moved away from all forms of written communication such as handwritten documents and letters, to a more convenient method of speedy, legible communication. Agatha Christie Used a Corona Standard Typewriter when travelling.History of typewritersBlack metal enamelled frame. Cylindrical rubber-covered platen 220 mm wide. Typebars strike forward against platen from curved horizontal type-basket. Ink ribbon carried between two spools on vertical axes. Three-row QWERTY keyboard with 28 circular character keys with black lettering on a light background. 'FIG' and 'CAP' keys (light lettering on a black background) to left of keyboard. 'BACKSPACE' key above and behind keyboard to right of type-basket. Long black spacebar in front of keyboard. Carriage, with platen and ribbon spools, folds forward over keyboard pivoting on axis at front of type-basket.Front: Corona / (Standard Folding Typewriter) 3 Manufactured by Standard Typewriter Company Groton N.Y USA 3 Back: Patented / Mar 8 1904 / Feb 8 1910 / Other Patents/ Pending / Also Patented in / Other Countriesglenelg shire cultural collection, writing, typing, author, office, portland

This photograph depicts two members of the Beechworth Band at a 'Liedertafel' concert in the main hall at the Burke Museum in 1999. The concert related to an exhibition titled, 'From the Liedertafel to the Skating Rink: Entertainment in Beechworth 1852 - early 1900s', which celebrated the rich and diverse entertainments that were a part of Beechworth life in the nineteenth and early twentieth centuries. 'Liedertafel' is a German tradition that accompanied European settlers to Australia. It refers to a friendly society of men united by an enthusiasm for singing. The Beechworth Liedertafel was established 14 March 1894 at the London Tavern, Camp Street, Beechworth, by president, Mr. A.A. Billson, and a visiting conductor, Mr. H. Fielder. The Beechworth Brass Band was formed by Mr. H. Vandenberg in 1887. Marching bands, choirs, processions, circus acts, theatrical performances, races, fancy dress and roller skating carnivals, were among the vibrant and diverse entertainments offered in Beechworth during the gold rush period. Race meetings were revived with a gala atmosphere at Baarmutha on New Year's Day and Easter Monday in the early 1880s. 'Spiller's Skating Rink', which premiered at St. Georges Hall in August 1869, was accompanied by the 'Beechworth Fire and Drum band'. In 1888, Beechworth had two skating rinks in operation, the Columbia Elite at Oddfellow's Hall, and the Beechworth Skating Rink, corner Camp and Last Streets, Beechworth. Vandenberg's Beechworth Brass Band was reported to have provided musical entertainment for patrons at both venues.This photograph of the Beechworth Band playing at the Burke Museum is historically significant for the information it conveys about an exhibition at the Burke Museum between September and November 1999. The use of the contemporary Beechworth Band in a 'Liedertafel' performance provides insight into curatorial approaches at the turn of the twenty-first century and improves our understanding of how exhibitions use objects in the Burke Museum's Collection to tell stories about the past in the present. The story of Liedertafel's and Beechworth Brass Band is historically and socially significant for understanding the role played by German immigrants in building Victorian communities. In settler communities, cultural associations centred on artistic, recreational and sporting activities not only provided a popular means of entertainment, but fostered social cohesion among settlers from diverse ethnic backgrounds.Rectangular colour photograph printed on matte photographic paper. Obverse (On keyboard): Technics / Reverse: 7028 / Label: Liedertafel / exh. / Beechworth / Band / 1999/2000 /liedertafel, beechworth band, burke museum, from the liedertafel to the skating rink, entertainment in beechworth 1852 - early 1900s, gold rush, immigration, beechworth's german heritage, london tavern beechworth, beechworth's first brick tavern, spiller's skating rink, vandenberg's beechworth brass band, protestantism, teetotallism, skating carnivals, beechworth german association, yma's, beechworth skating rink, progress societies, billson's brewery, german-australians, roller skating history