'Willie & Wilma' two hand knitted toy bears, made for sale during the 1982 Brisbane Commonwealth Games. The inspiration for these toys was the mascot for the Games - "Matilda" - a 13 meter tall mechanical kangaroo. These toys knitted by Dawn Bennetts for sale at Dorcas Cottage Crafts in Montmorency 1984-1986.2 hand knitted woolen toys, grey bodies with yellow and green knitted clothing.commonwealth games, knitting, koalas, knitted toys, toys

A table of exhibits of knitted toys and craft items and Legatee Charles (Chas) Munnerley holding a knitted toy. He was the Widows' Committee Chairman. This event was the 13th Annual Art and Craft Exhibition in 1994 that was run by the widows' club. The items could be sold at trading tables and at the table outside Legacy House during Badge Week in September to raise funds. Other photos are at 00481.A record of the type of activities Legacy provided as a social outlet for widows. Colour photo x 2 of tables of craft items and a Legatee holding a knitted toy at Legacy house.Printing on the back "2980182 N N N-1 2". 00675.1 has a yellow post-it note "P24 100%" in blue pen. 00675.2 has a yellow post-it note "P20 Bottom left. 80%". Printed on Kodak paper.widows, craft, activities

A table of exhibits of knitted toys and craft items. This was the Annual Art and Craft Exhibitions that was run by the widows club in July 1993. The items could be sold at trading tables and at the table outside Legacy House during Badge Week in September to raise funds. President John Stevenson speaking, also Charles Munnerley is in the background. The winners were named in The Answer in September 1993.A record of the type of activities Legacy provided as a social outlet for widows. Colour photo x 14 of a table of craft items at Legacy house, and President Stevenson speaking.00677.1 Printed on the back 24 843 0162 N N N-12. Also Pg21 (A) written in blue. 00677.2 Printed on the back 31 843 0162 N N N-12. Printed on Kodak paper. Other negative numbers are 15, 17, 19, 22, 23, 25, 27, 28, 35widows, answer, craft

Twenty eight page black and white pattern book showing graphics and text. Front and back cover show graphics in tones of red and pink. Front cover shows knitted objects and back cover shows knitted children’s toys. front: [printed] Patons / KNITTING BOOK / NO. 252 / 10 ½ d.wool, craft, knitting, patterns, patons and baldwins (australia) ltd, rabbit, bunny

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Patons and Baldwins and contains knitting patterns for craft items such as toys, tea cosies, socks, rugs, and cushions.PATONS / BOOK / C.14 / GIFTS TO KNIT / Tea Cosies . Toys . Afghans / T.V. Socks Cushion / PATONS / BOOK / C.14 / Patons / CRAFT BOOK / No. C.14 / P&B / WOOLS / 2'-knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history

When celluloid was invented and first came to prominence in the 1870s, dolls were nearly all breakable and fragile--bisque and china dolls were easily shattered and papier mache and wax easily ruined. So doll companies started experimenting with celluloid to mould dolls. By the early 1900s, celluloid dolls were plentiful, since celluloid was easily moulded and generally inexpensive. Celluloid is one of the first synthetic plastics. It is a plastic created from wood products that includes cellulose nitrate and camphor. However Celluloid is flammable and deteriorates easily if exposed to moisture, and can be prone to cracking and yellowing with certain formulations. Celluloid dolls were produced as late as the 1950s, but the vast majority were produced from 1900 through the 1940s. The knitted outfit was made by an unrecorded home knitter probably as a present for a child. A very small celluloid doll dressed as a boy in fine hand -knitted hat, vest, jacket and pants.celluloid, dolls, knitting, wool, craftwork, moorabbin, bentleigh, cheltenham, toys

This dressed doll was owned by the daughter of Dr William Roy Angus and his wife Gladys when the family came to Warrnambool in the late 1930s. It is part of the W.R. Angus collection, donated by the family of Dr W R Angus, surgeon and oculist. The doll was donated with another dress and a blanket. The doll has features similar to, but an earlier model than, Reliable's 1940s model Cuddlekins doll, which has an entirely composite body. ReliableToy Company was founded in Toronto, Canada, by Solomon Samuels in 1920. Samuels was later joined by his two brothers. The company had a reputation for products of good quality. In 1922 the company began making their own dolls from composition, where previously the parts were made elsewhere and assembled by Reliable. The company stopped making Reliable dolls in 1995. The W R Angus Collection spans from 1885 to the mid-1900s and includes historical medical and surgical equipment and instruments from the doctors Edward and Thomas Ryan of Nhill, Victoria. Dr Angus married Gladys in 1927 at Ballarat, the nearest big city to Nhill where he began as a Medical Assistant. He was also Acting House surgeon at the Nhill hospital where their two daughters were born. Dr Angus and his family moved to Warrnambool in 1939, where Dr Angus operated his own medical practice. He later added the part-time Port Medical Officer responsibility and was the last person appointed to that position. Dr Angus and his wife were very involved in the local community, including the planning stages of the new Flagstaff Hill and the layout of the gardens there. Dr Angus passed away in March 1970.This doll is connected to the history of Warrnambool, as it was owned by the daughter of Dr W. R. Angus and his wife Gladys, and is part of the W.R. Angus Collection, which is important for still being located at the site connected to Doctor Angus, Warrnambool’s last Port Medical Officer. Dr Angus and his wife brought their young family to Warrnambool in 1939 and he remained a resident until his death in 1970. Early in his profession in the town of Nhill, Dr Angus assisted Dr Tom Ryan in his pioneering use of X-rays and in ocular surgery, and Dr Angus later inherited these items. The W.R. Angus Collection includes these medical instruments and other related equipment and is culturally and historically significant as an example of the medical practice of the late 19th to the mid-20th century. Other items in the collection relate to Dr Angus’ service in the Flying Doctor Service and the Army. The doll is also significant as an example of toys imported into Australia in the 1930s and 1940s and used by children in the Warrnambool community.Doll with moulded composition head, neck, arms and legs, all attached to a fabric body. The doll’s head has brown moulded curls. The facial features include an open mouth showing two top teeth, green eyes, and sleeping, closing eyelids with eyelashes. The doll has a crier inside that makes a sound when the doll is turned over. It is clothed in a knitted pink singlet, modern pink underwear, and a cream flannel short-sleeved dress with pink smocking and embroidery, and ties at the rear. There is a moulded inscription on the back of the doll’s head. The doll was made by Reliable Toy Company Ltd, Canada. The doll is part of the W.R. Angus Collection.On the back of the head “RELIABLE / CANADA”flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, dr w r angus, dr roy angus, dr ryan, warrnambool oculist, port medical officer, mira hospital nhill, toy, nhill hospital, doll, baby doll, composition doll, reliable toy company, canada, solomon samuels, child's toy, w.r. angus collection

This doll's blanket was beautifully handmade by Gladys Angus, wife of Dr Angus. Gladys made it for her daughter’s doll, which was also donated along with its pram and a silk doll's dress. It is part of the W.R. Angus collection, donated by the family of Dr W R Angus, surgeon and oculist. The W R Angus Collection spans from 1885 to the mid-1900s and includes historical medical and surgical equipment and instruments from the doctors Edward and Thomas Ryan of Nhill, Victoria. Dr Angus married Gladys in 1927 at Ballarat, the nearest big city to Nhill where he began as a Medical Assistant. He was also Acting House surgeon at the Nhill hospital where their two daughters were born. He and his family moved to Warrnambool in 1939, where Dr Angus operated his own medical practice. He later added the part-time Port Medical Officer responsibility and was the last person appointed to that position. Dr Angus and his wife were very involved in the local community, including the early planning stages of the new Flagstaff Hill, where they contributed to the layout of the gardens. Dr Angus passed away in March 1970.This doll's blanket is connected to the history of Warrnambool, as it was owned by the daughter of Dr W. R. Angus and his wife Gladys. It is part of the W.R. Angus Collection, which is important for still being located at the site connected to Doctor Angus, Warrnambool’s last Port Medical Officer. Dr Angus and his wife brought their young family to Warrnambool in 1939 and he remained a resident until his death in 1970. Early in his profession in the town of Nhill, Dr Angus assisted Dr Tom Ryan in his pioneering use of X-rays and in ocular surgery, and Dr Angus later inherited these items. The W.R. Angus Collection includes these medical instruments and other related equipment and is culturally and historically significant as an example of the medical practice of the late 19th to the mid-20th century. Additional items in the collection relate to Dr Angus’ service in the Flying Doctor Service and the Army. The doll's blanket is also significant as an example of handcrafting in the early 20th century and represents toys made for and used by children in the Warrnambool community.The doll’s blanket is rectangular in shape. It has been hand-knitted in a decorative pattern using cream wool, and then embroidered with floral motifs. The blanket is lined with a hand-knitted blue rectangle. Gladys Angus made the blanket for her daughter’s doll. It is part of the W.R. Angus Collection.flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, dr w r angus, dr roy angus, dr ryan, warrnambool oculist, port medical officer, mira hospital nhill, toy, nhill hospital, doll, silk doll's dress, gladys angus, embroidery, doll's blanket, handmade doll's blanket, knitted blanket, w.r. angus collection

Large plastic doll 1960's era, dressed in red crocheted dress, white undergarment, white shoes, white socks & red ribbons in hair, also 28 other items of hand knitted and crocheted garments for doll.Evergreen made in Hong Kong No 1027toys, dolls, plastic

This knitting pattern book was published by the Villawood Textile Company, Sydney and contains knitting patterns for toys.BOOK 159 / By Villawool / Pattern directions / for TOYS - / 7 knitted and / 1 crocheted. / 28cknitting handicrafts - history, villawood textile company, knitting, handicrafts - history

Knitted dress and panties were made by a member of our society who designed the dress and panties to fit the doll.Twenty cm standing celluloid doll. Yellow hair. Painted shoes. Hand knitted dress and panties.toys, dolls

Baby Doll, 4-9cm, plaster, sleeping eyes.1. Doll. 2. Hand knitted dress. 3. Bonnet. 4. Booties. 5. Singlet. 6. Panties knitted by Society Member.toys, dolls

This knitted and crocheted three piece dress was made by Jean Gorsuch in 1960. The wool was purchased from the Treasure House, a wool, toys and childrens clothes shop in Station Street, Mitcham. This was a very fashionable at that time as knitted and crocheted garments were making a comeback. This was also one of the first lurex thread wool.Knitted and crochet three piece costume of a jumper, jacket and skirt. Colour Old Gold.costume, female

Doll's bed belonged to Bruce Reynolds daughter.Metal doll's bed with knitted cover, cotton mattress, white polyester pillow with cotton pillow case embroidered with blue rabbit. Nylon quilted cover, grey with pink rose lined with yellow floral cotton. Rug is nine knitted oblongs joined together.Quality Tontine Products. David Galt Industries, Melbourne.toys, doll's furniture, toys, dolls' accessories

Donated by Margaret ScarlettSee Supplementary fileCelluloid doll - sleeping doll. Moulded in two sections. Jointed at head, arms and legs. Blue eyes, painted lips and cheeks. Dressed in maroon knitted dress with cream waist cord with 1 pom pom. Cream knitted hat and cream panties.|On Back of doll an inscription reads' Bonnie Baby' in script and 'M' logo of Moldex LtdBonnie Baby 'M'toys, dolls

Given to donor's daughter by her cousinPlastic baby doll dressed in pink hand knitted dress and pants. Doll is bald but has eye lashes and open and shut eyes. The pants are knitted in stocking stitch with elastic threaded through at the waist. The dress is sleeveless with a pink button on each shoulder. The skirt is knitted in a lace pattern with a crochet tie threaded through the waist. The bodice is knitted in stocking stitch.toys, dolls, doll's clothes

Given to Pat Finlayson's grandchildren by a friend - doll at least 60yrs old Celluloid Doll 21" tall dressed in nappy, pink bonnet, knitted wool dress, cotton dressdoll,celluloid, toy, baby clothes

Celluloid doll with pink dress (discoloured) & cream knitted bonnet. Gold bracelet on her wrist. Blue eyes open and shut when upright/lying down. Legs and arms straighten or bend into sitting position toys, children, doll, presents, celluloid

Celluloid Doll with opening & closing eyes. Dress in red & blue knitted overalls and bonnet. Arms & legs can move up & down for lying or sitting positionstoys, children, presents, doll, celluloid

Used by the local Infant Welfare CentreCelluloid doll dressed in pinned white nappy and cream coloured knitted vest with small bow. Arms and legs move into lying or sitting positiontoys, children, presents, doll, celluloid

A celluloid female baby doll, wearing a pink babies knitted dress with buttons on the back and a pink ribbon around the waist. It has knitted underpants and white knitted booties. leisure object, toys, dolls

Golliwog dolls were enormously popular in the first half of the 20th Century, but became socially incorrect during the Civil Rights Era of the 1960's. A lot of people owned them in their childhood and remember them with affection. The stories of "Little Black Sambo" and "Epaminondas" similarly were books loved by children but have since disappeared from the shelves for the same reason.Two knitted Golliwogs. 1. - Green pants, yellow belt, red top, green cravat and blue eyes, black face hands and feet. 2. - Red, blue and yellow striped pants, red jacket, blue cravat, blue eyes and red shoes, black face, hands and feet.golliwogs, soft toys, leisure objects

A stuffed white fabric doll, with a hand painted face, blue knitted cap, brown knitted top and pants. It has three plastic buttons at back.dolls, leisure objects, toys

J D Kestner manufactured the Hilda doll from 1914. They ceased business in 1938.J D Krestner 'Hilda' baby doll with hard composite body, jointed arms and legs and porcelain head. She dates from post 1914. Her hair is short, blonde and 'frizzy'. She is wearing a cream pintucked linen dress trimmed with cream lace at the hem, sleeves and yoke. Underneath the dress is a cream cotton pintucked petticoat with a lace insert and lace trim at the hem. She has a yellow knitted singlet and knickers. On her head she is wearing a cream linen mob cap of the same material and trim as her dress.JDK 137 on back of headtoys, dolls, porcelain

Kathryn Knitwear, founded by Robert Blake, manufactured high quality children’s knitwear in Melbourne from the 1940s – 1980s. Robert Blake began manufacturing children’s knitwear in his bedroom in Strathmore using a hand powered machine in the late 1940s. The operation moved to Ascot Vale and Essendon, before eventually establishing a factory in Moonee Ponds in the early 1950s. The business continued to expand, necessitating a move to a new factory in Broadmeadows. By 1962, the Broadmeadows factory was producing an average of 20,000 garments per month, which increased to 24,000 by 1964. Robert Blake’s Son, Brendan recalls that “The Kathryn brand was famous around Australia, anywhere children needed to keep warm and dress smartly. It also won a number of wool fashion awards”, including the 1969 Wool Awards, which was held by the Australian Wool Bureau and published in Women’s Weekly. The Kathryn range was designed for durability, comfort and care, without sacrificing style. They used patterning techniques that increase stretchiness, comfort and fit, as well as integrating decorative elements into the fabric to prevent them from being bulky, uncomfortable or tight. Making longevity of style a priority, Brendan Blake remembers that “there was one particular garment that was in the range for at least thirty years”. He also recalls “In the past, when women have found out that I was associated with Kathryn Knitwear, they would often relate to me the story of a garment they had purchased or received as a gift and, when their child had grown out of it, they would hand it on to another child. Several ladies have told me of purchasing garments for their daughters’ glory box, or saving a particular garment after their daughter had grown out of it. Brendan Blake: “At the peak of their operation they employed approximately two hundred people, mainly women and girls. A family would often seek to send their daughter to work in this company because they knew they would be looked after and safe. One lady wrote to me telling me that working at the Moonee Ponds Factory prior to getting married was the happiest time of her life.” In 1963, workers at the Kathryn factory earned £13 per week, which was 8 shillings and 8 pence higher than the minimum weekly wage for female workers in the textile manufacturing industry (£12 11s 4d). By 1970, the Kathryn Knitwear brand expanded from children’s knitwear into womenswear under the brand name ‘Lady Kathryn’, and for boys and men under ‘Robert Blake’. Continuing to diversify their distribution, they also began exporting ‘Kathryn’ garments to New Zealand, the Pacific Islands, and Japan. ‘Kathryn Knitwear’ was well-known for their early adoption of modern materials and techniques that had broad appeal to their customer base. This is shown in their early use of the acrylic fibre ‘Orlon’ in the 50s and 60s and ‘Superwash’ wool in the 1970s. Many of Kathryn Knitwear’s styles, particularly those that were long running staples of the brand, were available in both wool and Orlon to suit the consumer’s preference. Far from the humble origins of one man in his bedroom with a hand-cranked machine; at its closure in 1980, the Broadmeadows factory of ‘Kathryn’ housed more than 100 machines, including 53 sewing machines and 45 knitting machines. Robert Blake was “a passionate advocate for wool and Australian Made” throughout his whole life. A strong thread that ties through the lifespan of Robert Blake and Kathryn Knitwear is a balance between adopting new innovations without sacrificing the core values of durability, comfort, care and style that had made the brand so well known. Their legacy forms an integral part of both Australian social and manufacturing history.Black and white photograph of three children Child on left has light chin-length curly hair and wears a beanie and turtleneck jumper with a Nordic motif. Toddler in the middle holds a toy trumpet and wears a three piece knit set of a beanie, cardigan and bootee leggings. It features a textured patterned stitch and is very similar to NWM-08913. The Child on the right wears a collared shirt and checked shorts with a pale V-neck cardigan with two front pockets and four buttons. The face and arm of a man with glasses and a goatee is visible on the left side of the image, smiling widely to encourage the toddler to smile for the camera. Stamped with ROUGH PROOF in blue ink with green lines above and below it. Written along the right edge with white ink is an index code A90473-4 From a promotional shoot for Kathryn Knitwear[Obverse] (White ink) A90473-4 (stamped in blue ink with green ink lines above and below) ROUGH PROOF [Reverse] LATROBE STUDIOSbusiness, business history, manufacturing, knitting machine, fashion textile production, business archives, manufacturing documents, textile industry - history wool marketing, wool marketing fashion textile industry, children's knitwear, children's clothing, knitwear marketing