Made by internee at Camp 3, TaturaHandcarved bone kookaburra mounted on a block of polished woodkookaburra, bone, camp 3, tatura, ww2 camp 3, ornaments

The Kookaburra Magazine of the First Kew Troop was mostly written by and for the Scouts themselves, with details of troop and patrol camps and activities, jokes, poems, etc. This edition of the Kookaburra Magazine featured a new style cover and was printed by the ‘Kew Advertiser’ newspaper.20-page magazine with a kookaburra on the front cover. 1st kew scouts, scouts - kew (vic), kookaburra magazine

The Kookaburra Magazine of the First Kew Troop was mostly written by and for the Scouts themselves, with details of troop and patrol camps and activities, jokes, poems, etc. The magazine was roneoed locally.14-page magazine with a kookaburra on the front cover. Signature [unidentified], "? Jan 1925"scouts - kew (vic), 1st kew scouts, kookaburra magazine

The Kookaburra Magazine of the First Kew Troop was mostly written by and for the Scouts themselves, with details of troop and patrol camps and activities, jokes, poems, etc. The magazine was roneoed locally.20-page magazine with a kookaburra on the front cover. scouts - kew, 1st kew scouts, kookaburra magazine

The Kookaburra Magazine of the First Kew Troop was mostly written by and for the Scouts themselves, with details of troop and patrol camps and activities, jokes, poems, etc. The magazine was roneoed locally.17-page magazine with a kookaburra on the front cover. scouts - kew, 1st kew scouts, kookaburra magazine

The Kookaburra Magazine of the First Kew Troop was mostly written by and for the Scouts themselves, with details of troop and patrol camps and activities, jokes, poems, etc. The magazine was roneoed locally.20-page magazine with a kookaburra on the front cover. 1st kew scouts, scouts - kew (vic), kookaburra magazine

The Kookaburra Magazine of the First Kew Troop was mostly written by and for the Scouts themselves, with details of troop and patrol camps and activities, jokes, poems, etc. The magazine was roneoed locally.20-page magazine with a kookaburra on the front cover. 1st kew scouts, kookaburra magazine, scouts - kew

The Kookaburra Magazine of the First Kew Troop was mostly written by and for the Scouts themselves, with details of troop and patrol camps and activities, jokes, poems, etc. The magazine was roneoed locally.16-page magazine with a kookaburra on the front cover. The Kookaburra Magazine of the First Kew Troop was mostly written by and for the Scouts themselves, with details of troop and patrol camps and activities, jokes, poems, etc. The magazine was roneoed locally.scouts - kew, 1st kew scouts, scout magazine

The Kookaburra is a sociable bird commonly seen in small flocks. These flocks mainly consist of family members. If not in flocks, these birds are commonly seen in pairs. They have a distinct appearance with brown wings, back and brown around the eyes, with majority of the plumage being white. This species reside in woodlands and open forests, however they can be seen in parks, wetlands, farms and any other space that is open with grass. This native Australian bird can mainly be found across the eastern Australia, however they have been introduced Tasmania, South-west Western Australia and New Zealand. Although this is a taxidermy mount, it looks exactly like a Kookaburra in real life. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Kookaburra has a predominantly white body. The back, wings and tail are a light shade of brown. There is a strip of brown going across the eyes. This specimen stands upon a wooden branch and has an identification tag ties around its leg. This bird is stout in shape and has a medium length tail and a broad bill. This bill is darker on top and lighter in colour on the bottom.W8083 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, kookaburra, australian birds, laughing kookaburra

Leslie van der Sluys (1939-2010), an Australian artist - painter and printmaker - was born in Victoria. He grew up in Mary Street, Kew with his family before moving to Deepdene. His sister Robin Kelly (nee Vandersluys) donated this artists' linocut to the Kew Historical Society as part of a larger collection in 2018.Original linoleum block of Kookaburra and Waratah, 1982, by the Melbourne artist Leslie Van Der Sluys. The block is broken, preventing its use for further editions of the print. The incised linoleum block shows the reverse of the finished print. The design is of a kookaburra, in profile perching on a Waratah with eucalyptus leaves at the top.leslie vandersluys, robin kelly collection

Halls Gap - Kookaburra Cafestawell

The pendant was made for Sister Lorraine Danson by a German interneeBlack and white photograph of a silver pendant made from a silver florin. A cut-out of a kookaburra and a baby bird with its mouth open sit of a branch. Leaves hang from another branch. 28 camp hospital, danson, german internee, pendant, silver, florin, handmade

See Ref. 4362Rubber stamp depicting a KookaburraKOOKABURRAschool, equipment

Looking down toward Kookaburra Bend 1. The remains of this site are between Greensborough and Janefield. A RAAF Hygiene Training Camp was located on the Plenty River, just south of the Janefield community. It was in use from 1944 to 1946. The Camp was constructed from salvaged materials. Instruction included building and maintenance of grease traps, latrines, elementary plumbing and carpentry.Early remains of a WW2 training camp Digital colour photograph.

Looking down toward Kookaburra Bend 2. The remains of this site are between Greensborough and Janefield. A RAAF Hygiene Training Camp was located on the Plenty River, just south of the Janefield community. It was in use from 1944 to 1946. The Camp was constructed from salvaged materials. Instruction included building and maintenance of grease traps, latrines, elementary plumbing and carpentry.Early remains of a WW2 training camp Digital colour photograph.

United Nations peace keeping mission - F324093 Sgt C A Frawley 'Kookaburra' ASC IV UNOSOM 19 May 1994 - 25 Nov 1994brown timber frame with off white mount containing six photographs and camouflage lanyardF324093 Sgt C A Frawley 'Kookaburra' ASC IV UNOSOM 19 May 1994 - 25 Nov 1994united nations, asc iv unosom, kookaburra

storage of teaA metal tin tea caddy with a painted kookaburra on the face.Background is blue On the lid is the name BushellsBushells Pinted Kookaburra

334.1 - Kookaburra Series No. 25 postcard, vertical format, view of the Swanston St entrance to Flinders St. Railway station with five sets of cable trams with horse drawn vehicles and many people. Photo is formally printed using a screen. Title 'Main Entrance, Flinders St. Rly Station Melbourne' along base. On rear in landscape format is areas for address, card number, a kookaburra symbol and saying, publisher notes and areas for address and correspondence. Off white card. c 1910. 334.2 - Photograph as a postcard of the Swanston St. entrance of Flinders St. Railway station from ground level with horse drawn vehicles and pedestrians in view. No motor cars in view or cable cars. c1910. On base in white ink (faded) handwriting 'Railway Station Melbourne'. On rear is name of object and areas for Address and Correspondence and '29'. trams, tramways, melbourne, flinders st. station, cable trams

The Rufous-bellied Kookaburra is a large member of the Kingfisher family. It commonly resides in the dense rainforests of lowland New Guinea, Saibai Island, Indonesia, Biak, Maluku/Moluccas Islands, Papua New Guinea, Melanesia and Queensland in Australia. This is unlike other species of Kookaburra which commonly prefer to reside in locations of open country. Another aspect which makes this bird unique to other Kookaburra is its tendency to live in pairs and not in family groups which is typical of other Kookaburras. In the case of the Rufous-bellied Kookaburra, both parents incubate and care for the eggs/chicks. This Kookaburra feeds on small mammals, birds, reptiles and insects. The Rufous-bellied Kookaburra was originally named the Gaudichaud's Kookaburra after the French botanist Charles Gaudichaud-Beaupré. This species of Kookaburra is among the most colorful varieties of the Kookaburra alongside the Spangled Kookaburra. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. The Rufous-bellied Kookaburra is a large Kingfisher with a black coloured cap on the head, white collar around the neck, blue feathers on the wings and rump and a rufous belly. The female Kookaburra has a brown/rufous coloured tail, as is the case for this particular specimen which identifies it as female. This bird has a large white bill and pale coloured legs. The head is a large square shape and the body is stocky.Label: National Museum Victoria / 159a /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, kingfisher, kookaburra, rufous-bellied kookaburra

Bobs for Jobs was a State-run program to support local fundraising. Each Scout was expected to knock on doors seeking jobs, with the money raised going to the local Group, perhaps to buy equipment or pay for camps. The award of pennants was used as an incentive.‘Busy Bee’ pennant awarded to the 1st Kew Kookaburra Patrol for raising “£5.16.6” during Bobs for Jobs. The pennant includes names of the patrol members on the reverse. Front: "1st Kew Kookaburra Patrol / £5.16.6"1st kew scouts, memorabilia - pennants, scout bobs for jobs

Photographs of three kookaburras that visited Mount Helen, Victoriakookaburra, laughing jackass, bird

Postcard of Kookaburra. Produced by National View, printed by Murfett Publishers Australia.basil miller, australian animals, kookaburra

W. Edward attended the Ballarat Junior Technical School.Linocut featuring kookaburras.art, artwork, printmaking, kookaburra, bird, requires framing, w. edward, ballarat junior technical school

A badge made for War Widows Guild members to wear to show they were members. The Kookaburra is the symbol of the Guild. From the War Widows' Guild of Australia website: 'the Guild badge would feature the kookaburra, an industrious and cheerful bird who mated for life, was fearless and aggressive in the defence of its young and the area of territory it regarded as its own. The bird also had a unique call, not a song but a laugh; a chortle of rollicking mirth (to bring the widows back to laughter). Also, the kookaburra is a typically and completely Australian symbol, one that could be worn proudly by every widow whatever her creed or ideals. The kookaburra was also the mascot of the 7th Division of the 2nd AIF, commanded by Mrs Vasey’s husband, Major-General Vasey. Mrs J M Vasey was the founder and president of the War Widows Guild. During the second world war she became secretary of the AIF Women's Association, a body which sought to help soldiers' wives. Her work with this body drew her attention to the plight of war widows. After her husband Major-General George Alan Vasey died in an aircraft accident on 5 March 1945 she became a widow herself. At the end of the war Mrs Vasey founded the War Widows Guild, established on 22 November 1945. The Victorian War Widows Guild closed in 2021. Some items, including this badge, were donated to the Legacy archive for preservation. It was possible for a widow to be members of both Legacy and the War Widows Guild. Both organisations helped war widows in various ways.A identity badge of the War Widows Guild.Dark silver badge with a kookaburra logo and a butterfly clip.Engraved on reverse 'M2155' and stamped 'Property of War Widows' Guild'.war widows guild, wwg

Pokerwork was a popular home craft in the 1930s. This small domestic piece using plywood is typical of objects made at home or school in that period.One of two matching circular pieces of ply, Incised, painted and lacquered with holes top and bottom for ties with image of Kookaburra and leaves. Incised to lower centre of cover 'd'oyleys'.painted and lacquered with image of Kookaburra and leaves and Incised to lower centre of cover 'd'oyleys'.mary burke, donald, taffe, ballarat, pokerwork, craft