- Documentation of history of lace machines & lace making - Dates covered 1760's - present day- Bound, hardcover book - Dust jacket - First published 1986 Book provides excellent comprehensive history of lace machines and machined lace.Various - Author Pat Earnshawlace, lace machines

A Quick Guide to Identification of laceSoft covered booklet containing photographs of lace, by Lace Arts Council for EducationLace - A Quick Guide to Identificationlace

Revised edition documenting European Lace collecting and lace making.Hardcover book Red dust cover with B/W writings. Contents: - Lace fashion in the 19th century - Machine made lace in England, France and elsewherePatricia Wardle Victorian Lace, Revised second edition ISBN 0 903585 138lace collecting and making, european

Erstine Schlisweg married William Bosse in Germany in 1860, later settled in Nhill districtSettlers in Nhillc 1860 Three piece silk & lace wedding ensemble handmade in Germany, consisting of a silk full length skirt with lace & ribbon trim which hugs the waist, flows into a small train at the back; the high round neck, sleeveless bodice/top tucks into the skirt, is silk with pleats down either side of a lace panel in front; cape is silk, slightly gathered so it elegantly flows over the shoulders, finishing below the hips, is trimmed with lace around the neck and bottom. Lace & ribbon trims wedding dress, william bosse, erstine schlisweg, nhill, german - textiles - handmade

circular Idrija lace doilyThe Idrija lace was inserted in a thin off-white linenidrija lace doily, tomaj, italian school, slovenia, slovenian association melbourne

Two spools of white lace threadHarris Lace Thread Flax No. 70 2 Cordhandcrafts, lacemaking

Debra Jarred only daughter of Rex and Joan Jarred, of Broughton, married John Barber second son of Basil and Val Barber of Nhill, on 8 March 1980, at the Uniting Church, Broughton.Nhill family wedding; representing style of wedding dresses in 1980Wedding dress made by Cassandra Gowns; shoe string strap daisy lace bodice, with stand up collar of daisy lace and pleated skirt, elegantly covered with a cuffed long sleeve blouse, over skirt & belt of chiffon, flowing graceful soft train, finishing with a head-dress decorated in daisies attached to a long fine silk net veil.(2007.01.1) - Bouquet of white silk roses & ribbon(2007.01.2); white high heal lattice toe shoes with delicate ankle strap (2007.01.3), Blue lace garter & assorted crocheted bells, horse-shoe, and slippers, of satin ribbon (2007.01.4)daisy lace trim on cuffs and necklinewedding dress, 1980, broughton, debra jarred, debbie jarred, john barber, uniting church, rex & joan jarred, basil & val barber], nhill

The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. This form of bobbin lace is made in Malta. It is a guipure style of lace. Maltese lace is worked as a continuous width tape lace on a tall, thin, upright lace pillow called a "Trajbu" and the Bobbins are called "Combini" . Bigger pieces are made of two or more parts sewn together. Lace made in Malta was originally needle lace, from the 16th to the 19th century, when the economic depression in the islands nearly led to the extinction of lacemaking there. But in the mid 1800s, Lady Hamilton Chichester sent lacemakers from Genoa to Malta. They used the old needle lace patterns and turned them into bobbin lace, which was quicker. It was not long after its introduction that the Maltese lace developed its own style from Genoese lace. Maltese lace was shown at The Great Exhibition of 1851 and it became popular in Britain. The style was copied by lacemakers in the English Midlands, and it was one of the sources for Bedfordshire lace. Maltese lace usually has the following characteristics which are useful for identification: It is usually made from cream silk. There is often the 8 pointed Maltese cross as part of the pattern, worked in whole or cloth stitch.The pattern may also have closely worked leaves known as “wheat ears” or “oats”. These are plump and rounded in shape, rather than the long narrow leaves of other types of bobbin lace. Maltese lace edging. It shows the Wheat ears, characteristic of Maltese lacelace, maltese lace, lace tape

Possibly made in Italy, the Maltese lace is bobbin lace in the style of quipure.Square handkerchief with silk centre and Maltese lace border. The Maltese lace incudes leaves and tallies.lace, handkechief, maltese lace, bobbin lace, silk

Lace probably made in Burano Italy in the style of 18th century French Alençon needle lace. Fine lace used as costume trimmingNeedle lace edging - sample

Princess lace flower mat made in Bruges from collection of Nan WarnerCream lace square with ornate lace motifs in each corner and lace edged.lace, handmade, bruges, nan warner

This fine lawn handkerchief has machine made lace trim. Although lace was being machine made from the 1600’s the design of the lace on this handkerchief is circa 1900’s. This handkerchief is a representation of fine needlework and women's fashion accessories in the late 19th and early 20th century.White fine lawn cotton handkerchief, square with machine made lace handstitched to lawn. Features two separate types of lace which are carefully cut on the edges. The design of the lace is circa 1900s.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, handkerchief, lace handkerchief, woman's handkerchief, women's accessory, fine fabric craftwork

Lace made by Vicki Jones EvansBlue lace piece, 7 circles, Teneriffe lace and bobbin.lace

Paraguayan Ñandutí Lace Mat - Ñandutí is a traditional Paraguayan lace. The name means "spider web" in Guaraní, the official, indigenous language of Paraguay.Set of six Coasters are made in Ñandutí lace from Paraguay. This lace is closely related to Teneriffe lace (done on a wheel). White coasters, circular and flower motifs.embroidery, lao, nanduti, paraguay

1 single bed flat white heavy cotton sheet with lace border at the topIdrija lace border, with special stitch (žur) line, initial MG for Marcela Gec, Marcela maiden name

Very fine Flemish lace possibly from Antwerp. Fine lace used for costume trimmingBobbin lace edging. Sample

This lace is similar in appearance to Genoese collar laces but the thread is much finer and the lace softer. At the time it would have been an expensive fashionable lace trimming. This particular piece was borrowed and used as an illustration in Pat Earnshaw's book "The identification of Lace"Flemish lace edging attached to a piece of black fabric.

Fine lace used as a costume trimming. A 19th Century imitation of French Alençon lace. Probably made in Burano Italy.Needle lace edging. Sample

The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. This form of bobbin lace is made in Malta. It is a guipure style of lace. Maltese lace is worked as a continuous width tape lace on a tall, thin, upright lace pillow called a "Trajbu" and the Bobbins are called "Combini" . Bigger pieces are made of two or more parts sewn together. Lace made in Malta was originally needle lace, from the 16th to the 19th century, when the economic depression in the islands nearly led to the extinction of lacemaking there. But in the mid 1800s, Lady Hamilton Chichester sent lacemakers from Genoa to Malta. They used the old needle lace patterns and turned them into bobbin lace, which was quicker. It was not long after its introduction that the Maltese lace developed its own style from Genoese lace. Maltese lace was shown at The Great Exhibition of 1851 and it became popular in Britain. The style was copied by lacemakers in the English Midlands, and it was one of the sources for Bedfordshire lace. Characteristics of Maltese lace. Maltese lace usually has the following characteristics which are useful for identification. It is usually made from cream silk. There is often the 8 pointed Maltese cross as part of the pattern, worked in whole or cloth stitch.The pattern may also have closely worked leaves known as “wheat ears” or “oats”. These are plump and rounded in shape, rather than the long narrow leaves of other types of bobbin lace. Camisole, made of silk thread Maltese bobbin lace that is constructed of lengths of lace forming two rectangles with a hole for the neck. Shows the characteristic Maltese cross and wheat ears. Fabric is made of tape lace joined togethercamisoles, maltese lace, bodices

Book contains history an photos of various lacesSoft covered book "The Identification of Lace" by Pat Earnshaw. Book contains history of lace and black and white photos of various styles and patterns of lace.Shire Publication Ltdlace

Fine lace used as a costume trimmingNeedle lace edging

This piece of 19th Century lace was made in Italy and was originally part of Nan Warner's lace collection. Elizabeth Nan Warner and Max Warner travelled to Europe buying lace. They joined a local Lace Group in 1970.Small white, Bruge lace, circular doiley made of silk with 8 circular motifs surrounding a central lace flower edged with four groups of leaves sewn on a white net background.lace, 19th century

A light weight lace used for costume trimmingBobbin lace flouncing

Part of a travelling salesman's lace samples from Plauen, East Germany, a lace making town since 13th Century.Piece cream lace used for demonstration purposeshandcrafts, lacemaking

Part of a travelling salesman's lace samples from Plauen, East Germany, a lace making town since 13th Century.Cream lace piece used for demonstration purposeshandcrafts, lacemaking

Part of a travelling salesman's lace samples from Plauen, East Germany, a lace making town since 13th Century.Piece of cream lace used for demonstration purposeshandcrafts, lacemaking

Part of a travelling salesman's lace samples from Plauen, East Germany, a lace making town since 13th Century.Piece of cream lace used for demonstration purposesFriedrich Seidel, G. m b. H. Plaven I. V. No A11704 5 7-2handcrafts, lacemaking