Operation by 5 RAR at Duc Thanh 1966See article http://www.5rar.asn.au/gallery/cavill_6.htmLanding at Duc Thanh Print in wooden frame under glassLanding at Duc Thanh By B Fletcherduc thanh

Print of painting showing the landing of ANZAC soldiers at Gallipoli. The Landing at Anzac, Anzac Day, April 25 1915 printed on the bottom. Artist signature in print is C Cuneo anzac, gallipoli, 1915, painting

Print of an original Painting - Titled "Landing At Duc Thanh" by B Fletcher, coloured print of various soldiers and helicopters on landing, with vegetation in foreground. Frame - Light Timber with decorative edge - marbled brown colour finish. Glass front. Mount - double mount, mid green, dark red inner.Light green print below picture "Landing at DUC THANH/ by/ B. FLETCHER" framed print, battle, vietnam

2 coloured photos in a black frame of helicopters approaching a landing zone.helicopters, landing zone

Part of a collection of 'Rose & Valentine' series of Post Cards. Copied by John Jansson 1984B&W postcard. Ferry arriving at San Remo all decked out in flags. Jetty crowded with people. Several other small craft around.Landing at San Remolocal history, photography, photographs, postcards, transport, shipping, black & white postcard copy, ferries, san remo, jetties, phillip island

A postcard with a black and white image of small boats being towed on a rope through water. Each boat is carrying several soldiers, and other ships and boats can be seen in the background. From the title it is a landing party going ashore near Gaba Tepe, on the Gallipoli peninsula. The back of the post card is blank so it was kept more as a souvenir than sent as a letter. There are other similar postcards in the collection.Images of Gallipoli were captured on postcards as mementoes. Postcards were a very common form of communication in the first World War. Postcards as souvenirs or as correspondence would have been familiar to the first Legatees as they had served in World War 1.Black and white postcard with an image of small boats being towed on a rope through water. Each boat is carrying several soldiers, and other ships and boats can be seen in the background. Front of postcard: "TOWED IN UNDER PROTECTION OF THE FLEETS FIRE : A LANDING PARTY GOING TO REINFORCE THE AUSTRALIANS NEAR GABA TEPE."world war one, gallipoli, souvenir

Copies of original photographsWritten on back: .1 At the landing .2 Another group .3 One view of the landingchatham-holmes collection, plane landing, armed forces

This item was originally hanging over the double doors inside the Billiard Room of the Soldiers Memorial Institute pre being a Museum in 1998. After the renovations to the SMI 2016 - 18 it was placed on the other side of the double doors in the foyer. It is not clear when this item came to the SMI but it was many years prior to SMI becoming a museum.Very large framed black and white print of a painting of " The Landing of the Anzacs, 25th April, 1915" from original by Charles Dixon R.I 1915. Title - Presented to White Hills Reading Room by Vernon Rymer ESQ, November 14th, 1921. Frame - heavy timber, dark brown stain with gold painted inner edge, glass front. Mount - Off white cardboardBelow print/painting - Block printing - title of painting " THE LANDING OF THE ANZACs 25 April 1915 , Presented to White Hills Reading Room by Vernon Rymer ESQ" brsl, smirsl

Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.The Port of Liverpool. Coloured postcard. The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928."The Port of Liverpool : The "Empress of Russia" at Prince's Landing Stage"postcards, george and edith weir, the port of liverpool, postcards -- liverpool -- england (uk), weir collection

Detailed model of US Army landing craft on grey basemodel, landing craft, us army

Tambo Upper House on right Captain Wilson Marine Engineer steam launch Union Jack, house on left is Sam Solomans House and Hop kilns Black and white photograph of Battens Landing on Tambo River, Tambo Upper Victoriarivers, jetties, farming

This launch was first named Rubeena 1 became Peels Bellbird then renamed Rubeena Now at Port of Sale 2020Colour photograph of tourist launch Rubeena at Fishermans Landing Lake Tyers Victoriaboats and boating, tourism, waterways, local history

The Sun Newspaper Articles on the Landings in France on D-Day 7/6/1944History of World War 2The Sun Newspaper reporting on the D_Day Landings in FranceThe Sun Newspaper reporting on the D=Day Landings in France 7/6/1944the landings in france on d-day 7/6/1944

Line image of two Aborigines standing on the coastline opposing the landing of a boat from Captain Joseph Cook's vessel, 'The Endeavour'.aborigines, captain james cook, endeavour, exploration, sailing ships, ships, sydney

Part of a collection of Rose & Valentine Postcards. Copied by John Jansson 1984Black & White Postcard. View of Cape Woolamai showing Eastern entrance and mutton birders & egg collectors just inside on Cape Woolamai.Eastern entrance to Western Port. Mutton bird eggers landing beach, just inside Cape Woolamailocal history, photography, photographs, postcards, black & white postcard copy, cape woolamai, eastern entrance, mutton bird egg collectors, phillip island

B/W photo of an electric crane unloading cargo onto landing barge from HMAS Sydney first trip June 1965photograph, hmas sydney

A Plaque was erected on the occassion of the re-enactment. The wording is as follows: "In Recognition of a brave adventure on January 5 1998. Five men: Bern Cuthbertson (skipper), Tom O'Byrne (first mate), Craig Dixon, Rick McMahon and Geoff Zwan, landed in Flinders after 4 weeks at sea having rowed and sailed from Darling Harbour Sydney in the 'Elizabeth', a nine metre whale boat. This voyage re-enacted the discovery and naming of Western Port by Royal Navy Surgeon George Bass and his crew of five in 1798." They rowed an 8.7m long open whale boat some 1930 km from Port Jackson (Sydney).A collection of colour photographs taken at the re-enactment of the landing of George Bass. Showing "Sailors", a Canon, inside the boat, boats on the water and spectators on the foreshore.bass landing re-enactment 1998, george bass, san remo, p & e king

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph of a helicopter of 161 (Indep) Recce Flt uses a Centurian Tank Bridge Layer as a landing zone during Operation Matildaphotograph, centurion tank, operation matilda, gibbons collection catalogue, 161 recce flight, centruian bridgelayer, denis gibbons

In 1801, Lieutenant James Grant of the British survey vessel Lady Nelson landed on Churchill Island, clearing land to plant the first European agricultural crops in Victoria, namely corn and wheat. Re-enactment in 2001.HistoricalNine coloured [ 10x15 cms] photos showing people dressed in historical costumes as members of the landing party and the sailing ship replica, Lady Nelson.churchill island, sailing ship - lady nelson, don coleshill, russell broadbent, kath eddy, cherry mcfee

Landing of ANZAC's at Gallipoli April 25 1915Brown timber frame with light brown mount containing print depicting soldiers landing on shore from ships at sea.The landing of the New Zealand and Australian Expeditionary Forces,Gallipoli,April 25,1915anzac, gallipoli, 25/4/1915

A popular Sunday outing venue was at Tambo UpperCopy of black and white photographic print showing large picnic party, steamer possibly Tanjil in background at a steamer landing on Tambo River between Swan Reach and Bruthen East Gippsland Victoriarivers, boats and boating, steamers

Steamer landing wharf on the western side of Lake Wendouree.lake wendouree, steamer

The model of a landing craft that has spacious front area that holds a ship and the back area has a cube with text "Sydney". The whole model is in greenish grey colour and the boat inside is in grey with yeallow robes on deck.SYDNEYmodel - combat ship, hmas sydney, lcm 6 landing craft

Framed oil painting seascape titled: "Mahers Landing" by Adrian Johnson. A Fish Creek Acquisitive Art Show Prize 1991.Set in cream card window mount with gold painted woood frame. Small brass engraved plaque affixed to lower edge. Details of artist on reverse.

Commemoration in London of the first anniversary of the landing at Gallipoli. On 25 April 1916, around 2,000 Australian and New Zealand soldiers marched through the streets of London to the Abbey. The service was held in the presence of King George V and Queen Mary.Two pages of paper, buff coloured with age, printed both sides, folded and stapled to make an 8 page document. The order of service is set out on pages 3-8.wwi, world war i, anzac, anzac day, gallipoli, aif

Allan Charles Quinn went to sea aged 16 and photographed his work and the places he visited. His collection of photo albums provides a pictorial autobiography for a period in his life. Included in the Allan Charles Quinn Collection are a series of letters written to and from his mother.Black and white photograph of landing docks at San Francisco. To the right of the photograph is the streetscape which includes a walking track and street lighting in front of a road and row of shops or houses. To the centre of the photograph are the ramps to reach the jetty where the yachts are moored. To the left of the photograph are the bows of a long line of yachts. In the background of the photograph there is a large multi-storeyed building.Blue/green ink, handwritten on reverse: "30/9/49" Handwritten in pencil: "K9/A"san francisco, sailing boats, ramps, promenades, allan charles quinn

In a black frame a foloured photograph of a Landing Craft Medium Harry Chauvel of 32 Small Ships Squadron. There are soldiers aboad the vessel as well as some of two vehicles being unloaded near the shore. Bottom left hand side reads Voyages To Vietnam Collection and bottom left hand side reads Copyright Tony StancombeVoyages To Vietnam Collection. Copyright Tony Stancombephotograph, 32nd small ship squadron, cerberus collection