This painting is one of a pair of large paintings by W. Langley-Taylor in our collection. Currently, no further information has been found about the artist but research is ongoing. The subjects of these paintings are seascapes of notable areas of the coast on each side of Port Phillip Bay, south of Melbourne, Victoria. The subject of this painting is Cape Schanck, Victoria, which is on the east side of Port Phillip Bay. It includes the Cape Schanck Lighthouse and its Flagstaff. The Cape Schanck Lighthouse was built in 1859 and is the second of Victoria’s coastal lights. It is 21 metres tall and made from limestone. Unusually, its stairway is made from stone rather than wrought iron. Gilded tours are available to explain its use and significance to visitors. The lighthouse keepers at Cape Schanck kept records of the ships that sailed past them along Bass Strait; ship’s names, direction, time and date and so on. The details would also be passed on to shipping agencies, Harbour Masters and newspapers, which published Arrivals and Departures into and out of shipping ports such as Port Phillip Bay and the Port of Melbourne. INSCRIPTIONS “Mrs M Irby” (and on the Eagle Rock, Warrnambool, painting “980/Regency”) The inscription “Mrs M Irby” is on the back of both paintings but the significance of the inscription has not yet been discovered. Perhaps she was connected with the ship or shipping company “Irby”. A ship named “Irby”, built in Merseyside, Liverpool in 1881 by R & J Evans, Birkenhead. It was a four-masted iron ship built for the White Star Line. Henry Wilson Hewitt bought her in 1882, then later she was owned by Chadwick & Pritchard. In 1888 she was registered under the Irby Ship Co. Ltd. (trading as J. Joyce) in Liverpool. In 1912 Galgate Co. Ltd owned her. She traded between London, England and Australia, and is recorded as being in Melbourne and Hobart. In 1919 the Irby was destroyed by a mine when on her way to England. Or perhaps her name and the inscription in pencil “980/Regency” on the Eagle Rock Warrnambool, painting could be a delivery address for the paintings, perhaps an apartment in a hotel. NOTE: The artist’s spelling of the title “Cape Schank, Vic.” is incorrect. The location in this painting is named Cape Schanck. This painting is significant geographically for its representation of the coastal scenery of Victoria, Australia. It is also significant as one of a pair of paintings of seascape, one at sites each side of Port Phillip Bay. The painting is significant historically as an example of late 19th and early 20th methods and materials used to construct a painting’s frame. Painting oil on board in a dark wooden frame, portrait orientation. Seascape of coast with cliffs, lighthouse and flagstaff, flying birds, high waves breaking onto rocks, blue sky with clouds. The title is painted on lower left corner and the Victorian artist, W. Langley-Taylor, has signed his name on lower right. The inscription on back is handwritten script in red crayon or thick red pencil. The board is held in place inside the timber frame with small, dark metal tacks around all sides. Metal eyes join the wire to the frame. Small round, dark metal nail heads are dispersed around the frame and there is a change of colour on both the board and the wood of the frame. Painted on front “W.LANGLEY-TAYLOR.” and “CAPE SCHANK, VIC.” [NOTE: correct spelling is Schanck] Handwritten on back “Mrs. M. Irby” flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, painting, oil painting, cape schanck painting, w. langley-taylor, wall decoration, seascape of victoria's coast, art, mrs m irby, victoria's coast, pair of paintings

This painting is one of a pair of large paintings by W. Langley-Taylor in our collection. Currently, no further information has been found about the artist but research is ongoing. The subjects of these paintings are seascapes of notable areas of the coast on each side of Port Phillip Bay, south of Melbourne, Victoria. This painting is of Eagle Rock, Warrnambool, which is on the west of Port Phillip Bay. Eagle Rock is located about 400 metres west of Thunder Point, near Shelly Beach. The painting includes the rocky cliff formations looking east towards the Warrnambool Breakwater. The walk from the Thunder Point car park westwards to Shelly Beach has been popular over the decades with residents as well as tourists. Many photographs include the rock, with varying backgrounds depending on the angle of the camera. It is a popular dive site for locals and visitors, in calm weather! The site can be approached by boat from the open sea in favourable conditions, and there is plenty of native marine to be seen in this marine sanctuary. This part of Warrnambool’s rugged coastline is unprotected from the Southern Ocean with its wild icy winds and high seas. The painting’s crashing waves and the northerly direction of the smoke on the steamship sailing north show the effect of the southerly wind. INSCRIPTIONS “Mrs M Irby” and “980/Regency” The significance of the inscription “Mrs M Irby”, on the back of each of the two paintings, has not yet been discovered. Perhaps she was connected with the ship or shipping company “Irby”. A ship named “Irby”, built in Merseyside, Liverpool in 1881 by R & J Evans, Birkenhead. It was a four-masted iron ship built for the White Star Line. Henry Wilson Hewitt bought her in 1882, then later she was owned by Chadwick & Pritchard. In 1888 she was registered under the Irby Ship Co. Ltd. (trading as J. Joyce) in Liverpool. In 1912 Galgate Co. Ltd owned her. She traded between London, England and Australia, and is recorded as being in Melbourne and Hobart. In 1919 the Irby was destroyed by a mine when on her way to England. Or perhaps her name and the inscription in pencil “980/Regency” on the Eagle Rock Warrnambool, painting could be a delivery address for the paintings, perhaps an apartment in a hotel. This painting is significant geographically for its representation of the coastal scenery of Victoria, Australia. It is also significant as one of a pair of paintings of seascape, one at sites each side of Port Phillip Bay. The painting is significant historically as an example of late 19th and early 20th methods and materials used to construct a painting’s frame. Painting oil on board in a dark wooden frame, portrait orientation. Seascape of rock formation and cliffs, two yachts, a two-masted steamboat with red funnel and smoke, flying birds, high waves breaking onto rocks, blue sky with clouds, some tinted pink.. The title is painted on lower left corner and the artist, W. Langley-Taylor, has signed his name on lower right. The inscription on the back is a handwritten script in red crayon or thick red pencil. The board is held in place inside the timber frame with small, dark metal tacks around all sides. Metal eyes join the wire to the frame. Small round, dark metal nail heads are dispersed around the frame and there is a change of colour on both the board and the wood of the frame. Painted on front “W.LANGLEY-TAYLOR.” and “EAGLE ROCK, WARRNAMBOOL, VIC.” Handwritten on back “Mrs. M. Irby” and “980 [underlined] Regency”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, eagle rock warrnambool, w. langley-taylor, oil painting, wall decoration, seascape of victoria's coast, mrs m irby, art, seascape, pair of paintings

Ralph Langley served in WW1Reproduction Black and white photograph of Ralph Langleyww1

Three photographs of the Taylor family and their home at 17 Mayfield Street Greensborough, taken in 1944 and early 1950s.Three black and white photographs."Taylor Home, 17 Mayfield Street 1950s"; "Diane Taylor, 17 Mayfield Street 1956?"; "Taylor Family - Mayfield St. 1944 - Noella, Mrs Taylor, Diane, Louise ".taylor family, mayfield street greensborough, dianne taylor

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Multi-layered lino cut. We are currently looking for information on the artist Jenny Taylor. If you are able to assist with information please leave let us know via the comment box below.Signed lower right hand side 'Jenny Taylor '78'art, artwork, jenny taylor, taylor, available, printmaking

This wallet was given to George Langley from the Warrnambool High School ex students in 1940. George Furner Langley 1891-1971 was Principal of Warrnambool High School from 1921 to 1940.He served with distinction in World War One and World War Two and became the Principal of Melbourne High School. This wallet is of some interest as a memento of a prominent Principal of Warrnambool High School - Colonel George Langley. This is a brown kangaroo leather folding wallet with several pockets, a pencil holder, a metal clip on the front and a small metal plaque with an inscription. It is lined with corded material. G.F. Langley in Appreciation 18-5-40 Warrnambool High School Ex Students Stg 115 george langley

Anne TAYLOR Framed black and white photograph showing a pier over a foggy lake, with reeds in the foreground. If you can assist with information on this artist or artwork please use the comment link below. Frame stamp - Jem Frames, 26 Firebrace St, Horsham Frame sticker - Alphmat Artcare System, Ref 5055, Date 1996art, artwork, anna taylor, photography, foto, lake, water, fog, pier, reeds, landscape, wimmera

Contents include: 1. 1 photograph copy of 1896 photograph of 'Sunnyside,' (relocated to original mount photo location 2.8.1 EDHS_00404) the home of William John Taylor and family in Bible Street and a request to photograph it in 2009. 2. Information and grave photos for Abraham Taylor, Ann Taylor and Mary Taylor (collated by Harry Gilham). 3. Information and grave photos for William J Taylor, Sarah Jane Taylor and Margaret Taylor (collated by Harry Gilham). 4. Information and grave photos for Robert David Taylor and Charlotte Amelia Taylor (collated by Harry Gilham). 5. 4 photocopies from "The Advertiser" September 1932 "Eltham Reminiscences by R. D. Taylor" Information written by and about R.D. Taylor (1857-1934) , including Taylor was a lifetime resident of Eltham township, a Shire of Eltham Councillor and member of the Rechabite Lodge. He was a woodcutter and a wood-carter, landholder and member of the Methodist Church. 6. Photocopy news article "A place in the sun" by Don Petersen featuring Mary Taylor grave, 19 May 1976 (publication unknown) 7. William John Taylor and Isabella Casey family tree 8. List of members of Taylor family who were Eltham Shire Councillors 9. Photocopy from "Pioneers and Painters: One Hundred Years of the Shire of Eltham" by Alan Marshall 10. Typed notes with pen markings headed "notes from Ken Eckersall" 11. Research request from Maurie Earl (1988, Nelson, N.Z.) 12. Research request from Greg Taylor (1989, Bunbury, W.A.)Folder of various items: cemetery photographs, photocopies, handwritten notes pertaining to Abraham Taylor Ann Taylor Charlotte Amelia Taylor Lillian Jane Taylor Margaret Taylor Mary Taylor Robert David Taylor Sarah Jane Taylor (nee Bunker) William John Taylor Initially collated by Harry Gilham as part of a file on Eltham Cemetery and Gillam Collection Booklet HG 34 Compiled 1988-2010HG Booklet 34eltham reminiscences, harry gilham collection, r.d. taylor, robert david taylor, sunnyside, w.j. taylor, william john taylor, eltham cemetery, abraham taylor, ann taylor, charlotte amelia taylor, lillian jane taylor, margaret taylor, mary taylor, sarah jane taylor (nee bunker), beard, benjamin thomas taylor, bunker family, charlotte isabel taylor, cochrane family, councillors, crozier, eliza ann taylor, eltham, greg taylor, hudson, isabella casey, joseph taylor, kangaroo ground, mary jane crozier (nee vance), mary jane taylor, moseley, patrick kierce, research (vic.), samuel cameron, sarah taylor (nee bunker), saray taylor, shire of eltham, taylor family, thomas cameron, william crozier, william john taylor the younger, maurie earl

This is a set of 21 photographs of a 4th Field Survey Squadron function held in 1986 to farewell its OC MAJ Don Taylor. MAJ Taylor served 27 years in the Australian Regular Army from 1960 to 1987.This is a set of 21 photographs of a 4th Field Survey Squadron function to farewell its OC MAJ Don Taylor, at Keswick Barracks, Adelaide SA in 1986. The black & white photographs are on 35mm negative film and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 96 dpi. .1) - Photo, black & white, 1986. L to R: SSM WO1 Bill Griggs, OC MAJ Don Taylor, unidentified. .2) - Photo, black & white, 1986. Back row L to R: SGT Wally Chilcott, unidentified (x2), CPL Peter McCurdy, unidentified. Front row L to R: LT Greg Oaten CSC, LT Malcolm Hentschel, SPR Steve Nokes. At front L to R: CPL John Ratcliffe, OC MAJ Don Taylor, SSM WO1 Bill Griggs. .3) - Photo, black & white, 1986. L to R: SSM WO1 Bill Griggs, CPL John Ratcliffe, OC MAJ Don Taylor, George Ricketts, unidentified (x2). .4) - Photo, black & white, 1986. L to R: LT Malcolm Hentschel, unidentified (x2), CPL John Ratcliffe, CPL Peter Hardy, SSM WO1 Bill Griggs, OC MAJ Don Taylor. .5) - Photo, black & white, 1986. L to R: LT Greg Oaten CSC, LT Malcolm Hentschel, unidentified (x2), CPL John Ratcliffe, CPL Peter Hardy, SSM WO1 Bill Griggs, OC MAJ Don Taylor. .6) - Photo, black & white, 1986. L to R: SGT Bill Tewson, SGT Bob Croxton, CPL Dave Irving, WO2 Bob Rogister, unidentified (x3), SSGT Cam Chapman, Chris Hills, CPL Roger Graf. .7) - Photo, black & white, 1986. L to R: SSM WO1 Bill Griggs, LT Malcolm Hentschel, OC MAJ Don Taylor, SGT Mick Hogan. .8) - Photo, black & white, 1986. L to R: unidentified, LT Malcolm Hentschel, SSM WO1 Bill Griggs, Mick Hogan’s daughter? OC MAJ Don Taylor, SGT Mick Hogan. .9) - Photo, black & white, 1986. L to R: unidentified, SSM WO1 Bill Griggs, unidentified, SGT Bill Tewson, OC MAJ Don Taylor. .10) - Photo, black & white, 1986. L to R: unidentified, SGT Bill Tewson, SSM WO1 Bill Griggs, OC MAJ Don Taylor, SGT Mick Hogan and his wife. .11) - Photo, black & white, 1986. L to R: CAPT Steve Cooper, SSM WO1 Bill Griggs, OC MAJ Don Taylor. .12) - Photo, black & white, 1986. L to R: unidentified, CAPT Steve Cooper, SSM WO1 Bill Griggs, OC MAJ Don Taylor, SGT Mick Hogan. .13) - Photo, black & white, 1986. L to R: unidentified, CPL Peter McCurdy, SGT Bill Tewson, CAPT Steve Cooper, OC MAJ Don Taylor, SSM WO1 Bill Griggs. .14) - Photo, black & white, 1986. L to R: OC MAJ Don Taylor, unidentified (x5), CPL Chris ‘Charlie’ Brown, unidentified (seated), SPR Damian Killeen, remainder unidentified. .15) - Photo, black & white, 1986. L to R: unidentified, LT Malcolm Hentschel, SPR Steve Ellis, unidentified (x5), CPL Roger Graf. .16) - Photo, black & white, 1986. Unidentified personnel. SPR Richard Cocker takes aim at the dart board. 4 Fd Svy Sqn Farewell 1986. .20) - L to R: unidentified, CPL Peter Hardy, CPL Tracey (Beckwith) Phillips, unidentified (x4), CAPT Steve Cooper, Ken Jeffery, remainder unidentified. .21) - L to R: CPL C. Rimmington, SGT H. Young. .17) - Photo, black & white, 1986. L to R: SPR Steve Nokes, LT Greg Oaten CSC, SPR Simon Reynolds, Chris Hills, LT Malcolm Hentschel, SGT Wally Chilcott. .18) - Photo, black & white, 1986. L to R: unidentified, SPR Richard Cocker, CPL Peter McCurdy, LT Greg Oaten CSC, SPR Simon Reynolds, SGT Bob Croxton. .19) - Photo, black & white, 1986. L to R: CPL Chris ‘Charlie’ Brown, Mrs Kath Rogister, WO2 Bob Rogister, SSGT Cam Chapman, CAPT Terry Lord, unidentified. .20) - Photo, black & white, 1986. L to R: unidentified, CPL Peter Hardy, CPL Tracey (Beckwith) Phillips, unidentified (x4), CAPT Steve Cooper, Ken Jeffery, remainder unidentified. .21) - Photo, black & white, 1986. L to R: CPL C. Rimmington, SGT H. ’Jock’ Young..1P to .21P – There are no personnel identified. ‘MAJ Don Taylor’s SQN Farewell. 1986’ annotated on negatives sleeve.royal australian survey corps, rasvy, 4 fd svy sqn

Course results for Marjorie Jean Burke issued by George Taylor and Staff and stamped by the Registrar of the Nurses Board. This course included revision in English and Arithmetic.Miss Burke was a nurse, midwife and infant welfare sister. This collection covers her many qualifications throughout Australia and Great Britain, including references both professional and personal. When Miss Burke returned to Australia, she was employed at Diamond Valley Community Hospital as a nurse in 1953 and as Deputy Matron 1954-1971.Course results typed on cream paperStamped by Registrar of the Nurses Board.marjorie jean burke, nurses, diamond valley community hospital, george taylor and staff

Brenda TAYLOR This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.AbstractAbstract paintingart, artwork, brenda taylor

For Trafalgar Day, 20 October 1914, the Archbishop of Canterbury in England had "drawn up a new form of private prayer to be offered up specially for the sailors of the Fleets in the present crisis. He suggested its use particularly at noon as a silent prayer, when those at work may be reminded by the ringing of the " Angelus" bell to lift up their hearts to the Lord. The prayer was as follow: "O Thou that slumberest not nor sleepest, protect, we pray Thee, our sailors from the hidden perils of the sea, from the snares and assaults of the enemy. In the anxious hours of waiting, steady and support those on whom the burdens of responsibility lies heavily, and grant that in dangers often, watching often, in weariness often, they may serve Thee with a quiet mind, through Jesus Christ our Lord. Amen.” The prayer illustrated by English artist G.M. Langley became popular. Prints were sold as gift for 7/9 each with an oak frame. As mentioned in the ' Quarterly Jottings from our log" no 47 midwinter 1917: the etching was gifted to the Mission for display in the new Chapel by the Godfrey sisters. The frame was gifted by their cousin's wife, Mrs William Scott Purves Godfrey ( ' Quarterly Jottings from our log" no 48 Michaelmas 1917).The print was gifted by the Misses Godfrey, influential and long term members and supporters of the Ladies Harbour Light Guild. At the time of the completion of the St Peter's Chapel in September 1917, it was dedicated to the memory of all merchant seamen serving in the long war. The print subject, of the sailor guarded by Jesus was no doubt intended to inspire faith and hope but also acknowledges and reflects the anxious days of waiting not only of the sailors and seafarers negotiating the dangerous waters and oceans but also the challenge for families, experiencing the widespread anxieties of a world at war. Wood framed and glazed engraved print of Jesus Christ with sailor in the foreground and printed inscription on mount belowSignature of artist lower left of print.: G M Langley Printed on mount at lower right: "In the Anxious hours of waiting"g.m. langley, prints, engravings, merchant seamen, seafarers, ww1, godfrey family, ethel augusta godfrey, frederica godfrey, first world war, great war, mrs william scott purves godfrey, rica godfrey, rita godfrey, artwork-paintings

Presented to Cr J K McCaskill by J C Taylor & Sons Pty Ltd.|To lay Foundation Stone of the Ringwood Town Hall 27.6.1936.Wooden handled silver trowel with engravings EPNS - Apex. On trowel: Two bands of circular cut-outs on handle. Small knob on end of handle. In a presentation box - lined with pale blue silk. +Additional Keywords: McCaskill, Cr J K / Taylor, J C & SonsPresented to Cr J K McCaskill by J C Taylor & Sons Pty Ltd.; To lay Foundation Stone of the Ringwood Town Hall 27.6.1936.

Ralph served in WW1 and returned to Australia injured.Sepia coloured reproduction photo of Ralph Langley seated, holding crutches. Injured foot can be clearly seen.ww1, ralph langley

Alexandria LANGLEY HALL (1954- ) Born England Arrived Australia 1960 Alexandria Langley Hall graduated from University of Ballarat (now Federation University) in 2013 with a Bachelor of Fine Arts (Visual Art).Eight framed works depicting slaughtered animals.alexandria langley hall, animals, slaughter, slaughterhouse, butcher, meat, available

John Taylor was a member of the Old Colonists' Association.Photographic portrait of a bearded man, John Taylor, a member of the Old Colonists' Association of Ballarat.old colonists' association, john taylor, old colonists' association ballarat

The Margaret Ball (Pre 1960s Houses) Collection was a personal project initiated to mark the year 2000 and arose as a result of the disappearance of many pre-1960s parts of Eltham due to development. Approximately 200 pre-1960s style houses that were left in Eltham between Main Road and east to Bible Street, between Cecil Street to the north and south to Dalton Street were photographed in late 1999. Not all of the houses could be photographed; some because the garden or trees blocked the view of the house, others because of rubbish or cars were in the way, some because people were working on the house or in the gardens at the time.Roll of 35mm colour negative film, 7 stripsKodak GC 400-6eltham, houses, streets, margaret ball (pre 1960s houses) collection, taylor street

The Margaret Ball (Pre 1960s Houses) Collection was a personal project initiated to mark the year 2000 and arose as a result of the disappearance of many pre-1960s parts of Eltham due to development. Approximately 200 pre-1960s style houses that were left in Eltham between Main Road and east to Bible Street, between Cecil Street to the north and south to Dalton Street were photographed in late 1999. Not all of the houses could be photographed; some because the garden or trees blocked the view of the house, others because of rubbish or cars were in the way, some because people were working on the house or in the gardens at the time.Roll of 35mm colour negative film, 7 stripsKodak GC 400-6eltham, houses, streets, margaret ball (pre 1960s houses) collection, taylor street

The Margaret Ball (Pre 1960s Houses) Collection was a personal project initiated to mark the year 2000 and arose as a result of the disappearance of many pre-1960s parts of Eltham due to development. Approximately 200 pre-1960s style houses that were left in Eltham between Main Road and east to Bible Street, between Cecil Street to the north and south to Dalton Street were photographed in late 1999. Not all of the houses could be photographed; some because the garden or trees blocked the view of the house, others because of rubbish or cars were in the way, some because people were working on the house or in the gardens at the time.Roll of 35mm colour negative film, 7 stripsKodak GC 400-6eltham, houses, streets, margaret ball (pre 1960s houses) collection, taylor street

The Margaret Ball (Pre 1960s Houses) Collection was a personal project initiated to mark the year 2000 and arose as a result of the disappearance of many pre-1960s parts of Eltham due to development. Approximately 200 pre-1960s style houses that were left in Eltham between Main Road and east to Bible Street, between Cecil Street to the north and south to Dalton Street were photographed in late 1999. Not all of the houses could be photographed; some because the garden or trees blocked the view of the house, others because of rubbish or cars were in the way, some because people were working on the house or in the gardens at the time.Roll of 35mm colour negative film, 7 stripsKodak GC 400-6eltham, houses, streets, margaret ball (pre 1960s houses) collection, taylor street

The Margaret Ball (Pre 1960s Houses) Collection was a personal project initiated to mark the year 2000 and arose as a result of the disappearance of many pre-1960s parts of Eltham due to development. Approximately 200 pre-1960s style houses that were left in Eltham between Main Road and east to Bible Street, between Cecil Street to the north and south to Dalton Street were photographed in late 1999. Not all of the houses could be photographed; some because the garden or trees blocked the view of the house, others because of rubbish or cars were in the way, some because people were working on the house or in the gardens at the time.Roll of 35mm colour negative film, 4 stripsKodak Gold 100-6eltham, houses, streets, margaret ball (pre 1960s houses) collection, taylor street

The Margaret Ball (Pre 1960s Houses) Collection was a personal project initiated to mark the year 2000 and arose as a result of the disappearance of many pre-1960s parts of Eltham due to development. Approximately 200 pre-1960s style houses that were left in Eltham between Main Road and east to Bible Street, between Cecil Street to the north and south to Dalton Street were photographed in late 1999. Not all of the houses could be photographed; some because the garden or trees blocked the view of the house, others because of rubbish or cars were in the way, some because people were working on the house or in the gardens at the time.Roll of 35mm colour negative film, 4 stripsKodak Gold 100-6eltham, houses, streets, margaret ball (pre 1960s houses) collection, taylor street

The Margaret Ball (Pre 1960s Houses) Collection was a personal project initiated to mark the year 2000 and arose as a result of the disappearance of many pre-1960s parts of Eltham due to development. Approximately 200 pre-1960s style houses that were left in Eltham between Main Road and east to Bible Street, between Cecil Street to the north and south to Dalton Street were photographed in late 1999. Not all of the houses could be photographed; some because the garden or trees blocked the view of the house, others because of rubbish or cars were in the way, some because people were working on the house or in the gardens at the time.Roll of 35mm colour negative film, 4 stripsKodak Gold 100-6eltham, houses, streets, margaret ball (pre 1960s houses) collection, taylor street

William Henry Batten and Kate Taylor were married Church of England Buninyong on 1 October 1870.Black and white photograph of William Henry Batten and second wife Kate Taylor.verso 1/william batten, kate taylor, kate batten

On reverse: Technicians at Langley Research Centre performing final tests on four stage Scout solid fuel rocketalan gardiner collection, space industry, 1960, nasa, rocket, scout solid fuel rocket

Private JOHN THOMAS TAYLOR, no 2067, 24TH Battalion, Killed in Action on 21st August 1916, France. Lance Corporal ALFRED ALEXANDER PRIEST, No 5162, 6th Battalion, died of wounds in France, May 27, 1918.Memorabilia - framed story of two soldiers, in colour, using memorabilia of the soldiers and their lives. Printed on paper. Frame - black extruded plastic, glass front, cardboard backing.JOHN T. TAYLOR/ ALFRED A. PRIESTframed items, anzacs, eaglehawk