Historical work by the Secretary of the Board for the Protection of the Aborigines. (c.1876) Volume two is devoted to Aboriginal languages, including comparisons of Victorian languages with those from New South Wales, word lists, vocabularies, and native names of trees and plants. Volume two also includes details and customs of the aborigines in Tasmania. Includes interesting observations on the works of William Thomas, Alfred W, Howitt, Philip Chaney, Albert A.C. La Souef, John Moore Davis and Rev. William Ridley.robert brough smyth, philip chauncy, william ridley, albert le souef, a. w. howitt, john moore davis, william locke, a. f. a. greeves, language comparisons, phrenology, aboriginal social life and customs, death and burial customs, weapons, tasmania, lake tyers, lake wellington, gippsland, ballarat, brabrolong, lake hindmarsh, kotoopna

Hard cover book, The Australian Race Vol 4. Author: Edward Micklethwaite Curr Publisher: John Ferres, Government Printer Melbourne Aus. Date: 1886-1887 Light brown cloth hardcover and spine and blue edging to hard covers lettering in blue . The spine has a label with an inscription. Further Information: Map in pocket at the back of volnon-fictionThe Australian Race Vol. 4 by Edward M. Curr is the highly illustrated fourth part of Curr’s four volume ethnographic survey of Aboriginal Australia. It consolidates his findings on origins, languages, customs, and distributions, and its atlas volume furnishes a large comparative language map and ethnographic plates. The four volume set are a broad survey of Aboriginal peoples’ origins, languages, social customs, and movements across the Australian continent. The fourth volume functions as an atlas and language compendium, pairing textual material with a folio atlas of comparative vocabularies and a large map that traces routes and distributions. This volume also documents specific rites and regional practices, as part of his broader attempt to synthesize ethnographic and linguistic data across Australia. The work is considered a foundational reference work although in today's modern world is is regarded as dated and eurocentric set of volumes as a reference in Australian Indigenous studies and anthropology.flagstaff hil, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, the australian race vol 4, aboriginal studies, languages, native langauge

Hard cover book, The Australian Race Vol 1. Author: Edward Micklethwaite Curr Publisher: John Ferres, Government Printer Melbourne Aus. Date: 1886-1887 Light brown cloth hardcover and spine and blue edging to hard covers lettering in blue . The spine has a label with an inscription.non-fictionThe Australian Race Vol. 1 by Edward M. Curr is the highly illustrated first part of Curr’s four volume ethnographic survey of Aboriginal Australia. It consolidates his findings on origins, languages, customs, and distributions, and its atlas volume furnishes a large comparative language map and ethnographic plates. The four volume set is a broad survey of Aboriginal peoples’ origins, languages, social customs, and movements across the Australian continent. Volume one is chiefly a comparative on various vocabularies and linguistic materials, with early observations used to identify and compare Aboriginal language groups. This volume also documents specific rites and regional practices, as part of his broader attempt to synthesize ethnographic and linguistic data across Australia. The work is considered a foundational reference work although in today's modern world is is regarded as dated and eurocentric set of volumes as a reference in Australian Indigenous studies and anthropology.flagstaff hil, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, the australian race vol 4, aboriginal studies, languages, native langauge

Hard cover book, The Australian Race Vol 2. Author: Edward Micklethwaite Curr Publisher: John Ferres, Government Printer Melbourne Aus. Date: 1886-1887 Light brown cloth hardcover and spine and blue edging to hard covers lettering in blue . The spine has a label with an inscription.non-fictionThe Australian Race Vol. 2 by Edward M. Curr is the second part of Curr’s four volume ethnographic survey of Aboriginal Australia. Volume two continues the language and vocabulary work from volume one, and goes on in expanding the comparative material available across more regions and groups of Aboriginal tribes or mobs. The four volume set is a broad survey of Aboriginal peoples’ origins, languages, social customs, and movements across the Australian continent. Volume one is chiefly a comparative on various vocabularies and linguistic materials, with early observations used to identify and compare Aboriginal language groups. This volume also documents specific rites and regional practices, as part of his broader attempt to synthesize ethnographic and linguistic data across Australia. The work is considered a foundational reference work although in today's modern world is is regarded as dated and eurocentric set of volumes as a reference in Australian Indigenous studies and anthropology.flagstaff hil, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, the australian race vol 4, aboriginal studies, languages, native langauge

Hard cover book, The Australian Race Vol 3. Author: Edward Micklethwaite Curr Publisher: John Ferres, Government Printer Melbourne Aus. Date: 1886-1887 Light brown cloth hardcover and spine and blue edging to hard covers lettering in blue . The spine has a label with an inscription.non-fictionThe Australian Race Vol. 3 by Edward M. Curr is the third part of Curr’s four volume ethnographic survey of Aboriginal Australia. Volume three moves further into Aboriginal customs their social practices, and regional accounts gathered from settlers, missionaries, and other correspondents of the time. The four volume set is a broad survey of Aboriginal peoples’ origins, languages, social customs, and movements across the Australian continent. Volume one is chiefly a comparative on various vocabularies and linguistic materials, with early observations used to identify and compare Aboriginal language groups. This volume continuing in documenting specific rites and regional practices, as part of his broader attempt to synthesize ethnographic and linguistic data across Australia. The work is considered a foundational reference work although in today's modern world is is regarded as dated and eurocentric set of volumes as a reference in Australian Indigenous studies and anthropology.flagstaff hil, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, the australian race vol 4, aboriginal studies, languages, native langauge

1. Musical and linguistic perspectives on Aboriginal song Allan Marett and Linda Barwick Song brings language and music together. Great singers are at once musicians and wordsmiths, who toss rhythm, melody and word against one another in complex cross-play. In this paper we outline some initial findings that are emerging from our interdisciplinary study of the musical traditions of the Cobourg region of western Arnhem Land, a coastal area situated in the far north of the Australian continent 350 kilometres northeast of Darwin. We focus on a set of songs called Jurtbirrk, sung in Iwaidja, a highly endangered language, whose core speaker base is now located in the community of Minjilang on Croker Island. We bring to bear analytical methodologies from both musicology and linguistics to illuminate this hitherto undocumented genre of love songs. 2. Iwaidja Jurtbirrk songs: Bringing language and music together Linda Barwick (University of Sydney), Bruce Birch and Nicholas Evans (University of Melbourne) Song brings language and music together. Great singers are at once musicians and wordsmiths, who toss rhythm, melody and word against one another in complex cross-play. In this paper we outline some initial findings that are emerging from our interdisciplinary study of the musical traditions of the Cobourg region of western Arnhem Land, a coastal area situated in the far north of the Australian continent 350 kilometres northeast of Darwin. We focus on a set of songs called Jurtbirrk, sung in Iwaidja, a highly endangered language, whose core speaker base is now located in the community of Minjilang on Croker Island. We bring to bear analytical methodologies from both musicology and linguistics to illuminate this hitherto undocumented genre of love songs. 3. Morrdjdjanjno ngan-marnbom story nakka, ?songs that turn me into a story teller?: The morrdjdjanjno of western Arnhem Land Murray Garde (University of Melbourne) Morrdjdjanjno is the name of a song genre from the Arnhem Land plateau in the Top End of the Northern Territory and this paper is a first description of this previously undocumented song tradition. Morrdjdjanjno are songs owned neither by individuals or clans, but are handed down as ?open domain? songs with some singers having knowledge of certain songs unknown to others. Many morrdjdjanjno were once performed as part of animal increase rituals and each song is associated with a particular animal species, especially macropods. Sung only by men, they can be accompanied by clap sticks alone or both clap sticks and didjeridu. First investigations reveal that the song texts are not in everyday speech but include, among other things, totemic referential terms for animals which are exclusive to morrdjdjanjno. Translations from song language into ordinary register speech can often be ?worked up? when the song texts are discussed in their cultural and performance context. The transmission of these songs is severely endangered at present as there are only two known singers remaining both of whom are elderly. 4. Sung and spoken: An analysis of two different versions of a Kun-barlang love song Isabel O?Keeffe (nee Bickerdike) (University of Melbourne) In examining a sung version and a spoken version of a Kun-barlang love song text recorded by Alice Moyle in 1962, I outline the context and overall structure of the song, then provide a detailed comparative analysis of the two versions. I draw some preliminary conclusions about the nature of Kun-barlang song language, particularly in relation to the rhythmic setting of words in song texts and the use of vocables as structural markers. 5. Simplifying musical practice in order to enhance local identity: Rhythmic modes in the Walakandha wangga (Wadeye, Northern Territory) Allan Marett (University of Sydney) Around 1982, senior performers of the Walakandha wangga, a repertory of song and dance from the northern Australian community of Wadeye (Port Keats), made a conscious decision to simplify their complex musical and dance practice in order to strengthen the articulation of a group identity in ceremonial performance. Recordings from the period 1972?82 attest to a rich diversity of rhythmic modes, each of which was associated with a different style of dance. By the mid-1980s, however, this complexity had been significantly reduced. I trace the origin of the original complexity, explore the reasons why this was subsequently reduced, and trace the resultant changes in musical practice. 6. ?Too long, that wangga?: Analysing wangga texts over time Lysbeth Ford (University of Sydney) For the past forty or so years, Daly region song-men have joined with musicologists and linguists to document their wangga songs. This work has revealed a corpus of more than one hundred wangga songs composed in five language varieties Within this corpus are a few wangga texts recorded with their prose versions. I compare sung and spoken texts in an attempt to show not only what makes wangga texts consistently different from prose texts, but also how the most recent wangga texts differ from those composed some forty years ago. 7. Flesh with country: Juxtaposition and minimal contrast in the construction and melodic treatment of jadmi song texts Sally Treloyn (University of Sydney) For some time researchers of Centralian-style songs have found that compositional and performance practices that guide the construction and musical treatment of song texts have a broader social function. Most recently, Barwick has identified an ?aesthetics of parataxis or juxtaposition? in the design of Warumungu song texts and musical organisation (as well as visual arts and dances), that mirrors social values (such as the skin system) and forms 'inductive space' in which relationships between distinct classes of being, places, and groups of persons are established. Here I set out how juxtaposition and minimal contrast in the construction and melodic treatment of jadmi-type junba texts from the north and north-central Kimberley region similarly create 'inductive space' within which living performers, ancestral beings, and the country to which they are attached, are drawn into dynamic, contiguous relationships. 8. The poetics of central Australian Aboriginal song Myfany Turpin (University of Sydney) An often cited feature of traditional songs from Central Australia (CA songs) is the obfuscation of meaning. This arises partly from the difficulties of translation and partly from the difficulties in identifying words in song. The latter is the subject of this paper, where I argue it is a by-product of adhering to the requirements of a highly structured art form. Drawing upon a set of songs from the Arandic language group, I describe the CA song as having three independent obligatory components (text, rhythm and melody) and specify how text is set to rhythm within a rhythmic and a phonological constraint. I show how syllable counting, for the purposes of text setting, reflects a feature of the Arandic sound system. The resultant rhythmic text is then set to melody while adhering to a pattern of text alliteration. 9. Budutthun ratja wiyinymirri: Formal flexibility in the Yol?u manikay tradition and the challenge of recording a complete repertoire Aaron Corn (University of Sydney) with Neparr? a Gumbula (University of Sydney) Among the Yol?u (people) of north-eastern Arnhem Land, manikay (song) series serve as records of sacred relationships between humans, country and ancestors. Their formal structures constitute the overarching order of all ceremonial actions, and their lyrics comprise sacred esoteric lexicons held nowhere else in the Yol?u languages. A consummate knowledge of manikay and its interpenetrability with ancestors, country, and parallel canons of sacred y�ku (names), bu?gul (dances) and miny'tji (designs) is an essential prerequisite to traditional leadership in Yol?u society. Drawing on our recordings of the Baripuy manikay series from 2004 and 2005, we explore the aesthetics and functions of formal flexibility in the manikay tradition. We examine the individuation of lyrical realisations among singers, and the role of rhythmic modes in articulating between luku (root) and bu?gul'mirri (ceremonial) components of repertoire. Our findings will contribute significantly to intercultural understandings of manikay theory and aesthetics, and the centrality of manikay to Yol?u intellectual traditions. 10. Australian Aboriginal song language: So many questions, so little to work with Michael Walsh Review of the questions related to the analysis of Aboriginal song language; requirements for morpheme glossing, component package, interpretations, prose and song text comparison, separation of Indigenous and ethnographic explanations, candour about collection methods, limitations and interpretative origins.maps, colour photographs, tablesyolgnu, wadeye, music and culture

The Victoria Police Neighbourhood Policing Forum welcomed local services and community members to talk with police about what issues are important in the local community. The Neighbourhood Policing Forum was run by a Victoria Police panel and questions were taken from the audience throughout the event. The forum explored topics including: Current crime trends and crime prevention Young people Family violence Road policing Drugs and drug related crime. At the time of this forum, Victoria's 2025 total incident crime rate was on the rise at 4.0% whereas Brimbank's 2025 total incident crime rate was 9.6%*. The confidence rating for the Victoria Police Force had also fallen to 55%. These forums directly engage with local residents and services. These sessions are designed to build trust between the police force and the local community, share local crime data, and allow the community to ask questions and voice safety concerns. 8 Crime rate = (Number of crimes ÷ Population) × 100,000. This produces a standardised rate, allowing fair comparison between places of different population sizes.The flyers for this forum were produced in five different languages; this reflects how multicultural the Brimbank community is.5888.01 - Victoria Police Brimbank Neighourhood Policing Forum Flyer English Version.jpg 5888.01 - Victoria Police Brimbank Neighourhood Policing Forum Flyer English Version.pdf 5888.02 - Victoria Police Brimbank Neighourhood Policing Forum Flyer Vietnamese Version.pdf 5888.03 - Victoria Police Brimbank Neighourhood Policing Forum Flyer Hindi Version.pdf 5888.04 - Victoria Police Brimbank Neighourhood Policing Forum Flyer Arabic Version.pdf 5888.05 - Victoria Police Brimbank Neighourhood Policing Forum Flyer Simplified Chinese.pdf 5888.06 - Victoria Police Brimbank Neighourhood Policing Forum Email Invitation To Sporting Club.docx 5888.06 - Victoria Police Brimbank Neighourhood Policing Forum Email Invitation To Sporting Club.pdfpolice

Hard cover book, A Sydney-Side Saxon Author: Pen Name Rolf Boldrewood For (Thomas Alexander Browne) Publisher: Macmillan And Co Date: 1891 Blue cloth hardcover and spine with spine lettering in black texter. The spine has a Library label with inscription.fiction"A Sydney-Side Saxon" is a novel by Rolf Boldrewood (pen name of Thomas Alexander Browne, 1826–1915), first published in 1891 by Macmillan & Co. as No. 124 in Macmillan's Colonial Library. It's a single-volume work (unlike many of his other novels, which ran to three volumes) of 12 chapters, centring on the Claythorpe family of "Applegate" station and the pastoral world of colonial New South Wales squatters, station life, courtship, and the social texture of rural Australia in the late 19th century. Chapter headings such as "Job Claythorpe, of Applegate, ploughman", "Jesse Claythorpe, crowboy", and "Jack Leighton, swagman" reflect its episodic, character-driven structure typical of Boldrewood's pastoral fiction. Boldrewood drew heavily on his own experience some 25 years as a squatter and pastoralist in Victoria and the Riverina, followed by decades as a police magistrate and goldfields warden in NSW which gives his fiction its documentary feel for colonial bush life.book, a sydney-side saxon, rolf boldrewood, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, warrnambool, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, great ocean road