'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film6 LAUNDER STREET, HAWTHORN Margaret Picken ~91 WOODARDS - HAWTHORNartist - margaret picken 1950-

A typewritten extract from the Lilydale Express and Yarra Glen, Wandin Yallock, Upper Yarra, Healesville and Ringwood Chronicle, Friday 12 June 1914 P. 4 “WONGA PARK” An obituary of George Launder who died 26 May 1914On the first page it is inscribed with the name "Robyn Smiley" and the school "Wonga Park"

Bought at auction for the collection by donorGalvanised cone on the end of 25cm stick for stirring clothes during launderingdomestic items, laundering

Domestic iron for laundering. Silver with red plastic handle. Electrical cord attached.Hecladomestic items, laundering

Mass produced.Two white cotton towels: 937 has a floral pattern woven into it, 938 is made from terry towelling with blue and red bands at each end with tassels938 has laundering mark 'EGS'towels

Skirt may have been worn as tennis skirt circa 1910-1920c 1910 White linen skirt, 3/4 length with placket fastening with 7 hooks and eyes. Wide hem and fold above hem. Laundered 2011costume, female

Grodon Pickering, Sylvia Launder, Joan Clark, Neville Howard, Shirley walker, Bill Cunningham, Lorraine Pickering, Layra Howard, Mervyn Launder, Margaret Howard, Arther Clark, Dorothy Launder, Mervyn PickeringGroup of Sudents lined up in front pf Wooden School Building

USED AS DESCRIBED ABOVEWOODEN WASH BOARD - WOODEN FRAME HOUSING RIPPLED METAL ONE SIDE, RIPPLED WOOD THE OTHER. SMALL LEDGE TO HOLD SOAP. WASH BOARD WAS SUPPORTED IN THE WASHING TUB WHILE LAUNDRESS RUBBED ITEMS TO BE LAUNDERED.local history, domestic, laundering, laundering

Deep Lead Primary School Pupils 1921. Teacher Mr Alan Gabriel. Back Row: Mr. Gabriel, Ann Rogers, Thelma Mitchell, Edith Jeffson, Hazel Potter, Doris Launder, Jack Mitchell, Colin Ratcliff. Centre Row: Muriel Mullins, Laura Rogers, Amy Rogers, Melva Potter, Vincent Ratcliffe, Robert Freeland, Mervin Potter. Front Row: Norman HUme, Len Launder, Bill Potter, Norman Ratcliffe, Stan Launder, Richard Launder.stawell education

Shirley Walker, Sylvia Launder, Lorraine Pickering, Joan Black, Bill Cuningham, Mervyn Launder, Margaret & Laura Howard, John Cunningham, Melvyn Pickering, Arthur Clark.12 Students in front of weatherboard schooleducation

Shirley Walker, Sylvia Launder, Lorraine Pickering, Joan Black, Bill Cuningham, Mervyn Launder, Margaret & Laura Howard, John Cunningham, Melvyn Pickering, Arthur Clark.12 Students in front of weatherboard schooleducation

Article from Nunawading Standard, 19 August 1981 on the retirement of Johnny Lauder, curator at Vermont Reserve.vermont reserve, parks and reserves, launder, johnny

Laundered 30/10/1999Long white Christening robe with Ayrshire embroidery on a vee shaped bodice front coming to a point at the waist with a small opening under the point. If the baby was a boy the point was left showing an if a girl it was tucked into the opening. Tucking across the front panel. Drawstring at neck.lace and pin tucking down front. Drawstring neckcostume, infants'

Laundered 30/10/1999Long frock, possibly a christening frock. Lace and pin tucks on bodice, lace on hem with 1/4 inch tucks above lace, puff sleeves on bottom.costume, infants'

Laundered 30/10/1999White cotton christening gown with short sleeves. Broderie Anglaise lace used in frills from neck to hem getting wider as they descend from neck. Rows of different broderie anglaise pattern on sides.costume, infants'

Laundered 30/10/1999White cotton christening gown with short sleeves. White cotton broderie anglaise lace in rows on bodice and inset near hem of dress. Four rows of pin tucking above and below inset of lace in skirt.costume, infants'

Laundered 30/10/1999White cotton christening gown with short cap sleeves. Intricate embroidery down front of gown starting from small point and widening down to hem line'HN'costume, infants'

Black and white photographWritten on back of photograph: "New water main, corner Warrandyte Rd. and Maroondah Highway. 1964." Building on corner occupied by 'Spotless Cleaners & Launderers'.

Back 'Left Shirley Walker, Arthur Clarke, Mervyn Launder, Freddy Howard, Bill Cunningham, Lorraine Pickering, Sylvia Launder, Joan Clark, Anne Taylor, May Cunningham(Standing). Front: Stan Pickering, Mervyn Pickering, Dorothy Launder, Alf Taylor, Neville Howard, Cunningham, Beverley Rosenow, Maragret Howard, Ian Howard, ??, Laura Howard, Pauline MOrgan "??' Cunningham, ? < Margaret RallyLadies with tables in background of student and young infants in two lineseducation

Velvet soap was a household name in 1930s and 1940s for launderingLarge bar of Velvet soap, comprising five bars soap, wrapped in the old red, blue and cream coloured wrapper - economy size, pure soap.Velvet economy pure soapdomestic items, laundering

Displayed in History House. Laundered and starched by Anne Grant in 1993.White cotton and lace gown with long sleeves, lacework at waist, bib, collar, cuffs and hem, as well as embroidery edging the lacework.

Raincoat with belt. 1. & 2. Fabric - water proof polyester fabric, olive green colour with dark green colour plastic buttons. 1. Coat - below knee length with collar, long sleeves and five button front opening with cover placket. Two inset side pockets, belt keepers. 2. Belt - with plastic buckle with metal tongue and metal eyelets. Manufacturer's labels - two - white colour cotton fabric. Inside back below collar, right front lining. Manufacturer's information - black ink print. "38R/ CLASS 8405/66 - 018-1272". INSTRUCTION LABEL - WITH CARE AND LAUNDER INSTRUCTIONS NO. 1 TO 6. ''REGIMENTAL NO/ NAME".uniform army, raincoat

Sample of Kathryn Knitwear Collection. This brush was included with a brushed wool leginette suit (NWM-08916), in order to maintain the fluffy finish of the garment after wear and washing. Kathryn Knitwear, founded by Robert Blake, manufactured high quality children’s knitwear in Melbourne from the 1940s – 1980s. Robert Blake began manufacturing children’s knitwear in his bedroom in Strathmore using a hand powered machine in the late 1940s. The operation moved to Ascot Vale and Essendon, before eventually establishing a factory in Moonee Ponds in the early 1950s. The business continued to expand, necessitating a move to a new factory in Broadmeadows. By 1962, the Broadmeadows factory was producing an average of 20,000 garments per month, which increased to 24,000 by 1964. Robert Blake’s Son, Brendan recalls that “The Kathryn brand was famous around Australia, anywhere children needed to keep warm and dress smartly. It also won a number of wool fashion awards”, including the 1969 Wool Awards, which was held by the Australian Wool Bureau and published in Women’s Weekly. The Kathryn range was designed for durability, comfort and care, without sacrificing style. They used patterning techniques that increase stretchiness, comfort and fit, as well as integrating decorative elements into the fabric to prevent them from being bulky, uncomfortable or tight. Making longevity of style a priority, Brendan Blake remembers that “there was one particular garment that was in the range for at least thirty years”. He also recalls “In the past, when women have found out that I was associated with Kathryn Knitwear, they would often relate to me the story of a garment they had purchased or received as a gift and, when their child had grown out of it, they would hand it on to another child. Several ladies have told me of purchasing garments for their daughters’ glory box, or saving a particular garment after their daughter had grown out of it. Brendan Blake: “At the peak of their operation they employed approximately two hundred people, mainly women and girls. A family would often seek to send their daughter to work in this company because they knew they would be looked after and safe. One lady wrote to me telling me that working at the Moonee Ponds Factory prior to getting married was the happiest time of her life.” In 1963, workers at the Kathryn factory earned £13 per week, which was 8 shillings and 8 pence higher than the minimum weekly wage for female workers in the textile manufacturing industry (£12 11s 4d). By 1970, the Kathryn Knitwear brand expanded from children’s knitwear into womenswear under the brand name ‘Lady Kathryn’, and for boys and men under ‘Robert Blake’. Continuing to diversify their distribution, they also began exporting ‘Kathryn’ garments to New Zealand, the Pacific Islands, and Japan. ‘Kathryn Knitwear’ was well-known for their early adoption of modern materials and techniques that had broad appeal to their customer base. This is shown in their early use of the acrylic fibre ‘Orlon’ in the 50s and 60s and ‘Superwash’ wool in the 1970s. Many of Kathryn Knitwear’s styles, particularly those that were long running staples of the brand, were available in both wool and Orlon to suit the consumer’s preference. Far from the humble origins of one man in his bedroom with a hand-cranked machine; at its closure in 1980, the Broadmeadows factory of ‘Kathryn’ housed more than 100 machines, including 53 sewing machines and 45 knitting machines. Robert Blake was “a passionate advocate for wool and Australian Made” throughout his whole life. A strong thread that ties through the lifespan of Robert Blake and Kathryn Knitwear is a balance between adopting new innovations without sacrificing the core values of durability, comfort, care and style that had made the brand so well known. Their legacy forms an integral part of both Australian social and manufacturing history.Transleucent nylon brush with rows of thin bristles mounted in an offset pattern[Printed on plastic packaging] CARE OF BRUSHED FABRICS To obtain original condition brush garment frequently between wearing and after washing. Follow laundering instructions on swing ticket.brush, garment brush, brushed wool, laundry, garment care, nylon brush, accessory

Used in laundering clothing etc. The corrugated section used to remove ingrained dirt by rubbingWooden washboard, corrugated both sides, painted greenwashboards, laundry, laundry equipment

Used in laundering clothing etc. Item would be rubbed against corrugations to remove ingrained dirt.Unpainted wooden framed washboard, clear glass corrugated on one side, with metal insert in top of frame.washboards, laundry, laundry equipment