A snatch block is a heavy-duty pulley inside a metal casing. It is primarily designed for handling heavy goods, working as a pulley point that can redirect the course of a winch line. Snatch blocks are also used to increase the lifting or pulling capacity of wire hoists and winches. There is no history or manufacturing provenance currently available.The subject item at this time cannot be associated with an historical event, person or place, provenance is unknown, item is believed to have been produced in the first quarter of the 20th century.Snatch block, metal, one sheave, with a large hook that has a hole drilled through its tip.flagstaff hill, warrnambool, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, snatch block, metal snatch block, lifting gear, rope pully, marine technology, ship rigging

Used by the Port Fairy Masonic Lodge No 67 in James Street Port Fairy in their rituals"tool" for use in the rituals of freemasonary: Triangular wooden base with silver tripod lifting gear and marble blockPresented to the Port Fairy Lodge Belfast Victoria No. 1456 E.C. by Bro. Geo. Chas. Fricker PM in Commemoration of the initiation of his son Bro. Henry Chas. Fricker as the first lewis of this Lodge Sept. 1876local history, societies, freemasons, freemasonary, port fairy masonic lodge no67, fricker, geo. chas., henry chas.

ink on paper student's technical drawings .1) 2-speed and reversing electric drive for Olsen Tension Testing Machine .2) Lifting geartechnical drawing, mechanical engineering, p. kempe

This bridge collapsed in 1925 NovemberSepia photograph of bascule bridge over the Tambo River showing part of lifting gear on right hand side of photograph, Swan Reach Victoriabusinesses

These publications were developed by the Falls Creek Resort Management Committee to promote activities and facilities at Falls Creek for the Winter Seasons of 2001, 2003 and 2005. They include extensive information about ski trails, maps as well as ski and lift passes and packages.These items are important because they document seasonal activities at Falls Creek Alpine Resort over time.Three glossy coloured flyers featuring images and information about skiing and trails at Falls Creek. Prices for different lift passes, ski gear rental and season passes are included.falls creek marketing, lift passes, ski packages falls creek, falls creek trail maps

These publications were developed by the Falls Creek Ski Lifts Pty. Ltd. to promote activities and facilities at Falls Creek for the Winter Seasons of 1992 and 1994. They include maps of Falls Creek Village and the surrounding slopes as well as pricing for ski lifts and packages. Advertisements for Frying Pan Inn and Cloud 9 Restaurant are featured.These items are important because they document seasonal activities at Falls Creek Alpine Resort over time.Two glossy coloured flyers featuring images and information about skiing and trails at Falls Creek. Prices for different lift passes, ski gear rental and season passes are included.falls creek marketing, ski packages falls creek, falls creek trail maps, falls creek visitor information

Skiing at Falls Creek from the 1940s has changed re - equipment, including eg. types of tows, gear and clothes. These pages give an insight into the 1960 and 1961 developments re accommodation, social scene, ads re equipment etc. and articles eg.on Tow-bar lifts, people, workers and tourists.Falls Creek, one of Victoria's most popular ski resorts, was developing quickly in the early 1960s. Photocopies of pages from 'Schuss' ski magazine 1960 and 1961 selected for the references to Falls Creek.falls creek, skiing, tourism

Before the introduction of electricity, lighthouses had a clockwork mechanism that caused the lens to rotate with a light source inside that was either powered by Kerosene or Colza oil. The mechanism consisted of a large weight attached by a cable through the centre of the lighthouse to the top where the cable wrapped around a barrel, drum or wheels that controlled the speed of the lights rotation by a clockwork mechanism. The keeper would crank the clockwork mechanism, which would lift the weight ready for the next cycle similar to an old grandfather clock mechanism. Once the weight lifted to its apex at the bottom of the first landing, the keeper would let it fall, which would pull on the cable, which would, in turn, operate a series of gears activating the rotation of the Fresnel optical lens, which would then rotate to create the lighthouse’s unique light speed of rotation characteristic. Creating a specific characteristic required a way to regulate the speed of the rotation, and was important as sailors could identify a particular light by its speed and time between flashes. The weight had to fall at a certain rate to create the proper rotation speed of the lens and a regulator within the mechanism accomplished this. History: From 1851, Chance Brothers became a major lighthouse engineering company, producing optical components, machinery, and other equipment for lighthouses around the world. James Timmins Chance pioneered placing lighthouse lamps inside a cage surrounded by Fresnel lenses to increase the available light output these cages, are known as optics and they revolutionised lighthouse design. Another important innovation from Chance Brothers was the introduction of rotating optics, allowing adjacent lighthouses to be distinguished from each other by the number of times per revolution the light flashes. The noted English physicist and engineer, John Hopkins invented this system while employed at Chance Brothers. Chance Brothers and Company was a glass works and originally based in Spon Lane, Smethwick, West Midlands England. The company became a leading glass manufacturer and a pioneer of British glass making technology. The Chance family originated in Bromsgrove as farmers and craftsmen before setting up a business in Smethwick near Birmingham in 1824. They took advantage of the skilled workers, canals and many other industrial advances taking place in the West Midlands at the time. Robert Lucas Chance (1782–1865), known as 'Lucas', bought the British Crown Glass Company's works in Spon Lane in 1824. The company specialised in making crown window glass, the company ran into difficulty and its survival was guaranteed in 1832 by investment from Chance's brother, William (1788 – 1856). William owned an iron factoring business in Great Charles Street, Birmingham. After a previous partnership that Lucas had dissolved in 1836, Lucas and William Chance became partners in the business which was renamed, Chance Brothers and Company. Chance Brothers invented many innovative processes and became known as the greatest glass manufacturer in Britain. In 1848 under the supervision of Georges Bontemps, a French glass maker from Choosy-le-Roi, a new plant was set up to manufacture crown and flint glass for lighthouse optics, telescopes and cameras. Bontemps agreed to share his processes that up to then had been secret with the Chance Brothers and stayed in England to collaborate with them for six years. In 1900 a baronetcy was created for James Timmins Chance (1814–1902), a grandson of William Chance, who had started the family business in 1771 with his brother Robert. Roberts grandson, James became head of Chance Brothers until his retirement in 1889 when the company became a public company and its name changed to Chance Brothers & Co. Ltd. Additional information: Lighthouses are equipped with unique light characteristic or flashing pattern that sailors can use to identify specific lighthouses during the night. Lighthouses can achieve distinctive light characteristics in a few different ways. A lighthouse can flash, which is when brief periods of light interrupt longer moments of darkness. The light can occult, which is when brief periods of darkness interrupt longer moments of light. The light can be fixed, which is when the light never goes dark. A lighthouse can use a combination of flashing, oscillating, or being fixed in a variety of combinations and intervals to create individual light characteristics. It is a common misconception that a lighthouse's light source changes the intensity to create a light characteristic. The light source remains constant and the rotating Fresnel lens creates the various changes in appearance. Some Fresnel lenses have "bulls-eye" panels create beams of light that, when rotated between the light and the observer, make the light appear to flash. Conversely, some lenses have metal panels that, when rotated between the light and the observer, make the light appear to go dark. This Dioptric clockwork apparatus used to turn a lighthouse optical lens is very significant as it is integral to a lighthouses operation, we can also look at the social aspect of lighthouses as being traditionally rich with symbolism and conceptual meanings. Lighthouses illustrate social concepts such as danger, risk, adversity, challenge and vigilance but they also offers guidance, salvation and safety. The glowing lamp reminds sailors that security and home are well within reach, they also symbolize the way forward and help in navigating our way through rough waters not just on the oceans of the world but in our personal lives be it financial, personal, business or spiritual in nature. Nothing else speaks of safety and security in the face of adversity and challenge quite the way a lighthouse does. Revolving dioptric clockwork apparatus used to turn a Fresnel optical lighthouse lens. A cylindrical cast metal pillar and cabinet painted green with 3 glass doors enclosing the top section. Inside the pillar/cabinet is a large clockwork mechanism used to turn and regulate a lighthouse light by means of weights and a chain attached to same. One door has the name "Adams Mare" in metallic dots similar to "Braille" to the inside edge of door frame.shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, flagstaff hill, maritime-museum, shipwreck-coast, warrnambool, flagstaff-hill-maritime-village, revolving dioptric mechanism, dioptric mechanism for lighthouse, lighthouse clockwork timing mechanism, acetylene lighthouse light mechanism, 19th century lighthouse mechanism, kerosene light, fresnel lenses, colza oil, chance brothers

Tom Mitchell’s Skis After his retirement in 1976 as the local Member for Benambra, people asked Tom Mitchell about his greatest achievements in politics. Tom replied speaking about his support for the establishment and development of the Ski resort at Falls Creek. Tom’s passion for Falls Creek grew, not only from his own 1930s ski career, but also from his work as a prisoner of war in the Changi Ski Club. His 5 February 1943 diary entry reads: ‘In the evening had a very successful ski meeting of 19 and decided to go ahead with a scheme to approach the Government re-selling Diggers blocks of land in the snow country.’ After the 2020 Bushfires, my brother asked if I would find appropriate homes for some of my father’s old skis that had survived the fires. As Tom’s historic ski collection is in Corryong’s Man from Snowy River Museum, it seems appropriate that a remaining pair should go to The Falls Creek Ski Museum. I chose wooden edged skis as they reminded me of my first skis. As a five-year-old in 1958 at Dead Horse Gap, I soon discovered that wooden edges were no good in icy conditions. By the end of my first day on skis, I had fallen so many times that my homemade ski clothing was wet and cold. I was unhappy when Dad said that wooden edges would teach me to use my ‘edges’. At the end of our first day, Mum and Dad loaded us all into the back of the Land Rover together with our ski gear and drove us home. They had had a marvellous day, but I didn’t think much of the adventure. From the outset I knew my parents had steel-edged skis! Dad told me I’d have to ‘earn edges’. Trouble brewed when I said I hated skiing. I discovered I had to learn to like it! Eventually I graduated to steel-edged skis. By then Thredbo had built its first chairlift and it also had a rope tow. Meanwhile Tom had taught us to learn to ski the hard way and with steel edges, ski lifts and better ski clothing, I began to enjoy the sport. If there was any chance of finding the provenance of the skis, it probably burnt in the 2020 conflagration. All I can offer you is my story of my father teaching me to ski the hard way. The skis are a kind of memorial to the Tom Mitchell ski school and its enduring memories. Honor Auchinleck (Daughter of Tom and Elyne Mitchell)These skis are significant because they belonged to Tom Mitchell, a pioneer of skiing and ski resorts in Australia.A pair of vintage hickory wood skis, featuring a 7-foot length and rustic metal bindings. Hickory wood was preferred for its strength and flexibility. They feature early metal cable or "bear trap" style bindings, crucial for securing leather boots before the advent of modern plastic bindings. The skis feature a high, square-shaped tip referred tp as a sukkerbit (sugar cube).Beside Bindings- H9S HICKORY 7Fttom mitchell, ski equipment, australian skiing pioneers

Set of three Preston Workshops reports for April 1963; 1 - Preston Workshops Tram Summary - week ending 20 April 1963 - detailing the tramcars awaiting attention, lifting shop, body shop, paint shop, trams receiving attention, trams received and trams dispatched with their work done. Lists tram that are held out of service, including those sold. Has ink notes regarding cracked axles. 2 - Sheet reporting on cracked axles supplied by Thompsons in 1923 and Hadfields 3 - Axle survey - 19-4-1963 - in workshops availed for processing of in use - lists by type of gear - BTH, GE, Metro Vickers and by axle status. Has ink notes along bottom edge.Yields information about Preston Workshops reporting, axles and general management.Set of 3 typed documents - foolscap sheets.tramcars, tramways, preston workshops, tramcar maintenance, axles