Lin ONUS (1948-1996) Language: Wiradjuri / Yorta Yorta Lin Onus played a pivotal role in the recognition of Aboriginal art as an expression of a contemporary and dynamic living culture. Prior to his premature death at just 47 years of age he was a prominent, strident, yet non-confrontational agent in renegotiating the history of colonial and Aboriginal Australia. His father, Bill Onus, was the founder of the Aboriginal Advancement League in Victoria and a prominent maker of artefacts in Melbourne. As a young Koori growing up, Lin lived in a cultural environment that included exposure to visiting Aboriginal artists, including Albert Namatjira. He began his artistic life assisting his father in decorating artifacts, went on to develop skills working with metal and painting with air brush as a panel beater; and by 1974 he was painting watercolors and photo-realist landscapes. In the 1970's he completed a set of paintings on the first Aboriginal guerrilla fighter Mosquito, which holds pride of place on the walls of the Advancement League in Melbourne, to this day. Lin Onus was a largely self-taught artist. Particularly important in his development was his visits to Garmedi (Arnhem Land) starting in 1986. Jack Wunuwun, the Yolngu artist, introduced him into the Murrungun-Djinang clan and gave him permission to use some of traditional images in his paintings. His cultural education on the Aboriginal side was also provided by visits to Cummeragunja with his father, and stories told by his uncle Aaron Briggs, known as 'the old man of the forest' who gave him his Koori name - Burrinja, meaning 'star'. They would sit on the banks of the Murray River within view of the Barmah Forest, Lin's spiritual home, the subject of many of his later paintings and his final resting place. Lin's father had been of the Yorta Yorta people from the Barmah Forest country, and Lin also used images from this area in his paintings. The images in his works include haunting photorealist portrayals of the Barmah red gum forests of his father's ancestral country, and the use of rarrk cross-hatching-based based painting style that he learned (and was given permission to use when in Arnhemland). His painting Barmah Forest won Canberra's national Aboriginal Heritage Award in 1994. (http://www.cooeeart.com.au/aboriginal_artist/lin_onus/A, accessed 18 May 2015) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition silkscreen.Signed 'Onus' lower right (posthumously by Tiriki Onus) Edition 68/80art, artwork, lin onus, onus, printmaking, screenprint, aboriginal, dreaming, frogs, available

Set of two Digital images of Transporting Art tram, No. 829, painted by Lin Onus, being transported to the Museum's offsite store on 30/10/2024. Photo Benjamin Boehle-Mitchell.Yields information about tram 829 being transported to the Museum's offsite store for storage.Digital image of tram 829 - set of 2btm, tramways, tramcars, transporting art, tram 829

Chapters entitled History of Aboriginal Art, Imagining Albert Namatjira, Indigenous Renaissance, Creative Revolution, The Art of Les Griggs and The Art of Lin Onus.colour photographs, b&w photographs, colour illustrations, document reproductionsyorta yorta, cummeragunja, albert namatjira, les griggs, lin onus, indigenous art

Pamphlet has images of: Tram 824 - Alex Danko 814 - Philip Faulks 829 - Lin Onus 837 - Terry Matassoni 726 - Jenny Watson 760 - Brett Colquhoun Notes the involvement of the Heath Foundation and Arts Victoria. 4 copies held.Demonstrates a publication promoting the second series of Melbourne Art Trams.Pamphlet - 6 fold - titled "Melbourne's Painted Trams - detailing six of Melbourne's - cut with serrated edges on the left and right-hand sides and the base in the outline of a tramcar.trams, tramways, transporting art, decorated trams, melbourne, tram 824, tram 814, tram 829, tram 837, tram 726, tram 760

Pamphlet - 6 fold - titled "Melbourne's Painted Trams - detailing six of Melbourne's - cut with a serrated edges on the left and right hand sides and the base in the outline of a tramcar. Tram 824 - Alex Danko 814 - Philip Faulks 829 - Lin Onus 837 - Terry Matassoni 726 - Jenny Watson 760 - Brett Colquhoun Notes the involvement of the Hearth Foundation and Arts Victoria. 2 copies held.trams, tramways, transporting art, decorated trams, melbourne

Series of seven The Connies Collectable Cards for 2017 Each card features a photograph with a story or details of the image or person on the reverse. Produced by The Connies, Melbourne, with a Leunig sketch on the rear and The Connies logo, with some having the MMTB and the Calcutta tramway company logo. The rear of the card gives the story behind the photograph. .1 - Paribesh Bandhu tram - Calcutta .2 - Tom's Tram - Fitzroy farm dog - featuring 1036 and a "mutt" .3 - Montage of a Calcutta tram 498 and Melbourne 980 side by side - Tramjatra .4 - Painted trams - Calcutta 649 - Sundari Sunrise Tram .5 - Montage of Melbourne 892 (route 78) and Calcutta 657 .6 - Lin Onus Tram - 829 - Transporting Art 1992 .7 - Norm Cross - with workshops and tram 1011 (image) - Darebin's Australian'strams, tramways, tickets, the connies, mmtb, conductors, cable trams, calcutta, preston workshops, tram 1036, tram 892

Colour postcard, five panels featuring Transporting Art trams: 1 - SW5 726 route 5, by Mental as Anything 2 - Flinders St station with a pipe band marching. 3 - SW5 723 - Bob & Lorraine Jenyns (See also Reg Item 5210) 4 - SW5 829 - The Peace Tram by Megan Evans and Eve Glenn. It was painted in 1986, and overpainted in 1991 by a new work by Lin Onus. 5 - Z 10? - not part of the Transporting Art Project - tram was allocated to Camberwell for some time and is showing route 75. .3 and .4 advised by Russell Jones 16/9/2020. Back has space for name and address, stamp and a message and details of the postcard. Produced by Steve Parish Postcards. Card No. PC323 and a historical note regarding trams on the back. Has "Melbourne Australia" along the bottom edge.trams, tramways, flinders st station, sw5 class, transporting art, tram 723, tram 726, tram 829, tram 10?

William (Bill) ONUS (15 November 1906-1968) Born Cummeragunja Aboriginal Reserve, Murray River, New South Wales Clan: Wiradjuri William Townsend (Bill) Onus was a shearer, actor and activist who revived the Australian Aboriginese League in Melbourne in 1946. He retired from politics in to start the Aboriginal Enterprises workship in Belgrave with his brother Eric. They produced boomerangs, woomeras, fabrics and greeting cards imprinted with Aboriginal motifs. He ran the business from his small factory and shop at Belgrave in the Dandenong Ranges. To promote his wares Bill Onus toured widely in Victoria and beyond as a travelling showman, giving demonstrations of boomerang-throwing, which he advocated as a national sport. (ADB) Bill Onus adopted similar imagery to that which appeared in mass-produced indigenised design; however, he used such works to draw attention to his political work with the ‘Committee for Aboriginal Citizen Rights’ and the ‘Australian Aborigines League.’ William McLintock (Lin) Onus is the son of Bill Onus. Ceramic form decorated with Aboriginal design by Bill Onus.aboriginal, bill onus, aboriginal enterprise novelties, ceramics

William (Bill) ONUS (15 November 1906-1968) Born Cummeragunja Aboriginal Reserve, Murray River, New South Wales Clan: Wiradjuri William Townsend (Bill) Onus was a shearer, actor and activist who revived the Australian Aboriginese League in Melbourne in 1946. He retired from politics in to start the Aboriginal Enterprises workship in Belgrave with his brother Eric. They produced boomerangs, woomeras, fabrics and greeting cards imprinted with Aboriginal motifs. He ran the business from his small factory and shop at Belgrave in the Dandenong Ranges. To promote his wares Bill Onus toured widely in Victoria and beyond as a travelling showman, giving demonstrations of boomerang-throwing, which he advocated as a national sport. (ADB) Bill Onus adopted similar imagery to that which appeared in mass-produced indigenised design; however, he used such works to draw attention to his political work with the ‘Committee for Aboriginal Citizen Rights’ and the ‘Australian Aborigines League.’ William McLintock (Lin) Onus is the son of Bill Onus. Wooden plate decorated with Aboriginal design by Bill Onus.Stamped on back "Made in Australia Bill Onus"aboriginal, bill onus, aboriginal enterprise novelties, ceramics

William (Bill) ONUS (15 November 1906-1968) Born Cummeragunja Aboriginal Reserve, Murray River, New South Wales Clan: Wiradjuri William Townsend (Bill) Onus was a shearer, actor and activist who revived the Australian Aboriginese League in Melbourne in 1946. He retired from politics in to start the Aboriginal Enterprises workship in Belgrave with his brother Eric. They produced boomerangs, woomeras, fabrics and greeting cards imprinted with Aboriginal motifs. He ran the business from his small factory and shop at Belgrave in the Dandenong Ranges. To promote his wares Bill Onus toured widely in Victoria and beyond as a travelling showman, giving demonstrations of boomerang-throwing, which he advocated as a national sport. (ADB) Bill Onus adopted similar imagery to that which appeared in mass-produced indigenised design; however, he used such works to draw attention to his political work with the ‘Committee for Aboriginal Citizen Rights’ and the ‘Australian Aborigines League.’ William McLintock (Lin) Onus is the son of Bill Onus. Painted boomerang thought to be decorated by Bill Onus.boomerang, aboriginal, bill onus, aboriginal enterprise novelties