Showing 14 items matching "little angels"
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St Patrick's Old Collegians Association (SPOCA)
Photograph - Students, 1930s
... 1930s - Three "Unknown Little Angels)... melbourne 1930s - Three "Unknown Little Angels) Photograph Students ... -
Eltham District Historical Society Inc
Document - Property Binder, Eltham Mall, 10-18 Arthur Street, Eltham
... Little Angels... Footwear Little Angels National Australia Bank Research Computers ...1. Eltham Town Mall Shopping, Diamond Valley Leader, October 26, 2005 [ On reverse - "Red alert for green area by Natalie Birch and Shane Woodrow about a report compiled by Environment Victoria, Melbourne's Threatened Habitats Under Threat: Development Pressures and Conservation Solutions which places the 'Nillumbik Foothills' number seven on list of most endangered by urban sprawl] 2. Advertisement: Huge Bikle Sale, Paul's Cycles, Diamond Valley Leader, February 7, 2007eltham, businesses, eltham town mall, paul's cycles, shops, brushtailed phascogale, click here to add keywords, cr greg johnson, eltham copper butterfly, environment victoria, environmental significance overlay, green wedges coalition, nillumbik shire council, powerful owl, significant landscape overlay, victorian national parks association, aroma's cafe and florist, arthur street, barringtons hair boutique, bowz hairdressing, eltham dress up box, going together, kids of eltham, leisure footwear, little angels, national australia bank, research computers, shoppe 8 fashions, split images, st vincent de paul, travel bound, ward sagar bookshop -
Bendigo Military Museum
Postcard, "To my sister"
... in war torn trench talking to a little angel. The transcription... to a little angel. The transcription is "Tell her that I love her ...See Cat 4799 for dataEmbroidered postcard. It has a white cardboard embossed frame. The embroidered pattern is of green leaves, white and red flowers. At the bottom is embroidered "To my Sister". That is in a silvery white. The flower arrangement is an actual flap, lifting that flap is a small card. On that card is a seated British soldier in war torn trench talking to a little angel. The transcription is "Tell her that I love her".The letter side is written in faint pencil. It is headed - France 12 /1/17. Dear Sister ............... It finishes up with "Love to all, Joe". A lot of the writing is hard to see.ww1, postcard -
Mission to Seafarers Victoria
Photograph, 15/2/1928
This photograph shows one of the many weddings held at the Mission to Seafarers over the years and provides an overview of wedding fashion of the late 1920s. The Bride is posing in the courtyard of the Mission to Seamen. The bridesmaids were Ella Kendall and Molly Walker. The Walkers and Dora had a long association with the Mission and the LHLG and in the 1960s becoming president of the Flying Angel League which amalgamated with the LHLG in the early 1960s. In 1970 Dora received an OBE. Private images of the day for the record were supplied to the Mission by sons David and Brian in 2018. The article in the Herald of the day describes the event: "WEDDING AT SEAMEN'S CHAPEL Reception at Hotel Windsor The pretty little chapel at the Sea men's Institute was packed with interested friends this afternoon, when Miss Dora Walker, one of the Mission's most enthusiastic and efficient voluntary helpers, chose it as the setting for her marriage with Mr H. P. Simpson, son of Mr and Mrs J. H. Simpson, of Mornington. A group of her fellow workers decorated the chapel with lovely pink and white gladioli, carnations and roses. The ceremony was performed by the Rev. J. R. Weller, chaplain of the Mission, and the bride was given away by her father, Mr A. W. Walker, of Manning road, East Malvern. She wore a lovely ivory georgette frock, the finely tucked skirt being fashioned with a deep transparent hem of Chantilly lace. Over it fell a beautiful Honiton lace veil mounted on tulle and arranged to give the ef fect of a train. Fragrant white roses composed her bouquet. Two attendants followed her down the aisle — her sister, Miss Molly Walker, and Miss Ella Kendall — both wearing dainty shrimp pink georgette frocks and large crinoline straw hats in the same shade with a dainty edging of tulle. They carried bouquets of pink cactus dahlias nnd delphiniums. Mr Louis Buscombe was best man, and Mr George Thompson grooms man. After the ceremony Mr and Mrs Walker entertained about 50 guests at the Hotel Windsor."This photograph shows one of the many weddings performed at the Mission to Seafarers chapel over the years. Cross referencing with the marriage registers, also held in the collection, records that this photograph is Amy Dora Simpson (nee Dora Walker) of East Malvern marrying Harold Priestley Simpson of Surrey Hills / Mornington? on 14 February 1928.Sepia toned photograph of bride and attendants in the courtyard of the Mission to Seafarers. The bride's dress is calf length and she is standing with her veil draped in front of her, holding a large bouquet. There are two attendants to the right of the photograph, wearing layered calf length dresses and wearing cloche hats and holding small posy bouquets. The bridal group is posed standing in in the courtyard near the entrance to the MTS chapel.Small circular Blue ink stamp on rear of photograph: Printed by Harringtons stamped 2 small numerals : 3 and 8hat, flowers, veil, wedding, dress, ivy, shoes, dora walker, dora simpson, ella kendall, molly walker, amy dora walker, reverend j.r. weller, flinders street, st peter chapel, mission to seamen, seamen's mission, mission to seafarers, david simpson -
Mission to Seafarers Victoria
Print - Reproduction of a painting, Blest Were The Wise Men by Daphne Allen, Early 20th Century
Little known as this print was discovered in an old cabinet in the vestry of the Chapel of St Peter. Possibly a donation meant to be framed or possibly an item used at Port Melbourne Mission which at times ran Sunday school services at the turn of the 19th and 20th C.Allen a child prodigy was a significant popular religious artist. This print is a good example of her work.Appears to be a fine quality full colour reproduction of a nativity scene with angels wise men and madonna in the style influenced by late Pre -Raphaelites mounted on heavy card with printed name of artist at left and printer initials at right and title in centre. see imagenativity scene, daphne allen, artwork-paintings -
Mission to Seafarers Victoria
Magazine (item) - Newsletter, Mission to Seafarers Victoria, Ship to Shore , Issue 4 1997, July/August 1997
Ship to Shore was first printed in 1997. Inspired by the Jottings From Our Log, this modern version is generally published quarterly (Summer, Autumn, Winter, Spring) Articles are written by the mission's staff and give updates about shipping and seafaring news, staff, events, board Committee, heritage. It is sent by post or email to supporters, members, volunteers and friends of the mission. It is also available to the public in the Flying Angel club and online on the website.Ship to Shore is a valable source of informationship to shore, mission to seamen, mission to seafarers, flinders street, melbourne, victoria, news, events, seafaring life, shipping, sailors, seamen, sponsors, marketing, flying angel, staff, chaplains, heritage, community, welfare, board members, rodney oliver, sea sunday, 1997, open day, harbour lights guild, history, celia little room, kitchen -
Mission to Seafarers Victoria
Photograph - Photograph, Black and white, 1955 - 1965
... angel celia little room flinders street melbourne men woman ...Photograph taken in the Celia Little Room at Mission to Seafarers Melbourne. The Celia Little Room was named in honour of the aunt of one of the serving (and resident) chaplains. The room is a multi-function room, being used at times for banquets or, as the photograph shows, for relaxation, by visiting seafarers.The age of the photograph consolidates the history of the Mission to seafarers. The people in the photograph are drinking hot beverages, sitting and chatting in a relaxed environment which is significant to the services provided by the Mission.Black and white photograph of two men and one woman seated in the Celia Little Room at the Mission to Seafarers.The man on the far left is wearing a light coloured sports coat and trousers, holding a cup and saucer. The man in the middle is wearing a dark suit, holding a cup and saucer. The woman is on the right and also seated, wearing a dress. Pin holes have been placed in the top corners of the photograph. Dated between late 1950s and early 1960s."8940" faded stamp on back of photograph.dress, suit, 1950s, 1960s, victorian-seamens-mission, cup-and-saucer, sports-coat, armchairs, seamen's mission, mission to seafarers, seamen, seafarers, sailors, lhlg, flying angel, celia little room, flinders street, melbourne, men, woman, social -
Mission to Seafarers Victoria
Photograph, Bill Doyle (Reverend C.J. Eldridge-Doyle), 1960-1970
The photograph is part of a serie likely to have been taken by Bill Doyle (Reverend C.J. Eldridge-Doyle), who was a keen photographer like many of the chaplains as he often uses the Ilford paper to print his images. The man appears to be at the Mission to Seafarers, the Celia Little room usually used as a reading and quiet room. On the table is the shield annual competition by crew of merchant ships presented by Wally Nancarrow, Sydney.The presence of the framed football shield in the image links this image to other objects in the MTSV collection and helps confirm location of Celia Little room and the era of the photograph to mid 20th C.Black and white photograph of a man reading a magazine taken a table with a collection of different magazines. A framed shield appears to the left of the frame.Ilford paperphotography, flying-angel, club-room, black-and-white, mission-to-seafarers, stage, celia-little-room, shield, soccer, football -
Coal Creek Community Park & Museum
Music Sheets
A collection of 41 music sheets. 5 - The Blackpool Walk / Angels of the Mons 6 - Love is Where you Find It / A Little Love, A Little Kiss 9 - Brown Eyes, Why are You Blue? / Poor Little Me 12 - My Dear / Why / You're as Pretty as a Picture / My Own (2 Copies) 13 - Cinderella Sweetheart / Hi-Ho Silver 14 - That Week In Paris / Two Sleep People 16 - Rock it for me / Say THat You Care For Me 17 - On The Bumpy Road to Love / There's Honey On The Moon Tonight 18 - The Same Sweet You / On Parade 21 - Cinderella / The Chestnut Tree 22 - Skating Down The Old Mill Stream / What Have You Got That Gets Me 26 - All Ashore / Sixty Seconds Got Together 32 - I Go For That / Junior 33 - The Great Waltz / Don't Wake Up My Heart 34 - Strike Up The Band / Kinda Lonesome 35 - Peace Of Mind / minute For Modern Miss 37 - The Night / Honolulu 38 - Hang Your Heart On A Rickory Limb / That Sly Old Gentleman 40 - Grandma Said / Something to Sing about 41 - Loving You / Killy-Ka-lee / I'll Still Be Loving You 91 - Waltzes From Vienna 96 - To You Sweetheart Aloha / Did I Remember 102 - At The Close Of A Long, Long Day / I Have Lost Me Heart In Budapest 111 - Man Of My Dreams / Life Is Empty Without Love 120 - Have You Ever Been Lonely / Sitting In The Dark 121 - And So I Married The Girl / Someone to Care For 122 - Thank Heaven For You / All Over Italy 123 - There's a Bridle Hanging On The Wall / You'll Never Go To Heaven 125 - There's a Lull in my Life / A Nic Cup Of Tea 138 - On Wings of a Song / Harmony Lane 149 - Swing it Here to Sway / The One Rose 150 - What Harlem is Tome 156 - Fifty Million Robins Can't Be Wrong / Nice Work If You Can Get It 162 - Sail Along, Silvery Moon / I Love To Whistle 164 - I Double Dare You / The Snake Charmer 168 - Sweet As A Song / Toodle Do 177 - I've Got A Pocketful of Dreams / When The Organ Played Promise Me 182 - This May Be The Night / I've Got A Date With A Dream 179 - At A Perfume Counter / On Linger Longer Island 183 - I Married An Angel / Spring is Here -
Uniting Church Archives - Synod of Victoria
Photograph, C. 1950s
Extract from The Spectator of June 12, 1946: "From the Queensland 'Methodist Times'. Dreams do come true. At any rate, that is what the Rev. Cliff Lanham believes, who after the lapse of several years finds that his early dream of a Flying Patrol for the Inland is now an actuality. The Methodist Inland Mission Board has purchased from the Disposals Commission of the R.A.A.F. a De Haviland Fox Moth Biplane. Indeed, two machines have been bought, but one will be broken up for spare parts. This 'new angel of the air' is fitted with a 130 h.p. engine and possesses a cruising speed of 100 miles per hour. The petrol consumption is only that of a big six-cylinder car—18 miles per gallon. In addition to the pilot there is room for three passengers, and a stretcher is installed whereby urgent cases of sickness or accident can be flown to the nearest hospital. In this machine, Mr Lanham proposes to cover the whole of S. W. Queensland and a portion of the Northern Territory from his headquarters at Mt Isa. It takes little imagination to realise what a boon the 'flying parson' will be to those of the great outback." …. "Before [Mr Lanham] inaugurated the scheme [the idea of a flying parson] he spent his first furlough from inland mission work (and incidentally £60) learning to fly. 'In a month,' he says whimsically, 'I was a pilot of sorts.' Mr Lanham is a son of the Church. His parents were staunch Methodists, and their home offered generous hospitality to mininsters and preachers. His brother, the Rev. Percy Lanham, M.A., died in Libya when on active service as a chaplain. His widowed mother must be proud of her tall, stalwart son, whom the Church now sends forth on his flying mission for the Lord. May he ever be wafted through inland skies on two wings and a prayer." It is of interest to note that although Cliff Lanham's brother, Percy, is listed in the Methodist Church of Australasia's Ministerial Index (9th Edition, Revised to 1961) Cliff Lanham himself is not listed as either active or deceased.Three B&W identical photographs of Lanham standing next to a Methodist Inland Mission bi-plane. Lanham and an unidentified man are holding a stretcher between them with a boy of about 10-11 on it. They seem to be exiting the plane. The original photograph F69-1 is a 110x65 mm Kodak print; the other two are 195x145 mm enlargements. Lanham is wearing a white shirt and grey trousers, the other person is wearing a safari helmet.All three photos identify "Rev. Cliff Lanham" on the back. They seem to have been originally used or intended for use by The Spectator.lanham, cliff, queensland, methodist inland mission, flying parson -
Kew Historical Society Inc
Photograph, Kew Light Opera Company, Goodnight Vienna!, 1956
The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of Lance Nicholls, left, in a performance of Goodnight Vienna! by The Kew Light Opera Company in 1957. Nicholls produced and directed the production as well as performing as Prince Schmettoff. The accompanying programme provides a profile of Nicholls. It states that: Lance Nicholls (Prince Schmettoff), our producer, is a well known personality in the theatre and radio world, having created a reputation as an outstanding character actor through his roles in "Libel", "Streets of London", "Seven Day's Leave", "Village Priest". He was with J.C.W. for many years and a leading player with the late Gregan McMahon, The Roland McCarty Shakespearian Coy., and The Melbourne Little Theatre; also touring with the Council of Adult Education in "Tobias and the Angel" and "The Miser", then in "While the Sun Shines" for the Red Cross. Mr. Nicholls conducted his own Company of players, known as The Modern Theatre, who presented Shakespearian productions to schools and colleges, and has successfully produced many other plays and Musical Comedy. The Kew Light Opera Company has been fortunate in having a producer and player of such high calibre as Mr. Nicholls, and, it has been seen in previous successful shows under his guidance, hopes to go on to further success in the future."Inscribed above the photo in the scrapbook by Marion Tilley: "Lance Nicholls".performing arts -- kew (vic.), scrapbooks, marion tilley collection, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria -
Federation University Historical Collection
Book - Book - Press Clippings, Ballarat University College/University of Ballarat School of Visual and Performing Arts, 1993 - 1999, 1993
Blue cover book of press clippings. .1) 1993 - briar rabbit, brer rabbit, Libby Tanner, Lorrae Desmond, Cherry Orchard .2) 1994 - Bruce Widdop, Eureka, Rebellion, Aiden Fennessy, Steel Magnolias, Rumpilstiltskin, Tale of Two Cities, Peter Tulloch, Ring Round the Moon, Grainery Lane, Barnstorm Theatre, Rivers of China, Lord Wedgewood, Rick Chandler. James Charters, Matt Molony, Antoninino Atzori, Joseph, Len Bauska, Joseph and the Amazing Technicolour Dreamcoat, Damian Muller, Bert Labonte, Once a Catholic, Peta Brady, Fiddler on the Roof, King Richard III, The Seagull, Mr Men .3) 1995 - Point of Departure, Stags and Hens, Hansel and Gretel, Rob Knowles, The Would Be Gentlemen, SOund of Music, Barry Breen, The Bundle, Karl Hutton, Much Ado About Nothing, Len Bauska, Hamlet, Pajama Game, Peter Tulloch .4) 1996 Melissa Casey, The Wizard of Oz, Peter Tulloch, Libby Tanner, Rooted, Erard Concert Grand Piano, Atlantis. The Visit, Stella Axarlis, Me and My Girl, Our Country's Good, Three Billy Goats Gruff, Hold the Mayo, The Crucible, Chris Dickins, Stuart Pursell, Arts Academy .5) 1997 - Tempest at Loch Ard Gorge, Maelstrom, Angela Coad, Damian Muller, West Side Story, The Importance of Being Ernest, Mark Gambino, Brett Edgington, Cosi, Damian Muller, Leonard Bauska, Matthew Heenan, Amanda Sandwith, Bacchae, Richard DiGregorio, Roger Woodward, Peter Tulloch, Gavin Fenech, Bruce Widdop, Lola Montez, Tim Haymes, Tina Ford, Ross Jones .6) 1989 - Graeme Bird, Leanne Lettieri, Ballarat Symphony Orchestra, Christopher White, David Addenbrooke, Bruce Widdop, Chris Betts, John Garland, Allan Mann, John Sharpham, David Forrest, Warwick Stengards, Jan Davis, Wendy Morrison, Equus, Scott Cameron, Bryan Trueman, Peter Blizzard, Andrew Burnham, Peter Pilven, Chalk Circle, Tsou Nan-Chien, Ten Little Indians, Doug Wright, Stellarc, Chris Betts, Eric Lovett, Bob Allan, Doug Wright, Kaspar, Bill Levis, The Removalists, Liz Poklar, Goldfields Print Award, Margaret Sulikowski, Kathy Gamble, Maria Froia-Crump, Ian Hemmingway, Geoff Wallis .7) 1989 - Shirley Randall, Fred Sulikowski Fargher, Richard Jeziorney, Shane Lee, Neville Philpott, Val Lehman, Bill Levis, Hamp, Peter Ford, Shane Lee, Richard Akers, Peter Blizzard, Debbie Fraser, Shane Lee, Away, Genevieve Lacey, Pauline Coutts, Tsou Nan-Chien, Petrus Spronk, Debbie Fraser, Chris Betts, David Addenbrooke, Alan Peascod, John Crump, Deb Rosser, Michael Cook, Bruce Widdop, Jenny Trickey, Jennifer Marshall, Stellarc, Carboni, Stuart Matteson, Peter Sargeant retirement, Lyn Conellan .8) 1990 - Micehelle Tuddenham, Pauline Coutts, Anthony Horton, Claire Dale, Kryal Castle, Howard Tostivan, Simon Buckle, Blitz, STelarc, Hitz of the Blitz, Doug Wright, Nerissa Heath, Mieke Glickson, Ruth Greenburg, Peter SParkman, Allan Mann, Rachel Appleton, Michelle Tuddenham, Romeo and Juliet, Jennifer Pacey, Felicity Hay, Kristen Boys, Shane Lee, Norm Strange, Demolition Job, Merran Lisette, Charlotte's Web, Merran Hedbury, Richard Akers, Felicity Hay, Disco, Peter Harbison, Peter Clinch, Jeff Crispin, Cynthia Treadwell, Anagama Kiln, Debbie Lord, Sue Quinlan, Hedder Gabler, , Christine Hateley, Marilyn Chestnut, Geoff Crispen, Petrus Spronk, Peter Ashman, Country Heat, Bruce Widdop, Andrew Seary, Len Bauska, Christopher Pendlebury, Doug Wright, Frank Hurley, Peter Tulloch. Liz Blizzard .9) 1991 - Goldilocks and the Three Bears, Yvonne James, Doll's House, Liz Blizzard, Peter Blizzard, Elizabeth Tanner, Amanda Davies, Kimba Jeffries, Black Comedy and Public Eye, Peter Pilven, Macbeth, Richard Sutherland, Bruce Widdop, The Little Prince, The Would-be Gentleman, The Crucible, Warren Muschialli, Janet Dale, .10) 1992 - Deanne Clapton, Anthony Marsh, Alice in Wonderland, Bruce Widdop, The Beard, Fiona Bennett, Warren Muschialli, Orphans, Peter Blizzard, Red Riding Hood, Circus In a Suitcase, Frank Zappla, The Twelfth Night, Peta Brady, Street Angels, Lawrence Price, Donna Brunt, Jessi Watson, Too Much Punch for Judy, Miranda Crellin, Lyle Quick, Trevor Harris, Howard Tostivan, John Daykin, Barry Breen, The Paradise, Hansel and Gretel, Sandra Moon, Rosalind Lawson, Jason Wasley, The Paradise and The Passion, Simon Buckle, Sam Trinder, Doug Wright, .11) 1998 - Barnum, Skins, Marqui De Sade, Kangaroo Pie, Comedy of Errors, Manhatten, Nicholas Nickleby, Great White Way, Peer Gynt, Boys from Syracuse, Cancerto, Miranda Crellin, Ron McLeod, Alexandra Meerbach, Nathan Firmin, Chris Dickins, Christine Ward, Judith Roberts, Tim Arundell, Dom Phelan, Paul Thomas, Rose Tonkovic, Jon Peck, Andrew Page, Luke Doxey .12) 1999 - Pirates of Penzance, Phil Horwood, Adrian Barnes, Dennis Olsen, Kate Gorman, Nathan Firmin, Margaret Whitlam, Nadine Collins, Liz Gutt, Sara Brett, Kate McLennan, Dom Phelon, Midsummer Night's Dream, Bruce Widdop, Nadia Andary, Amy Maiden, Sing For Your Supper, Tania Burn, Under Milkwood, A month of Sundays, Matt Heyward, Dane Carpenter, Peter Tulloch, phil Crompton, Tim Haymes, David Haymes, Jenny Haymes, Barry Wemyss, Heather Kent, Monty Farag, Sancho de Silva, Jose da Costa, Cameron Sweatman, Ways and Means, Matt Heywood, Rebecca McGuiness, Michelle Pitcher, Peter Tullochperforming arts, visual arts, ballarat academy of performing arts, peter tulloch, bapa -
Ballarat Heritage Services
Photograph - Image, Clare Gervasoni, Painting at St Peter's Catholic Church, Daylesford, 2015, 26/08/2015
The church was designed by the architect William Wardell (1823 – 1899) in a manner strongly influenced by the English architect Charles Hansom.Colour photographs of the altar angel and stenciling at St Peter's, Daylesford. Church plaque: Church of St Peter, Princeof the Apostles The foundaiton stone was laid on November 29th 1863 and the church was blessed and opened on May 14th 1865 by Most Rev. James ALipius Goold O.S.A., D.D> Bishop of Melbourne This stone was blessed to commemorate the 125th anniversary by Most Rev. Sir Thomas Francis Little, D.D., K.B.E. Archbishop of Melbourne May 20th 1990.catholic church, st peter's church, daylesford, daylesford, stencils, angel -
City of Melbourne Libraries
Photograph, Lascars cleaning ship's rudder
Photographer notations on slide: Lascars cleaning ships rudder 1933 Published: unknown however, on 26 June 1935 a similar, but not the exact photo in the McKenzie Collection, was published in The Age: Published title: Shipping Victorian Flour to the East Published Caption: Flour and wheat figure prominently in all cargoes carried by ships trading to Chinese, Japanese and Eastern ports. Victorian millers are eager to extend lids outlet for their produce, and every opportunity is grasped. The pictures show Australian labourers unloading from railway trucks some of the 2300 tons of flour which will go into the hold of the Burns, Philp motor ship Neptuna for shipment to Hong Kong, while Chinese seamen are busy cleaning and painting the rudder post of the ship. Hard by the Neptuna, other ships are taking on flour for the East. Research by Project Volunteer, Louise McKenzie: The image was described by Hugh Bull on the rear of the glass plate as – “Lascars cleaning ships rudder 1933”. Basically, a “lascar” is a seaman. Image No. 032 in the McKenzie Collection shows two lascars perched on the rudder of a ship, with two others standing in a rowboat along side. They are dressed in baggy trousers and jackets and wearing caps. Across a very calm dock area is a single funnel ship with on-deck derricks. The rudder of the ship being cleaned is white, with large black roman numbering denoting the depth at which the ship is sitting, depending on whether it is loaded or empty. Whilst the exact photo in the McKenzie Collection has yet to be located in The Age in 1933, the date when it was taken, there is a photo published in The Age on 25 June 1935 which appears to be one of a series of photos taken on the same day, featuring lascars cleaning a ship’s rudder. It bears a striking resemblance to MCK 032, but it is taken from a slightly different angle. The 1935 published photo is a close up of a ship’s rudder being cleaned, with same style of roman numerals in black on the white of the rudder. One lascar is standing on the rudder, one is standing in a small clinker style rowboat, with its characteristic wooden overlapping hull planks, holding a broom; two more lascars are sitting in the bow and stern of the rowboat. The ship being cleaned is in a dock, as a wharf and warehouses can be seen in the background, the water is very calm, and there are two other ships moored nearby – one across the other side of the dock with a black and white hull and derricks on its deck, and one adjacent, with its mooring lines clearly visible. The lascars are wearing caps, baggy trousers and jackets. Compelling similarities therefore exist between the two images. Whilst it is difficult to positively identify the cultural background of these particular lascars in either photo, the newspaper article dated June 1935 advises they are “Chinese”. This is possibly because the ship they are associated with, the Neptuna, is reported to have sailed from Melbourne on this date, bound for Hong Kong. However, the men are probably from South East Asia. Wikipedia describes the term “Southeast Asia” as covering ” … the people of Southeast Asia from prehistory to the present in two distinct sub-regions: Mainland Southeast Asia (or Indochina) and Maritime Southeast Asia (or Insular Southeast Asia). Mainland Southeast Asia comprises Cambodia, Laos, Myanmar (or Burma), Peninsular Malaysia, Thailand and Vietnam whereas Maritime Southeast Asia comprises Brunei, Cocos (Keeling) Islands, Christmas Island, East Malaysia, East Timor, Indonesia, Philippines and Singapore. Additionally, Wikipedia “Lascars” states that “Lascars were sailors from the Indian subcontinent, South East Asia, the Arab world, British Somaliland and lands east of the Cape of Good Hope, who were employed to work on colonial merchant ships. The practice ran from the 16th century to the mid 20th century”. Indian seamen were used as early as the 16th century by Portuguese explorer Vasgo da Gama in his successful voyage to India, and subsequently by Portuguese ships in the 16th and 17th centuries. “Through the Portuguese and Spanish maritime world empires, some Indian lascars found their way onto English merchant ships, and were among the sailors on the first English East India Company (EIC) ships to sail to India.” In the 17th Century “When the English adopted the term "lascar", they initially used it for all Asian sailors on English-flagged ships, but after 1661 and the Portuguese ceded Bombay to England, the term was used mainly to describe Indian sailors specifically. The term "topaze" was used to describe Indo-Portuguese personnel, especially those from Bombay, Thana, Diu, Dammam and Cochin. The term "sepoy" was used to describe Indian soldiers in European service. The number of lascars employed on EIC East Indiamen was so great that the Parliament of England restricted their employment via the Navigation Acts (in force from 1660 onwards) which required that 75% of the crew onboard English-flagged ships importing goods from Asia be English subjects. The restriction arose due to the high rates of illnesses and death among European sailors on East Indiamen, and their frequent desertions in Asia, which left such ships short of crew for the return voyage. Another reason was the frequent impressment of European sailors from EIC East Indiamen by the Royal Navy in times of war“. The term “impressment” colloquially refers to “the “press gang” …”a type of conscription of people into a military force, especially a naval force, via intimidation and physical coercion, conducted by an organized group (hence “gang”). .. The large size of the British Royal Navy in the Age of Sail meant impressment was most commonly associated with Great Britain.”. (Wikipedia – Impressment). By the 20th century these sailors served on British ships under "lascar agreements", which allowed shipowners more control than was the case in ordinary articles of agreement. The sailors could be transferred from one ship to another and retained in service for up to three years at one time. “Lascars served all over the world in the period leading up to the First World War. Lascars were barred from landing at some ports, such as in British Columbia. At the beginning of World War I, there were 51,616 lascars working on British merchant ships in and around the British Empire. In World War II thousands of lascars served in the war and died on vessels throughout the world, especially those of the British India Steam Navigation Company, P&O and other British shipping companies. The lack of Canadian naval manpower led to the employment of a total of 121 Catholic Goans and 530 Muslim British Indians on the Empress vessels of the Canadian Pacific Railway, such as the Empress of Asia and Empress of Japan. These ships served in the Indian Ocean both as ANZAC convoy ships and in actions at Aden. The ships were placed under the British Admiralty as part of Canada's contribution to the war effort and all of the Indian men were awarded medals by the Admiralty, though none of them were delivered. In the 1950s the use of the term "lascar" declined with the ending of the British Empire. The Indian “Lascar Act” of 1832 was finally repealed in 1963. However, "traditional" Indian deck and Pakistani engine crews continued to be used in Australia until 1986 when the last crew was discharged from the P&O and replaced by a general-purpose crew of Pakistanis. The term lascar has been widely used to engender an element of exoticism in literature eg “Sir Arthur Conan Doyle created a Lascar foil to Sherlock Holmes in "The Man with the Twisted Lip" in 1891. Lascars aboard the ship Patna figure prominently in the early chapters of Joseph Conrad's novel Lord Jim. Frances Hodgson Burnett's novel A Little Princess features a lascar named Ram Dass. Also, Caleb Carr portrays two lascars as bodyguards for a Spanish diplomat near the end of The Angel of Darkness. In Wuthering Heights, it is speculated that Heathcliff, the main character, may be of lascar origin." (Wikipedia – Lascar) And what has become of these “forgotten heroes of the World Wars”? The South Asian Heritage Trust, which seeks to commemorate, mark and celebrate South Asian cultures, stories, and communities, published an article in July 2025 entitled – The Lascars: Seafaring Roots of Modern Britain. It particularly honours the role of the 80,000 lascars who served Britain in WWI, and the over 100,000 who served in the British Merchant Navy in WWII, and concludes: “The hardships faced by Lascars were profound. They were often assigned the most dangerous tasks, lived in substandard conditions aboard ships and, even after their immense contributions to the war efforts, many veterans found it difficult to secure the recognition, pensions and rights afforded to other veterans. Many were employed under ‘Asiatic Articles’, which offered less protection and lower pay than their European counterparts. Yet, their legacy endures. The multicultural fabric of areas like East London owes much to these early seafarers and settlers. The East London Mosque, established in 1910, became an important spiritual and community hub. Today, efforts to bring their stories out of the shadows are growing. The Museum of London Docklands features exhibits on their history. Memorials, such as the P&O headstone in Dover for the 22 Lascar crew members of the SS Maloja sunk in 1916 and the careful restoration of the Lascar War Memorial in Kolkata, serve as important reminders of the sacrifices. The journey of the Lascars – from their homelands, along dangerous wartime shipping routes, to the docklands of Britain – is a story of personal courage and of a rich contribution to Britain’s history and identity.” The ship MV Neptuna, mentioned in the 1935 article, had that year been purchased from a German company by Australian-owned Burns Philp, with Australian Government assistance, and it was instrumental in ensuring the shipment of rice from Vietnam to Papua New Guinea. Rice is still a household staple in PNG. Despite it being introduced into PNG more than 100 years ago, the crop has not been sufficiently integrated into the country’s traditional agricultural production system, and today PNG imports still account for nearly 98% of rice. (Spotlight Magazine Sept. 2016) The 1935 newspaper article states that the Neptuna is involved in moving flour for the East. Australian wheat exports began in 1845, but were not regular until the 1870s. New land clearing methods in Australia allowed large tracts of land to be cleared more efficiently – this included the invention of the iconic ‘stump jump’ plough. With the success of the wheat harvests, flour mills began to spring up around the country. By the 1870s, many large country towns had their own mills, with around 500 mills producing flour across the country. Flour exports were an important part of the wheat industry until around the 1930s. After the Second World War, many of Australia’s export partners (which were mainly in the developing nations of Asia) began setting up their own flour industries and the Australian product was no longer in demand. In 1942 MV Neptuna was being utilised for the war effort, and carrying depth charges and other armaments for Australia, when on 19 February it was sunk in a bombing raid on Darwin, and where part of her hull still lies. References: SHIPPING VICTORIAN FLOUR TO THE EAST. (1935, June 25). The Age (Melbourne, Vic. : 1854 - 1954), p. 11. Retrieved July 23, 2025, from http://nla.gov.au/nla.news-article204357218 Age (Melbourne, Vic. : 1854 - 1954), Tuesday 25 June 1935, page 11 Wikipedia, Clinker (boat building), https://en.wikipedia.org/wiki/Clinker_(boat_building) Wikipedia, Lascar, https://en.wikipedia.org/wiki/Lascar Wikipedia, History of Southeast Asia, https://en.wikipedia.org/wiki/History_of_Southeast_Asia Wikipedia, Impressment, https://en.wikipedia.org/wiki/Impressment NEPTUNA LEAVES FOR CHINA WITH TOURISTS (1935, June 25). The Herald (Melbourne, Vic. : 1861 - 1954), p. 5. Retrieved July 23, 2025, from http://nla.gov.au/nla.news-article244841163 National Research Institute SPOTLIGHT paper Vol 9, Issue 7, https://pngnri.org/images/Publications/Spotlight_No_9_Vol_7_-_201609_-_Sofe__Odhuno_-_Rice_Import_Quota1.pdf South Asian Heritage Trust, The Lascars: Seafaring Roots of Modern Britain, July 11,2025 : Royal British Legion. https://southasianheritage.org.uk/royal-british-legion/the-lascars-seafaring-roots-of-modern-britain/ Photographer notations on slide: Lascars cleaning ships rudder 1933lascars, ships, 1930-1939, employment, ethnic communities