Showing 46 items matching lizard
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Montsalvat
Photograph, Untitled (Indigenous Boys with Lizard and Fish), 1960
Black and white photograph of two indigenous boys holding fish and a lizard. Signed in pencil (Ll) '1/10' (Lc) 'Matcham Skipper' and dated (Lr) 'circa 1960' on matt boardmatcham skipper, photograph, indigenous, boy, fish, lizard -
Montsalvat
Stone Sculpture /Bronze Plaque, Untitled (Lizard)
Stone sculpture with bronze plaque depicting a lizard mounted upon a bronze base. Nonematcham skipper, sculpture, stone, plaque, bronze, lizard -
Vision Australia
Photograph - Image, Young boy holding a lizard
A young boy in a skivvy and jeans holds a reptile to his chest, feeling the animal's back and tail. In the background there are other children. Possibly taken at the RVIB Burwood school in the 1970's. Digital image of young boy with lizardrvib burwood school, animals -
Clunes Museum
Functional object - LIZARD
A LIZARD CARVED FROM WOOD WITH DECORATIONSlocal history, aboriginal artifact, aboriginal artifacts, tools -
Tatura Irrigation & Wartime Camps Museum
Book, Adolf Wilke, Study of Bearded Dragon Lizard, 1943-1947
Book is a compilation of notes on the study of bearded dragon lizards compiled by Adolf Wilke, former POW at Camp 13, Murchison. Separate article about the Goanna is from the magazine "walkabout" 1st October 1943.Hard cover loose leaf book with hand written notes in German script. Also features magazine cuttings/articles, in English. Held together with piece of thin white tape inserted through punched holes in cloth spine. 2 x separate articles in pockets on 3rd from back end page.bearded dragon lizards, adolf wilke, pow camp 13, goanna, walkabout magazine -
Federation University Art Collection
Ceramic, [Lizard Vessel]
This work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there. If you can assist with information on this artwork or artist please used the email link below.artwork, artist, ceramics, gippsland campus, jan feder memorial ceramics collection, reptile, lizard, frog -
Victorian Aboriginal Corporation for Languages
Book, Yilpanha wiya yamathi tjapirnku =? why the goanna and the lizard are no longer friends today : the Dreamtime story of the goanna and the lizard, 2005
Creation story.word lists, colour illustrations, CD-ROMwangkatha, western australia, dreamtime, storytelling, animals -
City of Whittlesea Art Collection
Artwork, other - Lizard Dance, Jade Kennedy, 2020
Goanna lizard enjoys roaming about in the hot sun, feeding, and resting. Its ability to hunt alone and survive as reptile places a strong vibration on the country it dwells. From the Lagoons, along the rivers and the open sand dunes, to the dried-up lakes and rocky hills. Its fearlessness makes it stand out in the wildJade Kennedy, 2020goanna and aboriginal markings -
The Dunmoochin Foundation
Oil Painting, Death of a Wombat, 1989
Painting depicting an abstract composition with wombat and lizard. Signed and dated lower right 'Clifton 72/89'. Inscribed on reverse in pink chalk '57' and on frame 'No.2'. clifton pugh, painting, abstract, wombat, lizard, landscape -
Federation University Art Collection
printmaking - etching, 'Leaftailed Gecko' by Earl Ingleby, 1990
Earl INGELBY (1939- ) Born Sydney, New South Wales After training at RMIT in 1960s, Earl Ingleby worked and undertook further training in Europe before returning to Australia in late 1969. He currently lives and works in Creswick, Victoria. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed etching of a lizard. Gift in memory of Dr Janis M.G. Fraillon, Creswick 1990-20023/50 leaf tailed gecko etching E Ingleby '90 pencil across bottom of etching typed description on back of frameart, artwork, lizard, earl ingleby, available, fauna -
Montsalvat
Wax Relief, Untitled
Oval wax relief depicting two lizardsNonematcham skipper, relief, wax, lizards -
Federation University Art Collection
Bookplate, Elly De Koster, ‘Ex Libris E Jewell’
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition.A frill-neck lizard is depicted on a tree branch.92/100 plus pencil signature below printbookplate, printmaking, australian bookplate design award, keith wingrove memorial trust -
Montsalvat
Silicon Mould, Matcham Skipper (1921-2011), Untitled
Silicon mould of a rectangular Asian decorative design with lizard. Nonematcham skipper, mould, jewellery, decorative design -
Bunjil Park Aboriginal Education & Cultural Centre
Boomerang, 2007
Boomerangs of this sort were used for up close hunting with short throws and clubbing. This contemporary piece illustrates some fine art work. This piece was commissioned by Uncle Brien Nelson, Jaara Elder to preserve and pass on Jaara culture.This boomerang is in the form usually used for clubbing prey up close rather than long flight or returning. It has a gentle arc about 3 cm deep over its 49 cm length.This piece is beautifully decorated with a traditional Jaara design incorporating a blue tongue lizard motive.boomerang, decorated, jaara, close up hunting, blue tongue lizard -
Orbost & District Historical Society
carved goanna
A wooden carving of a lizard carved in one piece of wood with its tail and body in a straight line. It has pokerwork of bands with dots inside.sculpture carving aboriginal goanna -
Stawell Historical Society Inc
Textile - Costume and Accessories, c1920
Crochet Tablecloth Edging, Australian Motifs. Worked in Kookaburra, Lyrebird, emu, kangaroo, lizards. Three part finish. Association M Brame.stawell clothing material -
The Beechworth Burke Museum
Animal specimen - Goanna, Trustees of the Australian Museum, 1860-1880
Sand goannas are the second largest species of carnivorous lizards found across mainland Australia. They can grow up to 160cm in length and can weigh as much as 6kg. Their common name is derived from "iguana", since early European bush settlers in Australia likened goannas to the South American lizards. Goannas retain special cultural and historic significance within Australian folklore and Indigenous culture. They were an important traditional native food source and are commonly represented in Aboriginal Dreamtime stories. In some Aboriginal languages, the sand goanna is called "bungarra"; a term also commonly used by non-Aboriginal people in Western Australia. In Pitjantjatjara and other central Australian languages, goannas are called "tingka". This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.Small goanna with a streamlined body and textured scaly skin in different shades of olive and brown. It has a long neck and a long tail which narrows towards the tip. The goanna has four short, stocky legs which meet with large, curled claws. Its mouth is slightly slightly open, and it has two black glass eyes.On tag: BMM / 5892 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, lizard, goanna, sand goanna, monitor lizard, various gouldii -
Coal Creek Community Park & Museum
Tin, tea
Tall dark blue and green coloured square tin without corners (hexagonal) with round lid in top. Sides depicting kangaroo, koala, frilled neck lizard and kookaburra.Bushels Blue label. The multi-refined tea. 1883-1983. -
Mont De Lancey
Functional object - Mirror, Franz Streizel, Unknown
This hand carved framed mirror is part of a special bequest to the Mont De Lancey Museum of hand carved furniture and items made by Mr Franz Striezel by his grandaughter Mrs Dorothy Adamson. Dorothy was a friend of Nella Lord (nee Sebire). Dorothy passed away in 2007. It was to be known as The Franz Striezel Collection. Franz Streizel came from Germany in 1886 and was one of the three recognised craftsmen (Art Carvers) in Australia who contributed to the wood carvings in public buildings and honour boards throughout Australia. The National Gallery at their request had two small panels and a tobacco jar (some of his work), donated by Mrs D Adamson. They considered these pieces highly valuable.An elaborately carved wooden framed mirror with two carved kookaburras, one with a lizard in its beak as well as some Australian flora - eucalyptus leaves, flowers and gumnuts around the edges of the frame.mirrors, functional objects, wall mirrors, objects -
Tatura Irrigation & Wartime Camps Museum
Magazine, Wild Life, July 1947
Australian nature magazine featuring articles written by POW Adolf Wilke about bearded lizards. This is the second part of "My Prison Companions" (part 1 C7684) Adolf was a POW at Camp 13 Murchison. Original articles was translated from German by Captain Llewellyn Seal, of Army Intelligence and is about bearded lizards. Page 245.Soft covered magazine stapled at spine, has black and white illustrations throughout. Front cover features bird on tree limbs with seed in its beak. Orange splash on birds wings. Title is also in orange. Vol 9 no 7. Wilkeadolf wilke, my prison companions, camp 13 murchison, pow camps, australian nature magazine, bearded lizards, captain llewellyn seal -
Flagstaff Hill Maritime Museum and Village
Book, My Memories of New Guinea 1944 Vol 1, after 1944
Volume 1 includes a hand written account of "The Wreck of the Steam-Ship NOSEL at the Lizard Point, August 26, 1882Book, one of a set of two, "My Memories of New Guinea 1944 Vol 1". Leather bound books with gold lettering. The bottom right corner of the cover has embossed in gold the initials 'G.A.R." This book contain newspaper cuttings, pictures and hand written notes on various ships and shipping disasters.gold lettering on cover "G.A.R."flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, book, my memories of new guinea 1944 vol 1, my memories of new guinea 1944, steam-ship nosel, g.a.r. -
Bendigo Military Museum
Badge - BADGE, COPPER
THIS IS AN OVAL SHAPED COPPER BADGE. THE FRONT HAS THE OUTLINE OF AUSTRALIA, WITHA STYLISED VERSION OF A FRILL NECKED LIZARD IN IT. UNDER THE MAP OF AUSTRALIA IS THE WORD "AUSTRALIA". It has been pressed into thin copper. On the rear are two lugs bent down for mounting purposes.badge, accessory -
Tatura Irrigation & Wartime Camps Museum
Magazine, Wild Life, June 1947
Australian nature magazine featuring articles written by POW Adolf Wilke about bearded lizards. Title of article "My Prison Companions" (part 1). Part 2 C7685. Adolf was a POW at Camp 13 Murchison. Article page 207.Soft covered magazine stapled at spine, has black and white illustrations throughout. Front cover features red coloured flower heads (waratah). Title is also in red. Vol 8 no 6. Price 1/-.Miss Joan Graf, 25 Lothair Road, London N4 England Wilkeadolf wilke, my prison companions, camp 13 murchison, pow camps, australian nature magazine -
Mission to Seafarers Victoria
Postcard, The Pisagua, Dover, 16 March 1912
The Pisagua was a four-masted barque built in 1892 at Geestemünde, Germany. In 1901, Pisagua sailed from Lizard point to Port Pirie in 79 days. On March 12th 1912 she collided with the P&O steamship Oceana in Sussex. Pisagua was towed to Dover, Kent for repairs. The Oceana sank. P&O sued the Pisagua owners but judgment using the 'steam gives way to sail' obligation/rule found the Oceana to be at fault. The Pisagua never sailed again and was converted into a whale factory.... -
Benalla Art Gallery
Painting, George W. LAMBERT, Mountain landscape with Maurice, 1913
Born: St Petersburg, Russia 1873; Arrived: Sydney, New South Wales, Australia 1887; Lived and worked: England, France, Wales, Egypt, Palestine 1900-1921; Died: Cobbity, New South Wales, Australia 1930EdwardianGift of C.J.R. Ansett, 1980Mountain and valley landscape with figure and animals. Painted timber frame.Recto: Signed and dated "G. W. LAMBERT. 1913" in black paint on l.l.c of composition; Not titledpainting, figure, boy, dog, animal, mountains, landscape, lizard, snow -
Orbost & District Historical Society
boomerang
Inspected by Joanna Freslov, archaeologist 2/6/2008. Hunting boomerangs were used by the Australian Aboriginals, mainly for injuring or killing animals or enemies. Hunting boomerangs fly at high speed close to the ground and can easily kill a small animal or knock down a larger one. As well these boomerangs were used as hand-held weapons, as musical instruments and for sport. Some of the other uses were, religious ceremonies, digging, clearing fire sites, unearthing ants and lizards. Hunting boomerangs are normally made from the curving roots of trees. (ref. boomerangshack)The necessary tools and equipment for hunting, fishing and warfare were one of the very few items that Aboriginals carried with them from place to place. Most were used for a multiplicity of purposes. Because many were made from raw natural materials, such as wood, generally only partial remains are found today. this item is an example of a hunting boomerang used by early Indigenous people in the Northern Territory.A hand carved hooked boomerang of a deep red wood. Possibly used for fighting.boomerang aboriginal hunting weapon -
Warrnambool and District Historical Society Inc.
Money, Currency, Australian, 1960
In value the penny was the second smallest denominator in the old imperial currency in Australia in the mid 20th century (halfpenny was the smallest). Decimal currency was introduced in 1966 and the two cent coin was the second lowest in value. It was withdrawn from circulation in 1992 but it is still legal tender in some circumstances. This coin was minted in the first year of decimal currency in Australia. The dollar note was introduced in 1966 and it in turn was replaced in 1984 by the dollar coin. These coins are kept as mementoes of notes and coins no longer in use and are therefore of historical interest. 000496.1 Australian decimal currency bank note: $1 note 000496.2 Australian decimal currency coin: 2c 000496.3 Australian pre-decimal currency coin: 1 penny The one dollar notes are orange, yellow, black and white in colour. They have images of Queen Elizabeth 11 and the Australian Coat of Arms on one side and aboriginal motifs on the other side. The metal two cent coin has the Queen’s head on one side and an image of a frilled lizard on the other. The metal penny has the Queen’s head on one side and a kangaroo image on the other.One dollar note- numbers CJA 061539 and CEU 647543 Two cent coin: Elizabeth 11, Australia 1966 One penny: Australia, Penny, 1962 australian currency -
Vision Australia
Sculpture - Object, Urban Cycle, 1975
Eva Fisher was a valued member of the AFB and wished to commission a sculpture for the grounds in the front of Paterson Hall. Noted sculptor Ian Bow was commissioned and created Urban Cycle, a seven panel metal sculpture that follows the development of the local area. Prior to receiving the commission, Ian Bow went through a period of temporary vision loss, which gave him insight into how the sculpture could be appreciated by the blind and low vision community. The different stages are: Harmony - Two pelicans amongst reeds. Intrusion - Frog, kookaburra, mice, fish, lizard and butterfly. Expansion - Doors, windows and roofs under tree canopies. Industry - A factory with large chimney blowing smoke. Density - Multiple boxes, some with figures inside, are crowded beneath a bridge and dome. Decay - Boxes with broken doors and unfinished concrete. Renewal - A church with a Calvary cross over roughened surface.Heptagonal cast aluminium sculpture with seven panels arranged around a central metal pole.Thanks to the generosity of Evangeline Annie Fisher this sculpture, entitled 'Urban Cycle', was created by Ian Bow in 1975 and depicts stages of development of a city through the use of tactile forms. Further information is available at Reception. Vision Australia. Blindness, Low Vision, Opportunity.association for the blind, eva fisher, ian bow, sculpture -
Melbourne Legacy
Photograph, Annual Demonstration 1954, 1954
A photo of the Annual demonstration from October 1954. This photo shows the dancers around a Christmas tree. The costumes include ballerinas, golliwogs, tin soldiers, fairies and elaborate dresses. Also frogs or lizards, sugar plum fairies, rabbits, cossack dancers and cats or foxes. A similar routine was performed in 1952 as described in a newsletter. It mentions the routine as 'Toy makers dream' and had golliwogs and soldiers and Father Christmas. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and Eurythmics. The Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to the 1980's, usually held at Melbourne Town Hall or Olympic Pool Stadium. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association.A record of the displays at the Annual Demonstrations. Also that Legacy provided classes for junior legatees and the skills learned were displayed in the Annual Demonstration.Black and white photo of a Christmas scene during the demonstration from 1954. junior legatees, demonstration, annual demonstration, girls classes -
The Beechworth Burke Museum
Animal specimen - White-Necked Heron, Trustees of the Australian Museum, 1860-1880
The White-necked Heron (also known as the Pacific Heron) is commonly found throughout mainland Australia. It resides mainly in locations with freshwater and in tidal areas. These birds are carnivores and mainly eat fish, crustaceans, amphibians and insects. They are also known to feed on young freshwater rats, young ducklings and lizards. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The White-Necked Heron has been stylised in a standing position on a wooden platform. The bird has long black legs and a long white neck with black spots decorating the front of the neck. The head is also white and the bill black. The front torso of the bird is cream mixed with brown plumage and the back. The rear and wings are a dark brown. [illegible] Heron / See Catalogue, page 33. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, white-necked heron, heron, pacific heron