Showing 76 items matching "london theatre"
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Flagstaff Hill Maritime Museum and VillagePostcard - Historical, building, New Gaiety Theatre, Strand, 1905-1907
... London theatre... for a message and the address. New Gaiety Theatre, Strand [London... for a message and the address. New Gaiety Theatre, Strand [London ...The nine postcards in this set were donated together and date to the early 1900s. All but one postcard in this set shows images of Warrnambool, in the Western District of Victoria; the other has a London image. The postcards were all printed in Great Britain according to that country’s postal regulations. The fronts of all cards have titles printed in red. Most of the images on the cards are attributed to photographer Joseph Jordan and belong to the Jordan Series. The back of these cards has an outline for a postage stamp, a vertical dividing line and a heading on each side of the line to separate the Correspondence from the Address. However, this postcard is the 'odd one out' in that its location is London, it has no border, it has no reference to 'Jordan' or 'Jordan Series' no reference to the printer, no 'correspondence heading', it is slightly smaller than the others, and it has text in the stamp area that refers to 'inland' and 'foreign' postage, a half-penny inland and one-penny overseas.. Postcards or ‘correspondence cards’ appeared in Britain in 1894. They were plain cards with a space for the message on one side and an address on the other; regulations didn’t allow anything but the address to be written on the ‘address’ side. In 1902 the British regulations then allowed a picture to be printed on the front and the address on the back, so messages had to be written on the picture side. Soon, the regulations changed and the back was divided for a message and the address. New Gaiety Theatre, Strand [London] - The New Gaiety Theatre opened in 1903 on the corner of The Strand and Aldwych, London. The second show performed in the new theatre was “The Spring Chicken” in 1905. The third show followed in 1907. The preprinted postage cost on the stamp outline is ½ d. or half penny; according to The Great Britain Philatelic Society, Great Britain Postcard Stamps were priced 1/2 d. or Half Penny from 1-Oct-1870 to 3-Jun-1916. The postcard is significant for its inclusion with a set of nine postcards, eight of which are images of Warrnambool and its district and photographed by Joseph Jordan. It is also curious for is lack of connection to Jordan. Postcard, one of nine, portrait orientation, coloured print. The image shows a tall three-storey corner building with a statue on its domed tower and smaller towers on the sides. The top two storeys have balconies with columns, and overhang the ground floor, providing cover over the footpath. The foreground has horse-drawn carriages and coaches, and motorised vehicles including a bus. Figures wearing top hats and others in long dresses are in front of the building, which has a sign on the corner advertising the building and its current show. There is no correspondence written on the card. The front of the postcard has a printed red title and an inscription on the image. The reverse has inscriptions and outlines for a postage stamp. Made in Britain.Sign on the image of the building: “GAIETY / SPRING CHICKEN / THEATRE” On the front in red: “New Gaiety Theatre, Strand” On the back in printed in green: Stamp box “INLAND / 1/2d.’ STAMP / FOREIGN 1d.” “POST CARD” “THE ADDRESS ONLY TO BE WRITTEN HERE” flagstaff hill maritime museum, flagstaff hill maritime village, flagstaff hill maritime museum and village, maritime museum, warrnambool, great ocean road, warrnambool and district, warrnambool scenes, local scenes, views of warrnambool, postcard, souvenir, correspondence, cameo postcard, new gaiety theater, the strand, spring chicken, gaiety theatre, london theatre -
Melbourne Athenaeum ArchivesTheatre program, Douglass Advertising Service, The Bandwagon (play) performed at the Athenaeum Theatre in 1970, 1970
... mermaid theatre (london)... productions pty limited mermaid theatre (london) peggy mount terence ...Paper program for a play performed at the Athenaeum Theatre 19 June until 15 August 1970; coloured cover - yellow; 16 p. includes articles about the play, the actors and advertisementsathenaeum theatre, program, programme, the bandwagon, phillip productions pty limited, mermaid theatre (london), peggy mount, terence frisby, jacki weaver, robert chetwyn -
Melbourne Athenaeum ArchivesTheatre Program, The London Cuckolds (play) by Edward Ravenscroft performed by The Melbourne Theatre Company at the Athenaeum Theatre commencing 26 August 1981
... . the london cuckolds athenaeum theatre melbourne theatre company ...The program provides historical back ground to this play that was acted at the Duke's Theatre in 1681, in the time of Charles II.paper program includes photographs and historical background : good conditionthe london cuckolds, athenaeum theatre, melbourne theatre company, restoration comedy, edward ravenscroft -
Kadimah Jewish Cultural Centre and National LibraryProgramme, Polish State Jewish Theatre; 1964
... Scala Theatre London... director- Ida Kaminska Dovid Herman Theatre Scala Theatre London ...4 Yiddish plays, Artistic director- Ida Kaminskadovid herman theatre, scala theatre london -
Robin Boyd FoundationSlide, Robin Boyd, 1969
... Colour slide in a mount. National Film Theatre, Southbank... Theatre, Southbank, London, England Slide Robin Boyd ...Robin Boyd travelled to the USA and Britain for several weeks. He attended the opening of the new Australian Chancery in Washington DC, where he had designed an innovative exhibition with cylindrical display cases and sound recordings.Colour slide in a mount. National Film Theatre, Southbank, London, EnglandMade in Australia / 15 / MAY 69M2slide, robin boyd -
Melbourne Athenaeum ArchivesTheatre program, A Cuckoo in the Nest (play) by Ben Travers performed at the Athenaeum Theatre by Melbourne Theatre Company commencing 2 December 1981
... by Tom Walls' company at the Aldwych Theatre in London... by Tom Walls' company at the Aldwych Theatre in London ...One of the well-known Aldwych farces original performed by Tom Walls' company at the Aldwych Theatre in London in the 1930sPaper programa cuckoo in the nest, athenaeum theatre, melbourbe theatre company, ben travers -
Bendigo Historical Society Inc.Document - MERLE HALL COLLECTION: ''PREPARING A BRIEF FOR A THEATRE BUILIDNG''
... and the Theatre (London) - not dated but ca. 1970s? Sixteen consideration... ''Preparing a Brief for a Theatre Building'' 18 page publication ...''Preparing a Brief for a Theatre Building'' 18 page publication of the Standing Advisory Committee on Local Authorities and the Theatre (London) - not dated but ca. 1970s? Sixteen consideration of 'How' and 'What' for local authorities contemplating a theatre or a hall with theatre use. Specific British thrust to these considerations - but with wider ramifications e.g. Bendigo? -
Federation University Historical CollectionCorrespondence, Letters to and from Nina Steane - 1973, 1973
... and was manager of a number of London theatres. He founded the Open Air... and was manager of a number of London theatres. He founded the Open Air ...Nina Steane was the daughter of Sydney Carroll. He was the son of John Whiteman and Alice Cornwall, born in Melbourne in 1877. After a short marriage his parents separated and he chose to live with his father. Alice resumed her maiden name and became successful in the Mining Industry in Ballarat. She owned the Midas Mine on the Dowling Forest Estate, Victoria. She was known as Madame Midas. Returning to London her business thrived and her company the 'British Australasian Mining Investment Company' was floated in London in July 1889. It is said she became a millionaire at 30. Sydney Carroll was born George Frederick Carl Whiteman (1877-1958). Sydney was heavily involved with the theatre and was manager of a number of London theatres. He founded the Open Air Theatre in 1933. A new complex was been built on the site in 1975. He was part-author of several plays, published a book on dramatic criticism as well as being a drama critic. Nina Steane (Carroll) was born in 1932 and studied Art at the Cheltenham School of Art. She then went to Oxford University where she studied Literature. After Oxford she married John M Steane and they had three children. They lived in Southport, Kettering where she exhibited her art until the mid 1970s. In 1976 John became Oxfordshire's County Archaeologist and so moved to live in the area. Here Nina showed her art as well as in London and other parts of the country as well as abroad Nina died in 1990, aged 57. .1 Type written letter on white paper. Addressed "Dear Sir" and signed "Nina Steane" (copy) .2 Type written letter on white paper. Addressed "Mrs Steane" and signed by "E J Barker" Principal of Ballarat School of Mines and later Director of Ballarat College of Advanced Education. (copy) .3 Type written letter on white paper. Addressed "Dear Mr Barker" and signed "Nina Steane" (copy) .4a Copy of hand written information on The Midas Mine .4b continuation of information.1 Signature of Nina Steane. Dated July 6th 1973 .2 Signature "EJB". Dated 20th July 1973 .3 Signature of Nina Steane. Dated July 26th 1973midas mine, nina steane, sydney carroll, alice cornwall, john whiteman, melbourne, madame midas, british australasian mining investment company, millionaire, london, drama, open air theatre, cheltenham school of art, oxford university, literature, john m steane, oxfordshire county, archaeologist, exhibition -
Bendigo Historical Society Inc.Document - LYDIA CHANCELLOR COLLECTION: 'THE GREAT WAR PICTURE WITH THE FIGHTING FORCES OF EUROPE
... of Europe. Direct from the Scale Theatre, London. The Sole Rights...: With the Fighting Forces of Europe. Direct from the Scale Theatre, London ...A pink programme with black print. On the front are the words ' KINEMACOLOR (urban patents) The World's Events in their Natural Colours. The Great War Picture: With the Fighting Forces of Europe. Direct from the Scale Theatre, London. The Sole Rights for KINEMACOLOR for Australia and New Zealand were secured in England by the Proprietor, Wm. J. Shephard, to whom all communications should be addressed. Mitchell & Casey, General Printers, 25 Tattersall's Lane Melbourne.program, theatre, war, lydia chancellor, collection, w.w. i, event, program, theatre, the great war, war -
Kew Historical Society IncPhotograph, Kew Light Opera Company, San Toy OR The Emperor's Own, 1953
... , first performed at Daly's Theatre, London, on 21 October 1899..., first performed at Daly's Theatre, London, on 21 October 1899 ...The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of performers in San Toy OR The Emperor's Own. San Toy was a "Chinese" musical comedy in two acts, first performed at Daly's Theatre, London, on 21 October 1899. The book was written by Edward Morton, and the musical score was written by Sidney Jones with lyrics by Harry Greenbank and Adrian Ross. Additional songs were written by Lionel Monckton. The photograph of the cast on stage includes 'Betty', far right. This may have been Betty Eames, Betty Wilson or Betty Crowe. The scenery was by Alexander and Day and the production directed by Lance Nicholls in the Kew Recreation Hall.Arrow and name 'Betty' beside right of photo.performing arts -- kew (vic.), scrapbooks, marion tilley collection, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria -
Kew Historical Society IncPhotograph, Kew Light Opera Company, San Toy OR The Emperor's Own, 1953
... , first performed at Daly's Theatre, London, on 21 October 1899... comedy in two acts, first performed at Daly's Theatre, London ...The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of performers in San Toy OR The Emperor's Own. San Toy was a "Chinese" musical comedy in two acts, first performed at Daly's Theatre, London, on 21 October 1899. The book was written by Edward Morton, and the musical score was written by Sidney Jones with lyrics by Harry Greenbank and Adrian Ross. Additional songs were written by Lionel Monckton. The scenery was by Alexander and Day and the production directed by Lance Nicholls in the Kew Recreation Hall. In the photo, nine of the ten members of The Emperor's Own are singing. The photo may include: Ethel Duncan, Marion Tilley, Julie Johnstone, Naomi Owen, Ruth Barnes, Joan Millerchip, Thelma Hiscock, Esme Melville, Elma Nicholson, and Jean Hayles.performing arts -- kew (vic.), scrapbooks, marion tilley collection, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria -
Kew Historical Society IncPhotograph, Kew Light Opera Company, San Toy OR The Emperor's Own, 1953
... , first performed at Daly's Theatre, London, on 21 October 1899... comedy in two acts, first performed at Daly's Theatre, London ...The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of performers in San Toy OR The Emperor's Own. San Toy was a "Chinese" musical comedy in two acts, first performed at Daly's Theatre, London, on 21 October 1899. The book was written by Edward Morton, and the musical score was written by Sidney Jones with lyrics by Harry Greenbank and Adrian Ross. Additional songs were written by Lionel Monckton. The scenery was by Alexander and Day and the production directed by Lance Nicholls in the Kew Recreation Hall. In the photo, nine of the ten members of The Emperor's Own are singing. They include: Ethel Duncan, Marion Tilley, Julie Johnstone, Naomi Owen, Ruth Barnes, Joan Millerchip, Thelma Hiscock, Esme Melville, Elma Nicholson, and Jean Hayles.performing arts -- kew (vic.), scrapbooks, marion tilley collection, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria -
Surrey Hills Historical Society Collection
Work on paper - Ephemera: Theatre program - Miss Hook of Holland, 24 & 26 June 1933, H Bowley, Printer, 192 Canterbury Road, Canterbury, June 1933
... at the Prince of Wales Theatre, London, on 31 January 1907, and had... and Rubens. It opened at the Prince of Wales Theatre, London, on 31 ..."Miss Hook of Holland" is a musical comedy (described as a "Dutch Musical Incident") in two acts, with music and lyrics by Paul Rubens and book by Austen Hurgon and Rubens. It opened at the Prince of Wales Theatre, London, on 31 January 1907, and had a successful run of 462 performances. A synopsis of the plot can be found at https://www.guidetomusicaltheatre.com/shows_m/miss_hook_holland.htm This was one of a number of productions of the Surrey Hills Amateur Operatic Society during the 1930s. The society formed in 1931 and its first production was "The Cingalee", followed in 1932 by "The Arcadians". Other productions were "Princess Ju-Ju", "The Quaker Girl", "The Hook of Holland" and "The Country Girl". Apart its cultural and social importance, the aim of the Society was to raise funds for charity. Mrs Constance Clucas was a driving force behind the productions. A comprehensive account of the society's activities is found in 'A history of Surrey Hills' Sporting clubs and Cultural Groups" by Ken James. This and other programs of the Surrey Hills Amateur Operatic Society provide insight into the cultural life of Surrey Hills in the 1930s.Cream-coloured stapled program printed in brown of a musical comedy in 2 acts. Includes a cast list and committee of the Surrey Hills Amateur Operatic Society, a synopsis of the play, a list of the musical items, photos of Mrs P D Clucas and Mr Norman Lee and a number of ads for local and city businesses."J Hall" signed on back in ink or biro; Norman Lee has signed his photo in ink.camberwell town hall, operetta, miss hook of holland, tanner and monckton, surrey hills amateur operatic society, j c williamson ltd, surrey hills baby health centre, alfred hospital, orthopaedic hospital, surrey hills orchestra, anne's pantry, surrey hall, entertainment, fundraising, musical events and activities, miss cook, mr j colquhoun, h e witchell, a h chenu, norman lee, jean gordon, wilfred darby, jeanette mcdowell, ronald isherwood, howard p denny, miss phyllis heitsch, una v blaikie, howard burnett, jack chapman, winifred broderick, gladys marshall, scyla cocking, harold g brett, harry cocking, aubrey pearce, william morrison, muriel middleton, barbara brigdon, jessie collins, ethel cerini, isabel callaghan, florrie doreian, violet ebbels, jessie fethers, margot gordon, jean robinson, gordon lavender, marjory gordon, grace linford, mollie middleton, eileen middleton, muriel marshall, gladys oliver, mary scragg, beryl scragg, nina sinclair, jean wearne, gladys roberts, rose pearse, jean douglass, jessie powys, mabel thomas, violet abery, roy brian, herbert darby, wilfred harley, robert rowse, jack walker, fred williams, george duncan, mrs g d clucas, mrs p d blaikie, miss w h duncan, mrs g d grover, mrs b collins, miss m harley, mr r cocking, mr h colton, ada walton, mrs c colquoun -
Orbost & District Historical Societyprogram, 1797
... performed at the Drury Lane Theatre in May 1795. Frederick Mowbray... performed at the Drury Lane Theatre in May 1795. Frederick Mowbray ..."The theatre itself was located in a barn close to the village pond. Its location is indicated on the attached 1827 map of Hampton Wick and the Swan arrowed where tickets were to be had. The picture of Ye Swan around 1900 is probably not too dissimilar to how it would have looked in 1797. One of the regular patrons at the theatre is believed to have been William, Duke of Clarence (later King William IV, uncle of Queen Victoria). The Duke lived in Bushy House about a mile away from the village and was a known devotee of theatrical entertainments. The theatre had disappeared by 1865. It would have been a touring company who were playing on the night of 3 October 1797." ( information from Ray Elmitt, historian of Hampton Wick ) The doors were to be opened at 6 to begin precisely at 7 o'clock,. Boxes were 3 shillings, Pit seats were 2 shillings and seats in the gallery were 1 shilling. Tickets could be bought at the printing office in Kingston or from Mr Ansel of Adam and Eve in Kingston or from Mr Pattenden of the Swan in Hampton Wick. "First Love" is a 1795 sentimental comedy play by the British playwright Richard Cumberland. It was first performed at the Drury Lane Theatre in May 1795. Frederick Mowbray becomes the protector of Sabrina Rosny after her abandoment by Lord Sensitive. The Agreeable Surprise is a 1781 comic opera to music by Samuel Arnold and a libretto by John O'Keeffe. The work in two acts was first performed at the Theatre Royal, Haymarket (London), on 3 September 1781. It was one of the most performed works of its kind in London in the last quarter of the 18th century. In England the 18th century saw the flourishing of theatre as a popular pastime. Many theatres were enlarged and new playhouses built in London and the provinces. This item was kept as a souvenir / memento and brought to Australia by an early settler.A very old program from the Richmond Company at the Theatre Hampton-Wick. It is white with black print. There are two performances - First Love and The Agreeable Surprise. There is a cast list for each. theatre hampton-wick-richmond-company -
Flagstaff Hill Maritime Museum and VillageOpera Glasses & case, Early 20th Century
... . Advertisements were first found for opera glasses and theatre binoculars... and theatre binoculars in London as early as 1730 in the form ...Opera Glasses came into existence as a result of a long line of inventions, and further improvements upon those inventions. The process started in the year 1608 when a Dutch optician by the name of Hans Lipperhey developed the first pair of binoculars with a magnification capability of X3. Less than a year later, a well-known inventor and philosopher by the name of Galileo developed what became known as the Galilean telescope. Advertisements were first found for opera glasses and theatre binoculars in London as early as 1730 in the form of a long collapsible telescope. The "Opera Glass" as it was referred to; was often covered in enamel, gems, ivory, or other art and paintings. For almost 100 years opera glasses existed merely as telescopes. In Vienna, in 1823 the first binocular opera glasses and theatre binoculars began to appear. They were two simple Galilean telescopes with a bridge in the centre, each telescope focused independently from the other by extending or shortening the telescope until the desired focus was achieved, which was useful, yet very cumbersome. Two years later in Paris, Pierre Lemiere improved on this design and created a centre focus wheel. This allowed the focusing of both telescopes together. After this development, opera glasses and theatre binoculars grew in popularity because of the superior view they facilitated in opera and theatre houses. The beautiful design of the glasses themselves also added appeal to the opera-going crowd. By the 1850's opera glasses and theatre, glasses had become a must-have fashion accessory for all opera and theatergoers.Not very significant as not associated with a historic event or person and made during the first half of the 20th Century and many are still available and easily sourced.Vintage Pair of Opera Glasses, with cow bone barrels and eyepieces, both barrel pieces have split in them, both metal end barrels each have a minor dent, optics are pretty clear no mould although have very minor dust spots inside, they look like they were gilded at some point but most of this has rubbed off glasses have a black leather case with blue lining. No markings whatsoever anywhereflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, binoculars, opera glasses, theatre glasses, optical instrument, cow bone -
Eltham District Historical Society Inc
Document - Folder, Martin, Cal
Cal Martin came from London to Australia in 1948 as an operating theatre technician, moving to Eltham 2 years later. He had been given a trumpet in London and taught trumpet part-time here. His longing for London's big band days of the 1930s and 1940s led to his forming the Diamond Valley Big Band in 1978, first playing at the opening of the Eltham Community Centre. Cal died 5 January 2003. Contents Newspaper article: "Ticket led to a lifelong passion", Diamond Valley News, 1998, Background of Cal Martin and the Diamond Valley Big Band, marking its 20th anniversary, performing at Greensborough RSL. Newspaper article: "Brassed on", no date, Photograph of Cal Martin, whose love of the big band sound let to forming his own group. Newspaper notices: no dates but ~January 2003, Death and funeral notices, Cal Martin.Newspaper clippings, A4 photocopies, etccal martin, diamond valley big band -
Eltham District Historical Society Inc
Document - Folder, Oyston, Peter
Peter Oyston died in 2011. His career included being Founding Dean of drama at the Victorian College the Arts and director of Playbox Theatre. He was a champion of theatre companies including The Murray River Performing Group, The Flying Fruit Fly Circus, West Theatre and Theatreworks. He taught at the Royal Academy of Dramatic Art in London and directed more than 200 productions in Australia and other countries. He had one daughter. Contents Newspaper article: "Director takes his curtain call", Diamond Valley Leader, 19 October 2011, Obituary of Peter Oyston.Newspaper clippings, A4 photocopies, etcpeter oyston, victorian college of the arts, bend of islands, playbox theatre, the fying fruit fly circus, theatreworks, royal academy of dramatic arts london, dominque oyston, ray mooney, west theatre, the murray river performing group -
Federation University Historical CollectionPrint, 1 Pussy-cat, pussy-cat where have you been? .2 Abstract Print - Open
Lisa Widdop (16/07/1971-18/01/2024) was an "artist, painter, creator of many things, connoisseur of small and precious things" Quote from her memorial card. Lisa was an alumni of Federation University. Lisa was also a passionate member of OZACT - a touring theatre company dedicated to making Shakespeare accessible to con temporary Australian audiences with performances in Southern Australia's outdoor landscapes. Lisa was involved in management, designing of props, costumes and production of these performances.Coloured prints on black backgrounds.1 Pussy-cat, pussy-cat where have you been? I've been to London to see the Queen. Pussy-cat, pussy-cat what did you there? I ate a chili right under her chair. -
Orbost & District Historical Societyprogram, F.W. Niven & Co, 1893
Harry Rickards was an English singer and comedian who managed and the bought the Opera House in Bourke Street, Melbourne. At the turn of the century, safety concerns forced the closure and eventual demolition of the Opera House. Rickards died in London on 13 October 1911, and the New Opera House, as well as the Tivoli business, was sold to boxing entrepreneur Hugh D. McIntosh. In 1914, in line with the other venues on the national circuit, the New Opera House was renamed the Tivoli. This program would have been retained as a souvenir of a visit to the Opera House.This item is a souvenir retained as a memento of a theatre event in the late 19th century.A souvenir booklet with a coloured drawing of a man, Harry Rickards, wearing a captain's hat on the left side. Rhis is inside an oval frame decorated with feathers. It is a "Christmas Souvenir of the Opera House 1893".rickards-harry salter-fred-g program-theatre souvenir -
Australian Jazz MuseumJewellery
Size of box is 6cm x 4cm In 1936, young Eric Child (1910-1995) met, and squired around London's jazz night-spots, Lucille Wilson a dancer in Lew Leslie's Blackbirds stage production at the Gaiety Theatre. Although Lucille knew a few famous bandleaders she, at that time, had never heard of Louis Armstrong, THE King of jazz, according to Eric. Later, in a letter to Eric in late 1942, Lucille wrote that she had met his King - and had become his fourth wife on 7th October 1942. She had finally worked with Louis at the new Cotton Club in Harlem in 1939 where she was in the chorus line using the stage name Brown Sugar. The long platonic friendship with Lucille remained and Eric and his wife Angela (1919-2001) welcomed her and the King in Brisbane on Louis' first visit to Australia in April 1956, and on all subsequent visits here. At a dinner at the Child's Sydney home Lucille presented Angela with one of Louis' famous stage handkerchiefs, signed by the All Stars, and a her own brooch and earrings, which Angela had quite innocently admired. Following Eric's death in 1995, Angela promised the Louis handkerchief to Bill Haesler and the brooch and earrings to Jess Haesler when she died. Rather than keeping these unique items private, the Haeslers donated them, in Angela's memory to the Victorian Jazz Archive. A unique momento of jazz great Louis his wife Lucille Armstrong,and his Australian friends Eric and Angela Child.Costume jewellery - Silver and cut glass brooch and ear ringslucille armstrong, angela child, ear rings, brooch -
Federation University Historical CollectionNewspaper, Untitled, The Velocipede, No 6, Saturday September 11, 1869, 11/9/1869 (exact)
A velocipede is a human-powered land vehicle with one or more wheels. Today the bicycle is the most common type of velocipede. In September 1869 Velocipede Sports were held in Ballarat. Four page printed newspaper with an articles including 'A Great Earthquake' [Lisbon 1755) and 'To My Pipe'. Includes numerous advertisements relating to Ballarat businesses.Stamped 'W.G. Chalmers"tobacco, holloway, mcgowan, freyberger, theatre royal, john stout, grocer, h anderson, watchmaker, ballarat monster tea company, e meyers, bridge street tea company, g whitty, george e jones, r benney, r wane, colonial fruit and provision company, david thomas, butcher, john buckle, tailor, w e jones, london house, j wheeler, j williams, bluchers, central tea company, pinnick and twycross, london dye works, west end venetian bliand manufactory, james allinson, saddler, wilmot oakey s self balancing bycycles, j walker, james bull, h glenny, photographer, jardine and quinn, t carrick, r lewis, j pullin, velocipede, w chalmers, chalmers, bicycle -
Federation University Historical CollectionPhotograph, Frank Wright (left) with father William and brother Alex Wright
Alexander Wright was killed whilst performing at the Birmingham Empire as the result of a German air Attack in October 1940. The theatre had a direct hit. The stage name of Alex Wright was 'Navarre' "Prince of Mimics". According to Frank Wright Alex was a great impersonator with a unique range Bass - tenor with many accents (not unlike Peter Dawson) "AUSTRALIAN KILLED An Australian, Alexander Wright, radio variety star, who toured Europe and Australia under the pseudonym of Navarre, was killed during a recent air raid in a Midland . town. His broth-er, Frank Wright, is musical director for the London County council."(Border Morning Mail, 22 Oct 1940) Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and became the Australian Open Cornet Champion by the age of eighteen. Sepia formal photograph of a seated man with two boys, one standing on either side of him. They are posed in front of a backdrop showing one side of a window and its curtain, panelling and a painting. The boys are dressed in shoes, socks, knee pants, vests with a chain, white shirts and a jacket. The man is similarly dressed although with long trousers.frank wright, alex wright, navarre, alexander wright, william wright -
Federation University Historical CollectionPostcard, Radio City Music Hall, c1949, 5/4/1949
A Post card from Frank Wright to his friend W. C. Snelling reporting on his travels to New York. Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Postcard with black and white photo of the Radio City Music HallPrinted on front - No 214. Radio City Music Hall, World's Largest Theatre, New York. Handwritten on back - Message from Frank Wright to W.C. Snellingfrank wright, radio city music hall -
Federation University Historical Collection
Document - Handwritten document, Frank Wright, Handwritten reminiscences of London County Council entertainments by Frank Wright, 1966s
Frank Wright was a renown resident of Smeaton, where he was born in 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Handwritten notes by Frank Wright totalling 19 pages broken into 1). Introduction 1b). Bands 2). Concert Parties 3). Holidays at home during the war years 4). Open air dancing 5). Children's shows 6). Crystal Palace 7). The grass theatres 8). Iveagh Bequest 9). Open air Symphony ConcertsAll handwritten frank wright, composer, conductor, bands, london county council entertainments -
Federation University Historical CollectionPhotograph - black and white, Frank Wright and Mr Buckley in Auckland, New Zealand, Feb 1933
Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.1). Black and white photograph of two men dressed in suits and hats, standing at the bottom of a flight of stairs leading to a large public building. At the top of the stairs is a panelled door to the left and to the right is a man standing with his hands on his hips. The man on the left is Frank Wright and the man on his right is Mr Buckley. The place is the museum in Auckland, New Zealand. 2). Black and white photograph of three men wearing suits and hats, walking along the pavement. In the background city buildings can be seen. The man on the left is Frank Wright and the place is Christchurch, New Zealand.1). Written in pencil on back - Frank Wright, Mr Buckley, Auckland (N.Z.) Museum, Feb 1933 2). Stamped on back - The Filmograph Co. (N.Z.), Majestic Theatre Buildings, Christchurch. (The paper has been cut in half, so half the written information is lost) Written in pencil of back - right, adjudicator, secretary N.Z.B.B.ch., Band Contest, 1933frank wright, mr buckley, auckland museum, magestic theatre buildings, brass band, christchurch, adjudicator -
Federation University Historical Collection
Document, In Town Tonight (interview with Frank Wright and an L.C.C. Band) 23 May 1953, 23/5/1953
Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white foolscap pages of a typed script for the radio show 'In Town Tonight'. The personalities interviewed by John Ellison included Frank Wright and the L.C.C. Band, Burl Ives and Audrey Hepburn.Written in pencil on front - Frank Wright % Playhouse Theatrefrank wright, in town tonight, john ellison, brass bands, london county council band, burl ives, audrey hepburn -
Flagstaff Hill Maritime Museum and VillageFunctional object - Opera Glasses, 1920s
... . Advertisements were first found for opera glasses and theatre binoculars... and theatre binoculars in London as early as 1730 in the form ...Opera Glasses came into existence as a result of a long line of inventions, and further improvements upon those inventions. The process started in the year 1608 when a Dutch optician by the name of Hans Lipperhey developed the first pair of binoculars with a magnification capability of X3. Less than a year later, a well-known inventor and philosopher by the name of Galileo developed what became known as the Galilean telescope. Advertisements were first found for opera glasses and theatre binoculars in London as early as 1730 in the form of a long collapsible telescope. The "Opera Glass" as it was referred to; was often covered in enamel, gems, ivory, or other art and paintings. For almost 100 years opera glasses existed merely as telescopes. In Vienna, in 1823 the first binocular opera glasses and theatre binoculars began to appear. They were two simple Galilean telescopes with a bridge in the centre, each telescope focused independently from the other by extending or shortening the telescope until the desired focus was achieved, which was useful, yet very cumbersome. Two years later in Paris, Pierre Lemiere improved on this design and created a centre focus wheel. This allowed the focusing of both telescopes together. After this development, opera glasses and theatre binoculars grew in popularity because of the superior view they facilitated in opera and theatre houses. The beautiful design of the glasses themselves also added appeal to the opera-going crowd. By the 1850's opera glasses and theatre, glasses had become a must-have fashion accessory for all opera and theatregoers. A vintage pair of 1920s opera glasses probably made in France by an unknown maker the item is significant due to it's provenance that can be traced and it's completeness as a useful social item and fashion accessory used by theatergoers from the mid 19th century and well into the 20th century. Some people still use modern variants of theater glasses today to improve their enjoyment of the theater.Both glasses and case are covered with black and white snake skin. Case lined with purple velvet, and has brass closure clip.Noneflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, flagstaff hill maritime village, great ocean road, opera glasses, serpentine opera glasses, binoculars, accessories, optical instrument, scientific instrument, theater glasses, french opera glasses, hans lipperhey -
Bendigo Historical Society Inc.Book - LYDIA CHANCELLOR COLLECTION; THE LIFE OF JEAN BAPTISTE POQUELIN DE MOLIERE
A book titled 'The life of Jean Baptiste Poquelin de Moliere comic dramatist and satirist. Most witty and humorous of dramatic authors; the glory of the French stage; painter of manners and satirist of hypocrisy.' London : Ward, Lock & Co., Salisbury Square, E.C. 81 - 96 pgs. This booklet is one of a series of 53 ' Ward & Lock's Penny Books for the People.' 'Biographical Series.' Price one There are also advertisements of note.books, biography, jean baptiste poquelin de moliere, lydia chancellor, collection, jean baptiste poquelin de moliere, de moliere, the life of jean baptiste poquelin de moliere, male, individual, person, penny books, ward & lock's penny books for the people, biographical series, biographies, satire, writing, comedy, theatre, philosopher, france, famous people, advertisement -
Bendigo Historical Society Inc.Document - MADAME MELBA THE GREAT AUSTRALIAN DIVA, Late 1900's
Document, Madame Melba, The Great Australian Diva,Reproduced photograph of ''Madame Melba, the Great Australian Diva'', who recently sang at a charity fete at Nottingham,when over 1000 pounds was realized by the musical entertainment alone.Taken from a photograph by Lafaette London and Dublin.C late 1900's.Photograph pasted on brown paper.''Lascelles'' inscribed right bottom edge of photograph.program, theatre, dame nelly melba, madame melba the great australin diva -
Bendigo Historical Society Inc.
Document - ROYAL PRINCESS THEATRE COLLECTION: VICTORIAN SYMPHONY ORCHESTRA, 15 July
Victorian Symphony Orchestra, Royal Princess Theatre, Bendigo. Conducted by Juan Jose Castro. Soloist: Isador Goodman (pianist). This series of concerts is arranged by the Australian Broadcasting Commission in conjunction with the Government of Victoria. Royal Princess Theatre, Bendigo. Thur., 1st May. Star Theatre, Shepparton, Friday, 2nd May at 8pm. Direction: Australian Broadcasting Commission. Juan Jose Castro (write up on the life of). Harmony and Home. Linking 'Home and Family Week' with this Visit. Bendigo faces the challenge brought through the medium of 'Home and Family Week.' Issues arising out of the relationship of Marriage, Parenthood and the family have been discussed by possible solution. Rather than compete with the Concert, negotiations were effected with the A.B.C., resulting in the acknowledgement of this function as part of our week, and the reciprocal arrangement of space in this booklet. Music, as truly as Education and other Culture, influences the outlook and the stability of the home. Ancient Jewish history gave common paternity . . . Programme. Programme notes. Page 6: photo of Isador Goodman. Page 7: photo of John Brownlee. Associate Artist: Raymond Lambert (pianist). Conductor: Juan Jose Castro. First violins: Jorgensen B, Hutchins H, Schieblich F, Deerson N, O'Brien P, Glassford W, Michael R, Burlakov A. Second violins: Lenzer H, Badley R, Pattison B, Whitelaw M, Pietruschka I, Braithwaite N. Violas: Kerr C, Kogan M, Roberts W. 'Cellos: Howley D, Touzeau H, Awburn V, Neri E. Basses: Howley T, Shiffron S, Morton W. Flutes: Chugg R, Barklamb L. Oboes: Richmond E, Woolley D. Clarinets: White T, Crowley C. Bassoons: Wightman T, Hunt. Horns: White R, Miller G, Grieve G, Bickford G. Trumpets: Simpson M, Roberts S. Trombones: Code S, McGlade J, Willis H. Tuba: Coram C. Tympani: Craig G. Percussion: Crawford B, McManamny T. Harp: Bendall A. Musical Autobiographies The London Daily Graphic's record critic praised Eugene Goossen's musical autobiography, Overture and Beginners, as excellent Story . . . Photographs of Elena Nikolaidi and Michael Rabin along with a write up on each. Advertisements: Georges, Melbourne. Railway.program, theatre, concert, victorian symphony orchestra, royal princess theatre, bendigo. conducted by juan jose castro. soloist: isador goodman (pianist). this series of concerts is arranged by the australian broadcasting commission in conjunction with the government of victoria. royal princess theatre, bendigo. thur., 1st may. star theatre, shepparton. juan jose castro harmony and home. linking 'home and family. family week.' issues arising out of the relationship of marriage, a.b.c., resulting in the acknowledgement of this function as part of our week, and the reciprocal arrangement of space in this booklet. music, as truly as education and other culture. ancient jewish history gave common paternity. programme notes. page 6: photo of isador goodman. page 7: photo of john brownlee. associate artist: raymond lambert (pianist). first violins: jorgensen b, hutchins h, schieblich f, deerson n, o'brien p, glassford w, michael r, burlakov a. second violins: lenzer h, badley r, pattison b, whitelaw m, pietruschka i, braithwaite n. violas: kerr c, kogan m, roberts w. 'cellos: howley d, touzeau h, awburn v, neri e. basses: howley t, shiffron s, morton w. flutes: chugg r, barklamb l. oboes: richmond e, woolley d. clarinets: white t, crowley c. bassoons: wightman t, hunt. horns: white r, miller g, grieve g, bickford g. trumpets: simpson m, roberts s. trombones: code s, mcglade j, willis h. tuba: coram c. tympani: craig g. percussion: crawford b, mcmanamny t. harp: bendall a. musical autobiographies the london daily, eugene goossen's, photographs of elena nikolaidi and michael rabin along with a write. advertisements: georges, melbourne. railway.
