Showing 3 items matching "loyalty test"
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National Wool MuseumClothing - 1988 Seoul Olympics women's scarf, c. 1988
... Old loyalties remained but became tested more and more as time progressed. ...Old loyalties remained but became tested more and more as time progressed. ...The conduct of the LA games changed many factors in a short space of time. The Americans made their Games a huge financial success, whereas other countries, e.g. Canada, was left with a huge debt. The key to this was SPONSORSHIP which soon replaced the old Australian way of fundraising with pub raffles. It also began to change the atmosphere where the AWC had previously been valued for their generous donation. There was a move by commercial specialist uniform marketing organisations paying sponsorship money to publicise the fact that they were clothing high profile athletes. Old loyalties remained but became tested more and more as time progressed. For example, each uniform was expected to include an Akubra hat, why? Because it always had. For the same reason the uniforms also had Driza-Bone Coats. The day before the Seoul Opening Ceremony it rained in Seoul, so at the Opening Ceremony the Australian Team emerged in their Driza-Bones, made from cotton, not a wool fibre in sight, and the wool growers were footing the bill for over a million dollars. Thoroughly embarrassed, I resolved to avoid this situation next time by having all uniform fabrics pre-treated with Scotchguard prior to garment making.The scarf is brightly coloured in blue, green, yellow, purple and red on a plain cream base fabric. The lines of colour run on an angle across the fabric as jagged, irregular lines with small motifs of Australia, the Southern Cross stars, fish, triangles and a wave pattern, placed throughout. The centre of the scarf is dominated by a depiction of Australia presented in yellow. Within Australia are eucalyptus leaf shapes as well as mountainous shapes and the wave shape that is featured elsewhere on the scarf. The left hand short hem of the scarf has a differing pattern with larger lines running on the opposite angle to the rest of the scarf. Within the larger lines the same motifs are again printed. -
Flagstaff Hill Maritime Museum and VillageBook - Fictional stories, Sir Walter Scott, Waverley Novels Peveril of the Peak- 3 Vol 30, 1838
... The story continues on the Peveril family's royalist loyalties clashing with the Bridgenorths' Puritan resentment, fuelled by past Civil War grievances like the execution of William Christian. Julian and Alice's love is tested ...The subject volume “Waverley Novels Vol 30” published by Fisher Son & Co (1838) is part of a collected edition of Sir Walter Scott's works, containing stories from the "Tales of My Landlord" series. "Tales of My Landlord" forms a key subset of Scott's Waverley Novels, presented as fictional tales gathered by characters like Peter Pattieson from the landlord of the Wallace “Inn at Gandercleugh”. The series spans multiple books across four sub-series, including “The Black Dwarf” (1707 setting), “Old Mortality” (1679–1689), “The Heart of Midlothian” (1736), “The Bride of Lammermoor” (1709–1711), “A Legend of Montrose” (1644–1645), “Count Robert of Paris” (1097), and “Castle Dangerous” (1307). Vol 46 in the 1838 Fisher edition reprints later entries like “Count Robert of Paris” or “Castle Dangerous” from the fourth series, as these stories originally appeared in Scott's Magnum Opus collected volume editions, the first from 1816. With the influential 48-volume “Magnum Opus” edition from 1829–1833 by Robert Cadell, serving as the basis for later collected published sets like Fisher's. Peveril of the Peak is Walter Scott's longest novel, published in 1823 and set during the late 17th century amid the Popish plot hysteria under Charles II. It follows young Cavalier Julian Peveril's forbidden romance with Alice Bridgenorth a Puritan's daughter. The story covers political intrigue, family feuds, and conspiracies drawing the characters into events spanning Derbyshire's Peak District, the Isle of Man, and London. The story continues on the Peveril family's royalist loyalties clashing with the Bridgenorths' Puritan resentment, fuelled by past Civil War grievances like the execution of William Christian. Julian and Alice's love is tested when Julian's parents face Popish Plot accusations with subplots involving a scheming dwarf, the Countess of Derby, and court figures like the Duke of Buckingham. It resolves with royal intervention, exposing intrigues and eventually uniting the lovers.Waverley Novels Peveril of the Peak- 3 Vol 30, Light brown hardcover lettering in black text. Author: Sir Walter Scott Publisher: Fisher Son & Co Date: 1838fictionThe subject volume “Waverley Novels Vol 30” published by Fisher Son & Co (1838) is part of a collected edition of Sir Walter Scott's works, containing stories from the "Tales of My Landlord" series. "Tales of My Landlord" forms a key subset of Scott's Waverley Novels, presented as fictional tales gathered by characters like Peter Pattieson from the landlord of the Wallace “Inn at Gandercleugh”. The series spans multiple books across four sub-series, including “The Black Dwarf” (1707 setting), “Old Mortality” (1679–1689), “The Heart of Midlothian” (1736), “The Bride of Lammermoor” (1709–1711), “A Legend of Montrose” (1644–1645), “Count Robert of Paris” (1097), and “Castle Dangerous” (1307). Vol 46 in the 1838 Fisher edition reprints later entries like “Count Robert of Paris” or “Castle Dangerous” from the fourth series, as these stories originally appeared in Scott's Magnum Opus collected volume editions, the first from 1816. With the influential 48-volume “Magnum Opus” edition from 1829–1833 by Robert Cadell, serving as the basis for later collected published sets like Fisher's. Peveril of the Peak is Walter Scott's longest novel, published in 1823 and set during the late 17th century amid the Popish plot hysteria under Charles II. It follows young Cavalier Julian Peveril's forbidden romance with Alice Bridgenorth a Puritan's daughter. The story covers political intrigue, family feuds, and conspiracies drawing the characters into events spanning Derbyshire's Peak District, the Isle of Man, and London. The story continues on the Peveril family's royalist loyalties clashing with the Bridgenorths' Puritan resentment, fuelled by past Civil War grievances like the execution of William Christian. Julian and Alice's love is tested when Julian's parents face Popish Plot accusations with subplots involving a scheming dwarf, the Countess of Derby, and court figures like the Duke of Buckingham. It resolves with royal intervention, exposing intrigues and eventually uniting the lovers. warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, waverley novels vol 46 tales of my landlord, sir walter scott, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library -
Linton Mechanics Institute and Free Library CollectionBook - Novel, Montgomery, Florence, [Seaforth Vol.I], n.d. [1879]
... . - Follow the rise of choices that echo across decades, testing loyalty and shaping futures. Ideal for readers who enjoy historical family sagas that blend intimate feeling with the grandeur and constraints of aristocratic life. ...In Seaforth, a child’s quiet world among painted memories becomes the stage for a family’s hidden turmoil. A lonely girl finds solace in a gallery of old portraits, especially the grave, kindly face of Godfrey, Earl of Seaforth. As the tale follows generations of the Seaforths, it reveals how love, longing, and duty clash with pride, secrecy, and a search for belonging. - Meet a noble lineage where wealth, status, and inheritance shape every choice. - Explore a child’s inner life as she seeks comfort and understanding from paintings that seem alive. - See how jealousy, pride, and rivalry ripple through use-and-abandonment, exile, and the scattering of a once-proud house. - Follow the rise of choices that echo across decades, testing loyalty and shaping futures. Ideal for readers who enjoy historical family sagas that blend intimate feeling with the grandeur and constraints of aristocratic life. The book invites you to walk through a gallery of memories and uncover how past hurts mold present choices257p. ; Title page missing ; Front cover advertises 'Pioneer Jellies', rear cover advertises 'Empire Self-raising Flour'. Advertisements are examples of nineteenth century advertising and illustrate the use of books to cross-promote a range of products. Bookbinder's details 'T. Craig, 268 Post Office Place, Melbourne', printed lower ths on front end paper. Handwritten on several pages 'Linton Free Library'fictionIn Seaforth, a child’s quiet world among painted memories becomes the stage for a family’s hidden turmoil. A lonely girl finds solace in a gallery of old portraits, especially the grave, kindly face of Godfrey, Earl of Seaforth. As the tale follows generations of the Seaforths, it reveals how love, longing, and duty clash with pride, secrecy, and a search for belonging. - Meet a noble lineage where wealth, status, and inheritance shape every choice. - Explore a child’s inner life as she seeks comfort and understanding from paintings that seem alive. - See how jealousy, pride, and rivalry ripple through use-and-abandonment, exile, and the scattering of a once-proud house. - Follow the rise of choices that echo across decades, testing loyalty and shaping futures. Ideal for readers who enjoy historical family sagas that blend intimate feeling with the grandeur and constraints of aristocratic life. The book invites you to walk through a gallery of memories and uncover how past hurts mold present choicesfiction, romance, family saga, [florence montgomery]
