Account of the Diamond Valley Twins Club, a support organisation for mothers of twins, that started in Watsonia, written by Linda Court, Lynda Johnston, Helen Steele and Maree Walshe, encouraged by Rosie Bray6 p., typescriptdiamond valley parents of twins club

the were the unsung heroines of the Vietnam War. Over a quarter of a million in numbers, they gave themselves to the most vital and emotionally compelling of wartimes duties.vietnam war, 1961-1975 - poetry, women soldiers - poetry

East Beach November 1995 construction of recreation area Coloured photograph of shoring up the road on the East Beach during construction of recreation areaEast Beach November 1995 Filling ineast beach, development, trucks, filling

East Beach November 1995 re-construction of recreation areaColoured photograph of pathway on edge with embankments to the right and 3 large trucks on the rightEast Beach November 1995 Filling intrucks, improvements, tiers, east beach, lights, filling, barriers

"AN UNCANNY LIKENESS It’s difficult to escape the flight of the imagination in Lynda Draper’s new work. Set within a dream-like milieu, an anthology of wondrous and majestic objects float and bob in space. Referencing kings and queens, and the flamboyance of the French Baroque, these large filigree works are woven from clay, and while not explicitly figurative, possess familiar facial markers which bring into play the metaphysical qualities attributed to inanimate objects by human memory and experience. Draper spent the European winter near Versailles, where marble sculptures set among the gardens are shrouded in the winter months to prevent frost from taking its toll on precarious limbs. And while the influence from her residency is certainly evident, rather than stimulating work of this nature, it has merely activated and amplified elements of her recent practice. From smaller ‘tiaras’ in 2016, her work has evolved into sizeable ‘crowned portraits’ of clay. Hovering somewhere between the real and the unreal, these works are architectural and figurative, formed and formless, literal and fictional. They bewitch and amuse, revealing multiple characters and personalities only after careful observation. The medium of clay is so exquisitely anomalous in Draper’s work that it becomes, to the viewer, an afterthought rather than a dialogue prompt for works that are traditionally contextualised by their medium. And this is how it should be. Clay has undergone a renaissance in the past decade or so; no longer is it in the domain of craft. With a strong conceptual narrative and by pushing the medium beyond its natural limits, ceramicists like Draper can be counted among Australia’s significant artists who contribution is gaining ground in contemporary art discourse. And yet, it is the use of clay which makes Draper’s work so utterly extraordinary. Ambitious in scale, virtuosic in composition, she has the ability to make the unmakeable. Drawing from a conventional practice of coiling and handbuilding, the maker’s hand is evident on every square inch of her work. The uneven coils are shaped by the impressions of her grip on the responsive nature of the material. But Draper somehow dispenses with the inherent limitations of the soft clay medium, manipulating it in a way which defies physics and logic. Her award-winning installation for the Sidney Myer Australian Ceramic Award in 2019 is testament to an artist whose practice has consolidated. Her ambition, robust conceptual thinking and technical understanding of materials have reached a zenith which has been rewarded her with one of the most prestigious prizes in Australian art" Artist Bio Lynda Draper is a contemporary Australian artist who primarily works in the ceramic medium. Her practice explores the intersection between dreams and reality, shaped by fragmented images from her surrounding environment, recollected memories, and an interest in historical artifacts. Draper has a fascination with pareidolia, and the phenomena of universal mythologies linked to the spirit image. Her work aims to invite imagination and the contemplation of some kind of other realm. Created by a combination of pinching and coiling hand building techniques, Draper’s ceramic sculptures evoke dreamlike, ethereal qualities with the visual fragility of paper or wax and yet are instilled with the resilience and permanence of fired clay. Throughout her practice Draper has continued to push the technical limits and conventions of the medium. Her practice speaks to the tactile visual fragility of clay and utilises the medium as a way of exploring the nexus between tradition and innovation.

Booklet prepared by a sub-committee of the Wonga Park and District Residents' Association to record some aspects of the nature and history of Wonga Park, Victoria.Compiled by Jill Drew, Pam Fallon, Robyn Fankhauser and Lynda Hickling

Photograph of a threshing team taken at Will Chambers Property. Julia & Lynda Chambers standing behind fence. Hal Chambers standing at the foot of the stackThalma (D Ilsley) opp P.O. Rutherglenw h chambers, chandler

Olive would be Olive Stanton and Grandma would be Lynda Stanton, Aunt and Great Grandmother respectively to Aileen TerrillColour post card of Lake Moodemere, Rutherglen On back of card: "To Olive from Grandma wishing you many happy returns of the day"lake moodemere, aileen terrill, olive stanton, lynda stanton

Proudly Sponsored by Nicholas Dattner & Co.Black and white paper flyer ;good conditionStarring:Jean Kittson, Denise Scott,Lynda Gibson,Rachel Burger, The Great Opera Company,Found Objects.Hosted by David Cotter and Lucinda Cowdencomedy on collins, athenaeum theatre, program, programme, jean kittson, denise scott, lynda gibson, nicholas dattner & co, rachel berger, the great big opera company, found objects, david cotter

This item was bought by Lynda Tieman for the Port Fairy Historical Society. It represents a time in in Port Fairy when there were several butchers in the town and competition for customers was fierce. Norman Collins butchers was situated in Sackville Street where a dress shop now occupies the site.An advertising piece that places Norman Collins as butcher in 47 Sackville Street and a rare example of this type of advertising.Bamboo, advertising,give away calendar with green ribbon hanger for Port Fairy butcher (calendar removed). Printed with rural scene of ducks and hunting dogs. Bamboo slats are joined by thread and the ribbon is attached to the top of the calendar for hanging. Calendar itself has been removed.With Compliments from Norman Collins Your Quality Butcher 47 Sackville Street, Port Fairy, Phone 56 For Friendly Service and Free Deliverybutcher, advertising, business, collins, sackville street, norman collins, calendar

Book. ALEC H CHISHOLM COLLECTION. 224 page hardback biography of C. J. Dennis by Alec H Chisholm. Published in 1982 by Angus & Robertson. Printed in Australia by Hedges & Bell. A photo of Alec Chisholm with C J Dennis appears on page 169. Dust jacket illustrated and designed by Lynda Christie.Alec H Chisholmbooks, collections, biography, alec h chisholm collection, c j dennis

Single issue of ''Work on Paper'' - late Autumn Edition 1998. 21 -paged issue of magazine committed to critical debate of the arts in Greater Bendigo and Macedon Ranges regions. (Lynda Newton - Editor). Contents - articles (3); prose; poetry; visuals; review (1). ''Glossy'' well-printed magazine with images/photos..merle hall, city of greater bendigo, art magazine

-3a Photo of woman by W J Chapman Stawell c1920 -3b Wedding group photo of 10 individuals. Three bridesmaids & two flower girls. -3c Wedding group. Bill & Lynda Grambau (ne Shultz). Married Kewell Church. -3d Portrait of young girl standing on chair by F A Finch 112 Peckham Rye SE -3e Young baby seated on cane chair in garden setting. Series of photographs

Publicity photograph of the cast from 'Cop Shop': [Back row] Paula Duncan, John Orcsik, Lynda Stoner, Gregory Ross, Terry Donovan, ?, Joanna Lockwood, Peter Adams. [Front row] Terry Norris, Louise Philip, Gil Tucker. Signed on the back 'To Neil, All my best, Gregory Ross. 3AW Yvonne Lawrence card is unsigned, however Bruce Mansfield and Philip Brady have autographed their with the first name only.1 black and white publicity photo of the cast from the TV show 'Cop Shop', 2 postcard sized publicity cards from 3AWnon-fictionassociation for the blind, elizabeth maxwell, neil maxwell, gregory ross, bruce mansfield, philip brady

Black and white photograph - Grade 1A and 2C, 1963."Attached to photograph" Back Row- L to R: No names 2nd Row- L to R: No names (Graeme Cook) 3rd Row- L to R: ?, ?, ?, ?, Chrissie Iwanowkz, ?, ?, Lynne Taylor, Shannon Finlay, ?. Front Row- L to R: Esther Kramer, ?, ?, Lynda McCubbin, ?, ?, ?, Julie Peters, ?, ?. Teacher: Miss Jones

Black and white photograph - Grade 1A,1960"Attached to photograph" Back Row- L to R: Steven Brown, ?, ?, ?, ?, ?, ?, ?, Neville Barnes, Stewart Brown, ?. 2nd Row- L to R: ?, Denise James, ?, Rhonda Catt, ?, ?, ?, ?, ?, ?, ?. 3rd Row- L to R: ?, ?, ?, ?, ?, ?, ?, ?, Margaret Findlay, Lynda Green,, ?, Greg Shallenburger. Front Row- L to R: ?, Malcolm Jones, ?, ?, ?, Greg Hume, ?, ?, ?, ?, ?, ?. Teacher:

Colour PhotographOn the Names Sheet (2nd Image): Top Row L-R Vicki Edwards, Carolyn, KIm, Sharon Tontan?, Robyn Bush Middle Row L-R Lynda Maggs, -, Katie Jowett, -, Seated at Front: Alison Whitehead Bottom Row L-R: David Bartlett, Dianne Birch, Robin Philpotts, Debbierts, ringwood tech

Given to customers of L. and C. Grasby, Your Family Butcher, 78, Railway Avenue, East Ringwood.Roney's Recipes of Continental Dishes and handy Guide of party drinks, calorie chart, dietetic charts, sporting facts, cooking measures and temperature guide.10 page booklet plus cream coloured covers with red and green printing on both sides. Contains recipes for various occasions, drinks, charts, cooking measures and temperature guide. Given to customers of the butcher. Covering letter from Mrs. Ives +Additional Keywords: Grasby / Ives, Mrs. Norma. All the Ives family lived at 2 Lois Street, East Ringwood until moved away, except for the eldest Ted and his daughter Lynda who lived at 4 Lois Street.

Black and white photograph - Grade 3C, 1964."Attached to photograph" Back Row- L to R: No names 2nd Row- L to R: Lon Maher, ?, ?, ?, Lynden Ryan, Peter German, Michael Walters, ?, ?, ?, ?. 3rd Row- L to R: ?, ?, ?, ?, ?, ?, ?, ?, Janet East, ?. Front Row- L to R: ?, Lynda McCubbin, ?, Judith(?), ?, ?, Lynne Taylor, Shannon Finlay, ?, ?, Esther Kramer. On Ground: ?. Teacher:

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 23 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. In the 1920s, the photographer travelled throughout Victoria, including on the west coast from Port Campbell to Port Fairy. Trips were presumably made by train and by foot. Lynda Tieman and her team at the Port Fairy Historical Society have tentatively identified a number of Henry Christian's photographs of Port Fairy, of which this is one. The scene is believed to be the River Moyne.henry beater christian (1886-1962), landscape photography, christian-washfold collection, photograph albums, river moyne, port fairy

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 23 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. In the 1920s, the photographer travelled throughout Victoria, including on the west coast from Port Campbell to Port Fairy. Trips were presumably made by train and by foot. Lynda Tieman and her team at the Port Fairy Historical Society have tried to identify a number of Henry Christian's photographs of Port Fairy, of which this is one. The scene is probably the Southern Shoreline but no obvious landmarks are observable. henry beater christian (1886-1962), landscape photography, christian-washfold collection, photograph albums, port fairy, southern shoreline

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 23 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. In the 1920s, the photographer travelled throughout Victoria, including on the west coast from Port Campbell to Port Fairy. Trips were presumably made by train and by foot. Lynda Tieman and her team at the Port Fairy Historical Society have tentatively identified a number of Henry Christian's photographs of Port Fairy, of which this is one. The photo is believed to be of East Beach from Battery Hill.henry beater christian (1886-1962), landscape photography, christian-washfold collection, photograph albums, east beach -- port fairy (vic.), battery point, port fairy

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 23 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. In the 1920s, the photographer travelled throughout Victoria, including on the west coast from Port Campbell to Port Fairy. Trips were presumably made by train and by foot. Lynda Tieman and her team at the Port Fairy Historical Society have tentatively identified a number of Henry Christian's photographs of Port Fairy, of which this is one. The scene photographed was on occasions at that time knowns as McKechnie's Craigs, but now more commonly as the Craigs or Crags.henry beater christian (1886-1962), landscape photography, christian-washfold collection, photograph albums, port fairy, mckechnie's craigs, the crags, the craigs

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 23 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. In the 1920s, the photographer travelled throughout Victoria, including on the west coast from Port Campbell to Port Fairy. Trips were presumably made by train and by foot. Lynda Tieman and her team at the Port Fairy Historical Society have tentatively identified a number of Henry Christian's photographs of Port Fairy, of which this is one. A man is photographed (possibly Henry Christian) standing within the Battery Hill Fort at Port Fairy.henry beater christian (1886-1962), landscape photography, christian-washfold collection, photograph albums, port fairy (vic.), battery hill fort

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 23 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. In the 1920s, the photographer travelled throughout Victoria, including on the west coast from Port Campbell to Port Fairy. Trips were presumably made by train and by foot. Lynda Tieman and her team at the Port Fairy Historical Society were able to identify a number of Henry Christian's photographs of Port Fairy, of which this is one. The scene is of Boarding School Beach at Port Fairy and of bathing boxes on the stone reef.henry beater christian (1886-1962), landscape photography, christian-washfold collection, photograph albums, port fairy (vic.), boarding school beach

Merle Hall Collection - Various documents re Arts (Bendigo City Council): a. 44 paged Draft Cultural Strategy ''Past-Present-Future'' August 2000 (breaknock consulting & Arts Plus); b. Annual Report of the Bendigo Sub-Regional Community Arts officer , March 1985; c. 21 paged Magazine (''Work on Paper'') , Summer Edition 1998, Lynda Newton, Editor - articles, prose, poetry & review; d. November 2001 issue of ''artznews'' compiled by Cultural Development & Events (CoGB); e. I Dec 2000 - Jan 2001ssue of ''artznews'' compiled by Cultural Development & Events (CoGB);bendigo city council, arts bendigo, merle hall collection

Top Row, from left - Tom Lovass, Mark Holding, Margaret Jarvie, Graham Ford, Carolyn Edmonds, David Petersen, Phil McKenzie, Liz Edmondson, Craig Westhead, Ray King, Lodi Francesconi. Middle Row, from left - Kevin Garvey, Jeanette Cornish, Peter Spiller, Linda Kirkwright, Earl Roberts, Tony Guzzo, Rodney Roscholler, John McDonough, John Higgins, Keston Clarke, Jeanette Sproat. Front Row, from left - Mark Sutcliffe, Natalie Sannholm, Des Powell, Lee Hayes, Neanne Roker, Lynda McNally, Liz Blake, Jane Glynn, Marg Shepherd. (Staff not present – Carole Bell, Charmayne Rose, Margaret Marczuk, George Overton, Ian Young, Joe Galea, Stacey Hesketh, Marjorie McNeil).Two colour photographs, laminated, one with typed list of names 2 copies different sizes 22.5 x 27 cm laminated (12.5 x 20 cm photo) and 26.5 x 33 cm laminated (19 x 25.5 cm photo)Originally contained in an envelope with handwritten note on enveloe to Allan Baker dated 14 Dec 1987 "Enclosed for your use are staff photos of all departments. I've given each Champion of Committees copies for all their respective Councillor photos of Depts reporting to each committee. Outdoor staff photos will be taken next week and I'll make those available as soon as possible. Cheers (Undecipherable)"shire of eltham, council staff

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 23 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. In the 1920s, the photographer travelled throughout Victoria, including on the west coast from Port Campbell to Port Fairy. Trips were presumably made by train and by foot. Lynda Tieman and her team at the Port Fairy Historical Society have tentatively identified a number of Henry Christian's photographs of Port Fairy, of which this is one. The street pictured is Gipps Street, At the left is the Court House while the Belfast and Koroit Steam Navigation Company offices are on the righthenry beater christian (1886-1962), landscape photography, christian-washfold collection, photograph albums, port fairy (vic.), belfast and koroit steam navigation company, gipps street, court house -- port fairy (vic.)