Bendigo Historical Society moved into 11 Mackenzie Street, Bendigo in 2022. The BHS Collection has been installed in the building.Six-page history of the ownership of the property at 11 MacKenzie Street, Parish of Sandhurst, Bendigo from subdivision in 1894 to sale in 2021. through five owners. mackenzie street, historical society

The Bendigo & Region Branch is the National Trust’s voice in the region. The Branch works with council and the community on local heritage issues. New members are always welcome at any of the Branch’s meetings and events. Designed by renown Bendigo architects Vahland and Getzschmann, Osborne House was originally built as a private school in 1869, extended in 1870 and sold in 1888 when it became a boarding house. The property enjoys a privileged position surrounded by more of Vahland's inspiring designs - the Forest Street Anglican, Methodist and Congregational churches while just over the hill, the massive spire of the Sacred Heart Cathedral dominates the skyline. Both the skyline and the residence have undergone much change over the last century and now enjoy a harmonious blend of traditional form and modern function. Beyond the secluded front entry, Osborne House offers grand Victorian proportions blended seamlessly with a timeless French influence. Built over three levels, the residence has four bedrooms plus home office, grand formal lounge and dining roomsOsborne House 33 MacKenzie Street Bendigo - Slidehistory, bendigo, national trust collection bendigo, osborne house 33 mackenzie street bendigo

No 15 MacKenzie Street Bendigo - Late Victorian Cottagehistory, bendigo, national trust collection bendigo, 15 mackenzie street bendigo

Detailed 56 paged history of Mackenzie Street Methodist Church 1866 - 1966 by George Eisfelder. Composed of church records and various Resolutions of the church committee.George Eisfelderchurch, history, mackenzie street methodist church, george eisfelder. rev john orchard, golden square wesleyan church, bible christian church long gully, rev w h hoskens, miss beryle buley. mr graydon grey.

Zilles Printers was begun by Lewis Zilles in the early 1930s. It was in McKenzie Street Ballarat. His son Jeffrey also became a printer - letterpress, offset and screen printer. The business became Zilles Printers/Graphics and was in Armstrong Street and later Bell Street Ballarat. The business / advertising cards are for Lewis Zilles, founder of the printing company. All show the address for Mackenzie Street Ballarat. Two of the cards have a calendar for 1934. Cards give businesses information on how Zilles through design can help promote their products -Seven cards various sizes and coloursZilles name and addresszilles printers, lewis zilles, mackenzie street, ballarat, business cards, maker of quality printing

LYDIA CHANCELLOR COLLECTION: MacKenzie Street Bendigo Centenary 1866 to 1966 Commemorative Ribbonbendigo, history, churches

LYDIA CHANCELLOR COLLECTION: MACKENZIE STREET UNITING CHURCH BENDIGO WEST CARD Blank Card with sketch of the church on the frontbendigo, history, bendigo churches

The Lutheran School in Mackenzie Street was evidently also referred to as the 'German Penny School' because those who attended has to pay a penny per day. The original from which these negatives were produced belongs to Geoff Pedersen of Kamarooka, and was evidently taken in the late 1860's. Note the manse on the side and a portion of the church tower (built 1865) in the background. These negatives are donated to the German Heritage Society Bendigo Incorporated.Empty blue envelope with NEGS written in the top left corner and some typed information: The Lutheran School in Mackenzie Street was evidently also referred to as the 'German Penny School' because those who attended has to pay a penny per day. The original from which these negatives were produced belongs to Geoff Pedersen of Kamarooka, and was evidently taken in the late 1860's. Note the manse on the side and a portion of the church tower (built 1865) in the background. These negatives are donated to the German Heritage Society Bendigo Incorporated. bendigo, german heritage society, german heritage society collection - blue envelope, lutheran school, german penny school, geoff pedersen, german heritage society bendigo inc.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

Storm damage incurred on night of 27-28/10/2021 at Barclay Park, cnr. Mackenzie Street & Plenty Lane, Greensborough. SES have lopped some of the dangerous tree limbs, but some are still resting on electric and communication wiring. Colour digital photograph of storm damageDate stamped: 31/10/2021barclay park, mackenzie street greensborough, plenty lane greensborough, storm damage

Storm damage incurred on night of 27-28/10/2021 at Barclay Park, corner Mackenzie Street and Plenty Lane, Greensborough. SES have lopped some of the dangerous tree limbs, but some are still resting on electric and communication wiring. Colour digital photograph fo storm damageDate stamped: 31/10/2021barclay park, mackenzie street greensborough, plenty lane greensborough, storm damage

Storm damage incurred on night of 27-28/10/2021 at Barclay Park, cnr. Mackenzie Street & Plenty Lane, Greensborough. SES have lopped some of the dangerous tree limbs, but some are still resting on electric and communication wiring. Colour digital photograph of storm damageDate stamped: 31/10/2021barclay park, mackenzie street greensborough, plenty lane greensborough, storm damage

10559a Letter to Mr. G.V. Lansell, Mr. R.F. Hyett and Mr. G.R. Wheeler, authorizing the Trustees of the Bendigo Sub-branch of R.S.S.A.I.L.A. Building and Patriotic Fund to complete the purchase of a property in Mackenzie Street Bendigo, and authorizing the Trustees to borrow £2000 to complete the purchase. Dated 19 June 1950. Letter from Solicitors Hyett. Willis and Hyett. 10559b Indemnity agreement for five members of the Bendigo Sub-branch of The Returned Sailors' Soldiers' and Airman's' Imperial League of Australia Victorian Branch ( R.S.S.A.I.L.A.) dated 22 December 1950, in relation to the purchase of (11) McKenzie Street, Bendigo and borrowing £2,000 from the Commonwealth Bank to complete a property purchase. The members being Mr. George Victor Lansell, Mr. Frederick Eustace Jackson, Mr. John William Swatton, Mr. George Robert Wheeler, and Mr. Augustus John Skehan. r.s.s.a.i.l.a bendigo branch, mackenzie street

No 15 MacKenzie Street Bendigo - Actual Address Unknownhistory, bendigo, national trust collection bendigo, victoria street eaglehawk

Black and white photograph mounted on rectangular grey board. House, elevated brick and rough cast triple windows to front, box window on side. Wooden trim in gables, 3 chimneys, verandah with rough cast concrete and brick . Wooden arch to front wooden picket gate with capping rail also to picket fence. Corrugated iron roof. On back of photo: ' Hume & Iser, cnr McKenzie & Violet Streets'. 2012 photo of house attached to record.Frank A. Jeffree Bendigobendigo, business, t c watts and son, stamped on back ''t.c. watts and son'' stamped on back in circle ''royal historical society of victoria, bendigo branch''

Photograph: Outside view of Old All Saints Church, Bendigo, frontage to Mackenzie Street.place, building, old all saints curch

Slide. Bendigo Buildings & Churches. Sacred Heart Cathedral photo taken from MacKenzie Street.slide, bendigo, bendigo buildings & churches., bendigo buildings & churches.

Photograph, Old All Saints Church, Bendigo, believed to be on the corner of Forest and MacKenzie Streets, Bendigo. FRI: 1st March 1935photograph, building, church

Letter of Sympathy sent to parents of "Mervyn Clive Townsend", Dental Surgeon on HMAS SYDNEY sunk 15/11/41. Refer Cat No. 2313P for Townsends service.Handwritten letter in black writing on a single white sheet of paper. Writing on one side. Typed in location and address of sender in top right corner of page, in blue,Head: "The Vestry" "All Saints Cathedral" "MacKenzie Street" 'Bendigo". Dated 2nd Dec 1941.hmas sydney, letter of sympathy, ww2, mervyn clive townsend