Red and yellow hard cover book, Yellow dust jacket with red and black text and images of the books characters.96 pages.Children's novelwomens history, ros harris, merino, book, childrens book

Primarily a painter, Mandy Nicholson also produces ceramics, carvings, murals, prints, designs and children’s clothing. Born in 1975, Nicholson was raised in Healesville and belongs to the Wurundjeri-willam (Woiwurrung language) clan of the Kulin Nation. Mandy’s paintings often represent important cultural rituals and are executed in her distinct graphic style. She uses the traditional motifs of her people blended with contemporary interpretation.

Primarily a painter, Mandy Nicholson also produces ceramics, carvings, murals, prints, designs and children’s clothing. Born in 1975, Nicholson was raised in Healesville and belongs to the Wurundjeri-willam (Woiwurrung language) clan of the Kulin Nation. Mandy’s paintings often represent important cultural rituals and are executed in her distinct graphic style using the traditional motifs of her people blended with contemporary interpretation. Cultural Map of Melbourne shows significant sites across Melbourne. These include scar trees, corroboree trees, stone quarries, bush tucker sites, significant rivers, fresh water wells and traditional campsites.

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Black and white photographbob manuell, cr bob manuell, mandy press, opal smith

Born in Healesville, Many Nicholson is a Wurundjeri-willam (Wurundjeri-baluk patriline) artist and Traditional Custodian of Melbourne and surrounds. Mandy also has connections to the Dja Dja wurrung and Ngurai illam wurrung language groups of the Central/Eastern Kulin Nation on her fathers side and German on her mothers.wurundjeri, aboriginal, kulin

Born in Healesville, Many Nicholson is a Wurundjeri-willam (Wurundjeri-baluk patriline) artist and Traditional Custodian of Melbourne and surrounds. Mandy also has connections to the Dja Dja wurrung and Ngurai illam wurrung language groups of the Central/Eastern Kulin Nation on her fathers side and German on her mothers.wurundjeri, aboriginal, kulin

Robin Davis and Mandy Kirby with porcelain artist Sandra Black at Artworks Gallery Nungurner VictoriaBlack and white photograph of Robin Davis and Mandy Kirby with porcelain artist Sandra Black at Artworks Gallery Nungurner Victoriaarts, business

MEDIUM: Oil on paper. DESCRIPTION: Blue, white and brown oil painting on paper, mounted on white board under glass, white outer frame. An abstract close up, bones are lined up vertically along the full length of the canvas against a bright blue background and a centrally placed horizontal earthy toned background, the bones almost appear attached, as to a cowboys belt. Initialed and dated on image, proper left bottom corner.them, oil, bathgate, bones

non-fictionA history of sport in Dandenong covering the years 1840 to 1930sport, dandenong (vic.)

This is a book of 48 pages. The cover is white with a colour image of a water fountain. The pages contain printed text and small images of the front cover fountain.non-fictionFriends of Warrnambool Botanic Gardens historywarrnambool botanic gardens, history of warrnambool gardens, friends of warrnambool gardens

Red felt (handmade), canvas work, gold and metal threads, beading, and machine embroidery.embroidery, canvas work, felt, australia, 2000-2020, panels

Exhibited at The Embroiderers Guild annual exhibition in September 2003, ourhcased for the collectionBoxed shrine with Goddess. Mixed media in turquoise and purple with gold fabrics and braids, beads and sequins. Free machine embroidery mixed media, panels, 2000-20, goddess, shrine

Imitation fruit cake made by Amanda Ginsberg for an exhibition at The Embroiderers Guild Victoria celebrating efforts made by women at home during World War 1Imitation embroidered fruit cake in traditional cake tin. Made of textiles embellished with freestyle machine embroidery.cake, anzac, war, women

Imitation fruit cake made by Amanda Ginsberg for an exhibition at The Embroiderers Guild Victoria celebrating efforts made by women at home during World War 1Imitation embroidered fruit cake in traditional cake tin. Made of textiles embellished with freestyle machine embroidery.cake, anzac, war, women

A detailed study and dictionary of English words that have been borrowed from Australian languages. Entries organised by category and include quotes from relevant sources. Etymologies and source languages given wherever possible.B&w illustrations, maps, word listswords and phrases, linguistics, sociolinguistics

Aimed at primary aged children, contains stories, activities and information to assist in education the young person.games, colour illustrationswurundjeri, woi wurrung, stories, activities for children, educational resources, possum skin cloaks, primary school education

Oil on canvas

Oil on canvasSigned, titled and dated versofactory, industry, power, landscape, industrial

Recycled paper shopping bags and wrappings on cardboard construction

Gunn’s work explores political and social values through the mediums she uses and the inspiration she draws upon. In 'Fire Sticks', Gunn uses recycled material as an explorational response to throw away culture, while the design draws inspiration from the sticks used in firestick farming and the charred remains of flora after a fire, which highlights the history and place of fire in Australia.Wangaratta Art Gallery Collection. Winner of the 2009 Wangaratta Contemporary Textile Award.This artwork was sculpted out of recycled inner tubes woven together with cotton thread on wooden poles.wangaratta art gallery, mandy gunn, sculpture, textile, wcta

Wangaratta Art Gallery Collection. Gift of the Artist.A spherical sculpture made from black inner tubesmandy gunn, sculpture, recycled

Wangaratta Art Gallery CollectionA textile sculpture of a red book that has a ribbon of woven pages flowing from it.mandy gunn, textile

'My Booris' won the Tertiary Art Award in the Gumbri White Dove Exhibition at Bundoora Homestead in 2004. Booris is a Wiradjuri word meaning baby or child. Artist Bio Born in Healesville, Mandy Nicholson is a Wurundjeri-willam (Wurundjeri-baluk patriline) artist and Traditional Custodian of Melbourne and surrounds. Mandy also has connections to the Dja Dja wurrung and Ngurai illam wurrung language groups of the Central/Eastern Kulin Nation on her fathers side and German on her mothers. Over the course of her artistic career, she has produced carvings, etchings, prints, airbrushed works, ceramic pieces (carved, painted and produced), murals, corporate logos, children's clothing and public art works. Today she specialises in acrylic paintings and digital works. Wurundjeri are a carving culture and use many symmetrical lines and diamond motifs. Her style consists of these traditional motifs of south-eastern Australia, blended with her own contemporary interpretation. The stories behind her designs all revolve around nature, animals, stories of her people, personal experience and my family. She gained a Bachelor of Arts (Honours) in Aboriginal Archaeology in 2011, worked for the Victorian Aboriginal Corporation for Languages for 6 years and is now PhD candidate studying how Aboriginal people connect to Country, off Country. She is also a cultural mentor to young Indigenous girls, through learning and teaching of culture, language, dance and ceremony, elements of which also guide her artworks.

In November 2003 the Guild decorated part of the Johnson Collection (in East Melbourne) for Christmas. The exhibition was so successful that it was extended to March 2004. This is a representative sample of the pieces made by members during 2003. Ribbon/cord which decorated the Christmas trees.christmas decorations, embroidery, mixed media, australia, 2000-20

Tracksuit pants embroidered w "Mandy"volleyball