Part of collection donated to the Museum by Mr. Bernard Grayden. 1975Postcard showing Pier and Mangroves at Rhyll.View of Rhyll, Phillip Island, Victoria. The Rose Series P 3432local history, documents, postcards, mangroves at rhyll, phillip island, jetties, sepia postcard., rhyll, mangroves, bernard grayden

Part of a collection of 'Rose & Valentine' series of Post Cards. P. 3432 Copied by John Jansson 1984Black & White Postcard. View taken towards Rhyll showing mangroves in foreground and the jetty in the background.The Rose Series P3432. View at Rhyll, Phillip Island, Victorialocal history, photography, photographs, postcards, rhyll, phillip island, black & white postcard copy., mangroves, jetties

OPERA UNDER THE STARS 10th Anniversary Gala Starring Jennifer Barnes~soprano, Jaqueline Moran (Dark) ~Mezzo soprano, Stuart Skelton ~ Tenor, Douglas McNicol ~ Baritone, Francis Greep ~Piano SATURDAY 31 st AUGUST 2002 ~ 8pm THE MANGROVE HOTEL, BROOMEOne page dark blue background with white text.OPERA UNDER THE STARS 10th Anniversary Gala Starring Jennifer Barnes~soprano, Jaqueline Moran (Dark) ~Mezzo soprano, Stuart Skelton ~ Tenor, Douglas McNicol ~ Baritone, Francis Greep ~Piano SATURDAY 31 st AUGUST 2002 ~ 8pm THE MANGROVE HOTEL, BROOMEopera under the stars, jennifer barnes, jaqueline moran (dark), stuart skelton, douglas mcnicol, francis greep, 2002, the mangrove hotel, broome

Part of a collection presented by Miss Edith Elms via Chrisy Northcote.Westernport Bay at low tide showing line of low mangroves 1/3 from bottom. Brown foreground, low line of sand dunes in background.local history, photography, photographs, seascapes, westernport, coloured photograph, san remo

Crafty Carson Carpetbag escaped from the police after the Flying Dogtor had arrested him, and he slipped back home to the old shearing shed. There he found a message from the Redback family. They had gone to Mangrove Mansion, an old deserted homestead. Meanwhile, the bush children were exploring around Mangrove Mansion following a message they received from their friend, The Flying Dogtor.The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964 (see item D254 for schedule).Typewritten, carbon copy, foolscap, 2 pagesthe flying dogtor, robin boyd, crawford productions, manuscript

The Flying Dogtor noticed that someone seemed to be living in Mangrove Mansion, an old homestead not far from Granny Goanna's house. The homestead had not been lived in for a hundred years, except when the famous bushranger Danny O'Canny used it for a hideout. The bush children went to investigate and find out who had moved in, so that they could tell their friend, The Flying Dogtor.The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964 (see item D254 for schedule).Typewritten, carbon copy, foolscap, 2 pagesthe flying dogtor, robin boyd, crawford productions, manuscript

The bush children were exploring around an old deserted house called Mangrove Mansion when they received a number of nasty shocks: strange signs; spiderwebs; and spooks. Then they were chased by a great white creepy-looking floating monster spook and driven into a corner from which there seemed to be no escape. How they wished they were not so far from their friend, The Flying Dogtor.The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964 (see item D254 for schedule).Typewritten, carbon copy, foolscap, 3 pages. Middle page has one cm cut from the bottom.Handwritten pencil additions re telestrip.the flying dogtor, robin boyd, crawford productions, manuscript

The bush children called at Mangrove Mansion to visit the new owner, who no-one has yet seen. The old house had not been occupied by anyone except Danny 0 'Canny, a bushranger, 100 years ago. The children got no answer to their knocking or ringing, except that they heard somewhere inside the house, a faint nasty laugh. They were beginning to feel a little scared. They were alone and far away from their faithful friend, The Flying Dogtor.The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964 (see item D254 for schedule).Typewritten, carbon copy, foolscap, 2 pagesPage 1 & 2: minor handwritten editsthe flying dogtor, robin boyd, crawford productions, manuscript

1. The moral lexicon of the Warlpiri people of central Australia LR Hiatt This paper discusses words that match ?Good? and ?Bad?; examples of ?Good? and ?Bad? behaviour; morality and law; and egalitarianism and dominance. It also presents a comparison with Gidjingarli (Burarra). 2. Mobs and bosses: Structures of Aboriginal sociality Patrick Mullins (Mount Druitt, NSW) A commonality of Aboriginal social organisation exists across the continent in communities as different as those from the Western Desert across to Cape York, from the towns of New South Wales and Western Australia to cities like Adelaide. This is found in the colloquial expressions ?mob? and ?boss?, which are used in widely differing contexts. Mobbing is the activity where relatedness, in the sense of social alliances, is established and affirmed by virtue of a common affiliation with place, common experience and common descent, as well as by the exchange of cash and commodities. Bossing is the activity of commanding respect by virtue of one?s capacity to bestow items of value such as ritual knowledge, nurturance, care, cash and commodities. Mobbing and bossing are best understood as structures in Giddens? sense of sets of rules and resources involved in the production of social systems, in this case social alliances. Mobbing and bossing imply a concept of a person as a being in a relationship. Attention needs to be given to the way these structures interact with institutions in the wider Australian society. 3. Recognising victims without blaming them: A moral contest? About Peter Sutton?s ?The Politics of Suffering: Indigenous Policy in Australia since the 1970s? and Gillian Cowlishaw?s replies Ma�a Ponsonnet (Universit� Paris- 8-Saint-Denis) Peter Sutton?s texts on Aboriginal violence, health and their politicisation are replied to using his methodology, and acknowledging his convincing points. Sutton rightly denounces a lack of lucidity and scientific objectivity in anthropological debates. These inadequacies impede identification of what Aboriginal groups can do to improve their situations for fear that this identification would lead to blame the victims. At the other end of the ethical spectrum, those who advocate a broader use of what I will call a ?resistance interpretation? of violence fail to recognise victims as such, on the implicit grounds that seeing victims as victims would deprive them of any agency, on the one hand, and entail blame, on the other hand. I aim to define a middle road between those views: the idea that victims should be acknowledged as such without being denied their agency and without being blamed for their own condition. This middle road allows identification of the colonisers? responsibilities in the contemporary situation of Indigenous communities in Australia, and to determine who can do what. Secondly, I show that Sutton?s texts convey, through subtle but recurrent remarks, an ideology of blame rather than a mere will to identify practical solutions. As a consequence, some of his proposals do not stand on a solid and objective causal analysis. 4. 'You would have loved her for her lore?: The letters of Daisy Bates Bob Reece (Murdoch University) Daisy Bates was once an iconic figure in Australia but her popular and academic reputation became tarnished by her retrograde views. Her credibility was also put in doubt through the exposure of her fictionalised Irish background. In more recent times, however, her ethnographic data on the Aborigines of Western Australia has been an invaluable source for Native Title claims, while her views on Aboriginal extinction, cannibalism and ?castes? are being seen as typical of her time. This article briefly reviews what has been the orthodox academic opinion of her scientific achievement before summarising what is reliably known of her early history and indicating what kind of person is revealed in the 3000 or more letters that she left behind. 5. What potential might Narrative Therapy have to assist Indigenous Australians reduce substance misuse? Violet Bacon (Curtin University of Technology) Substance misuse is associated with adverse consequences for many Australians including Aboriginal and Torres Strait Islander peoples. Extensive research has been conducted into various intervention, treatment and prevention programs to ascertain their potential in reducing substance misuse within Aboriginal and non-Aboriginal communities. I explore the potential of Narrative Therapy as a counselling intervention for assisting Indigenous Australians reduce the harm associated with substance misuse. 6. Bone points from the Adelaide River, Northern Territory Sally Brockwell (University of Canberra) and Kim Akerman (Moonah) Large earth mounds located next to the vast floodplains of the lower Adelaide River, one of the major tropical rivers draining the flat coastal plains of northern Australia, contain cultural material, including bone points. The floodplains of the north underwent dynamic environmental change from extensive mangrove swamps in the mid-Holocene, through a transition phase of variable estuarine and freshwater mosaic environments, to the freshwater environment that exists today. This geomorphological framework provides a background for the interpretation of the archaeology, which spans some 4000 years. 7. A different look: Comparative rock-art recording from the Torres Strait using computer enhancement techniques Liam M Brady (Monash University) In 1888 and 1898, Cambridge University?s Alfred C Haddon made the first recording of rock-art from the Torres Strait islands using photography and sketches. Systematic recording of these same paintings and sites was carried out from 2000 to 2004 by archaeologists and Indigenous Torres Strait Islander and Aboriginal communities as part of community-based rock-art recording projects. Computer enhancement techniques were used to identify differences between both sets of recordings, to reveal design elements that Haddon missed in his recordings, and to recover images recorded by Haddon that are today no longer visible to the naked eye. Using this data, preliminary observations into the antiquity of Torres Strait rock-art are noted along with recommendations for future Torres Strait region rock-art research and baseline monitoring projects. 8. Sources of bias in the Murray Black Collection: Implications for palaeopathological analysis Sarah Robertson (National Museum of Australia) The Murray Black collection of Aboriginal skeletal remains has been a mainstay of bio-anthropological research in Australia, but relatively little thought has been given to how and why this collection may differ from archaeologically obtained collections. The context in which remains were located and recovered has created bias within the sample, which was further skewed within the component of the collection sent to the Australian Institute of Anatomy, resulting in limitations for the research potential of the collection. This does not render all research on the collection unviable, but it demonstrates the importance of understanding the context of a skeletal collection when assessing its suitability for addressing specific research questions.maps, b&w photographs, colour photographs, illustrations, graphs, chartswarlpiri, sociology, daisy bates, substance abuse, narrative therapy, rock art, technology and art, murray black collection, pleistocene sites, watarrka plateau

Jakeb Anhyu was the artist in residence. Lorna Collins and Eileen Maiden were both McFees.Contains interviews with several local identitiesDVD Runs for approx. 10 mins. Filmed as part of the Bass Coast Shire Council ‘Artists in residence’ Program. Features several local identities and historical buildings discussing local history.A Brief History of Rhyll by Jakeb Anhyumcfee family, lorna collins, eileen maiden, john jansson, rhyll post office, frank jansson, jim mcfee, chicory kiln, piadhs museum, dvd, rhyll history, marine history rhyll, mangroves at rhyll

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed watercolour of a fish cutour, and glued to paper. If you can supply information on this artist or artwork please use the comment box below. art, artwork, wendy bach, fish, wimmera campus, horsham campus, available, horsham campus art collection, horsham available