Zilles Printers was begun by Lewis Zilles in the early 1930s. It was in McKenzie Street Ballarat. His son Jeffrey also became a printer - letterpress, offset and screen printer. The business became Zilles Printers/Graphics and was in Armstrong Street and later Bell Street Ballarat. Lewis Zilles was in Brass Bands and on the Ballarat Begonia Festival Committee. As part of their activities they held the Highland Gathering, another interest of his. The Ballarat Municipal Band Certificate is the awarding of Life Membership. Adjudicator's Certificate is for the Victorian Highland Pipe Band Association. Presented to those who qualify the examination.Eureka Marching Girls Association certificate presented for valued assistance. Three certificates printed on card. Gold borders. Coloured print.Section for officials' signatures. Badge for Pipe Band and Eureka Marching Girls.zilles printers, brass bands, municipal, ballarat begonia festival, victorian highland pipe band association, eureka marching girls association, life member, adjudicator's certificate, valued assistance

Images taken from slides of the Maldon Marching Girlsmaldon marching girls

See abovesee aboveB&W Photo of the Numurkah Red Roses Marching Girls Team (early 1960's). On back of photo: names and description of why photo was taken. (see above)(see above photo)marching girls, numurkah, red roses marching girls team, 1960's

Essendon Marching Girls at Watsonia High School Fete 19th March 1966, and news clipping listing this and other activities on the day.Digital copy of colour photograph and news clipping to support. watsonia high school fair 1966, marching girls

Wedding Honor Guard of Marching Girls for Ian Leslie and Rae Chapman Wedding 4th June 1960.Row of Marching Girls for Chapman/Leslie wedding in front of Methodist Church Main Street

"After the war Pipe-Major Duncan McLennan, moved to Ballarat and took up a position as cadet instructor and leader of the Ballarat Highland Pipe Band and the Ballarat Ladies Pipe Band. " (Victorian Historical Journal Vol. 85, No. 1, June 2014)Coloured photograph of taken from a slide.Written on slide - Side 1 - Highland Marching Girls Side 2 - Marching Girlspipe band, ballarat, ladies, ladies pipe band, highland pipe band, photograph, coloured photograph, slide

Black and white photograph- Marching girls in the procession.

Black and white photograph- Marching girls in the procession.

Black and white photograph- Marching girls in the procession.

Black and white photograph- Marching girls in the procession.

Photocopy of Photograph - Laminated Names on Back Back : Lynette Bates, Wendy Anyon, Mrs. Mavis Sheedy (Chaperone), Janet Miller, Jean Allen, Karen Smith Front : Christine Resnick, Jill James, Julie Simmons, Wendy Monument, Dianne DalzielStawell Police Youth Club Marching Girls Team 1965

Black and white photographImage shows 3 Marching Girls. There is no mention of who the three girls are.

Black and white photograph- Marching girls taking part in the procession.

Colour Photograph of a crowd of people with 5 Marching Girls? and 2 Men in Uniform

One of few photographs showing businessMarching girls in front of Frank Floyd Builders Supplies Scotland Place / Wimmera Street 1950'ssport

William Anthony Theodore (19.3.1917 - 5.1.2007).William 'Bill' Theodore - two B&W photographs of two different marching girls' teams in formation - unknown date or team affiliation bill theodore, william theodore

Colour photograph of marching girls at street parade for Ampol Fishing Competition in Lakes Entrance Victoria. Also another photograph in black and white of team marching at the same event.fishing competition, parade, events

Girls marched for the crowds at the "Back To Orbost High School" Golden Jubilee celebrations.Orbost High School / Orbost Secondary College has played a significant part in the education of senior students in the Orbost district . It is the sole senior educational institution. This item is representative of its historyA black / white photograph of a crowd watching marching girls at Orbost High School.on back - " High School Girls Marching 1962 O.H.S. Jubilee 1962"marching-girls-orbost orbost-high-school education-orbost

Frank Floyd Shop & Marching Girls Main Street Stawell c1960stawell

Stawell Marching Girls in Main Street 1960's in Front of Post Office. C H Hansen. Commercial Bank Visible . Names not indexedstawell sport

The sport had its origins during the Depression of the 1930s when teams were formed to keep young women fit and healthy. The sport became more organised during the 1940s with a system of scoring developed to ensure teams could compete against one another. Points were deducted for lack of precisions, dressing, movement and length of pace. At its peak marching competitions drew large crowds of spectators. Teams marched not only in competitions but also frequently appeared in parades and social occasions. Jim Trewin trained Orbost's Marching Girls' team, the Waratahs, and served as vice president of the East Gippsland Marching Girls' zone. His wife, Doris, acted as chaperon Together with a trophy, a chaperone's blazer and photos this uniform forms part of the history of the Orbost Marching Girls group.An Orbost Marching Girls' uniform It has a white pleated skirt, a long-sleeved white blouse and a red velvet vest with 6 gold buttons. There is a badge on the left shoulder. A red ribbon is attached to the blouse as a bow tie. On the vest shoulders are white tabs with gold buttons. The skirt and blouse are made of cotton. A pair of short white gloves are included.On badge- Victorian Girls Marching Associationuniform marching-girls leisure clubs recreation

Young Port Fairy marching girls at attention in the grounds of the Port Fairy ShowgroundsBlack and white photograph of Younger marching girls standing at attention in the Port Fairy show groundsfamily, portrait, people, marching girls, port fairy show, apand h show

Port Fairy marching girls at ease before parading around the show grounds at the Port Fairy ShowBlack and white photograph of Girls in marching girl uniforms standing at ease at show groundsfamily, portrait, people, marching girls, parade, show grounds, port fairy show

The Marching girls activity was prominent in the 1960's and 1970's and had participation rate of around 30000. It was a part of activities such as street parades and town celebrations and local shows. However the girls also competed against other clubs . In this case the badges tell the story of competitions around the district to Ararat, Horsham, Ballarat, Beaufort and Warrnambool. These were owned by Lyn Bristol who was a member of the Warrnambool group. Most clubs had teams in various age groups. A tangible link to a local sport and club in the Warrnambool area. With large numbers of girls participating in the sport it has strong social interest .Yellow satin ribbon sewn to make a V shape rounded at the top. There are approximately 60 badges pinned to the ribbon which relate to marching events . They vary from coloured enamel to plain white and yellow metal . Some have bars at the top and they are engraved on the backs of the badges. The engravings list the different categories of marching girls competitions A number of them have the initials L B on them. They relate to the period of the early to mid 1960's.warrnambool, marching girls, marching girls warrnambool

This blazer was probably worn by Doris Trewin (nee Mehlert) in her role as a chaperone of the Orbost Marching Girls, the Waratahs.Together with a trophy, a uniform and photos this blazer forms part of the history of the Orbost Marching Girls group.An Orbost Marching Girls' Chaperone's blazer. It is navy wool, lined, has two pockets (one on each side) and fastens with two silver buttons. On each sleeve cuff is a smaller silver button.blazer uniform orbost-marching-girls

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.