Lawyers for the City of Banyule commissioned a report on the town planning implications of a proposal to construct a multi-level building on land at the corner of Lambourn and Devonshire Roads Watsonia, relating to the Council's refusal of a permit and the subsequent hearing by VCAT22 p., black & white with col. plans.watsonia, lambourn road watsonia, devonshire road watsonia

Index, ill, p.434,non-fictionAn account of the travels of Marco Poloasia - description and travel, china - history

Sketch made while interned in Camp 2 of Marco Gazzi, ex "Arandora Star", "Dunera", interned from Wales.Sepia coloured photographic copy of sketch depicting a head and shoulders of man with tooth brush moustache in an open necked jacket.Tatura 19?gazzi, marco, internment camp 2, marco gazzi, dunera, arandora star

Pattison Collections This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually, the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower areas of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave from 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However, he continued to take a very keen interest in the continual development of the Library until his death in 1969. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. The Story of Marco Author: Eleanor H Porter Publisher: A L Burt Comp. Date: 1911 The label on the spine with typed text PAT FIC POR Pastedown front endpaper has a sticker from Warrnambool Children’s Library covered by a sticker from Corangamite Regional Library Service Front loose endpaper has a stamp from Corangamite Regional Library Service warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, the story of marco, eleanor h porter, warrnambool mechanics’ institute, pattison collection, warrnambool library, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library

The sketch is of Marco Gazzi and internee during WW2, an Italian Dunera boy and drawn by Kurt Winkler (Kurwin) in 1943.Sepia photograph (x 2) of a mans head and shoulders, facing to the left of the photograph. Wearing a beanie and uniform.marco gazzi, italian internee, dunera boy, kurt winkler, kurwin

Penleigh Boyd, Robin and Patricia Boyd's son, writes “Prior to 1950 Robin, like most other amateur or hobby photographers, took black and white printed photographs. The oldest slides date from 1950 when Robin and Patricia travelled to Europe on Robin’s Robert Haddon Travelling Scholarship.” In 1948 Robin Boyd was awarded ‘joint first place’ in the Robert Haddon competition for his design of Mildura art gallery. The scholarship helped fund their first overseas trip. Robin and Patricia were passengers on the Greek ship “Cyrenia” departing in May 1950, passing through the Suez Canal and landing in Genoa five weeks later. For six months, they travelled extensively throughout Europe (predominantly driving themselves) - France, Italy, United Kingdom, Sweden, Denmark, Germany, Austria, Switzerland and Spain.Colour slide in a mount. Exit/Entrance to Piazza San Marco and the Colonne di San Marco e San Todaro, Venice, Italyhaddon travelling scholarship, haddon, robin boyd, slide

Coloured Print of Marco Polo. 257 mm X 230 mm Sh 180 Ships M - R.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, marco polo, print

Shows field dress and webbing equipment worn in 1989. The 8th/13th Victorian Mounted Rifles was raised as a regiment of the Royal Australian Armoured Corps on 1 May 1948 with Headquarters in Melbourne and squadrons in Sale, Benalla/Wangaratta and Albury. In 1955 Regimental Headquarters moved to Wangaratta and a second squadron was located at Albury. The Sale squadron transferred to 4th/19th Prince of Wales’s Light Horse. In 1977 8/13 VMR Regiment was reduced to an independent squadron A Squadron 8th/13th Victorian Mounted Rifles and in 1991 was linked with 4th/19th Prince of Wales’s Light Horse forming the VMR Squadron of that regiment.Black and white photograph of two soldiers of 8/13 Victorian Mounted Rifles cleaning the barrel of a 76mm gun on 76mm M113 Fire Support Vehicle. Corporal Marcos Ludeman at left.

Found at Camp 2 site by Marco GazziRound glass bottle with narrow neck.1 1/2 ozs. Swan ink. This bottle always remains the property of Marie Todd & Co. (Aust) Ltd.mario gazzi, ink bottle, marie todd and co, camp 2 finds, glass ink bottles

Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. One hundred mill labels sewn onto a single sized cream blanket with blue end panels(On original blanket label) "Marco" Blanket/Wool 70%/Cotton 30%/Guaranteed Free From Fillingwool, blanket, blanket fever, labels, sampler

Daniel and Rachel Davies, May Davies (later Laidlaw) and Margaret Davies (later Patterson) are buried in Tarnagulla Cemetery. Donald Clark Collection. A monochrome photograph depicting Mrs Rachel Davies (nee Jenkins) with her daughters (L to R) May, Jane & Margaret. Rachel was wife of Daniel Davies and daughter of William Jenkins of Cambrian Mine. Label indicates photo was taken near Del Marcos around 1900. Copy photograph.

site plan, buildings, planrs

Ship Plans In 2 boxes labelled "Harbour Trust" .01 Flotta Lauro .02 Sea Princess .03 Shaw Saville - Ocean Monarch- MV Akaroa - Mv Arawa - MV Aranda .04 Chandris - Britanis - Queen Frederica .05 Sitmar - TV Fairsky - SS Fairsea - SS Fairwind - Fairstar .06 SS United States - Marco Polo - Monterey- Mariposamelbourne harbor trust - port of melbourne authority, flotta lauro, sea princess, ocean monarch, shaw savill, p & o, lauro line, britanis, chandris lines, sitmar, fairstar, fairsky, fairwind, marco polo, monterey, mariposa, ss united states, united states line, royal interocan lines, mv tswingi, mv akorda, mv arawa, mv aranda, queen frederica, fairsea, transport - shipping

Pamphlet - 3 fold DL pamphlet, full colour, titled "Mount Alexander Road Tram Improvements" showing proposed super stops, road treatments and Roadworks at Marco Polo St, Thorn St and Shamrock St Essendon, route 59. Part of the Think Tram Project. Advises of a meeting on 20/10/2008 at the Community Centre, Clocktower Centre. Has VicRoads, Yarra Trams and State Government logos.trams, tramways, route 59, mount alexander rd, road works, vicroads, superstops

BHS CollectionThree pages, the first titled Neighbourhood Watch. The second, dated 2/6/97, mentions a phone call to the City of Greater Bendigo about speaking to Marco in the Planning Department. The third, dated 30/5/97, also mentions Eaglehawk Heritage Society, Cornish Miners, Cornish Association, Long Gully School, Department of Main Roads, St laurence Court, Charles Fay, La Trobe History Department. It has Cheryl Wallis signature at the bottom of page.bendigo, history, long gully history group, the long gully history group - neighbourhood watch, edward clarence dyason, isaac dyason, george lansell, st andrew's college, melbourne university, bendigo amalgamated goldfield company, chamber of mines, gold producers association, bendigo mines limited, league of nations, australian institute for international affairs, melbourne syphony orchestra, world war ii, british commonwealth relations conference, powercor australia, city of greater bendigo, eaglehawk heritage society, cornish association, long gully school, department of main roads, st laurence court, charles fay, la trobe history department, cheryl wallis

Set of six Metcard tickets, used during 2000 advertising Olympic Football event, featuring various Australian soccer or Football players that were to be held at the MCG during the September 2000 Sydney Olympic games. Has the Metcard logo on it, along with other Metcard, information. All tickets have been used for various fares, along with 3AW radio station, ticket numbers and dates. Three copies of each retained from a larger collection. .1 - Marco Bresciarro .2 - Daniel Allsopp .3 - Kasey Wehrman .4 - Nick Rizzo .5 - Brett Emerton .6 - Amy Wilson See Reg Item 2512.2 for an event poster.trams, tramways, tickets, metlink, metcard, olympics, football

Vol. 9, No. 1, Mar-Apr 2004 CONTENTS Comment 2 Coming to a festival near you 3 Eltham Jazz and Blues Festival 7 Marco Luccio - printmaker, by Clive Dickson 8 Easy Living at Dizzy's by Odette Kelada 10 Reading Arcadia by John Jenkins 12 Poetry News by Ian McBryde 14 Local Colour - photography by Bill Bachman 16 Tributes to Melanie Shanahan 18 Nel Douglas & the Murrumbeena Connection 20 Book Reviews 22 CD Review 24 War Memorial Sculptures 25 Artin' About 26 Wining & Dining 30 Art Services and Classes 32 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/​06) art streams, city of whittlesea community festival, chris smither, mary coughlan, eliza carthy, alison brown quartet, music festivals, sushi wushi eltham, bundoora homestead, eltham jazz festival, marco luccio, warrandyte cafe, clive dickson, bahnhof cafe, montsalvat, eltham fullife pharmacy, nyora road gallery, john jenkins, latrobe university, poetry, ian mcbryde, potters, eltham gourmet poultry & game, eltham wiregrass gallery, bill bachman, melanie shanahan, neil douglas, murrumbeena collection, hurnall's decorative arts gallery, st andrews hotel, leigh conkie, greensborough war memorial park sculptures, il primo restaurant carlton, bulleen art & garden centre, northcote pottery, hurstbridge galleries, thompsons amcal pharmacy, bendigo bank, hurstbridge & districts community bank branch

Agfa Colour slide, cardboard mount, by Keith Caldwell dated 12 March 1960, of W5 818 running in Mount Alexander Road, North Essendon, crossing the street access for Marco Polo Street. The tram showing route 59, Essendon Aerodrome, has trolley wheels and has a second person in the cab, possibly a trainer. Unusually the tram number is placed above the headlight, In the background are the palm trees in the centre median plantation. The house with the red guttering is one that dates back to the gold mining era. See http://www.esshissoc.org.au/1070%20Mount%20Alexander%20Road.pdf It was relocated to Woodland Park during 2017? Note the Centre poles, overhead construction and street light. Also in the background is a Mobil Service station that later became a garden centre. Now a block of apartments.hand stamped "12 Mar '60"trams, tramways, mount alexander rd, north essendon, essendon airport, essendon aerodrome, route 59, w5 class, tram 818

Amended plans for a mixed use development corner Devonshire Road and Lambourn Road Watsonia in 2004.23 p., black & white and colour plans with covering letterwatsonia, lambourn road watsonia, devonshire road watsonia

.1 - Poster - full colour on gloss Paper A3 size, titled "Your AFL Metcard could be your ticket to the 2001 AFL Grand Final", promoting the use of AFL Metcards, a competition for the Grand final. Has the images of the 10 Melbourne based teams featured on Metcard images. Has logos of the AFL, Metcard, Tripple M radio station and Crown Casino. Two copies held. .2 - Poster - as above for the Olympic Games Football Semifinal to be held on 26/9/2000, titled "Win a superbox to the Semis" featuring 6 Australian plays on a set of special edition Metcards - see Reg item 1463 for the cards. Features: .1 - Marco Bresciarro .2 - Daniel Allsopp .3 - Kasey Wehrman .4 - Nick Rizzo .5 - Brett Emerton .6 - Amy Wilson Has the logos of Swanston Tram, Victorian Bus Industry, Bayside Trains, Connex, Yarra Trams and 3AW ratio station.trams, tramways, metcard, football, competition, tickets, metlink, olympics

This journal provides the reader with glimpses of the adventures and hardships of a seaman's life. Many of the stories are of sailing ships.Contributes to our knowledge of the importance of shipping and places on record those stories of the sea which would otherwise be lost.Contents Foreword - - 5 Editorial - - 9 Steam Tug Wattle - G.C. Hogben - 11 The Legend of the Marco Polo Pride of all New Brunswick - Sponsors of the Marco Polo Restoration Project - 17 Yarra Mud Re-visited - Harrow Morgan - 21 Abandon Ship (in Dry Dock) - T. E. Goldfinch - 33 The Golden Plover Lives Again - Alison Forte - 37 San Pedro Offshore - P.H. Lewis - 41 White Sails in Australian Waters - Late D. McLennan - 45 Barque Polly Woodside - - 52 The Edwin Fox Restoration Picton, New Zealand - - 55 A Gulf Trader - R.N. Thiele - 57 The Great Britain (Poem) - C.E. Bonwick - 65 Singapore for Orders - - 67 Memories of a Master Under Sail The China Coast - Late Captain William Phillip - 71 Junior Marine Radio Officer on the S.S. Iron Flinders - Ellery Teare - 75 Australia’s Oldest Vessel — The Portland Lifeboat - Reprinted from the Journal of Portland Smelter Services Pty. Ltd. - 79 Any port in a Storm - W.P. Shemmeld - 81 A Happy Introduction to Sail - Captain George Molyneux - 87 Restored Ships in Sydney Harbour - Jean Barrie - 89 The Voyage of the Jane Richardson — 1889 Part II - Late E. Binham - 99 Preservation of HMAS Castlemaine. - Peter J. Williams - 103 When Blood Stained the Wattle - Late D. McLennan - 107 Book Reviews - - 112sailing ships, steamships, shipping, seafaring life, shiplovers' society of victoria, dog watch, wattle tug, tug boat

When the Schomberg was launched in 1855, she was considered the "Noblest” ship that ever floated on the water. Schomberg's owners, the Black Ball Line had commissioned the ship for their fleet of passenger liners. She was built by Alexander Hall of Aberdeen for £43,103 and constructed with 3 skins. One planked fore and aft and two diagonally planked, fastened together with screw-threaded trunnels (wooden rails). Her First Class accommodation was simply luxurious with velvet pile carpets, large mirrors, rosewood, birds-eye maple and mahogany timbers throughout, soft furnishings of satin damask, and oak-lined library with a piano. Overall she had accommodation for 1000 passengers. At the launch, the Schomberg's 34-year-old master, Captain 'Bully' Forbes, had promised to reach Melbourne in sixty days stating, "with or without the help of God." Captain James Nicol Forbes was born in Aberdeen in 1821 and rose to fame with his record-breaking voyages on the famous Black Ball Line ships; Marco Polo and Lightning. In 1852 in the Marco Polo, he made the record passage from London to Melbourne in 68 days. Unfortunately, there were 53 deaths on the voyage, but the great news was off the record passage by Captain Forbes. In 1854 he took the clipper “Lighting” to Melbourne in 76 days and back in 63 days, this record was never beaten by a sailing ship. He often drove his crew and ship to breaking point to beat his previous records. He cared little for the comfort of the passengers. On this, the Schomberg's maiden voyage, he was determined to break existing records. Schomberg departed Liverpool on her maiden voyage on 6th October 1855 flying a sign that read "Sixty Days to Melbourne". She departed with 430 passengers and 3000 tons cargo including iron rails and equipment intended to build the Melbourne to Geelong Railway and a bridge over the Yarra from Melbourne to Hawthorn. She also carried a cow for fresh milk, pens for fowls and pigs, 90,000 gallons of water for washing and drinking. She also carried 17,000 letters and 31,800 newspapers. The ship and cargo were insured for $300,000 a fortune for the time. The winds were poor as she sailed across the equator, slowing Schomberg's journey considerably. The land was first sighted on Christmas Day, at Cape Bridgewater near Portland, Captain Forbes followed the coastline towards Melbourne. Forbes was said to be playing cards when called by the third mate Henry Keen, who reported land about 3 miles off. Due in large part to the captain's regarding a card game as more important than his ship, it eventually ran aground on a sand spit near Curdie's Inlet (about 56 km west of Cape Otway) on 26th December 1855, 78 days after leaving Liverpool. The sand spit and the currents were not marked on Forbes's map. Overnight, the crew launched a lifeboat to find a safe place to land the ship’s passengers. The scouting party returned to Schomberg and advised Forbes that it was best to wait until morning because the rough seas could easily overturn the small lifeboats. The ship’s Chief Officer spotted the SS Queen at dawn and signalled the steamer. The master of the Queen approached the stranded vessel and all of Schomberg’s passengers and crew disembarked safely. The Black Ball Line's Melbourne agent sent a steamer to retrieve the passengers' baggage from the Schomberg. Other steamers helped unload her cargo until the weather changed and prevented the salvage teams from accessing the ship. Later one plunderer found a case of Wellington boots, but alas, all were for the left foot. Local merchants Manifold & Bostock bought the wreck and cargo but did not attempt to salvage the cargo still on board the ship. They eventually sold it on to a Melbourne businessman and two seafarers. In 1864 after two of the men drowned when they tried to reach Schomberg, salvage efforts were abandoned. In 1870, nearly 15 years after the wreck parts of the Schomberg had washed ashore on the south island of New Zealand. The wreck now lies in 825 metres of water and although the woodwork is mostly disintegrated the shape of the ship can still be determined due to the remaining railway irons, girders and the ship’s frame. A variety of goods and materials can be seen scattered about nearby. There have been many other artefacts salvaged from the wreck include ship fittings and equipment, personal effects, a lithograph, tickets and photographs from the Schomberg. This ceramic container was retrieved from the shipwreck site during early salvage efforts on the vessel. And was donated to the Flagstaff Hill collection of Schomberg shipwreck artefacts.The ceramic container is particularly significant in that along with other items from the wreck have helped in part to having legislation changed to protect shipwrecks, with far tighter controls being employed to oversee the salvaging of wreck sites. This item forms part of the Schomberg collection at Flagstaff Hill maritime museum. The collection as a whole is of historical and archaeological significance at a State level. Flagstaff Hill’s collection of artefacts from the Schomberg is also significant for its association with the Victorian Heritage Registered Schomberg shipwreck (VHR S 612). The collection is of additional significance because of the relationship between the objects salvaged, as together they help us to interpret the story of the Schomberg. The collection as a whole is historically significant for representing aspects of Victoria's maritime history and its potential to interpret social and historical themes from society at the time of the wreck.Stoneware Container with lid, white in colour,Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, container, shipwrecked-artefact, schomberg, clipper ship, black ball line, 1855 shipwreck, aberdeen clipper ship, captain forbes, peterborough shipwreck, ss queen

When the Schomberg was launched in 1855, she was considered the "Noblest” ship that ever floated on the water. Schomberg's owners, the Black Ball Line had commissioned the ship for their fleet of passenger liners. She was built by Alexander Hall of Aberdeen for £43,103 and constructed with 3 skins. One planked fore and aft and two diagonally planked, fastened together with screw-threaded trunnels (wooden rails). Her First Class accommodation was simply luxurious with velvet pile carpets, large mirrors, rosewood, birds-eye maple and mahogany timbers throughout, soft furnishings of satin damask, and oak-lined library with a piano. Overall she had accommodation for 1000 passengers. At the launch, the Schomberg's 34-year-old master, Captain 'Bully' Forbes, had promised to reach Melbourne in sixty days stating, "with or without the help of God." Captain James Nicol Forbes was born in Aberdeen in 1821 and rose to fame with his record-breaking voyages on the famous Black Ball Line ships; Marco Polo and Lightning. In 1852 in the Marco Polo, he made the record passage from London to Melbourne in 68 days. Unfortunately, there were 53 deaths on the voyage, but the great news was off the record passage by Captain Forbes. In 1854 he took the clipper “Lighting” to Melbourne in 76 days and back in 63 days, this record was never beaten by a sailing ship. He often drove his crew and ship to breaking point to beat his previous records. He cared little for the comfort of the passengers. On this, the Schomberg's maiden voyage, he was determined to break existing records. Schomberg departed Liverpool on her maiden voyage on 6th October 1855 flying a sign that read "Sixty Days to Melbourne". She departed with 430 passengers and 3000 tons cargo including iron rails and equipment intended to build the Melbourne to Geelong Railway and a bridge over the Yarra from Melbourne to Hawthorn. She also carried a cow for fresh milk, pens for fowls and pigs, 90,000 gallons of water for washing and drinking. She also carried 17,000 letters and 31,800 newspapers. The ship and cargo were insured for $300,000 a fortune for the time. The winds were poor as she sailed across the equator, slowing Schomberg's journey considerably. The land was first sighted on Christmas Day, at Cape Bridgewater near Portland, Captain Forbes followed the coastline towards Melbourne. Forbes was said to be playing cards when called by the third mate Henry Keen, who reported land about 3 miles off. Due in large part to the captain's regarding a card game as more important than his ship, it eventually ran aground on a sand spit near Curdie's Inlet (about 56 km west of Cape Otway) on 26th December 1855, 78 days after leaving Liverpool. The sand spit and the currents were not marked on Forbes's map. Overnight, the crew launched a lifeboat to find a safe place to land the ship’s passengers. The scouting party returned to Schomberg and advised Forbes that it was best to wait until morning because the rough seas could easily overturn the small lifeboats. The ship’s Chief Officer spotted the SS Queen at dawn and signalled the steamer. The master of the Queen approached the stranded vessel and all of Schomberg’s passengers and crew disembarked safely. The Black Ball Line's Melbourne agent sent a steamer to retrieve the passengers' baggage from the Schomberg. Other steamers helped unload her cargo until the weather changed and prevented the salvage teams from accessing the ship. Later one plunderer found a case of Wellington boots, but alas, all were for the left foot. Local merchants Manifold & Bostock bought the wreck and cargo but did not attempt to salvage the cargo still on board the ship. They eventually sold it on to a Melbourne businessman and two seafarers. In 1864 after two of the men drowned when they tried to reach Schomberg, salvage efforts were abandoned. In 1870, nearly 15 years after the wreck parts of the Schomberg had washed ashore on the south island of New Zealand. The wreck now lies in 825 metres of water and although the woodwork is mostly disintegrated the shape of the ship can still be determined due to the remaining railway irons, girders and the ship’s frame. A variety of goods and materials can be seen scattered about nearby. There have been many other artefacts salvaged from the wreck include ship fittings and equipment, personal effects, a lithograph, tickets and photographs from the Schomberg. This item was retrieved from the shipwreck site during early salvage efforts on the vessel. And was donated to the Flagstaff Hill collection of Schomberg shipwreck artefacts.This artifact is particularly significant in that along with other items salvaged from the wreck have helped in part to having legislation changed to protect shipwrecks, with far tighter controls being employed to oversee the salvaging of wreck sites. This item forms part of the Schomberg collection at Flagstaff Hill maritime museum. The collection as a whole is of historical and archaeological significance at a State level. Flagstaff Hill’s collection of artefacts from the Schomberg is also significant for its association with the Victorian Heritage Registered Schomberg shipwreck (VHR S 612). The collection is of additional significance because of the relationship between the objects salvaged, as together they help us to interpret the story of the Schomberg. The collection as a whole is historically significant for representing aspects of Victoria's maritime history and its potential to interpret social and historical themes from society at the time of the wreck. Brass keg spigot valve/tap, Schomberg Artifact Reg No S/94.Nonewarrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, schomberg, shipwrecked-artefact, clipper ship, black ball line, 1855 shipwreck, aberdeen clipper ship, captain forbes, peterborough shipwreck, ss queen, keg tap, brass keg tap