Lawyers for the City of Banyule commissioned a report on the town planning implications of a proposal to construct a multi-level building on land at the corner of Lambourn and Devonshire Roads Watsonia, relating to the Council's refusal of a permit and the subsequent hearing by VCAT22 p., black & white with col. plans.watsonia, lambourn road watsonia, devonshire road watsonia

Index, ill, p.434,non-fictionAn account of the travels of Marco Poloasia - description and travel, china - history

Sketch made while interned in Camp 2 of Marco Gazzi, ex "Arandora Star", "Dunera", interned from Wales.Sepia coloured photographic copy of sketch depicting a head and shoulders of man with tooth brush moustache in an open necked jacket.Tatura 19?gazzi, marco, internment camp 2, marco gazzi, dunera, arandora star

Pattison Collections This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually, the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower areas of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave from 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However, he continued to take a very keen interest in the continual development of the Library until his death in 1969. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. The Story of Marco Author: Eleanor H Porter Publisher: A L Burt Comp. Date: 1911 The label on the spine with typed text PAT FIC POR Pastedown front endpaper has a sticker from Warrnambool Children’s Library covered by a sticker from Corangamite Regional Library Service Front loose endpaper has a stamp from Corangamite Regional Library Service warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, the story of marco, eleanor h porter, warrnambool mechanics’ institute, pattison collection, warrnambool library, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library

The sketch is of Marco Gazzi and internee during WW2, an Italian Dunera boy and drawn by Kurt Winkler (Kurwin) in 1943.Sepia photograph (x 2) of a mans head and shoulders, facing to the left of the photograph. Wearing a beanie and uniform.marco gazzi, italian internee, dunera boy, kurt winkler, kurwin

Marco Fusinato’s ongoing series titled Mass Black Implosions is suite of drawings that represent the physical materiality of sound. He transforms avant-garde musical compositions from such figures as John Cage, Cornelius Cardew and here, Australian experimental musician Anthony Pateras, into new graphical interpretations resembling collapsing galaxies. The systematic connection of individual notes to central points within the notation reconfigures the temporal and sequential reading of scores. Instead, Fusinato proposes a kind of sonic implosion in which all notes are played simultaneously. Marco Fusinato is a multidisciplinary artist and musician. His work questions and re-configures accepted cultural forms and concepts, laying bare their construction and exploring how those worlds are made.stonnington contemporary art collection, music, sound, materiality, work on paper, marco fusinato

Marco Fusinato’s ongoing series titled Mass Black Implosions is suite of drawings that represent the physical materiality of sound. He transforms avant-garde musical compositions from such figures as John Cage, Cornelius Cardew and here, Australian experimental musician Anthony Pateras, into new graphical interpretations resembling collapsing galaxies. The systematic connection of individual notes to central points within the notation reconfigures the temporal and sequential reading of scores. Instead, Fusinato proposes a kind of sonic implosion in which all notes are played simultaneously. Marco Fusinato is a multidisciplinary artist and musician. His work questions and re-configures accepted cultural forms and concepts, laying bare their construction and exploring how those worlds are made.stonnington contemporary art collection, music, sound, materiality, work on paper, marco fusinato

Marco Fusinato’s ongoing series titled Mass Black Implosions is suite of drawings that represent the physical materiality of sound. He transforms avant-garde musical compositions from such figures as John Cage, Cornelius Cardew and here, Australian experimental musician Anthony Pateras, into new graphical interpretations resembling collapsing galaxies. The systematic connection of individual notes to central points within the notation reconfigures the temporal and sequential reading of scores. Instead, Fusinato proposes a kind of sonic implosion in which all notes are played simultaneously. Marco Fusinato is a multidisciplinary artist and musician. His work questions and re-configures accepted cultural forms and concepts, laying bare their construction and exploring how those worlds are made.stonnington contemporary art collection, music, sound, materiality, work on paper, marco fusinato

Marco Fusinato’s ongoing series titled Mass Black Implosions is suite of drawings that represent the physical materiality of sound. He transforms avant-garde musical compositions from such figures as John Cage, Cornelius Cardew and here, Australian experimental musician Anthony Pateras, into new graphical interpretations resembling collapsing galaxies. The systematic connection of individual notes to central points within the notation reconfigures the temporal and sequential reading of scores. Instead, Fusinato proposes a kind of sonic implosion in which all notes are played simultaneously. Marco Fusinato is a multidisciplinary artist and musician. His work questions and re-configures accepted cultural forms and concepts, laying bare their construction and exploring how those worlds are made.stonnington contemporary art collection, music, sound, materiality, work on paper, marco fusinato

Marco Fusinato’s ongoing series titled Mass Black Implosions is suite of drawings that represent the physical materiality of sound. He transforms avant-garde musical compositions from such figures as John Cage, Cornelius Cardew and here, Australian experimental musician Anthony Pateras, into new graphical interpretations resembling collapsing galaxies. The systematic connection of individual notes to central points within the notation reconfigures the temporal and sequential reading of scores. Instead, Fusinato proposes a kind of sonic implosion in which all notes are played simultaneously. Marco Fusinato is a multidisciplinary artist and musician. His work questions and re-configures accepted cultural forms and concepts, laying bare their construction and exploring how those worlds are made.stonnington contemporary art collection, music, sound, materiality, work on paper, marco fusinato

Marco Fusinato’s ongoing series titled Mass Black Implosions is suite of drawings that represent the physical materiality of sound. He transforms avant-garde musical compositions from such figures as John Cage, Cornelius Cardew and here, Australian experimental musician Anthony Pateras, into new graphical interpretations resembling collapsing galaxies. The systematic connection of individual notes to central points within the notation reconfigures the temporal and sequential reading of scores. Instead, Fusinato proposes a kind of sonic implosion in which all notes are played simultaneously. Marco Fusinato is a multidisciplinary artist and musician. His work questions and re-configures accepted cultural forms and concepts, laying bare their construction and exploring how those worlds are made.stonnington contemporary art collection, music, sound, materiality, work on paper, marco fusinato

Marco Fusinato’s ongoing series titled Mass Black Implosions is suite of drawings that represent the physical materiality of sound. He transforms avant-garde musical compositions from such figures as John Cage, Cornelius Cardew and here, Australian experimental musician Anthony Pateras, into new graphical interpretations resembling collapsing galaxies. The systematic connection of individual notes to central points within the notation reconfigures the temporal and sequential reading of scores. Instead, Fusinato proposes a kind of sonic implosion in which all notes are played simultaneously. Marco Fusinato is a multidisciplinary artist and musician. His work questions and re-configures accepted cultural forms and concepts, laying bare their construction and exploring how those worlds are made. stonnington contemporary art collection, music, sound, materiality, marco fusinato

Marco Fusinato’s ongoing series titled Mass Black Implosions is suite of drawings that represent the physical materiality of sound. He transforms avant-garde musical compositions from such figures as John Cage, Cornelius Cardew and here, Australian experimental musician Anthony Pateras, into new graphical interpretations resembling collapsing galaxies. The systematic connection of individual notes to central points within the notation reconfigures the temporal and sequential reading of scores. Instead, Fusinato proposes a kind of sonic implosion in which all notes are played simultaneously. Marco Fusinato is a multidisciplinary artist and musician. His work questions and re-configures accepted cultural forms and concepts, laying bare their construction and exploring how those worlds are made.stonnington contemporary art collection, music, sound, materiality, marco fusinato

Marco Fusinato’s ongoing series titled Mass Black Implosions is suite of drawings that represent the physical materiality of sound. He transforms avant-garde musical compositions from such figures as John Cage, Cornelius Cardew and here, Australian experimental musician Anthony Pateras, into new graphical interpretations resembling collapsing galaxies. The systematic connection of individual notes to central points within the notation reconfigures the temporal and sequential reading of scores. Instead, Fusinato proposes a kind of sonic implosion in which all notes are played simultaneously. Marco Fusinato is a multidisciplinary artist and musician. His work questions and re-configures accepted cultural forms and concepts, laying bare their construction and exploring how those worlds are made.stonnington contemporary art collection, music, sound, materiality, work on paper, marco fusinato

Penleigh Boyd, Robin and Patricia Boyd's son, writes “Prior to 1950 Robin, like most other amateur or hobby photographers, took black and white printed photographs. The oldest slides date from 1950 when Robin and Patricia travelled to Europe on Robin’s Robert Haddon Travelling Scholarship.” In 1948 Robin Boyd was awarded ‘joint first place’ in the Robert Haddon competition for his design of Mildura art gallery. The scholarship helped fund their first overseas trip. Robin and Patricia were passengers on the Greek ship “Cyrenia” departing in May 1950, passing through the Suez Canal and landing in Genoa five weeks later. For six months, they travelled extensively throughout Europe (predominantly driving themselves) - France, Italy, United Kingdom, Sweden, Denmark, Germany, Austria, Switzerland and Spain.Colour slide in a mount. Exit/Entrance to Piazza San Marco and the Colonne di San Marco e San Todaro, Venice, Italyhaddon travelling scholarship, haddon, robin boyd, slide

Coloured Print of Marco Polo. 257 mm X 230 mm Sh 180 Ships M - R.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, marco polo, print

Found at Camp 2 site by Marco GazziRound glass bottle with narrow neck.1 1/2 ozs. Swan ink. This bottle always remains the property of Marie Todd & Co. (Aust) Ltd.mario gazzi, ink bottle, marie todd and co, camp 2 finds, glass ink bottles

Shows field dress and webbing equipment worn in 1989. The 8th/13th Victorian Mounted Rifles was raised as a regiment of the Royal Australian Armoured Corps on 1 May 1948 with Headquarters in Melbourne and squadrons in Sale, Benalla/Wangaratta and Albury. In 1955 Regimental Headquarters moved to Wangaratta and a second squadron was located at Albury. The Sale squadron transferred to 4th/19th Prince of Wales’s Light Horse. In 1977 8/13 VMR Regiment was reduced to an independent squadron A Squadron 8th/13th Victorian Mounted Rifles and in 1991 was linked with 4th/19th Prince of Wales’s Light Horse forming the VMR Squadron of that regiment.Black and white photograph of two soldiers of 8/13 Victorian Mounted Rifles cleaning the barrel of a 76mm gun on 76mm M113 Fire Support Vehicle. Corporal Marcos Ludeman at left.

Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. One hundred mill labels sewn onto a single sized cream blanket with blue end panels(On original blanket label) "Marco" Blanket/Wool 70%/Cotton 30%/Guaranteed Free From Fillingwool, blanket, blanket fever, labels, sampler

Daniel and Rachel Davies, May Davies (later Laidlaw) and Margaret Davies (later Patterson) are buried in Tarnagulla Cemetery. Donald Clark Collection. A monochrome photograph depicting Mrs Rachel Davies (nee Jenkins) with her daughters (L to R) May, Jane & Margaret. Rachel was wife of Daniel Davies and daughter of William Jenkins of Cambrian Mine. Label indicates photo was taken near Del Marcos around 1900. Copy photograph.

Photo taken outside the Evangelismos Greek Orthodox Church, East Melbourne. The bride Katerini (known as Nina or Katherine) is being escorted into the church by her father Spiros Kallinikos together with the bridesmaid, her sister Penelope. Katerini married Marcos Vlasse. A black and white photograph of a bride with her father and bridesmaid preparing to enter the church for the wedding ceremony. billeter

Title of main plans on verso of plan 3.site plan, buildings, plans, burnley campus, institute of land and food resources, university of melbourne

Ship Plans In 2 boxes labelled "Harbour Trust" .01 Flotta Lauro .02 Sea Princess .03 Shaw Saville - Ocean Monarch- MV Akaroa - Mv Arawa - MV Aranda .04 Chandris - Britanis - Queen Frederica .05 Sitmar - TV Fairsky - SS Fairsea - SS Fairwind - Fairstar .06 SS United States - Marco Polo - Monterey- Mariposamelbourne harbor trust - port of melbourne authority, flotta lauro, sea princess, ocean monarch, shaw savill, p & o, lauro line, britanis, chandris lines, sitmar, fairstar, fairsky, fairwind, marco polo, monterey, mariposa, ss united states, united states line, royal interocan lines, mv tswingi, mv akorda, mv arawa, mv aranda, queen frederica, fairsea, transport - shipping

Pamphlet - 3 fold DL pamphlet, full colour, titled "Mount Alexander Road Tram Improvements" showing proposed super stops, road treatments and Roadworks at Marco Polo St, Thorn St and Shamrock St Essendon, route 59. Part of the Think Tram Project. Advises of a meeting on 20/10/2008 at the Community Centre, Clocktower Centre. Has VicRoads, Yarra Trams and State Government logos.trams, tramways, route 59, mount alexander rd, road works, vicroads, superstops