Coloured photo of Maree Buckle & Peni Michael at Community Services.buckle, maree, michael, peni, community services

Blue cardboard prize certificate with black printed text. Awarded to Maree Grigg for an addressed envelope.Text, printed: " Linton Presbyterian Church / SPRING SHOW, DECEMBER 7th, 1935. / FIRST PRIZE / For Addressed Envelope / Awarded to Maree Grigg. "linton presbyterian church, maree grigg, events

Pink cardboard prize certificate with black printed text. Awarded to Maree Grigg for a balance sheet.Text, printed: " Linton Presbyterian Church / SPRING SHOW, DECEMBER 7th, 1935. / SECOND PRIZE / For Balance Sheet / Awarded to Maree Grigg. "linton presbyterian church, maree grigg, events

Biographical information about soldiers from the Cobram District who died in World War 1 produced by the Cobram Historical Society and Cobram RSL.Pamphlet, 44 p., col. illus.world war 1, cobram

Hard cover book with photographs, letters, diaries, memoirs and interviews documenting the work of the Sisters of Mercy from Perth in 1846, spreading to Melbourne then throughout Victoria and Tasmania. Lilydale chapter includes references to Our Lady of Perpetual Succour, Ringwood, Victoria.

Volcanic activity in this region ceased about 50 million years ago, after which the landscape was shaped by glaciation from about 1.8 million years ago to the end of the Great Ice Age about 10,000 years ago. The U-shaped glen of Glen Docherty is typical of a glen formed by the action of glaciers. (wikipedia)Black and white photographic postcard showing a road running between Glen Docherty and Loch Maree. The A832 road runs through the glen.chatham-holmes family collection, rosshire, glen docherty, loch maree, mountains, scotland

A guide for over 60's booklet . issued by the City of Nunawading, compiled by Maree Buckle, Welfare Officer.A guide for over 60's booklet .city of nunawading, buckle, maree, aged people

Account of the Diamond Valley Twins Club, a support organisation for mothers of twins, that started in Watsonia, written by Linda Court, Lynda Johnston, Helen Steele and Maree Walshe, encouraged by Rosie Bray6 p., typescriptdiamond valley parents of twins club

Parliamentary history of Sherryl Garbutt. Copied from Parliament of Victoria Remember Database 20221 p. black and white typescript with photographsheryl garbutt, politicians, victoria. parliament

Black and white copy of original photograph showing a man dressed in black hat and suit, sitting on step next to a small child. A lady with a light coloured hat and dark dress suit standing beside them on front verandah.william spencer grigg, dora grigg née sandow, maree grigg

ill, maps, p.16.A commemorative booklet to mark the start of the building of the standard gauge railway from Stirling North to Maree on 27th July 1957.railway construction - australia, north australia railway - australia - history

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of twig with flowers. The twig has green leaves, red buds, and red flowers with yellow centres. The work is printed on cream paper with torn edges.Front: 17/18 (lower left) MD Solly '84 (lower right) (pencil) Back: 40

DESCENDANTS OF FRANCIS CLARK & JANE RANKIN.(CLUNES)CLARK FAMILY DONALD GORDON CLARK (SNR), FRANCIS THOMAS CLARK & MAREE ADAMS 17.3.1934, FRANK & MARY CLARK, DONALD GORDON CLARK (JNR)DONALD GORDON CLARK (SNR), FRANCIS THOMAS CLARK & MAREE ADAMS 17.3.1934, FRANK & MARY CLARK,DONALD GORDON CLARK (JNR)local history, photography, photographs, clark family

Black And White photograph of four vessels (tall ships) at wharf - Loch Maree (1581 Tons, first from left), Salamis (1079 Tons, 3rd from left) On the back of the photograph, written on matte, from left (1) in pencil "EROPE", (2) in black pen "LOCH MAREE 1581 tons" and (3) "SALAMIS 1579 tonsflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, vessel loch maree, vessel salamis, sailing vessels at dock, photograph of sailing vessels at dock

non-fictionThe first church, built of weatherboard, was erected in 1870. It was originally part of the Brighton Parish. St. Michael's Parish was established in 1956, having previously been part of the parish of Dandenong. In 1956 it became part of the Diocese of Sale. The current Church was opened on 29 April 1984 and was blessed by the Bishop of Sale Eric D'Arcy. The Architect was Smith and Tracey and the builder was C.D. Mason Constructions.st michael's parish berwick, berwick (vic.), st francis xavier college, father john gallagher

Maree Clarke is a multi-disciplinary artist from Mildura in northwest Victoria, living and working in Melbourne. Her continuing desire to affirm and reconnect with her cultural heritage makes her a pivotal figure in the reclamation of southeast Australian Aboriginal art practices, reviving elements of Aboriginal culture that were lost over the period of colonisation. The 'Men and Women in Mourning' series explores the traditional ceremonies of grief and mourning practices from Calrke's Country. It originates from her fascination with Kopi, a gypsum cap worn to express an individual’s mourning of a loved one or significant member of the clan. A Kopi can weigh up to 7kg and the length of time they are worn depends on the person’s closeness to the deceased. When the mourning period was over the Kopi would be placed on the person’s grave.stonnington contemporary art collection, first peoples, first nations, indigenous, aboriginal torres strait islander, mourning ceremony, maree clarke, cultural heritage

Maree Clarke is a multi-disciplinary artist from Mildura in northwest Victoria, living and working in Melbourne. Her continuing desire to affirm and reconnect with her cultural heritage makes her a pivotal figure in the reclamation of southeast Australian Aboriginal art practices, reviving elements of Aboriginal culture that were lost over the period of colonisation. The 'Men and Women in Mourning' series explores the traditional ceremonies of grief and mourning practices from Calrke's Country. It originates from her fascination with Kopi, a gypsum cap worn to express an individual’s mourning of a loved one or significant member of the clan. A Kopi can weigh up to 7kg and the length of time they are worn depends on the person’s closeness to the deceased. When the mourning period was over the Kopi would be placed on the person’s grave.stonnington contemporary art collection, first peoples, first nations, indigenous, aboriginal torres strait islander, mourning ceremony, maree clarke, cultural heritage

Maree Clarke is a multi-disciplinary artist from Mildura in northwest Victoria, living and working in Melbourne. Her continuing desire to affirm and reconnect with her cultural heritage makes her a pivotal figure in the reclamation of southeast Australian Aboriginal art practices, reviving elements of Aboriginal culture that were lost over the period of colonisation. The 'Men and Women in Mourning' series explores the traditional ceremonies of grief and mourning practices from Calrke's Country. It originates from her fascination with Kopi, a gypsum cap worn to express an individual’s mourning of a loved one or significant member of the clan. A Kopi can weigh up to 7kg and the length of time they are worn depends on the person’s closeness to the deceased. When the mourning period was over the Kopi would be placed on the person’s grave.stonnington contemporary art collection, first peoples, first nations, indigenous, aboriginal torres strait islander, mourning ceremony, maree clarke, cultural heritage

Maree Clarke is a multi-disciplinary artist from Mildura in northwest Victoria, living and working in Melbourne. Her continuing desire to affirm and reconnect with her cultural heritage makes her a pivotal figure in the reclamation of southeast Australian Aboriginal art practices, reviving elements of Aboriginal culture that were lost over the period of colonisation. The 'Men and Women in Mourning' series explores the traditional ceremonies of grief and mourning practices from Calrke's Country. It originates from her fascination with Kopi, a gypsum cap worn to express an individual’s mourning of a loved one or significant member of the clan. A Kopi can weigh up to 7kg and the length of time they are worn depends on the person’s closeness to the deceased. When the mourning period was over the Kopi would be placed on the person’s grave. stonnington contemporary art collection, first peoples, first nations, indigenous, aboriginal torres strait islander, mourning ceremony, maree clarke, cultural heritage