The artist Maria Araugo was born in Timor Leste. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007. If you are able to assist us in locating the artist Maria Araugo please leave a message in the comment link below. Federation University School of Business Collection.art, artwork, maria araugo, araugo, timor leste

Maria Barbaro is a Greensborough artist. These photographs were taken as studies for her paintings. includes Greensborough Hotel, Bridge and pine, Main Street from Delfin Crescent, Old bridge.Colour photographs, digital prints.Name of photographer on back of photos.maria barbaro, greensborough

A collection of over 170 photographs taken by artist Maria Barbaro as studies for her paintings. Taken in the Greensborough area, photos cover a wide range of natural and built landscapes, including the Plenty River; parks and gardens; the Greensborough Hotel; Ashmead; Greensborough railway station.A variety of photographs of the Greensborough area in the early 21st Century.Folder containing approx 150 colour photographs of Greensborough area. Each photograph 10x15cmmaria barbaro, greensborough

Children of Johann August Schwerkolt|Johann: 1885 - 1903 (U.S.A.)|Maria Elizabeth: 1887 - 1966 (U.S.A.)Black and white copy of Johann & Maria Elizabeth, children of Johann August & Maria Wilhelmina Schwerkolt.schwerkolt, johann theodor, jackschowsky, mary elizabeth, jack, walter, johann august, maria catherina wilhelmine

Part of Old Lintonian collection ; No. 114. Maria Nicholls, a daughter of Henry and Marian Nicholls, married Robert Roland Stevenson.A sepia CDV (carte de visite) portrait of a lady wearing sleeved long gown, seated with arms resting on a book on her lap."Mrs R Stevenson (Maria Nicholls)" maria stevenson, maria nicholls, old lintonian collection

303 p. : brown cover imprinted in black with with geometric design. Title and attribution ("by the author of John Halifax, Gentleman") imprinted on front cover in black, and on spine in gold.fictionfiction, dinah maria mulock craik

Maria O'Brien. Aged 17 years. On her Wedding Day in August 1865 when she married John O'Meara. Maria born 1847 Tipperary, Ireland. Daughter of Martin O'Brien and Mary McGrath.Black and white copy of original photograph showing a portrait of a young lady standing with her right hand resting on the back of a chair, a hanging curtain on her left. She is wearing a light coloured dress with fitted bodice, long sleeves and full skirt. Brooch at her neck and belt around her waist. Hair parted in the middle and tied back in braids."Maria O'Brien (O'Drien) aged 17 on wedding day Aug 1865 to John O'Meara aged 27".maria o'brien, weddings

This stencil was used to stamp wool bales before they were transported to another location. The meaning of P'SSA MARIA is unknown. Wool bale export stencil - P'SSA MARIAP'SSA MARIAwool - transportation, wool sales, wool class, wool classers

Black and white copy of Johann & Maria Schwerkolt, children of August & Wilhelmina Schwerkolt.schwerkolt, johann theodor, jackschowsky, mary elizabeth, johann august, maria catherina wilhelmine

The collars were made by Maria Frisch who had survived a number of concentration camps during the war and emigrated with her daughter Anne to Australia in 1948. Maria and her daughter Anne were Polish Jews. As a small child Anne had been smuggled out of the Krakow ghetto in 1942 and was taken in by a Polish woman. At the end of the war Anne was reunited with her mother in Krakow. When they emigrated to Melbourne they lived in Martin Street, Brighton. Maria's husband, and Anne's father, perished in Mauthausen concentration camp. Maria Entenberg married Jack Frisch in Melbourne in 1952. Two artificial pearl collars in original cardboard box. One collar is constructed with two tiers of interlaced pearls and the other with three. The lid of the box is covered in a textured printed cream paper with a flower and sprig pattern in red, brown and green. T0099.1- small necklace T0099.2 - large necklace T0099.3 - box lid T0099.4 - box basecollar, necklace, holocaust, maria frisch, anne gouttman, migration

This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art, and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower area of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine, and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave during 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However he continued to take a very keen interest in the continual development of the Library until his death in 1969. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. Maria Theresa Author: Mary Maxwell Moffat Publisher: Methuen Co Ltd Date: 1911Label on spine cover with typed text PAT 920 MAR Pastedown front endpaper has sticker from Warrnambool Mechanics Institute and Free Library covered by a sticker from Corangamite Regional Library Service Front loose endpaper has a stamp from Warrnambool Public Museumwarrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, great ocean road, maria theresa, mary maxwell moffat

Red "His Master's Voice" record label, Side A: Ave Maria, Side B: On Wings of SongDB 283 The Gramophone Co. Ltd.

Copy of black and white photo of Maria Elizabeth Schwerkolt. Born 7/5/1887 - died 1966 in U.S.A.jackschowsky, mary elizabeth, jack, walter

Pictured are Maria Paxinos and Dino Maccioca on their wedding day in 1993. Maria is the daughter of Thoma and Eleftheria Paxinos.A coloured photograph os a bride and groom arriving at a reception centre.

Maria Agnes O'Meara (Marice?), born 1877, daughter of John and Maria O'Meara. Died 10 March 1903.Sepia photograph of a young lady with long hair, wearing fashionable long gown, seated with right hand holding a folded back journal, left hand resting on her lap."Marice O'Meara".maria (marice) o'meara

Zonophone was a record label founded in 1899 in Camden, New Jersey, by Frank Seaman. The Zonophone name was not that of the company, but was applied to the records and machines sold by Seaman from 1899–1900 to 1903. In the United Kingdom and the Commonwealth, the Gramophone Company continued to use the Zonophone label until 1931. 'Zonophone' indicates the British label rather than Zon - O- Phone, the earlier American label. Madame Deering was Eleanor Jones-Hudson. Eleanor Jones-Hudson (1874-1946) was a Welsh soprano and wife of the flautist Eli Hudson. She recorded extensively for the Gramophone Company, in excerpts from opera, operetta, oratorio, ballads and songs. She was sometimes credited as Alvena Yarrow and as Madame Deering. The phonograph disc record was the primary medium used for music reproduction until late in the 20th century, replacing the phonograph cylinder record—with which it had co-existed from the late 1880's through to the 1920's. Records retained the largest market share even when new formats such as compact cassette were mass-marketed.. (ref Wikipedia) This item is an example of an item once commonly found in homes. By the late 1980s until 1991, digital media, in the form of the compact disc, gradually replaced the vinyl record.A black gramophone record with a blue and gold label - Zonophone. One side is Ave Maria sung in English by Madame Deering, a soprano, with orchestra and chorus. On the other side is Ora Pro Nobis (Pray For Us). It has the serial no. 472.Pressed onto the Ave Maris side is 7793-e.zonophone gramophone-record madame-deering-eleanor-jones-hudson ave-maria

Death notice for Miss Maria Partington (1860-19300Greensborough pioneer familyCopy of death noticemaria partington, partington family

Maria Partington was born in 1860 at a cottage at the Watsonia Toll Gate operated by her father Charles. The family later moved to Willis Vale. After their parent’s deaths, Maria and Prudence moved to a house in Sellars Street Watsonia in 1890. They lived together until their deaths in 1930, just two months apart.Digital copy of black and white photograph.maria partington, partington family

Maria Partington was born in 1860 at a cottage at the Watsonia Toll Gate operated by her father Charles. The family later moved to Willis Vale. After their parent’s deaths, Maria and Prudence moved to a house in Sellars Street Watsonia in 1890. They lived together until their deaths in 1930, just two months apart.A pioneer Greensborough family.Digital copy of black and white studio photograph.maria partington, partington family

Maria Partington was born in 1860 at a cottage at the Watsonia Toll Gate operated by her father Charles. The family later moved to Willis Vale. After their parent’s deaths, Maria and Prudence moved to a house in Sellars Street Watsonia in 1890. They lived together until their deaths in 1930, just two months apart.A pioneer Greensborough family.Digital copy of black and white studio photograph.maria partington, partington family

Mrs. Maria Kowshek was principal of Ukrainian Saturday school 'Ivan Franko' Sunshine from 1968 to 1976.Black and white photo, with date typed under photo. Photo is attached to cardboard backing, is also framed with light blue patterned border. Photo has been laminated.maria kowshek, principal, ukrainian saturday school, ivan franko, sunshine

M/s Maria Tsikoya was principal of Ukrainian Saturday school 'Ivan Franko' Sunshine from 1990 to 1998Coloured photo , with date typed under photo. Photo is attached to cardboard backing, is also framed with light blue patterned border. M/s Tsikoya is wearing a light violet top and is standing in front of a green hedge.maria tsikoya, principal, ukrainian saturday school, ivan franko