Showing 156 items matching "mark english"
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Flagstaff Hill Maritime Museum and VillageInstrument - Concertina, Lachenal and Co, 1879-1933
... ...english make...trade mark... application was made by Richard Ballinger on behalf of Lachenal & Co. on 31st August 1878 and the Number 19,555 was published in the Trade Mark Journal January 8, 1879. The symbol was an English-style reed-shoe with the words 'Trade Mark' and 'English Make'. ...Label within oval cut-out "LACHENAL & Co / PATENT CONCERTINA / MANUFACTURERS / LONDON", Label inside lid " - CHENAL -", Impressed into wood STEEL REEDS", "ENGLAND", "TRADE MARK ENGLISH MAKE [reed-shoe symbol]" , (originally marked with Number "98030" )... application was made by Richard Ballinger on behalf of Lachenal & Co. on 31st August 1878 and the Number 19,555 was published in the Trade Mark Journal January 8, 1879. The symbol was an English-style reed-shoe with the words 'Trade Mark' and 'English Make'. ...Louis Lachenal manufactured concertinas for C Wheatstone & Co. from around 1848-1858 in a combined home and manufactory in Cheswick, England. He then establish up his own business 'Lachenal's' at 8 Little James Street in London. In 1863 the firm began advertising both 'Anglo and English concertinas, which were more expensive. Lachenal passed away in 1861, so his wife Elizabeth took over the business. The firm was sold to a group of five businessmen in about 1873 and in 1874 the firm became ‘Lachenal & Co.’ A Trade Mark application was made by Richard Ballinger on behalf of Lachenal & Co. on 31st August 1878 and the Number 19,555 was published in the Trade Mark Journal January 8, 1879. The symbol was an English-style reed-shoe with the words 'Trade Mark' and 'English Make'. It was stamped on the right-hand rail (handle) of the Lachenal Anglos, to distinguish them from the German-made ones. It seems that the company ceased business in 1933.This concertina, made in the late 19th to early 20th century, represents the portable musical entertainment of the early settlers in the colony of Australia. Concertina, six sided, 21 buttons, with fitted case. Wooden ends have carved cut-outs and leather straps attached to brass buttons. Five-fold bellows have light coloured sides with reinforced edges and corners. Constructed with steel reeds and bone key-buttons. Wooden, black fabric-covered hexagonal case with triangular metal catch, two brass hinges, leather handle and faded red lining. Inscriptions on label inside lid and on wooden ends of bellows. Lachenal, Anglo design, made by Lachenal & Co. of London. Label within oval cut-out "LACHENAL & Co / PATENT CONCERTINA / MANUFACTURERS / LONDON", Label inside lid " - CHENAL -", Impressed into wood STEEL REEDS", "ENGLAND", "TRADE MARK ENGLISH MAKE [reed-shoe symbol]" , (originally marked with Number "98030" )flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, concertina, squeeze box, musical instrument, london, english make, trade mark 15222, english-style reed, richard ballinger, louis lachenal, concertina manufacturer, reed-shoe, lachenal anglo, lachenal & co, lachenal -
Moorabbin Air MuseumManual - CAC Canberra bomber mark 1 to mark 8 notes from English Electric, CAC Canberra bomber notes mark 1 to mark 8
... CAC Canberra bomber mark 1 to mark 8 notes from English Electric...Moorabbin Air Museum Moorabbin Airport 12 First Street Moorabbin melbourne CAC Canberra bomber notes mark 1 to mark 8 Manual CAC Canberra bomber mark 1 to mark 8 notes from English Electric ... -
Federation University Historical CollectionYellow Booklet, Graduate Grapevine Newsletter, November 1992
... ...mark english...Barker Library (top floor) Mount Helen goldfields Graduate newsletter for Ballarat University College, Graduate Diploma of Librarianship students, 1992 graduate diploma of librarianship ballarat university college graduate grapevine newsletter jean goh kaye cleary lindon marks liz widdop anne beggs sunter barry golding paul frood mark english andrew shiells library librarian Karen K handwritten on front cover Yellow booklet, Graduate Grapevine Newsletter, Vol 2 (No 2) November 1992. ...Graduate newsletter for Ballarat University College, Graduate Diploma of Librarianship students, 1992Yellow booklet, Graduate Grapevine Newsletter, Vol 2 (No 2) November 1992. All pages yellow with black border and black printKaren K handwritten on front covergraduate diploma of librarianship, ballarat university college, graduate grapevine newsletter, jean goh, kaye cleary, lindon marks, liz widdop, anne beggs sunter, barry golding, paul frood, mark english, andrew shiells, library, librarian -
Federation University Historical CollectionPamphlet - Librarianship Course Information, Graduate Diploma in Librarianship Course Information 1980s, 1980s
... ...Mark English...Barker Library (top floor) Mount Helen goldfields Ballarat College of Advanced Education is a predecessor of Federation University Thelma Rungkat Librarianship Graduate Diploma Ballarat College of Advanced Education Bachelor of Arts Mark English Jackie Cartledge Sharon van den Brule Peter Ryan .10 has Thelma R written on the front and notations througout. .1 White flyer with black writing and two tone green checkerboard pattern on the front .2 White Flyer with green panel and black writing .3 Apricot flyer with image of books and black writing .4 Lavender flyer with black writing .5 Green covered flyer with image of librarians on the front and black writing 1984 .6 Green covered flyer with image of librarians on the front and black writing 1983 .7 Yellow flyer with outline drawing of people and buildings with black writing .8 Beige Flyer with outline drawing of people and buildings with black writing 1981 .9 Beige booklet with maroon writing and image .10 White booklet with green and yellow image and green writing .11 Lavendar booklet with grey, lavendar and balck checkerboard pattern. ...Ballarat College of Advanced Education is a predecessor of Federation University .1 White flyer with black writing and two tone green checkerboard pattern on the front .2 White Flyer with green panel and black writing .3 Apricot flyer with image of books and black writing .4 Lavender flyer with black writing .5 Green covered flyer with image of librarians on the front and black writing 1984 .6 Green covered flyer with image of librarians on the front and black writing 1983 .7 Yellow flyer with outline drawing of people and buildings with black writing .8 Beige Flyer with outline drawing of people and buildings with black writing 1981 .9 Beige booklet with maroon writing and image .10 White booklet with green and yellow image and green writing .11 Lavendar booklet with grey, lavendar and balck checkerboard pattern..10 has Thelma R written on the front and notations througout.thelma rungkat, librarianship, graduate diploma, ballarat college of advanced education, bachelor of arts, mark english, jackie cartledge, sharon van den brule, peter ryan -
Glen Eira Historical SocietyEphemera - Ormond Amateur Football Club
... Mark... Hungerford Tom... Sa Will... Saunders Luke... Ryde Nick... Haysom Tom... Machin David... Stephens Scott... Rayson Brad... Kingston David... Singleton Jack... Leggett John... Hastings-Dodge Andrew... Hastings-Dodge James... Cleary Damien... Rizarti Daneil... Franklin Jarrod... English...McAsey Kitely Sporting Clubs Football AFL Milhen Laurie Ormond Juniors Russell Luke Barnes Michael Holdsworth Joss Martin Ryan Hayson Daniel Simon Henry Upstill Boyd Bond Trent Holman Matt Cribbes Anthony Oaten Matthew Lack Orry Duthie Luke Naylor Tim McCooke Alistair Anrep Lloyd Ashton San Clinch Andrew Saunders Luke Coghlan Chris Barnes Sam Gibney Tom Anastasio Anthony Kulikov Simon Holman Aaron Casey Damien Lukas Evan Ryde Nick Gay Stuart Frazier Dan Hammond Greg Veal Mitchell Blatman Lukas O’Brien Luke Harry Hared Australian Rules Football Barker Steven Blackburn Tim Calvert Leon Franklin Brett McCooke Stewart Rizati Daniel Pedersen Jake Olsen Chris Tucker Michael Allen Keith Sainty Jackson Hecker Chris Raymond James Saunders Matthew Olson Andrew Scanlen Edward Bannan Michael Young James Bannan Chris Parsons Jesse McCrabb Tom McDonald Ryan Atkins Blair Pappas Mark Hungerford Tom Sa Will Saunders Luke Ryde Nick Haysom Tom Machin David Stephens Scott Rayson Brad Kingston David Singleton Jack Leggett John Hastings-Dodge Andrew Hastings-Dodge James Cleary Damien Rizarti Daneil Franklin Jarrod English Mark Isles Harry Fay Trevor Medcraft Chris Fowler Tim Ashley Jeremy Keane Richard Bishop Matthew McDonald Jason Sinclair Nick Medcraft Andrew Southwick David Ormond Cricket Club Naylor Alan Blandford Sam Kingston (Jack) Richard John Haysom Dan Simon Jeremy Alan Lofts Memorial Trophy Hirschman Cale Lofts Paul Lofts Terry Upstill Boyd Martinov Matt Simon Richard Seehusen David Chisholm Rob Rowe Brett Tabakman J. ...4 articles related to Ormond Football Club: 1/4 newspaper articles from Glen Eira Leader 12/03/2013 about future railworks by Vicroads and discussion about dumping soil on E. E. Gunn’s homeground. 2/Ormond Amateur Football Club, flyer with Ormond McKinnon Community Bank Sponsor. 3/17 articles on season games and players including photographs Herald Sun Tribute notices to life members Richard John Kingston, Ormond Amateur Football Club 29 June, 2013. 4/Flyer. Alan Lotts Memorial Trophy 2013 winner.fisher marian, mcdonald d., schuhkraft , orr , joblring andrew, bushfield mark, francis russell, kilner andrew, clinch steve, simon richard, toohey justin, dalgleish darren, bell robert, mccarthy steve, ridd geoff, cramly, wilson, miller, james, mccooke, ritchie, bourke, mehrten a., mcasey, kitely, sporting clubs, football, afl, milhen laurie, ormond juniors, russell luke, barnes michael, holdsworth joss, martin ryan, hayson daniel, simon henry, upstill boyd, bond trent, holman matt, cribbes anthony, oaten matthew, lack orry, duthie luke, naylor tim, mccooke alistair, anrep lloyd, ashton san, clinch andrew, saunders luke, coghlan chris, barnes sam, gibney tom, anastasio anthony, kulikov simon, holman aaron, casey damien, lukas evan, ryde nick, gay stuart, frazier dan, hammond greg, veal mitchell, blatman lukas, o’brien luke, harry hared, australian rules football, barker steven, blackburn tim, calvert leon, franklin brett, mccooke stewart, rizati daniel, pedersen jake, olsen chris, tucker michael, allen keith, sainty jackson, hecker chris, raymond james, saunders matthew, olson andrew, scanlen edward, bannan michael, young james, bannan chris, parsons jesse, mccrabb tom, mcdonald ryan, atkins blair, pappas mark, hungerford tom, sa will, saunders luke, ryde nick, haysom tom, machin david, stephens scott, rayson brad, kingston david, singleton jack, leggett john, hastings-dodge andrew, hastings-dodge james, cleary damien, rizarti daneil, franklin jarrod, english mark, isles harry, fay trevor, medcraft chris, fowler tim, ashley jeremy, keane richard, bishop matthew, mcdonald jason, sinclair nick, medcraft andrew, southwick david, ormond cricket club, naylor alan, blandford sam, kingston (jack) richard john, haysom dan, simon jeremy, alan lofts memorial trophy, hirschman cale, lofts paul, lofts terry, upstill boyd, martinov matt, simon richard, seehusen david, chisholm rob, rowe brett, tabakman j., upstill b., elkman dylan, holdsworth joss, lack orry, gay stewart -
Orbost & District Historical Societyteapot, Untitled, 9.10.1871
... Manufactured by Ridgways, a Staffordshire Pottery in England, with the English registry mark dating its registration to 1871. ...Manufactured by Ridgways, a Staffordshire Pottery in England, with the English registry mark dating its registration to 1871. ...Square-shaped china teapot. White background with brown transfer images of pineapples. Spout and handle ornately designed. Manufactured by Ridgways, a Staffordshire Pottery in England, with the English registry mark dating its registration to 1871. In the pattern, “Cenis”. Bottom-Ridgeways, -Cenis, Stoke on Trentteapot domestic-items food-drink-consumption ridgways -
Wangaratta RSL Sub BranchInstrument - Pilot Balloon Slide Rule
... The W & G rule uses serif fonts and has some fiducial marks that the English rule lacks. Exact dates of production are not known but the MK II is known to have started production by 1927. ...The W & G rule uses serif fonts and has some fiducial marks that the English rule lacks. Exact dates of production are not known but the MK II is known to have started production by 1927. ...The Mark II Pilot Balloon Slide Rule was made of wood laminated with heavy white plastic with a length of 24.5-in. and width of 2.5 inches. Mark II rules were manufactured in Australia by W & G (Melbourne). The W & G rule differs only slightly from the English A. G. Thornton LTD rule. The W & G rule uses serif fonts and has some fiducial marks that the English rule lacks. Exact dates of production are not known but the MK II is known to have started production by 1927. The printed scales are engraved in the plastic faces. The slide rule has 4 captive cursors (glass windows and brass guides) that ride in slots on the top and bottom edges. Each can be moved independently of one another. The cursors are missing from this item. Brass knobs at both ends of the slide facilitate its movement. The case is fabric covered wood with felt lining. No known history for this item as located in a property after purchase. The Pilot Balloon slide rule is used to convert the observed azimuth and elevation readings into wind velocity and direction records. The use of slide rules was abandoned with the wide spread adoption of computers and programs to do the calculations, as well as the decline in the use of optical pilot balloon theodolites.Made in Australia by White & Gillespie (Melb) Pty Ltd. Established in 1910, the firm was involved mainly in printing plate manufacture, but during the Second World War it manufactured a variety of navigational aids and range finding devices for the military. About 250,000 instruments were made during that period. After the war the company produced, among other items, drawing instruments and slide rules. The long narrow case is fabric covered wood with felt fabric lining containing a long black laminate ruler with numerous white markings and numbers. Top of the ruler is in three sections with the centre section movable by small gold metal knobs at either end. This slide rule contains a engraved notation on the rear face "IMPORTANT. NORMALLY NUMBER OF GRATICULE SCALE DIVISIONS PER RADIAN (K) X LENGTH OF TAIL IN FEET (I) = 12X 105. IN OTHER CASES MULTIPLY GRATICULE READINGS BY 1.2/KI BEFORE CALCULATION ON RULE" Top of Slide Rule - RAAF Ident No G268/480 Serial WG/22pilot balloon slide rule, raaf -
Carlton Football ClubPoster, Blues Carlton Football Club 1987, 1987
... Front Row (L to R) Wayne Johnston, Fraser Murphy, Spiro Kourkoumelis, Steven Da Rui, Paul Starbuck, Mark Naley. Insets Des English, Peter Dean, Wayne Harmes. ...Front Row (L to R) Wayne Johnston, Fraser Murphy, Spiro Kourkoumelis, Steven Da Rui, Paul Starbuck, Mark Naley. Insets Des English, Peter Dean, Wayne Harmes. ...Team photograph with list of games for 1987 season. From Roger Skien Collection. Back Row (L to R) Jimmy Buckley,Peter Motley, Peter Rohde, Paul Meldrum, Darren Ogier, Ken Hunter, Richard Dennis, Richard Foster, Milham Hanna, David Rhys-Jones, Ian Herman. 2nd Back Row (L to R) Mark Williams, Warren McKenzie, Rhett Baynes, Michael Gallagher, Peter Sartori, Jamie Dunlop, Jon Dorotich, Stephen Silvagni, Ian Aitken, Shane Robertson, Andrew Phillips. Setaed (L to R) Adrian Gleeson, Dean Strauch, Tom Alvin, Brad Shine, Michael Kennedy, Stephen Kernahan (Captain), Justin Madden (Vice-captain), David Glascott, Bernie Evans, Craig Bradley, Wayne Blackwell. Front Row (L to R) Wayne Johnston, Fraser Murphy, Spiro Kourkoumelis, Steven Da Rui, Paul Starbuck, Mark Naley. Insets Des English, Peter Dean, Wayne Harmes. Colour photographic poster -
Warrnambool and District Historical Society Inc.Artefact, Money Box, Mid 20th century
... English Made’ This is a black rectangular tin box with a hinged lid with a tin handle attached with metal clips. There is a lock but no key. The lid has a gold and yellow border pattern and gold edging on the rim of the lid but these decorations are mostly eroded away. There is a maker’s mark ...This is a lockable metal money box. It would have been useful place to store money and small items. being metal ,it would offer some protection from moisture and pests This money box has no known local provenance but it is an interesting item and is useful for display. This is a black rectangular tin box with a hinged lid with a tin handle attached with metal clips. There is a lock but no key. The lid has a gold and yellow border pattern and gold edging on the rim of the lid but these decorations are mostly eroded away. There is a maker’s mark on the base of the tin but it is indecipherable. ‘English Made’ social history, history of warrnambool, vintage money box -
Warrnambool and District Historical Society Inc.Functional object - Bookmark, Thomas Stevens, Coventry and London, Mizpah, late 19th century
... This city was the English centre of ribbon weaving in the 19th century and Thomas Stevens, a local weaver, invented and developed in the 1860s the art of making woven silk items - book marks, greeting cards, art works etc. ...This city was the English centre of ribbon weaving in the 19th century and Thomas Stevens, a local weaver, invented and developed in the 1860s the art of making woven silk items - book marks, greeting cards, art works etc. ...This bookmark was found loose inside one of our antiquarian books and no connection to the book or its unknown original owner have been found. The word Mizpah means Watchtower in Hebrew and a Mizpah card or bookmark was sent or given to Jewish people who were separated from their loved ones, with the message that the Lord was watching over those absent. The bookmark has been made by the firm of Thomas Stevens of Coventry. This city was the English centre of ribbon weaving in the 19th century and Thomas Stevens, a local weaver, invented and developed in the 1860s the art of making woven silk items - book marks, greeting cards, art works etc. These were called Stevengraphs. Stevens opened a factory in London in 1878 and by the 1880s was producing over 900 woven silk designs. Stevengraphs are a collectors' Items today and this Mizpah bookmark is a fine example of one.This is a woven silk bookmark with multi-coloured patterns. coloured script and a sprig of fuchsia flowers, all on a yellow background. There is a red tassel at the end of the bookmark. The bookmark was affixed to a rectangular sheet of paper containing details of the maker but the bookmark is now detached. The backing sheet is partly torn.Mizpah The Lord watch between Me and thee when we are Absent one from anotherreligious book marks, stevengraphs -
Kiewa Valley Historical SocietyDingo Trap
... Used by residents in the Kiewa Valley to protect young stock. dingo trap Li-Lo brand Embossed "Li-Lo" on the plate and "Made in England" and a Ministry Broad Arrow mark, indicating its official governmental use or trial. A well made old English trap with strong folding springs., made by H. ...Exported to Australia for the trapping of dingoes. Banned in Australia for the trapping of dingoes and dogs due to animal cruelty.Dingoes are now protected as native animals and wild dogs are killed with bait.Used by residents in the Kiewa Valley to protect young stock.A well made old English trap with strong folding springs., made by H. Lane in Wednesfield, His brand is Li-Lo.. It has got large 7 and a half inch round topped flat jaws. Its overall length is 22 and a half inches, excluding its original swivelled chain.Ref. Auction sheet Embossed "Li-Lo" on the plate and "Made in England" and a Ministry Broad Arrow mark, indicating its official governmental use or trial.dingo trap, li-lo brand -
Kiewa Valley Historical SocietyRazor Personal Vintage, circa 1940s to 1950s
... English patents numbers 467383. 284428. 242718. 242717" On the outside of the base lid within a circle are "ROLLS RAZOR" and the sketch of a long haired naked man (side view), crouched, with both hands stretched forward operating the razor. On a slab underneath are the words "The Whetter" This item is a Sheffield steel(stamped inside) metal box(Viscount model) containing a red leather fine shaving strap and in its lid a grey honing stone. Both bottom and top lids are removable to allow for replacements of strap and stone. On the bottom lid appears "The Whetter" trade mark ...This item(razor) was used by men, only before fashion dictated that women should shave their legs and underarms. There is information that this razor was first used circa 1922 and it lasted up until circa 1958. It permitted the user to have a compact shaving apparatus at hand in any environment. It provided a safe and easy way of sharpening the more permanent blade. This type of razor replaced the straight, open, or cut-throat razors. The mobility of this item was further enhanced by Gillette with their double bladed disposable razor. Time taken(shaving) and costs involved where crucial factors in the ever growing pace of domestic lifestyle in the post 1920s.This historical item presents that, even though the Kiewa Region was an inland rural settlement which in the 1920's was not as close to "modern" fashions and "gadgets", the basic living conditions where still maintained at city levels. This particular razor was in its heyday a sophisticated safety razor and brought down the demand for the services of the "professional" barber(shaver). One of the problems of the superseded straight razor was the high levels of cuts and nicks to the face. As this particular razor was fairly expensive it would have been used by men who were in the middle to upper socio-economical position in Kiewa Valley before the late 1950'sThis item is a Sheffield steel(stamped inside) metal box(Viscount model) containing a red leather fine shaving strap and in its lid a grey honing stone. Both bottom and top lids are removable to allow for replacements of strap and stone. On the bottom lid appears "The Whetter" trade mark, registered in the U.S.A. in 1950.Three bands of a Greek key pattern has been pressed on the lid. A circled identification inscription. " ROLLS RAZOR Ltd, MADE IN ENGLAND" and patented information appears within this inscription. "Patented in England and Abroad. English patents numbers 467383. 284428. 242718. 242717" On the outside of the base lid within a circle are "ROLLS RAZOR" and the sketch of a long haired naked man (side view), crouched, with both hands stretched forward operating the razor. On a slab underneath are the words "The Whetter"safety razor, non disposable, men's shaving implement -
Emerald Museum & Nobelius Heritage ParkFunctional object - Needlecase, Abel Morrall Ltd, Early 20th century
... On side of needle case: 'THE /CROSS-FOX / NEEDLE CASE / ABELL MORALL LTD /REDDITCH ENGLAND / TRADE MARK' On bottom of needle case: ' BEST ENGLISH EGG EYED SNAPS / CONTAINING 50' On top of needle case: 'ABELL MORALL / CROSS FOX / NEEDLE CASE / REDDITCH ENGLAND'...NIna Casement Arthur Ayers Blanche Casement sewing Avonsleigh Carl Axel Nobelius On side of needle case: 'THE /CROSS-FOX / NEEDLE CASE / ABELL MORALL LTD /REDDITCH ENGLAND / TRADE MARK' On bottom of needle case: ' BEST ENGLISH EGG EYED SNAPS / CONTAINING 50' On top of needle case: 'ABELL MORALL / CROSS FOX / NEEDLE CASE / REDDITCH ENGLAND' Attractive small needle case with red background and red and gold lettering. ...This needle case belonged to Nina Ayers (nee Casement) 1891-1972. She was taught sewing by her aunt, Blanche Casement, with whom Nina lived after her mother died when she was seven. NIna and her husband, Arthur Ayers 1887-1964 lived in Avonsleigh 1929-1964. Nina, in turn, gave this needle case to her daughter Frances Ayers who later married the grandson of Carl Axel Nobelius.This needle case belonged to a local woman whose daughter was related by marriage to the Nobelius family, and it tells a story of sewing skills passed from mother to daughter.Attractive small needle case with red background and red and gold lettering. At one end is a small hole for dispensing needles and a top able to be swivelled to the correct needle compartment. Inside the case are five compartments for dispensing five different needle sizes. (There are no needles now in the case.)On side of needle case: 'THE /CROSS-FOX / NEEDLE CASE / ABELL MORALL LTD /REDDITCH ENGLAND / TRADE MARK' On bottom of needle case: ' BEST ENGLISH EGG EYED SNAPS / CONTAINING 50' On top of needle case: 'ABELL MORALL / CROSS FOX / NEEDLE CASE / REDDITCH ENGLAND'nina casement, arthur ayers, blanche casement, sewing, avonsleigh, carl axel nobelius -
Kiewa Valley Historical SocietyBox Linen Thread, early to mid 1900's
... KNOX'S" below this a crest with latin motive "MOVEO ET PROFICIOR" English translation "I proceed and am more prosperous" encircling an open winged falcon. below this "LINEN THREAD", "2 CORD." "WARRANTED" "150 Yds." Made from Flax." British Manufacture". On one side "DRABS SOFT FINISH" within a shield "KNOX'S TWO CORD 150 YARDS 30" next to this a trade mark...English translation "I proceed and am more prosperous" encircling an open winged falcon. below this "LINEN THREAD", "2 CORD." "WARRANTED" "150 Yds." Made from Flax." British Manufacture". On one side "DRABS SOFT FINISH" within a shield "KNOX'S TWO CORD 150 YARDS 30" next to this a trade mark ...This box which once contained linen thread manufactured in Scotland and labelled "British" manufacture" was used for the repair/manufacture of clothing by professional seamstresses and those wives required to "do" repair stitching of family clothes. This box was manufactured in a period when the title "United Kingdom" was used (late 1700's early 1900's) to describe the union of Britain and Scotland. The label however can be misleading as the"British Manufacture" thread was manufactured in Scotland. The broad term "British Manufacture" was used for the benefit of those in the "colonies" of Australia and New Zealand, during a period when the "coined" phrase "best of British, or British best" was synonymous to "top quality". After World War II the need for "cheaper products" was more persuasive than the quality of the product. In rural areas this shift to cheaper "non British" goods was at a slower rate than in the cities. Goods such as clothing manufactured or altered by seamstresses were regarded as of a higher standard and therefor the use of linen thread from "Britain" was a sign of quality and reliability.This box which contained linen thread, "British" made, is very significant to the Kiewa Valley because it demonstrates the conditions under which households in the late 1800's and early 1900's evolved from a "domestic repair /replacement" of damaged clothing to a consumer of recycled and shop bought clothing and linen. The ability of semi isolated rural based families to purchase "off the rack" clothing was severely affected by weather, long distance over dirt roads(poorly serviced) to large towns(shops), horse/cart or slower driven cars. The purchasing of clothing was, on the whole, from trading house "mail order" consignment orders.This red paper covered box has a white covered lid (top) with black print detailing the manufacturer and contents. This box contained 150 yds of linen thread 2 cord. A small added note pasted on one side "USUAL TWIST (s)" describing the thread's appearance. Two semicircular "finger" holes on two sides of the lid permit easier removal of the lid from the base.On the top lid: "W.&J. KNOX'S" below this a crest with latin motive "MOVEO ET PROFICIOR" English translation "I proceed and am more prosperous" encircling an open winged falcon. below this "LINEN THREAD", "2 CORD." "WARRANTED" "150 Yds." Made from Flax." British Manufacture". On one side "DRABS SOFT FINISH" within a shield "KNOX'S TWO CORD 150 YARDS 30" next to this a trade mark "W & J KNOX below this "made in KILBIRNIE, SCOTLAND"thread, cord. flax, box container, linen thread, seamstress items, cardboard box -
Emerald Museum & Nobelius Heritage ParkContainer - Tin for Gramophone Needles, The Gramophone Company Limited, 1899 - c. 1931
... Front: " "HIS MASTER'S VOICE" / REGISTERED / TRADE MARK / LOUD TONE" Stop Side: "MADE IN Gt BRITAIN" Reverse: "APPROXIMATELY / 200 ENGLISH / GRAMOPHONE / NEEDLES / THE GRAMOPHONE / COMPANY LIMITED"...Music 20th Century Front: " "HIS MASTER'S VOICE" / REGISTERED / TRADE MARK / LOUD TONE" Stop Side: "MADE IN Gt BRITAIN" Reverse: "APPROXIMATELY / 200 ENGLISH / GRAMOPHONE / NEEDLES / THE GRAMOPHONE / COMPANY LIMITED" This small tin is decorated with a red-painted lid surface, depicting Nipper the dog - an iconic symbol of the company - curiously looking into a gramophone. ...The Gramophone Company Limited acquired Francis Barraud's 1898 "His Master's Voice" artwork in 1899, after Edison Bell manager James Hough declined to purchase the artwork by stating that "dogs don't listen to phonographs." William Barry Owen of the Gramophone Company purchased the trademark on the condition that the original phonograph be replaced with a gramophone, and began using the artwork first in catalogues and gramophone machines, and in 1909 on record labels. It is unclear exactly when the artwork began to appear on gramophone needles. This specific tin was almost certainly made between 1899 - when the trademark was acquired - and 1931, when the Gramophone Company merged with the English Columbia Graphophone Company to form Electric and Musical Industries Ltd (EMI). However, the Gramophone Company was still used in some cases after this point, so it is not impossible that this tin could come from later. Gramophone needles were typically worn out after only one or a few uses, necessitating the purchasing of tins like this one filled with hundreds of needles to allow for constant replacements. "His Master's Voice" was an iconic brand in Australia for much of the 20th century, from the time of the Gramophone Company (when gramophones were still in use) through the subsequent EMI and HMV brands and the popularity of record players.This small tin is decorated with a red-painted lid surface, depicting Nipper the dog - an iconic symbol of the company - curiously looking into a gramophone. The red background is punctuated by white lettering, announcing the brand name and type of gramophone needle inside - 'Loud Tone'. The exposed metallic surface elsewhere on the tin is heavily tarnished everywhere except for parts of the bottom of the tin (which may have been exposed less than the rest of the tin if it was stored face-up). There is also partly faded, black lettering on the bottom of the tin, and a label on the stop side (opposite the hinge). The tin opens with a hinge, though it is now quite difficult to open. The inside of the tin is empty and undecorated, with similarly tarnished metallic surfaces.Front: " "HIS MASTER'S VOICE" / REGISTERED / TRADE MARK / LOUD TONE" Stop Side: "MADE IN Gt BRITAIN" Reverse: "APPROXIMATELY / 200 ENGLISH / GRAMOPHONE / NEEDLES / THE GRAMOPHONE / COMPANY LIMITED"music, 20th century -
Orbost & District Historical Societycribbage board, mid 20th century
... marks the previous score. Some boards have a "game counter", with many additional holes for use with a third peg to count the games won by each side. This is an early design of a scoring board for the game of Cribbage which has been played since the early 17th century when it was created by the English poet Sir John Suckling as a derivation of the game "noddy". 2/9 (cost) A wooden cribbage scoring board. ...Cribbage is a card game with the scores kept on a scoring board. Points are registered as having been scored by "pegging" along the crib board. Two pegs are used in a leapfrog fashion, so that if a player loses track during the count one peg still marks the previous score. Some boards have a "game counter", with many additional holes for use with a third peg to count the games won by each side.This is an early design of a scoring board for the game of Cribbage which has been played since the early 17th century when it was created by the English poet Sir John Suckling as a derivation of the game "noddy". A wooden cribbage scoring board. It is an equilateral triangle with two row of sixty holes on each side. It doesn't have extra pegging-out holes or holes to count games.2/9 (cost) -
Eltham District Historical Society IncPhotograph, Fay Bridge, St. Katherine's Church, St. Helena, n.d
... English parish church with its private graveyard and is of State Significance. Rose Chapel with its stained-glass windows of local historical significance, commemorates casualties of the Beale family in World War One. Fay Bridge Collection Annie Janet Beale (nee McLennan) anthony beale Gravestones James Harold Beale James Young Beale Jane Hewitt Katherine Rose Beale Margaret Lindsay Beale Mark Hewitt Mary Joyce Pitt Evans (nee Withers) St. ...St Katherine’s Anglican Church was built in 1858, by Anthony Beale as a memorial to his late wife Katherine. The cemetery is a rare example in Victoria of a traditional English parish church with its private graveyard and is of State Significance. Rose Chapel with its stained-glass windows of local historical significance, commemorates casualties of the Beale family in World War One.fay bridge collection, annie janet beale (nee mclennan), anthony beale, gravestones, james harold beale, james young beale, jane hewitt, katherine rose beale, margaret lindsay beale, mark hewitt, mary joyce pitt evans (nee withers), st. helena, st. katherine's church, walter withers -
Glen Eira Historical SocietyDocument - Ormond Amateur Football Club
... English Graeme... Andrew Graham... Purcell Peter... Rose Mark...Pierce Greg Ladd Clarrie Meeking John Fitts Clive Doble Alan Cooper Stephen McLean Alan English Graeme Andrew Graham Purcell Peter Rose Mark Borland Norm Wood Andrew Farrell E. ...2 articles on Ormond Amateur Football Club, 1933 – 1973: 1/A 12 page document including 3 photocopied photos. Article documents the Premiership coaches for the 1933/34 seasons, a break till 1950 when article then continues to 1973 season. A brief description on the coaches success and mentions successful players who competed in the various team divisions over these years in the document. 2/A pamphlet for season 1935 Ormond Amateur Football Club listing office bearers, patrons, AGM details of business to be discussed, nominations for 1936 and income and expenditure account details.ormond amateur football club, clubs and associations, anthony mick, bentleigh amateur, bols lou, coaches (people), farrell ted, farrell edwin, farrell greg, wood roger, bourne bruce, moran graeme, chisholm andrew, patterson michael, blight bernie, cameron ian m., ferrari brian, kingston jack, foulsham clyde, burdekin e. f., moran graeme f., farrell e. j., graham a., russ jeff, cameron s. m., mcinerney peter j., finlayson brian, grace john, rowse ken, lepage neil, joachim nick, purcell ken, corben bruce f., stock jack, gillespie rob, mcdonald colin, humphries andrew, christie graham, graer david, craig beryl, smith thelma, stock val, johnston j. r., rogers s. w., wood r. j., cameron robert, ladd kevin j., pierce greg, ladd clarrie, meeking john, fitts clive, doble alan, cooper stephen, mclean alan, english graeme, andrew graham, purcell peter, rose mark, borland norm, wood andrew, farrell e. j., logan r. j., morgan peter, faulkner alan, slatter mick, burney cal, stock jack, norris mick/micheal, beecroft barry, crump wayne, humphreys andrew, cameron robert, morris steve, anstee laurie, spence phillip, hand robert, curtis noelene, murphy p. m. peter, foulsham d. a. david, finlayson r. j., roberts r. c., grumpton t. r.-terry, jenkins r. c. ron, mortimer j. i., wood r. j. roger, morgan p. j., graham a. m. alan, curtis r. s., grace j. m., johnston j. r., marshall l. j., logan r. j., jackson d. w., bourne b. k., farrell e. j., sierakowski d. d. peter, dexter p. d., russ j. i., scott d. h., joachim nick, hardham leigh, chapman ray, smith stephen, sterling greg, cramer dean, anstee laurie, barnes ted, barwick john, russell geoff, kozlowski i. a., pearce g. w., roberts r. c., swan g. m., graham a. m., curtis r. s., blight b. f., fitzroy r. m, jackson d. w., farrell e. j., pierce greg, scott david, holman greg, russ steve, mcdonald david, fisher s., o’reilly pat, borland norm, thomas g. t., naylor alan r., lewis m., szylit m., dove s. w., mooney d. j., bevers f. h., gunn e. e., stevens r. a., ellis h., fancett w., grainger v., rermezel y., dawson p., smith r. a., pascoe h., chisholm l. a., jones j. a., juniper p., anderson a. e., ellis r., o’dwyer f., pope a., handcock c., hatton c. h., anthony m., dunbar h., jones w., mckechnie h. j., jennings s., jennings a., porter j. r. dr., hogan j. f., frew g., hassed m. j., ryan rev. father, fethers d. b. dr., hallows bruce, porter j. r., nelson w. t., groves frank, chisholm l. a., vinton j. t., smith w. d., knowling c. h., duus e., evans r. j., smyth l. c., clarke w. j., bishton ja, grant v., tremills f. s., mcfadzean j. d., marley k. j., mckittrick a. e., halkyerd c. s., patience c. e., lynch k., occleshaw f. r., howard r., chapman c. w., jones j. a., evans j. g., ellsworth g., coaches, dunbar h., jones bill, wright bill, mooney mrs., trophies, bishton j. h., manning j., bray h., smyth l., creighton j., wright w., kirchner s., baker n., bevers mrs., gunn mrs., fancett mrs., creighton mrs., stevens mrs., ellis mrs., hatton mrs., mogan mrs., pascoe mrs., frew mrs., phillips mrs., grainger mrs., massed mrs., stillard miss, matt e. g., matt mrs., tremills mrs., cullen l. mrs., parker f. w. mrs., societal events and activities, flags, ormond park trust, sporting clubs, football clubs, football, australian rules football, sports officials, ormond, bentleigh -
Mission to Seafarers VictoriaArticle, A Woman's Melbourne Letter
... marks the architecture on every turn. Just around the corner is the chaplain's garden - a patch of green and colour, transformed from a desert waste, by a well-known woman horticulturist. The book room is a department especially valued by the sailors. There are two secretaries, one for home and the other for foreign literature. Books in French, English...marks the architecture on every turn. Just around the corner is the chaplain's garden - a patch of green and colour, transformed from a desert waste, by a well-known woman horticulturist. The book room is a department especially valued by the sailors. There are two secretaries, one for home and the other for foreign literature. Books in French, English ...A detailed description of the Mission and its activities written by a woman: Western Mail (Perth, WA : 1885 - 1954), Friday 13 December 1918, page 34 A WOMAN'S MELBOURNE LETTER. Melbourne, Dec. 4. There is an idea abroad, which as regards Melbourne, at any rate, is quite erroneous, that our sailors are not as well looked after as our soldiers, and that the noble men of the Mercantile Marine are much neglected ! For once, perhaps, my readers will pardon a letter dealing with only one subject, but the steady, unostentatious work done by the Ladies' Harbour Light Guild, in connection with the mission to seamen in Melbourne could not be adequately explained if dismissed in the usual short paragraph. Some of the most prominent names in Melbourne are associated with this guild and with the Mission Chaplain, and Mrs. Gurney Goldsmith, the members have made the Seamen's Institute a real home for those sailors of the Mercantile Marine, who touch our port. What we as a community owe to those men by their heroism in recent hostilities is certainly more understood by this band of enthusiastic workers than by the community generally. By using their unflagging energies, and influence on the sailor's behalf they endeavour to discharge a debt to which in some way or other we could and should all contribute. Even the most casual person can, if he thinks at all, sum up a few of the things our sailors - other than those belonging to our glorious navy - have done for us. On the spur of the moment we remember that those of the Mercantile Marine, are the men who manned our transports, who carried our wheat and wool, to oversea markets; who kept us in touch with our loved ones abroad; who kept the fires going in the furnaces of the great leviathans, bringing our wounded soldiers home again; who never flinched when self-sacrifice was demanded; who cared, with that tenderness, innate in all sailors, for the women and children, when the passenger ships were struck a dastardly blow by the wicked enemy; who, mocking death, gave up life with a heroism all the more heroic because it was always taken as a matter of course! Is it any wonder, then, that the members of the Ladies' Harbour Light Guild make it their business to provide a bright, homelike, spot in Melbourne, where the sailors are always certain of a cherry welcome ashore? The members of the guild are admirably drafted! The 360 non-workers each pay £1 1s. per annum. The workers, of whom there are between 700 and 800, donate 2s. 6d. and school members - it is confidently hoped that gradually all the schools will take an active interest in the mission - 1s. a year. The knights of the guild - as the men members are designated - are responsible for any sum they wish to name, from 5s. a year upwards. Everything is paid for out of these revenues, with the exception of a small grant from the Home Mission Fund - and such is the organisation, and management, that the entire concern is quite free from debt. The Seamen's Church and Institute, where the "Harbour Lights" gleam so brightly, is situated right in the midst of all the bustle and turmoil of the wharves, at the end of Flinders-street. The building, comprising chapel, and institute under the one red tiled roof, is grey stuccoed, with a small tower, from which flaunts the flag of 'The Flying Angel" - the badge of the guild. A visit to the institute makes one fully appreciate the boon the place must be to the voyage worn, weary, sailor. The atmosphere is eminently social in its best sense. While the architecture imparts an elegance, and quiet dignity which soothes by the very subtlety of its charm. With its comfortable furniture, its wealth of flowers, and the happy, wholesome, feminine influence which prevails everywhere, the quality which stands for the magic word "home" abounds. The Chaplain in the course of conversation said: -"We try to make this really a free club for sailors." But the habitues would probably tell you it was far more than that to them. The Institute is excellently appointed, and every little corner seems to have its particular history. It was built after the model of one of the old mission churches in California, and retains something of the old world attraction, while yet it combines all the advantages of modern, practical, conveniences. On entering the door the first thing, one notices is a huge compass, inlaid upon the floor, evidently to indicate one's proper bearings for it points due north - to the chapel! Only one other seamen's mission in the world boasts such a compass. As the sailor swings through the entrance he finds the office on his right, and there is, here, always a smiling face to welcome the shy, or timid, new comer. Quite a real post office is staffed by members of the guild, and all the letters received are listed alphabetically. Therefore, the expectant sailor has just to run his eye down the list, and he can immediately see whether there is a letter for him or not. If he is fortunate, he comes up to the member in charge, who unlocks the box, and produces the longed for missive. The boys are always encouraged to answer letters - and to write them. Often a few words about their mother, and their own home, will provoke a sleeping memory into activity. The writing room is well stocked with paper, envelopes, pens, and ink. The tables are so divided to ensure the utmost privacy, and through a calculated chain of circumstances, many an anxious mother receives a letter from her sailor lad, who, perhaps, might not have written but for these kindly inducements. The central hall - where social evenings are held every other night besides two special concerts a week - is inviting in the extreme. A handsome piano affords opportunity for those musically inclined. The tables are strewn with papers. The walls are bright with pictures, and here, and there, is a carved model, of a ship. One, of especial interest, is a model of "The Roon" carved, and presented by a French sailor. This German vessel will always be remembered in Australia. For it was across her bows that the first hostile shot was ever fired in Australian waters. In the corner is the canteen. It was fitted up entirely from the proceeds of a quotation calendar compiled by one of the members. The sailors may at any time, get a teapot of tea, or a tray of eatables, at a nominal cost. Before the canteen was in existence they had to go out for refreshments! - and sometimes they did not come back! Groups of sailors sit chatting at the tables. Half a dozen Swedes laugh and talk among themselves, for the simple reason they know no other language than their own. Several British sailors cluster about a dark-eyed Welsh lad - a perfect Celtic type - who, although only about twenty years of age, has been the victim of the Hun five times. Mines and torpedoes sank the ships he was in, either in the Channel or off the English coast, four times; and it is to his fifth experience, when the Inverness was wrecked, that everyone is eagerly listening. "We were in the boats eight days," he was saying, "I was pretty well mangled when they picked me up. The sufferings we endured were awful. At last we managed to reach Rapa, a Hawaiian island. The natives thought we were Germans, and came at us with spears. When they found we were British, they were awfully good to us. They even cried when we left, and the day before the rescue boat arrived they begged us to go into the hills and hide." At another table a Canadian lad - once a sailor - then a soldier, who trained at the Broadmeadows camp - was telling his experiences : - "The voyage which will always stick in my memory," he said, "was to a place which must be nameless. We left the United States not knowing whether we were bound, or what we were going to do. After some weeks we sighted a group of wonderfully beautiful islands, and we headed for the most remote and most lovely of them all. Then, and only then, we learned our mission from the skipper. We were taking their year's supply to a leprosy station! Oh no! I don't blame the skipper for not telling us ! Someone has to do these things, you know. A naval guard saw they didn't come near - and we all got sixty dollars extra. When the job was over we were quarantined on another island for two months, and one little chap - the baby of the crew, not eighteen - developed leprosy, and died before we left. Yes! I'll never forget that voyage, mates! Sometimes, I seem to see Leper's Island yet, with its lavish tropical vegetation and the gorgeous sunsets which stained all the water with blood. Then, too" - here the voice deepened - "there was an English girl - a leper - there. We heard she used to be an actress, and she contracted the disease somehow or other. She was always alone, and always watching us. In the distance we could see her come to the water's edge, and from there she would watch. Just watch . .. . watch . . .watch. ..." "Here come a couple of North Sea chaps," broke in an elderly man after pause. "One of them wounded, too, poor lad." It is not strange that all the sailors flock to the Institute. It is so comfortable, and essentially inviting, besides being full of human interest. The men's quarters comprise reading, writing and dressing rooms - hot and cold baths are always available - billiard room, and a special baggage room, where any sailor may leave his kit for as long as he likes. The payment of 3d. covers its complete insurance. Upstairs are the officers' quarters. These also have their own billiard room, writing and reading rooms, bath and dressing rooms. Just close are the apprentices' quarters - "The Half Deck," as popular parlance has it! The lads also have a billiard room of their own, and indulge in an easy armchair - amongst others - which was a donation from the Milverton School branch of the Guild. It is hoped by the committee to some day utilise the huge empty rooms, which run the length of the whole building. Their ultimate intention is to fit them up as cubicles, or "cabins," as they are to be called. They trust these "cabins" will be donated, either in memory, or in honour, of someone dear to the donor. Another forward movement soon to be put in hand, now that materials are available, is the establishment of "Norla Gymnasium." In a sailors' club such facility for exercise is absolutely essential. The men both need, and miss, exertion. As one boy, who had been backsliding, once said pathetically : -"If only there was something to do to get me into a good sweat, I would be all right." Soon such an one will be helped to swing from the trapese of the Norla Gymnasium into the right track! Sunday is always a fete day at the Institute, for 40 or 50 sailors generally come into tea. The up-to-date kitchen, which is fitted with every labour-saving appliance - all paid for out of working members' half crowns - is then a hive of animation, and methodical order. A formidable row of teapots await filling. Mrs. Goldsmith -, the chaplain's wife - rightly thinks it is far more homely to pour out the tea from a pot, than to serve it straight from the urns. So tea is poured out by a member, who sits at the head of a table gay with flowers, and chats to the guests. These latter are of all nationalities. But the French, the Spanish, Scandinavian, Norwegian - or any other sailor is equally welcome with the British. Two enthusiasts belonging to the Guild actually learnt Norwegian, so that men of this nation would have someone to talk to, and so be less lonely when they reached this, to them, foreign port ! The members of the Guild have their own private suite where they arrange the flow-err and do other necessary odds and ends undisturbed. No one appreciates flowers like a sailor, and the earliest and most beautiful may always be seen adorning the tables and rooms. Teas are served and lectures are held in the "Celia Little Hall," one of the most beautiful portions of the institute. It was erected by the chaplain in memory of his aunt from whom the hall takes its name. The Gothic windows open upon the cloisters, where, in the hot weather, the sailors enjoy their meals out of doors. The cloisters, indeed, form an exquisite spot. They are between a series of sweeping arches which lead to the chapel, and are sheltered by the open balcony of the chaplain's quarters. Grace of contour marks the architecture on every turn. Just around the corner is the chaplain's garden - a patch of green and colour, transformed from a desert waste, by a well-known woman horticulturist. The book room is a department especially valued by the sailors. There are two secretaries, one for home and the other for foreign literature. Books in French, English, Spanish, Scandinavian, Norwegian, and German may be found on the shelves. Each week about 36 convenient parcels of reading stuff are made up. These contain illustrated papers, books in various languages, and magazines. These parcels are eagerly accepted by the sailor with a long monotonous voyage before him. But complete as is every corner of the institute, no part is so well equipped as the memorial chapel erected by the Ladies' Harbour Light Guild, in memory of the officers and men, who have lost their lives during the war. St Peter's - for it is called after the sailor's patron saint - with its hallowed gentle dignity is a veritable sanctuary of peace, perhaps all the more so because it sprang out of war. The fittings are entirely of Australian wood. The pews, given in memory of some loved one by one of the members, are of Tasmanian hardwood. The reredos and altar chairs of carved blackwood. The rich carpet was provided by the members' magical half-crowns. Already this chapel holds memorials of peculiar historical interest. The altar lectern was given in memory of Commander Elwell, who, it will be remembered, was killed at Rabaul, in the early part of the war. The font commemorates two heroes - Nigel Hockley and Fred Hyde, who lost their lives at the hands of the Germans, although they survived the actual torpedoing of their ships, the Galgorn Castle off the coast of Ireland. The mother of one of them wrote out that her son had died as an Englishman should - fighting for the right. This noble sentiment is suitably paraphrased upon the inscription engraved upon the font. Practically every-hing enshrined in the chapel has its own sentimental value. The alms salver of beaten copper, studded with agate, is fragrant with the memory of a saintly woman.The eye of the sailor is caught and held by the pulpit, which is fashioned like a ship's hull and only a twist of rope guides the chaplain up the steps. For the last 13 years the Rev. A. Gurney Goldsmith, M.A., has acted as chaplain to the Seamen's Mission in Melbourne. Before that he and his wife worked in China. Mr Goldsmith visits all the boats and gets in touch personally with the sailor, over whom he has great influence. He is not only their chaplain and friend, but, amongst a wide range of other things, their banker besides. An exchange system exists between the various Missions, and the sailor who has "banked" his money with the chaplain, upon going away, receives a cheque which is cashed - minus exchange - by the chaplain of the next port. Mr. Goldsmith will tell you he has a soft spot in his heart for on old sailor he calls "Paddy." This ancient mariner has been wrecked ten times. It was a long time before the chaplain prevailed upon "Paddy" to partake of the spiritual and secular advantages afforded by the institute. He would not come, he said, until he could do so "with a good heart." Finally he frankly admitted that he had no "friends like those of 'the Flying Angel,' " and that he eventually proved his own "good heart" will be shown in this story. One day he came in to the chaplain and said bluffly, "Well, sir, I've been payin' off some old scores up Carlton way, an' I tells yer, plain, sir, not one of 'em would have seen a penny of their money but for the Mission." The Ladies' Harbour Light Guild has over thirty working suburban branches, and the excellent results achieved at the Institute now will no doubt be considerably augmented in the future. The practical actions of the members do more than anything else to convey the subtle meaning of the name of the Guild. To the visiting sailors the word "ladies" signifies the bread givers; "harbour" safety ; "lights" welcome; "guild" the welding of fraternity, and they one and all tell you the ideals thus embodied are unselfishly carried out by all the ladies who have banded together to care for the sailors' welfare.The article describes the Mission and the use of several spaces a year after its opening and gives details about the daily activities.Digital copy of an article published in the Western Mail on the 13th of December 1918. 717 flinders street, seamen's mission, norla dome, lhlg, reverend alfred gurney goldsmith, celia little room, garden, frederica godfrey -
Phillip Island and District Historical Society Inc.Print, At Cowes, Phillip Island
... English mezzotint engraver and draughtsman who specialized in portraiture. Historical Cowes jetty Charles Turner Isle of Wight Hotel Jetty shed wood engraving At Cowes, Phillip Island. from the commemorative work, Victoria in 1880, published in Melbourne to mark the International Exhibition held that year. ...Very early scene of Cowes showing the jetty, Isle of Wight Hotel and jetty shed. Charles Turner was an English mezzotint engraver and draughtsman who specialized in portraiture. HistoricalA4 colour photocopy of a print of a wood engraving by Charles Turner of the Cowes jetty. Large beige frame around print.At Cowes, Phillip Island. from the commemorative work, Victoria in 1880, published in Melbourne to mark the International Exhibition held that year. Fine prints of notable buildings and street scenes, as well as views of the country and suburban areas of the colony. Wood engraving.cowes jetty, charles turner, isle of wight hotel, jetty shed, wood engraving -
Eltham District Historical Society IncNegative - Photograph, Village Pond, near Main Road, Eltham, c.1908
... mark the site of the old pond, which the Eltham Shire Council evidently filled in to stop mosquitos breeding. The pond and its locality was described in an article about Eltham published in The Australasian, May 2, 1903 - “There is the village pond (so essentially English), reflecting in its clear water a quaint cottage, dwarfed by a huge gum tree, an old smithy, and a hostelry, built quite fifty years ago, the flooring-boards of which the landlord informed me with pride were of Singapore cedar, and quite fit for another fifty years' wear. ...mark the site of the old pond, which the Eltham Shire Council evidently filled in to stop mosquitos breeding. The pond and its locality was described in an article about Eltham published in The Australasian, May 2, 1903 - “There is the village pond (so essentially English), reflecting in its clear water a quaint cottage, dwarfed by a huge gum tree, an old smithy, and a hostelry, built quite fifty years ago, the flooring-boards of which the landlord informed me with pride were of Singapore cedar, and quite fit for another fifty years' wear. ...Village Pond, near Main Road, Eltham, c.1908 Reproduced on p57 of 'Pioneers & Painters'. Looking up Dalton Street from across Maria Street (Main Road), near Whitecloud (Jarrold’s cottage) and the Bootmaker’s cottage, to the left (out of view) of the photographer. The residence of the Head Teacher, Eltham State School No. 209, can be seen on the right, the Grant house on the left (site of present day Eltham Clinic). The willow trees south of Jarrold’s Cottage today mark the site of the old pond, which the Eltham Shire Council evidently filled in to stop mosquitos breeding. The pond and its locality was described in an article about Eltham published in The Australasian, May 2, 1903 - “There is the village pond (so essentially English), reflecting in its clear water a quaint cottage, dwarfed by a huge gum tree, an old smithy, and a hostelry, built quite fifty years ago, the flooring-boards of which the landlord informed me with pride were of Singapore cedar, and quite fit for another fifty years' wear. Then there are the village school, the shoemaker's, the drapery store, and the butcher's shop, all seemingly as they were when first they were erected many years ago.”This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Neg Print 16.5 x 25 cm (2) and 9 x 12.5 cm Postcard 9 x 14 cmOn one print "57 and 11 3/8' x 10' deep"shire of eltham pioneers photograph collection, dalton street, duck pond, eltham, grant house, main road, maria street, village pond -
Queenscliffe Maritime MuseumInstrument - Bearing compass hand held
... They were respected English instrument makers who made fine quality compasses, ships clocks, inclinometers, sextants and chandlery items for over 140 years. Their "Dead Beat" compass, which was well dampened to reduce oscillation, was fitted to many Allied ships during the Second World War. Sestrel was their famous Trade Mark...They were respected English instrument makers who made fine quality compasses, ships clocks, inclinometers, sextants and chandlery items for over 140 years. Their "Dead Beat" compass, which was well dampened to reduce oscillation, was fitted to many Allied ships during the Second World War. Sestrel was their famous Trade Mark ...Formerly of Station Works, Wakering Road, Barking, Essex, Henry Browne & Son were important British compass makers. The company was founded in the nineteenth century in Barking and London. They were respected English instrument makers who made fine quality compasses, ships clocks, inclinometers, sextants and chandlery items for over 140 years. Their "Dead Beat" compass, which was well dampened to reduce oscillation, was fitted to many Allied ships during the Second World War. Sestrel was their famous Trade Mark brand. The company was sold to John Lilley & Gillie Ltd and SIRS Navigation, both UK companies, in 1993. Example of a hand held compass used in WWIIA Sestrel hand held bearing compass with wooden handle in own glass fronted, wooden container.Sestrel Henry Browne & Son Ltd Barking Londoncompass, navigation -
Bendigo Historical Society Inc.Document - GOLDEN SQUARE LAUREL STREET P.S. COLLECTION: EXAMINATION CARDS
... Each outlines numbered marks out of ten for student named Elaine Rudd for subjects, Reading, Recitation, Spelling, Writing, Composition, English, Arithmetic A-B-C-D, History, Geography, Handwork, Art. ...Each outlines numbered marks out of ten for student named Elaine Rudd for subjects, Reading, Recitation, Spelling, Writing, Composition, English, Arithmetic A-B-C-D, History, Geography, Handwork, Art. ...Four white photocopy examination cards laminated upon blue cardboard and printed, SS 1189 , Golden Square, years 1941-42. Each outlines numbered marks out of ten for student named Elaine Rudd for subjects, Reading, Recitation, Spelling, Writing, Composition, English, Arithmetic A-B-C-D, History, Geography, Handwork, Art. B Rutherford and F Baggaley signatures. Written note states, 'Position; 3rd in class of 45. Excellent result. Elaine has done good work all the year. She seems to be very interested in her school work. Initialled FB.bendigo, institutions, golden square primary school -
Bendigo Historical Society Inc.Book - SCHOOL EXERCISE BOOK: AGNES (AGGIE) MILES
... Contents - handwritten in ink, includes English grammar, arithmetic and history. F- Family Group sheet for Agnes and Mark Miles providing Ancestry details b -large colour photo featuring three smartly dressed ladies Circa 1960's .A blue Holden ? ...Contents - handwritten in ink, includes English grammar, arithmetic and history. F- Family Group sheet for Agnes and Mark Miles providing Ancestry details b -large colour photo featuring three smartly dressed ladies Circa 1960's .A blue Holden ? ...School exercise book- Agnes (Aggie) Miles, dated 23/9/1892 - address is given on inside cover as High St, Kew (but refer to #4302 which indicates that she was at Kamarooka Central State School later in 1894). Contents - handwritten in ink, includes English grammar, arithmetic and history. F- Family Group sheet for Agnes and Mark Miles providing Ancestry details b -large colour photo featuring three smartly dressed ladies Circa 1960's .A blue Holden ? Car is to the left with a Cemetery behind. On the back is written -Daughter Clarice ?, Norma Marie, Ron Pickles a--Large photo of a young lady wearing Victorian clothing taken by Eden Society Studios - on the back is written Agnes Miles Age 13 c-Large group photo - on the back is written Agnes Miles .Old lady, Lindsay Gronow , grandson in front of her d Large photo - on the back is written Agnes Miles Wedding Stewart Roy Gronowperson, individual, agnes miles -
Flagstaff Hill Maritime Museum and VillageDomestic object - Spoon, Cooper Brothers, 1866-1932
... Mark of the letters ‘CB&s’ within a shield. They also used the Sheffield Assay Hallmark of a Crown. A diagram on a Copper Brothers & Sons, Don Plate Works, advertisement showed three styles of cutlery; No. 393, Old English, and Fiddle. ...Handle is Old English design and is embossed - some marks are worn and unidentifiable. ...Handle is Old English design and is embossed - some marks are worn and unidentifiable. ...This tablespoon was recovered from an unknown shipwreck in the coastal waters of Victoria in the late 1960s to early 1970s. The shipwrecks in the area range from around the 1840s to the early 1930s, and this particular spoon dates from about 1866 to 1932. It is part of the John Chance Collection. This spoon has the embossed names of Pompton and Silver and appears to have other marks that have worn off. The Pompton brand was used on silver flatware made by Cooper Brothers & Sons. Ltd of Sheffield. In Australia the Pompton Silver cutlery was advertised for sale in Sydney in the mid-1920s. The spoon is likely to be plated silver or silver plate, which is a base metal such as nickel or nickel alloy with copper and/or zinc that has been plated or coated with a thin layer of silver. Wear on the metal will cause the base metals to appear through the silver plating. Some manufacturers gave a warranty that the cutlery was ‘white throughout’ but didn’t necessarily say it was solid silver. Cooper Brothers was established in 1866 by brothers Thomas and John William Cooper in High Street, Sheffield. They bought Don Plate Works in 1872. By 1876 they were at Bridge Street and in 1885 they purchased the works at 44 Arundel St Sheffield. In 1895 the firm became Cooper Brothers & Sons Ltd. By 1914 they had branches in London, Sydney, Melbourne and Montreal, advertising as silversmiths, silver cutlers, electroplaters, Britannia Metal smiths and cutlers, particularly spoons and forks. The firm also used the trademarks of DON SILVER, POMPTON SILVER and a logo of a Cooper (barrel maker) in different formats. Cooper Brothers & Sons had a reputation for producing good quality silver and silver plate. In 1900 they registered their Maker’s Mark of the letters ‘CB&s’ within a shield. They also used the Sheffield Assay Hallmark of a Crown. A diagram on a Copper Brothers & Sons, Don Plate Works, advertisement showed three styles of cutlery; No. 393, Old English, and Fiddle. They announced that they were the ‘sole makers of the celebrated “Don” brand of nickel silver spoons and forks’. A burglary in NSW in 1929 listed a stolen flatware set as ‘all Sheffield Silver plate and branded Pompton Silver Works A.1.’. It was ‘guaranteed to wear white throughout’ and was a ‘good, medium quality, nickel silver line’. Cooper Brothers & Sons Ltd. was acquired in 1983 by Frank Cobb & Co. Ltd. Although the spoon is not linked to a particular shipwreck, it is recognised as being historically significant as an example of cutlery either as part of the ship’s flatware service or imported for use in Colonial Victoria in the 19th to early 20th century. The spoon is significant for its association with renowned makers Cooper Brothers of Sheffield, makers of silverware from the 1860s to the 1980s and exporters into the Colonies. The spoon is also significant as it was recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. Spoon; plated silver tablespoon with brown base metal. Handle is Old English design and is embossed - some marks are worn and unidentifiable. Branded Pompton Silver.Embossed within two rectangular shapes “POMPTON” and “SILVER” (other marks have worn off)flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, john chance, cutlery, flatware silver, silver plate, antique flatware, old english flatware pattern, eating utensils, spoon, tablespoon, silverware, dining utensil, cooper brothers, don plate works, pompton silver, sheffield silver -
Flagstaff Hill Maritime Museum and VillageDomestic object - Spoon, Henry Barnascone & Sons, 1860s-early1930s
... Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. flagstaff hill maritime museum maritime museum shipwreck coast flagstaff hill maritime village great ocean road shipwreck artefact john chance henry barnascone sheffield cutlery eating utensils electroplate silver plate silverware flatware empire works prolific hungry wolf brand antique flatware old english flatware pattern spoon teaspoon Embossed “EMPIRE“ (trefoil or clover logo) “SILVER” Spoon; teaspoon, electroplate nickel-silver, silver discoloured to brown. Fiddle design. Five embossed Hallmarks. Five embossed Maker’s Marks ...This spoon, made by Henry Barnascone of Sheffield, was recovered from an unknown shipwreck in the coastal waters of Victoria in the late 1960s to early 1970s. The spoon is one-o-a-kind in our Flagstaff Hill Maritime Village Collection of shipwreck artefacts. It is possibly from a passenger’s luggage on one of the shipwrecks. The shipwrecks in the area range from around the 1840s to the early 1930s. It is part of the John Chance Collection. HENRY BARNASCONE & SONS, Sheffield, UK- Henry Barnascone (1827-1894) was born in Switzerland. He and his brother Lewis settled in Sheffield in 1851. Henry operated as Henry Barnascone from 1868 to 1883, trading in Angel Street as a cutler, manufacturer and general merchant, moving to York Street in 1874. His work included electroplating metalware. Products ranged from cutlery and serving trays to straight razors, measuring tapes and pocket knives. In 1884 his firm became H. Barnascone & Son and from 1901 to 1934 be firm was renamed H. Barnascone & Sons, with his son (or nephew) Charles Henry ‘Harry’ Barnascone brought in to join the business. The firm employed eight men and four women in 1881. Around 1892 the firm moved to Empire Works in Eyre Street. Charles (Harry) inherited the business when Henry died in 1894. In 1909 the company became ‘Ltd.’, with Charles continuing until his death in 1917. The firms trademarks were EMPIRE (with ‘trefoil’ or ‘clover’ symbol), THE HUNGRY WOLF BRAND and PROLIFIC. The firm was liquidated in 1934 and acquired by Harrison Fisher & Co. Ltd., which specialised in plated goods and silverware, and retained Barnascone’s trademarks. In the early 1990s Harrison Fisher, which employed about 200, was arguably the only surviving example of the type of firm that had flourished in nineteenth century Sheffield – one which marketed a full range of cutlery. It remained family-owned. In 2007 Harrison Fisher & Co. Ltd. was renamed Taylor’s Eye Witness Ltd, which, in 2016, ‘swapped’ the nineteenth century historic factory for a new industrial unit in Sheffield. Although the spoon is not linked to a particular shipwreck, it is recognised as being historically significant as an example of hardware either as part of the ship’s flatware service or imported for use in Colonial Victoria in the 19th to early 20th century. The spoon is significant for being Flagstaff Hill’s only shipwreck artefact amongst many hundreds of objects, including cutlery, to be branded with ‘Empire Silver’ and the only piece in our collection by Sheffield manufacturer Henry Barnascone. The spoon is also significant as it was recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. Spoon; teaspoon, electroplate nickel-silver, silver discoloured to brown. Fiddle design. Five embossed Hallmarks. Five embossed Maker’s Marks on back of handle, arranged in a column from tip towards bowl. Made by William Page and Co., Birmingham. The spoon no longer has its silver plating. Bowl has a cut in the side, and is nicked and dented. Embossed “EMPIRE“ (trefoil or clover logo) “SILVER” flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, henry barnascone, sheffield, cutlery, eating utensils, electroplate, silver plate, silverware, flatware, empire works, prolific, hungry wolf brand, antique flatware, old english flatware pattern, spoon, teaspoon -
Flagstaff Hill Maritime Museum and VillageDomestic object - Spoon, Walker & Hall, C.1910-1920
... Spoon, teaspoon, electroplated, silver-bronze colour with dark flecks. Old English design. Maker’s Marks on back of spoon. Made by Walker & Hall, Sheffield....Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. flagstaff hill maritime museum maritime museum shipwreck coast flagstaff hill maritime village great ocean road shipwreck artefact john chance sheffield cutlery eating utensils electroplate silver plate silverware flatware antique flatware old english flatware pattern spoon teaspoon silver flatware dining silver plated epnns 20th century silverware walker & hall george walker henry hall john wright elkington Embossed individual stamps “W”, “&”, “H”, “S” Embossed shape [SHIELD] with letters within, possibly “N S” Embossed shape of [FLAG] with letters with “W & H” Spoon, teaspoon, electroplated, silver-bronze colour with dark flecks. Old English design. Maker’s Marks on back of spoon. Made by Walker & Hall, Sheffield. ...This electroplated teaspoon made by Walker & Hall of Sheffield. It was recovered from an unknown shipwreck in the coastal waters of Victoria in the late 1960s to early 1970s. The shipwrecks in the area range from around the 1840s to the early 1930s. It is part of the John Chance Collection. Walker & Hall’s Marks on this teaspoon, the SHIELD and the FLAG, date the spoon between 1910 and before 1920. The letters, possibly N S, within a shield may stand for Nickel Silver. The first Sheffield licence to make electroplated pieces of work was granted to John Harrison in 1843. One of his employees, George Walker, had been sent to learn electroplating skills at Elkington’s in Birmingham, who had patented the process discovered by Dr John Wright. Walker left Harrison in 1845 and started up his own company with Samuel Coulson and William Robson, to become George Walker & Co., electro-platers and gilders, taking out a licence with Elkington’s. In 1848 Robson retired and Henry Hall joined the partnership, operating at Electro Works at 11 Howard Street Sheffield, with a showroom in at 45 Holborn Viaduct, London. The firm had changes in the partnership and by 1853 it was called Walker & Hall. Over the years the company grew, with branches in the UK and overseas in Australia and South Africa. Then John Bingham, and later his brother Charles Bingham, became involved in the business, increasing profits. In 1861 the firm registered its first Trademark, a stamped ‘Flag’ with a banner with letters ‘W & H’. In 1884 Walker & Hall were one of the largest manufacturers and the second to introduce a voluntary system of using dating marks for silver plate, based on the alphabet and styles of shields or figures. The firm grew and prospered. It was described as ‘comprehensive … touching almost every department of Social life’, selling all manner of silverware and other goods. In 1920 the firm became Walker & Hall Limited and continued to expand in the goods produced and the member employed. Then the effects of war brought economic depression and fewer people able to afford the quality luxury goods. Eventually, in 1963, the company amalgamated with Mappin & Webb and Elkington & Co., becoming British Silverware Ltd. Although the spoon is not linked to a particular shipwreck, it is recognised as being historically significant as an example of cutlery, perhaps part of a passenger’s luggage or imported for use in Victoria in the early 20th century. This spoon is significant for its association with makers Walker & Hall, famous for silverware and silver plate in the mid-19th to early-20th century. It is the only example in Flagstaff Hill’s shipwreck artefact collection. The spoon is also significant as it was recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. Spoon, teaspoon, electroplated, silver-bronze colour with dark flecks. Old English design. Maker’s Marks on back of spoon. Made by Walker & Hall, Sheffield.Embossed individual stamps “W”, “&”, “H”, “S” Embossed shape [SHIELD] with letters within, possibly “N S” Embossed shape of [FLAG] with letters with “W & H” flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, sheffield, cutlery, eating utensils, electroplate, silver plate, silverware, flatware, antique flatware, old english flatware pattern, spoon, teaspoon, silver flatware, dining, silver plated, epnns, 20th century silverware, walker & hall, george walker, henry hall, john wright, elkington -
Flagstaff Hill Maritime Museum and VillageContainer - Bottle, 1850's - 1900
... The bottle gives a snapshot into history and a social life that occurred during the early days of Melbourne's development and the sea trade that visited the port in those days. flagstaff hill warrnambool flagstaff hill maritime museum maritime museum shipwreck coast flagstaff hill maritime village great ocean road handmade bottle handmade english beer bottle pontil bottle black glass gallon purple bottle ale bottle porter bottle Bottle, glass, solid dark purple (black), round, matt surface. Glass ring below mouth, neck is slightly bulbous, body tapers slightly inward from shoulder to base. Base is concave with pontil mark ...This bottle is sometimes referred to as a black glass 'Gallon' bottle. It is used for storing and transporting liquor such as port or madeira. Glass bottles and glass jars are in many households around the world. The first glass bottles were produced in south-east Asia around 100 B.C. and the Roman Empire around 1 AD. America's glass bottle and glass jar industry were born in the early 1600s when settlers in Jamestown built the first glass-melting furnace. The invention of the automatic glass bottle blowing machine in 1880 industrialized the process of making bottles. In 2019, plans were made to re-introduce milk glass bottle deliveries to Auckland in early 2020. The earliest bottles or vessels were made by ancient man. Ingredients were melted to make glass and then clay forms were dipped into the molten liquid. When the glass cooled off, the clay was chipped out of the inside leaving just the hollow glass vessel. This glass was very thin as the fire was not as hot as modern-day furnaces. The blowpipe was invented around 1 B.C. This allowed molten glass to be gathered at the end of the blowpipe and blown into the other end to create a hollow vessel. Eventually, the use of moulding was introduced, followed by the invention of the semi-automatic machine called the Press and Blow. In 1904 Michael Owens invented the automatic bottle machine. Before this time most glass bottles in England were hand blown. This is one of four bottles in Flagstaff Hill Maritime Museum collection that were recovered by a local diver from the quarantine area just inside the Port Phillip Heads. Ships were required to pull into this area to check for diseases and other medical issues before they could head up to Melbourne. Quite often they would drink and throw the bottles overboard. Handmade glass bottle, manufactured in the 1850s. The bottle gives a snapshot into history and a social life that occurred during the early days of Melbourne's development and the sea trade that visited the port in those days. Bottle, glass, solid dark purple (black), round, matt surface. Glass ring below mouth, neck is slightly bulbous, body tapers slightly inward from shoulder to base. Base is concave with pontil mark. Bottle has no inscription. Generally used for storing port.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, handmade bottle, handmade english beer bottle, pontil bottle, black glass, gallon, purple bottle, ale bottle, porter bottle -
Flagstaff Hill Maritime Museum and VillageDomestic object - Fork, c. 1878
... The fork is the Old English design and is embossed with several marks. it has recently been restored. ...The fork is the Old English design and is embossed with several marks. it has recently been restored. ...This fork was recovered from the wreck of the Loch Ard. It is the Old English design that has been very popular since the 19th century. It has been restored to resemble its original state prior to the disaster in 1878. The for was originally plated with silver, which is when a base metal such as nickel or nickel alloy with copper and/or zinc has been plated or coated with a thin layer of silver. Wear on the metal will cause the base metals to appear through the silver plating. Some manufacturers gave a warranty that the cutlery was ‘white throughout’ but didn’t necessarily say it was solid silver. LOCH ARD 1873-1878 – The Scottish-built clipper ship Loch Ard was bound for Melbourne in 1878 with 54 people on board. The mixed cargo it carried included items for the 1880 International Exhibition in Melbourne, one of which was the now famous Majorca ware Minton ‘Peacock’ statue. The Loch Ard was wrecked on June 1st when the ship crashed into Mutton Bird Island, east of Port Campbell. The only survivors were Tom Pearce, a crew member, and Eva Carmichael, a young passenger who was rescued by Pearce. The Gibsons, owners of nearby Glenample Homestead, cared for Tom, and for Eva who stayed longer before returning to Ireland. The wreck of the Loch Ard was discovered in 1967, before the introduction of the Victorian historic shipwreck legislation. In 1969 it was decided that all recovered material should be lodged with the Receiver of Wrecks. In 1980 Flagstaff Hill Maritime Museum Divers received a permit to recover artefacts from the wreck to safeguard them from looters. In 1982 the site was listed as a Historic Shipwreck, and the Maritime Archaeology Unit recovered loose artefact material. The fork is recognised as being historically significant as an example of cutlery either as part of the flatware service of the ship ‘Loch Ard’ or part of the ship’s cargo, imported for use in Colonial Victoria in the 19th to early 20th century. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Fork; silver plated. The fork is the Old English design and is embossed with several marks. it has recently been restored. Shipwreck artefact from the Loch Ard. 3 letters within an oval (- - S) 4 letters within circles (E) (P) (N) (S) 1 letter within a shield appears to be a [B] flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, loch ard, victoria, eva carmichael, tom pearce, cutlery, silver flatware, silver plate, antique, old english flatware pattern, eating utensil, fork, silverware, dining utensil -
Flagstaff Hill Maritime Museum and VillageDomestic object - Plate, Johnson Bros, Early 20th century
... Flagstaff Hill Warrnambool Maritime Museum Maritime Village Great Ocean Road Shipwreck Coast dinnerware serving plate Johnson Bros English serving plate green leaf border oval plate platter chinaware plateware crockery chine porcelain earthenware Maker's Mark; [Crown symbol] above "JOHNSON BROS, ENGLAND" "PATD APRIL 15TH 1902" Plate, oval, earthenware, scalloped edge with impressed pattern and border of small green leaves. ...This white oval plate with a dainty green border and self-pattern was made by the famous ceramics manufacturer Johnson Brothers of England. The pattern was patented on April 15th 1902. The serving plate is typical of dinnerware brought into Australia by migrants or importers of pottery and used in Australian households, giving many years of service. The Johnson Brothers firm was established by Frederick Johnson in 1883, at works in Hanley, Stoke-on-Trent. Frederick was later joined by his brothers Henry and Robert. The company's focus was to supply the export market. In 1968 the company became part of the Wedgewood Group. J. & G. Meakin Eagle Pottery temporarily took over the tableware division in 2000, and China took over all Johnson Bros. products in 2003. All of the Wedgewood Group was taken over by Fiskers in 2015, who discontinued the Johnson Brothers line of products. This serving plate is an example of domestic crockery used in Australia in the late 19th and early 20th centuries. It originated from England and was made by a well-known ceramic manufacturer.Plate, oval, earthenware, scalloped edge with impressed pattern and border of small green leaves. Maker's mark and name is on reverse. Pattern was patented on April 15th 1902. Made by Johnson Bros. of England.Maker's Mark; [Crown symbol] above "JOHNSON BROS, ENGLAND" "PATD APRIL 15TH 1902"flagstaff hill, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, dinnerware, serving plate, johnson bros, english serving plate, green leaf border, oval plate, platter, chinaware, plateware, crockery, chine, porcelain, earthenware
