This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed digital inkjet on paper artist, artwork, printmaking, mark graver, parallel prints

From the collection of Frank Wright. Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Six similar black and white photographs of a headstone. The headstone marks the graves of three people; Hilda, her mother Sarah and father William. It is the Wright family headstone and the place is Smeaton Cemetery.hilda wright, sarah wright, willaim wright, frank wright, headstone, smeaton cemetery, family history

Contents: Whatmough family in 1881 British census; The arrival and settlement of my family in Australia by Alan Partington [Whatmough and Partington families]; Robert James Whatmough from nominal roll WW1; Article: "Wooden crosses mark pioneer graves"History of the origins of this Greensborough family20-page plastic binder, spiral bound,black cover. Contains documents relating to the Whatmough family.whatmough family, alan partington, robert james whatmough, greensborough

Martin KING (1957 - ) Born Melbourne This work was exhibited as part of "Parallel Prints", a Prints project which presents the same exhibition simultaneously in New Zealand, at Art at Wharepuke and at a gallery in another part of the world. Eleven Australian artists were invited to join New Zealand-based printmaker Mark Graver to contribute to a portfolio that will be shown simultaneously at Art at Wharepuke, New Zealand and the Art Gallery of Ballarat, Victoria. Using the uniqueness of the reproducible print allows for the same works to be viewed at the same time on opposite sides of the world. This highlights the democratic nature of printmaking and questions the aura of the unique. Which venue is showing the 'real' work? Which the reproduction? The Australian artists showing alongside Mark Graver are James Pasakos, Bruno Leti, Martin King, David Frazer, John Neeson, Antonietta Covino-Beehre, Deborah Klein, Deborah Williams, Melissa Smith, Jodi Heffernan and Susanna Castleden. The original concept, Parallel Prints NZ-UK in 2013, included invited artists from the UK and New Zealand. It featured the work of twelve diverse artists presented in a portfolio set. Each artist contributed one work on 300 x 300 mm paper in an edition of thirty-six. Part of the concept behind the project was to donate twelve of the portfolio sets to international collections. Institutions that have accepted a portfolio include the Victoria & Albert Museum and The Ashmolean Museum in the UK, the Jinling Museum of Art in Nanjing, China, and the Whangarei Art Museum, in New Zealand. In 2015 a portfolio set was donated to the Federation University Art Collection. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition print Editioned lls '2/36' Signed lrs 'King'artist, artwork, printmaking, parallel prints, martin king

Antoinetta COVINO-BEEHRE born Avellino, Italy arrived Australia 1968 This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.This work was exhibited as part of "Parallel Prints", a Prints project which presents the same exhibition simultaneously in New Zealand, at Art at Wharepuke and at a gallery in another part of the world. Eleven Australian artists were invited to join New Zealand-based printmaker Mark Graver to contribute to a portfolio that will be shown simultaneously at Art at Wharepuke, New Zealand and the Art Gallery of Ballarat, Victoria. Using the uniqueness of the reproducible print allows for the same works to be viewed at the same time on opposite sides of the world. This highlights the democratic nature of printmaking and questions the aura of the unique. Which venue is showing the 'real' work? Which the reproduction? The Australian artists showing alongside Mark Graver are James Pasakos, Bruno Leti, Martin King, David Frazer, John Neeson, Antonietta Covino-Beehre, Deborah Klein, Deborah Williams, Melissa Smith, Jodi Heffernan and Susanna Castleden. The original concept, Parallel Prints NZ-UK in 2013, included invited artists from the UK and New Zealand. It featured the work of twelve diverse artists presented in a portfolio set. Each artist contributed one work on 300 x 300 mm paper in an edition of thirty-six. Part of the concept behind the project was to donate twelve of the portfolio sets to international collections. Institutions that have accepted a portfolio include the Victoria & Albert Museum and The Ashmolean Museum in the UK, the Jinling Museum of Art in Nanjing, China, and the Whangarei Art Museum, in New Zealand. In 2015 a portfolio set was donated to the Federation University Art Collection. lls '2/36' lc 'Shadow of the Night' lrs ''Antoinetta Covino-Beehre'artist, artwork, antoinetta cravino-beehre, printmaking, parallel prints

Bruno LETI (1941- ) Born Rome, Italy Arrived Australia 1950 Bruno Leti was nine years old when he came from post World War Two Italy. Known as a painter, printmaker, photographer and publisher of artists’ books, he studied at RMIT, studying Printnaking under Tate Adams, and Melbourne Teachers' College. He has taught art in Italy, Canada, USA, and Melbourne, Australia. Bruno Leti lives and works in Melbourne. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.This etching by Bruno Leti was exhibited as part of "Parallel Prints", a limited edition print project which presents the same exhibition simultaneously in New Zealand, at Art at Wharepuke and at a gallery in another part of the world. Eleven Australian artists were invited to join New Zealand-based printmaker Mark Graver to contribute to a portfolio that will be shown simultaneously at Art at Wharepuke, New Zealand and the Art Gallery of Ballarat, Victoria. Using the uniqueness of the reproducible print allows for the same works to be viewed at the same time on opposite sides of the world. This highlights the democratic nature of printmaking and questions the aura of the unique. Which venue is showing the 'real' work? Which the reproduction? The Australian artists showing alongside Mark Graver are James Pasakos, Bruno Leti, Martin King, David Frazer, John Neeson, Antonietta Covino-Beehre, Deborah Klein, Deborah Williams, Melissa Smith, Jodi Heffernan and Susanna Castleden. The original concept, Parallel Prints NZ-UK in 2013, included invited artists from the UK and New Zealand. It featured the work of twelve diverse artists presented in a portfolio set. Each artist contributed one work on 300 x 300 mm paper in an edition of thirty-six. Part of the concept behind the project was to donate twelve of the portfolio sets to international collections. Institutions that have accepted a portfolio include the Victoria & Albert Museum and The Ashmolean Museum in the UK, the Jinling Museum of Art in Nanjing, China, and the Whangarei Art Museum, in New Zealand. In 2015 a portfolio set was donated to the Federation University Art Collection.trees, printmaking, etching, bruno leti, artist, artwork, parallel prints, landscape

Deborah WILLIAMS (1967 - ) Printmaker Deborah Williams completed a Masters by Research at the National Art School, Sydney in 2011. She later worked at RMIT in the Visual Arts TAFE program teaching Printmaking and is the Advanced Diploma Coordinator, and sessional lecturer in the Drawing and Printmedia department at the Victorian College of the Arts, School of Art. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed etching exhibited as part of "Parallel Prints", a Prints project which presents the same exhibition simultaneously in New Zealand, at Art at Wharepuke and at a gallery in another part of the world. Eleven Australian artists were invited to join New Zealand-based printmaker Mark Graver to contribute to a portfolio that will be shown simultaneously at Art at Wharepuke, New Zealand and the Art Gallery of Ballarat, Victoria. Using the uniqueness of the reproducible print allows for the same works to be viewed at the same time on opposite sides of the world. This highlights the democratic nature of printmaking and questions the aura of the unique. Which venue is showing the 'real' work? Which the reproduction? The Australian artists showing alongside Mark Graver are James Pasakos, Bruno Leti, Martin King, David Frazer, John Neeson, Antonietta Covino-Beehre, Deborah Klein, Deborah Williams, Melissa Smith, Jodi Heffernan and Susanna Castleden. The original concept, Parallel Prints NZ-UK in 2013, included invited artists from the UK and New Zealand. It featured the work of twelve diverse artists presented in a portfolio set. Each artist contributed one work on 300 x 300 mm paper in an edition of thirty-six. Part of the concept behind the project was to donate twelve of the portfolio sets to international collections. Institutions that have accepted a portfolio include the Victoria & Albert Museum and The Ashmolean Museum in the UK, the Jinling Museum of Art in Nanjing, China, and the Whangarei Art Museum, in New Zealand. In 2015 a portfolio set was donated to the Federation University Art Collection.Edition 2/36deborah williams, parallel prints, artist, artwork, printmaking etching, dog, animal, shadow

The Grave of Mark Hewitt (died 09/01/1884) and Jane Hewitt (died 01/11/1916), St Helena Cemetery.St Helena Cemetery was originally the burial place of the Beale family and friends. The first burials took place in the 1850s. There are now over 200 burials.Digital copy of colour photograph (grave)st helena cemetery, hewitt family

Deborah KLEIN (1951- ) Born Melbourne, Victorian Deborah Klein grew up in the inner southern suburb of St. Kilda and lived and worked in London from 1973 - 1980. The experience of living in both of these places was to have a significant and enduring influence on her work. She gained degree and post degree qualifications from Chisholm Institute of Technology, Melbourne and Gippsland College of Advanced Education, and a Research MA from Monash University, Gippsland. Since 1988 Deborah Klein has held regular solo exhibitions and participated in group exhibitions in Australia and internationally. Her work is represented in public and university museum collections throughout Australia. This work was exhibited as part of "Parallel Prints", a Prints project which presents the same exhibition simultaneously in New Zealand, at Art at Wharepuke and at a gallery in another part of the world. Eleven Australian artists were invited to join New Zealand-based printmaker Mark Graver to contribute to a portfolio that will be shown simultaneously at Art at Wharepuke, New Zealand and the Art Gallery of Ballarat, Victoria. Using the uniqueness of the reproducible print allows for the same works to be viewed at the same time on opposite sides of the world. This highlights the democratic nature of printmaking and questions the aura of the unique. Which venue is showing the 'real' work? Which the reproduction? The Australian artists showing alongside Mark Graver are James Pasakos, Bruno Leti, Martin King, David Frazer, John Neeson, Antonietta Covino-Beehre, Deborah Klein, Deborah Williams, Melissa Smith, Jodi Heffernan and Susanna Castleden. The original concept, Parallel Prints NZ-UK in 2013, included invited artists from the UK and New Zealand. It featured the work of twelve diverse artists presented in a portfolio set. Each artist contributed one work on 300 x 300 mm paper in an edition of thirty-six. Part of the concept behind the project was to donate twelve of the portfolio sets to international collections. Institutions that have accepted a portfolio include the Victoria & Albert Museum and The Ashmolean Museum in the UK, the Jinling Museum of Art in Nanjing, China, and the Whangarei Art Museum, in New Zealand. In 2015 a portfolio set was donated to the Federation University Art Collection. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed, handcoloured linocut depicting a butterly with a female head with braided hair.Edition 2/36artist, artwork, deborah klein, klein, butterfly, insect, animal, printmaking, linocut, parallel prints, alumni

Murray Comrie Collection. Information written by Murray Comrie: Dr. Philip H. Donovan took up practice as resident surgeon at Tarnagulla in April 1894 following the death of Dr. Dickson. He took up residence at Joyce's and then moved to opposite the (current) Post Office in Commercial Rd. He later took up residence at 79 Commercial Road, next to Runtings hairdresser and sporting good store.. With Dr. Deravin he successfully operated for appendicitis on S. James. He died suddenly on Tuesday 8th September 1903 from an aneurism. He was unmarried and aged 38 years. He was so highly regarded that the people of Tarnagulla erected a monument over his grave at Tarnagulla Cemetery. On Sunday 11/9/1904 members of St. George Lodge of Freemasons, Dunolly made a pilgrimage to the grave to mark the anniversary of his death. Monochrome photograph depicting Dr. Philip H. Donovan seated with a small dog on his lap. This is a reasonable copy of an older original which appears to have been physically cut/modified. Copy probably made by Murray Comrie in the 1970s. tarnagulla, doctors, doctor, surgeon, medicine, health, donovan, dog, animals

Selina Deravin (Born 1882, Serpentine Creek. Died 1968, Melbourne, age 85), father John White, mother Mary Ann Nicholls was married to Garnet Deravin, a medical doctor. In 1928, (Electoral Roll Bendigo) Garnet and Selina were living at 109 Queen Street, Bendigo; later at 13 Tuxon Street, North Balwyn, where Garnet died on 15th. April, 1954 (Argus, 17th April, 1954). Deravin family owned the Chateau Dore vineyard and winery. Selina published a book of her poetry. A poem ' Beside the Swamp' was written following her visit to the swamp at Boort: ' In silence by the graves I stood, of those who long had lain at rest/In lonely quiet, in the bush. Long gone are they who loved them best/The trees still whisper by the swamp; the night birds call, and vigil keep/As in those far-off yesterdays - where Campion and three children sleep........'Selina White Birth Date Abt 1882 Birth Place Serpentine Creek, Victoria Registration Year 1882 Registration Place Victoria, Australia Father John White Mother Aary Ann Nicholls Registration Number 25736 Hand written letter by Selina De Ravin, titled 'The graves beside the swamp at Boort.' dated November 1962. Two of the headstones lie broken on the grass covered graves. On the granite slab at the right is the inscription 'In memoriam. George F. Campion of Exeter Devon, England, who departed this life, May 31st 1851. Aged 19 years. The 2 month old baby boy of 'John and Jane', married couple on 'Boort', died the same day and was buried beside Campion. There is nothing to mark his grave. Both were buried by the Station men. Mr J. R. Godfrey read the burial services for both. On the marble slab at the left can be deciphered the inscription sacred to the memory of George Bertram, fourth son of Henry and Mary Godfrey, Born 18th November 1858. Died 11th April 1860. On the headstone still standing can be read the inscription Sacred to the memory of Samuel C. Sutlee, who died April 1st 1871, aged 2 years 4 months. He is not dead - but sleepeth. This child was the son of a married couple 'on Boort', after the Godfrey family had left 'Boort'. Note - My nephew Russell Coutts of 'Dunbar', Boort, (formerly 'Boort' Station) is erecting a fence around the graves. His son, Peter took these photographs. I wrote the verses 'Beside the Swamp' after my first visit to them in 1957. I always take flowers and place them on the graves whenever I visit 'Dunbar' Selina M. Deravin 1962Russell Coutts and his son Peter have restored the graves beside the Lake at 'Dunbar' and erected a graveyard. This photograph was taken by Peter and the flowers placed on the graves by his mother Wilma who helps to care for them. They also discovered a fifth unknown grave there when erecting the fence and re- erecting the broken and fallen headstones. S. M. Deravin. (Selina De Ravin) a. Typed poem on carbon copy flimsy paper: 'Beside the Swamp', signed in blue pen by Lina Deravin, January 1957'. Written on the bottom in blue pen: ' In February 1960 when on a visit to Boort I took some flowers and placed them on these graves beside the swamp'. Signed Lina Devarin.Selina M. Deravinmemorials, graveboards, boort cemetry, russell coutts, 'dunbar', peter coutts, george f. campion, boort cemetery, samuel c. sutlee?., poetry, poem, garnet deravin, selina deravin

This is a set of 31 photographs of 4th Field Survey Squadron undergoing adventurous training held at unknown locations in South Australia, in 1994. It is also possible the training was in the Grampians region of Victoria. Off-road driver training and abseiling were key activities of this adventurous training as well as teamwork, leadership, and field craft. Elements from units of the Army Reserve may have participated in the training. See items 6562.33P, 6563.33P and 6564.28P for more photos taken during this training activity.This is a set of 31 photographs of 4th Field Survey Squadron personnel undergoing adventurous training held at unknown locations in South Australia in 1994. The colour photographs are on 35mm negative film and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 96 dpi. .1) - Photo, colour, 1994. Old ruins. L to R: SGT Steve McGuiness, SPR Chris Pearse, SPR Mark Linwood. .2) - Photo, colour, 1994. Old ruins. L to R: CPL Steve Wegener, SPR Mark Linwood. SGT Steve McGuiness. .3) - Photo, colour, 1994. Old grave. SPR Mark Linwood. .4) to .7) - Photo, colour, 1994. Driver training. Unidentified personnel. .8) - Photo, colour, 1994. Driver training. CPL Steve Wegener. .9) to .12) - Photo, colour, 1994. Driver training. Unidentified personnel. .13) - Photo, colour, 1994. Driver training and hiking. L to R: SPR Greg Richards, SPR Mark McInerney. .14) - Photo, colour, 1994. Driver training and hiking. L to R: SPR Chris Pearse, WO2 Simon ‘Andy’ Capp. .15) - Photo, colour, 1994. Driver training and hiking. Unidentified personnel. .16) - Photo, colour, 1994. Driver training and hiking. L to R: CPL Steve Wegener, CAPT Rob Gray, unidentified (x2), SPR Chris Pearse, WO2 Simon ‘Andy’ Capp. .17) to .18) - Photo, colour, 1994. Driver training. Unidentified personnel. .19) - Photo, colour, 1994. Driver training and hiking. L to R: WO2 Simon ‘Andy’ Capp, SPR Chris Pearse, CPL Stuart Adrain, SPR Mark McInerney. .20) - Photo, colour, 1994. Driver training and hiking. L to R: CPL Stuart Adrain, unidentified, CAPT Rob Gray, WO2 Simon ‘Andy’ Capp, SPR Chris Pearse, SPR Mark McInerney. .21) - Photo, colour, 1994. Driver training and hiking. Unidentified personnel. .22) - Photo, colour, 1994. Driver training and hiking. L to R: unidentified, CPL Stuart Adrain, SPR Mark McInerney, CAPT Rob Gray, remainder unidentified. .23) - Photo, colour, 1994. Abseiling. L to R: SGT Steve McGuiness, unidentified, CPL Steve Wegener, CPL Stuart Adrain. .24) & .25) - Photo, colour, 1994. Abseiling. WO2 Simon ‘Andy’ Capp. .26) - Photo, colour, 1994. Abseiling. CAPT Rob Gray. .27.) to .31) - Photo, colour, 1994. Abseiling. Unidentified personnel..1P to .31P – There are no personnel identified. ‘1994 ADV TRAINING’ annotated on negatives sleeve.royal australian survey corps, rasvy, 4 fd svy sqn

Flt Lt J S Austin DFC, 400363. No 608 Sqn RAF, Nos 32, 13 & 2 Sqns. Stock agent of Lara, Vic; b Melbourne 15 May 1918. Died of illness 9 Nov 1943. Timor was the target for the night of 6 July, when Flight Lieutenant "Bunny" Austin (A16-207) led five Hudsons to bomb Koepang town. The next night he led back seven aircraft against the airfield at Penfoei, attacking before dawn on the 8th prior to United States Liberators bombing the runways and barracks. 75 Austin's aircraft was caught by Penfoei's master defensive searchlight, and Austin used violent evasion and switching on and off of his IFF equipment, a tactic used in Europe. The radar-controlled searchlights went out. Flying Officer Mick Helsham (A16-160) attacked first to act as a pathfinder and mark the target for the other Hudsons and Liberators:Full service records of J. S. Austin held by Lara R.S.L.Plain Sheet A4 paper with 2 photographs 1. A. Bowler W. 9.8 cm H. 13.8 cm photograph 2. J.S. Austin W. 1`5.9 cm H. 10.0 cmA4 sheet heading as: W.W. 2 War Graves of Lara Men. Note on photograph 1. Grave of A. Bowler, Bomana War Cemetery.r.a.f., graves, lara

Businesses, Eltham, Eltham Physiotherapy & Sports Injuries, Main Roadmain road, eltham, property, shops, businesses, russell yeoman, jim connor, eltham district historical society, plenty river, old eltham road, kangaroo ground, nillumbik council, barry rochford, main road eltham, luck street eltham, aladdin antiques montmorency, main road eltham roundabout, steven white, geoff glynn, michael murray, harold herd, enver camdal, helen bodycomb, rhonda noble, jeph neale, chris marks, john brumby, andrew haermeyer, sherryl garbutt, eltham shopping centre, eltham chamber of commerce and industry, norman williams, pat power, john graves, wattletree road eltham, bolton street eltham

The Shire of Eltham was formed in 1871. As a result of the Kennett Government drive for Council amlagamation, the Shire of Eltham ceased to exist on 15 December 1994 and the new Shire of Nillumbik was established. At a function held in the Eltham Community Centre Walter Withers Room, Councillors and Council Officers were presented with a framed Acknowledgement of Service to the Shire and local community.celebrations, council amalgamation, eltham community centre, shire of eltham, 1994-10, batch 212, cr. john graves, eltham shire ceo, eltham shire president, rodney roschellor

The Shire of Eltham was formed in 1871. As a result of the Kennett Government drive for Council amlagamation, the Shire of Eltham ceased to exist on 15 December 1994 and the new Shire of Nillumbik was established. At a function held in the Eltham Community Centre Walter Withers Room, Councillors and Council Officers were presented with a framed Acknowledgement of Service to the Shire and local community.celebrations, council amalgamation, eltham community centre, shire of eltham, 1994-10, cr. john graves, eltham shire president, cr. robert marshall, batch 275

The Shire of Eltham was formed in 1871. As a result of the Kennett Government drive for Council amlagamation, the Shire of Eltham ceased to exist on 15 December 1994 and the new Shire of Nillumbik was established. At a function held in the Eltham Community Centre Walter Withers Room, Councillors and Council Officers were presented with a framed Acknowledgement of Service to the Shire and local community.celebrations, council amalgamation, eltham community centre, shire of eltham, 1994-10, eltham shire president, cr. robert marshall, batch 275, cr. bill penrose

Taken some time between 1914-18, the photograph depicts an aerial view of Villers-Bretonneux in France, a region which was part of the Western Front during World War I. The image mostly shows rural landscape. The Western Front was the main theatre of war during World War I. Following the outbreak of war in August 1914, the German Army opened the Western Front by invading Luxembourg and Belgium, then gaining military control of important industrial regions in France. The German advance was halted with the Battle of the Marne. Following the Race to the Sea, both the French-British and German armies dug in along a meandering line of fortified trenches, stretching from the North Sea to the Swiss frontier with France. The First Battle of Villers-Bretonneux occurred between 30 March - 5 April 1918. It took place during Operation Michael, part of the German Spring Offensive on the Western Front. The offensive began against the British Fifth Army and the Third Army on the Somme, and pushed back the British and French reinforcements on the north side of the Somme. The capture of Villers-Bretonneux, close to Amiens, a strategically important road and rail-junction, would have brought the Germans within artillery-range. In late March, troops from the Australian Imperial Force were brought south from Belgium as reinforcements to help shore up the line. In early April, the Germans launched an attack to capture Villers-Bretonneux. After a determined defence by British and Australian troops, the attackers were close to success until a counter-attack by the 9th Australian Infantry Brigade and British troops late in the afternoon of 4 April restored the situation and halted the German advance on Amiens. The Second Battle of Villers-Bretonneux occurred between 24 - 27 April 1918, during the German Spring Offensive to the east of Amiens. It is notable for being the first occasion on which tanks fought against each other. A counter-attack by two Australian brigades and a British brigade during the night of 24 April partly surrounded Villers-Bretonneux, and on 25 April, the town was recaptured. On 26 April, the role of the Moroccan division of the French army was crucial in pushing back German units. Australian, British and French troops nearly restored the original front line by 27 April.The record is historically significant due to its connection to World War I. This conflict is integral to Australian culture as it was the single greatest loss of life and the greatest repatriation of casualties in the country's history. Australia’s involvement in the First World War began when the Australian government established the Australian Imperial Force (AIF) in August 1914. Immediately, men were recruited to serve the British Empire in the Middle East and on the Western Front. Additionally, the record's significance is enhanced by its depiction of Villers-Bretonneux. The battles that occurred in this town during World War I are especially historically significant to Australia as this is where the Australian Imperial Force had one their greatest World War I victories. An Australian flag still flies over Villers-Bretonneux in the present. Furthermore, a plaque outside the Villers-Bretonneux Town Hall recounts the battles fought to save the town in 1918. Kangaroos feature over the entrance to the Town Hall, and the main street is named Rue de Melbourne. More officially, recognition of the significance of the battle in Villers-Bretonneux is found at the Australian National Memorial, which was built just outside the town. It commemorates all Australians who fought in France and Belgium and includes the names of 10,772 who died in France and have no known grave. Each year, a small ceremony is held at the memorial to mark the sacrifice made by the soldiers. Lastly, the record has strong research potential. This is due to the ongoing public and scholarly interest in war, history, and especially the ANZAC legend, which is commemorated annually on 25 April, known as ANZAC Day.Sepia rectangular photograph printed on matte photographic paper.Obverse: yAE.2.35. / 125 / 62d.2834.35.36.VA.5. / 12.G.18-11 / F.-(?)" /military album, wwi, world war i, villers-bretonneux, australian imperial force, aif, france, war, army, conflict, germany, 1918, battle

Photograph shows early settlers' graves at Sorrento.Part of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No maker's marks. Caption on slide "1st settlers' graves Sorrento"graves, sorrento

Poor video quality (noise and interference), incomplete and unedited raw footage. A video documenting the demolition of the Shire of Eltham offices at 895 Main Road Eltham under the direction of the Commissioners appointed for the new Shire of Nillumbik and some of the communities activities surrounding the event. The building was demolished exactly 25 years after the southern wing housing Engineering and Planning on the upper level and the Eltham Library on the ground level was opened in celebration of the Shire of Eltham's centenary. Video has lots of distortion and noise, and sections of clips dubbed over. Immediate initial footage of Jenni Mitchell talking about asbestos claims in the Shire Offices (Sigmund Jorgensen standing behind her) advising Council did a review of the building several years previously and had been cleared of health problems. Cuts to group of people standing outside front door of offices but possibly voice dub over not related ? Then the date 27 Jul 1996 on a scene flashes on screen immediately followed by an edited clip intro of title and credits with classical music track. It then opens with Jenni Mitchell driving to the Shire Offices on Saturday 27 July 1996 at 11.00am. Footage of Main Road past Pitt Street, Alistair Knox Park then entering Shire Office driveway which is fenced off and contractor signs hanging up. Scenes at rear of building showing some internal demolition has commenced. View of the Administration wing. More clips of road driving, Alistair Knox Park, Eltham Library and visitor car park for Shire Offices. Cuts to a group of people standing in access to visitor carpark with new Eltham Library in background, one being immediate former Shire of Eltham President, John Graves. Scenes of people looking through chain link fence and security guard checking front door. John Graves being filmed that someone informed him the Shire was offering the building to the Community Health Centre for $2.3 million and that if they had been offered a price of $1.1 for what it apparently was sold for they would have snapped it up. View of truck loaded with brick rubble literally struggling to ascend the hill of Library Place to exit into Main Road. Cuts to a scene looking at Eltham War memorial Hall through the Memorial Gate, then the Shillinglaw trees and large banner sign ‘Delta Demolitions’ hanging on office façade. Views of front door, old library and bluestone wall. Scene (31 Jul 1996) filmed at night of several white crosses with “RIP Community” and “RIP Democracy”. Scene (1 August 1996) again driving along Main Road towards the Shire Offices then scenes of the offices showing substantially more demolition to exterior, groups of people standing on footpath outside watching, Delta heavy demolition machines, woman holding sign “Democracy where have you gone …”, the odd person in full protection gear and breathing apparatus hand carrying materials out to place on rubbish pile in front of people standing on footpath watching (with no protection) and then stamping on it to break it creating dust, security person in hard hat (no other protection) wandering around, many groups standing around watching, news film crew, person standing on roadside edge holding signs facing traffic stating “Pirate Planning” and “ Grant us your ears” also sign on back of parked car “Elthams High Jacks”, another sign “Community Democracy”, views of crosses in Main Road median strip “RIP Community”, groups of people on footpaths and reporters conducting interviews, footage of unknown person standing with Jenni Mitchell and Sigmund Jorgensen advising people have the right to protest, Jenni Mitchell urging people to ask questions of local MP and Council and Sigmund Jorgensen referring to the three historic Shillinglaw trees with demolition machinery operating in background, Jenni Mitchell and others installing more crosses in median strip; demolition machines operating inside and outside the building, more views of onlookers including Sigmund Jorgensen then Police approaching on footpath, workers and machinery continuing to operate, views of the old library being demolished, the former Community Services department, security personnel. Scene (2 August 1996) more heavy demolition machinery in operation smashing building up, people standing around southern wing watching, view overlooking Eltham Library of train pulling in to Eltham station. Scene (7 August 1996) more heavy demolition and people wandering around with only hard hat protection, no dust protection, comments from one operator dumping a bin of material stating “wait till there’s a Hungry Jack’s here, you’ll be laughing, fuel, videos, hamburgers. You’ll be up with the rest of the world soon, you’ll have electricity and everything here, ha ha ha ha”, more heavy machinery demolition and breaking up of materials, view of Hitachi train going by and Administration wing, view inside the front door opening of the staircase leading to upper level, person walking around operating heavy machinery with a hose spraying rubble (no protective gear other than hard hat interspersed with edit cuts of meeting of Commissioners and independent observers on panel as well as members of the community in public gallery. Nillumbik Shire CEO Barry Rochford addressing the meeting., Chief Commissioner Don Cordell directly addressing Jenni Mitchell with respect to permission to take photographs, Barry Rochford continues to address the question asked of Council about the valuation of the former Shire of Eltham Office building/site, public gallery calling out asking why was building demolished, what was the urgency. Scene (14 August 1996) views of southern wing, previous single demolition operator again mocking people filming, operators working in and around building, Shillinglaw trees and largely demolished front, heavy demolition equipment at work, piles of building rubble, hose spraying water over rubble, large trucks arriving for rubble removal and loading of truck. Scene (21 August) more of the same, building virtually down, Shillinglaw trees standing tall and alone, water spraying on rubble and wattle in bloom. Cuts to Council meeting with public onlookers. Barry Rochford walks out, Wayne Phillips addresses meeting explaining one or two people shouting, members of the community challenging Council (Commissioners) about why due process appear to have been subverted. Former Shire President Robert Marshall in public audience, cuts back to Shire office carpark entrance site and sign hung on fence in front of library “Think Again!” and people standing around observing awaiting a protest demonstration erecting a large sign on stilts stating “Shell No!”, people singing a revised version of God Save the Queen (God Save Us All), Sigmund Jorgensen in attendance, Jenni Mitchell, Sigmund Jorgenson and others address the protest crowd, followed by people mingling, music being played then people standing around the cleared site circumference all with arms linked (video very broken up with noise) then chants “Save the Gateway” and “No Shell for Eltham” and more music and singing “Put up a parking lot”. The crowd then proceeds to walk along the footpath of Main Road. Scene (15 Sep 1996) meeting at Montsalvat in Great Hall addressed by Sigmund Jorgensen discussing a recently published list of the Commissioner’s to senior Council Officers of banned Nillumbik people, others encouraging people to view proposed plans for the site and lodge objections. Specific issues regarding asbestos claims are also addressed. Harry Gilham addresses the meeting on the subject of the Eltham War Memorial and Memorial Gardens and how Council believe a roundabout in the vicinity is of greater importance. Views of various artworks on display (for auction) and music performance in the Barn Gallery. Meeting addressed by Sigmund Jorgensen discussing an appeal against Council granting a permit to Dallas Howgate to develop the site and that the Minister has called the matter in to be decided by the governing council. This is followed by an auction of paintings. 0.05 - Jenni Mitchel, Sigmund Jorgensen and Peter Doughtery in background. 0.18 - Jock Kyme in front of building – David Essex, Marg Johnson on his left-hand side. 5.34 - John Graves – ex Shire of Eltham Councillor and President. 9.02 - Unknown person being interviewed. 9.30 - Jenni Mitchell, unknown person, Mark Burns, community activist. 10.04 - Sigmund Jorgenson, Jenni Mitchell. 12.04 - Police members 21.33 - Nillumbik Council offices 7 August 1996 Barry Rochford CEO, Vin Heffernan Commissioner, Don Cordell Chief Commissioner, Kevin Abbott Commissioner, unknown person. 28.00 - Barry Rochford CEO 28.05 - Kahn Frankie - in commissioner’s seat after commissioners and council staff have vacated the council chamber. 28.26 - Wayne Phillips, State Liberal member for Eltham, addressing community in response to questions. 28.36 - Mark Burns, community activist addressing gallery. 28.48 - Ken Hines, ex Shire of Eltham Councillor and President. 29.34 - Ken Hines, ex Shire of Eltham Councillor and President standing, Robert Marshall, ex Shire of Eltham Councillor and President seated in front. 29.41 - Karen Gerhards, community activist. 30.06 - Marg Johnson with loud hailer, next to Jock Kyme, community activist. 31.32 - Marg Johnson with possibly Frank Burgoyne?, Sigmund Jorgensen, Jock Kyme. 35.35 - Harry Gilham at meeting at Montsalvat on 15 September 1996. 35.43 - Sigmund Jorgenson at lectern. 36.42 - Marg Jennings. 37.47 - Mark McDonald, Jim Connor, ex Shire of Eltham Councillor in background. 36.28 - John Cohen, ex Shire of Eltham Councillor and President. 38.56 - Ken Hines, ex Shire of Eltham Councillor and President. 41.11 - Harry Gilham, president of the Eltham District Historical Society. 43.55 - Sigmund Jorgensen in Long Gallery at Montsalvat, at start of the art auction to raise funds for community action. 45.50 - Unknown person conducting art auction. VHS Video cassette (poor quality) Converted to MP4 file format 45:01, 535MBvideo recording, 895 main road, alistair knox park, artworks, auction, barn gallery, barry rochford, community health centre, dallas howgate, delta demolitions, demolition, don cordell, eltham, eltham library, eltham shire office, eltham war memorial, eltham war memorial gate, eltham war memorial hall, great hall, harry gilham, jenni mitchell, john graves, library place, main road, memorial gardens, mervyn hannan, montsalvat, pitt street, protest, robert marshall, roundabout, shell oil, shillinglaw trees, sigmund jorgensen, sign, wayne phillips

This book was conceived by the Nillumbik Women's Network as a way of writing women into local history. When seeking nominations for the 2010 editon, the press release stated: Nillumbik Shire’s official histories don’t reflect the important but often unacknowledged contribution of local women to the development of the area. To redress this, the Nillumbik Women’s Network (NWN) initiated a small project, Celebrating Nillumbik women in late 2007.( For details of the Nillumbik Women’s Network refer to attachment) The NWN sought nominations of local women who had made, or continue to make, a significant contribution to the social and cultural life of our community. The brief profiles of the nominees were published in a booklet, which was launched at an International Women’s Day celebration in March 2008, and a second publication was produced in 2009. We continue to be inspired by the quality and activism of our local women. Many of the biographies tell of women’s contribution to the building of the ‘social’ infrastructure of the Shire. These stories complement the official historical accounts which primarily document men’s role in building the physical infrastructure of the Shire. One begins to develop a clearer picture of how women went about developing the services which we take for granted today, from the small kindergartens operating out of church halls to the wide ranging network of occasional and long day childcare care to the development of home based services for older frail and disabled residents of the area. They also tell of the bravery and resilience of women in their response to the devastating impact of the Black Saturday bushfires. This volume includes profiles of 23 women, 2013 Nominees in addition to those included since the project was launched in 2008. The 2008 nominations are: Wendy Alexander, Jane Ashton, Sharon Banner, Janet Boddy, Catherine Cervasio, Belinda Clarkson, Helen Coleman, Cathy Dean, Judy Duffy, Gwen Ford, Jenny Graves, Cath Giles, Meera Govil, Ona Henderson, Jill Jameson, Vicki Kaye, Mrs Kimber, Nerida Kirov, Jane Lauber, Pam Lawson, Anne Manne, Chris Marks, Elizabeth Marshall, Dawn McDonnell, Jenny Millar, Grace Mitchell, Jenni Mitchell, Michelle Molinaro, Joy Murphy, Rosie Murphy, Barbara Murray, Tracey Naughton, Josephine Norman, Pamela Pederson, Mary Robertson, Vicki Ruhr, Geraldine Sanderson, Dawn Shaw, Fiona Sievers, Myra Skipper, Selina Sutherland, Barbara Talbot, Marjorie Taylor, Julie Tipene-O’Toole, Susie Walker, Donna Zander. 2009: Jan Aitken, Rosemary Aitken – OAM, Edith Apted, Betty Anderson, Thelma Barkway, Diana Bassett-Smith, Jenneke Bateman-Korteweg, Amy Bryans, Sabi Buehler, Jenni Bundy, Audrey Cahn, Linda Cornelissen, Janice Crosswhite, Elean Dansey, Christine Durham Claire Fitzpatrick, Ailsa Fitzmaurice, Lucinda Flynn, Sheryl Garbutt MP, Fran Gronow, Ev Hales, Irene “Rennie” Harrison, Ena Jarvis, Heather Kaufmann. 1948-2007: Helen Kenney, Margot Knox – Pederson, Lois Loftus-Hills, Nina Mikhailovna Christesen AM (nee Maximov), Penny Mullinar, Gwayne Naug, Nanette Oates, Lisal O’Brien, Stella Reid, Laura Rohricht, Meg Russell, Sonia Skipper, Bronwyn South, Pauline Toner MP, Lisa Walton, Diana Warrell, Rachel Watt. The 2013 nominations are: Roslyn Addison, Sue Aldred, Lucy Anderson, Sue Arnold, Mary Avola, Anna Foletta, Morag Fraser, Danielle Green MP, Colleen Hackett, Pam Hayes, Barbara Joyce, Carol Leeson, Sandra and Bruce Poloni, Many Press, Carolyn Royse, Hannah Sky, Lorna Smith, Lynlee Tozer, Kilanthi Vassiliadis, Kerry Wailes, Gale Weiss, Irma Winton and Alexis Wright.This book is a significant in the recording of the contribution of local women to the development of the Shire of Nillumbik, especially for the time frame 2008 -- 2013. Historically women's stories generally have not been told at all, let alone their contributions acknowledged. This book profiles and documents women's stories that otherwise may not have been told.women, nillumbik women's network

Series consists of 50 colour photographs taken at Youth Art Award Presentations, with Cr John Graves officiating. Photographs include shots of winners receiving certificates, artworks on display, members of the Y AA committee, a selection of prize-winning entries.shire of eltham archives, series listing

Grave of Jane and Mark HewillBorn Digitalst katherine's church, st helena, cemetery, hewitt

Rob Upson became a volunteer at the Bendigo Visitor Centre in 1998. The Staff produced a monthly newsletter called ‘The Grapevine’. Being reasonably new to Bendigo, Rob became interested in its history and began writing articles to share with the volunteers. He called them ‘Grapevine Cuttings’ under the pen name of ‘Merlot’. Rob wrote about 90 articles over a period of 12 years until ‘The Grapevine’ was finally pruned and shutdown. Rob is a valuable volunteer for the Bendigo Historical Society.Article 33 of 65 Newsletters in PDF format from the Grapevine collection. history, bendigo, grapevine cuttings, grave in maiden gully, mark twain in australia

Bibliography, ill, p.223.fictionIt is 1915, during World War I at Gallipoli, and Lt. Roy Irwin is missing. The young woman who loves him, and the men who fought beside him, begin their search for Lt. Irwin. Later, in 1919, historian C.E.W. Bean returns to Anzac Cove with artist George Lambert and soldier Harry Vickers to solve the greatest mystery of the campaign, to discover Gallipoli's secret. Forward to 2015, and Dr. Mark Troy's quest to preserve the peninsula from roadworks is sidetracked by political intervention and diplomatic intrigue. But a flirtation with a dynamic young woman from Army Intelligence uncovers long-forgotten documents protecting Gallipoli's graves. In this eagerly awaited book, one of Australia's leading historians uses a playful hybrid of history and fiction - moving between the historical realm and the world of the imagination - to recreate the most dramatic moments of the Gallipoli campaign in World War I.gallipoli campaign - fiction, war stories

Photograph. Portrait and obelisk relating to John Praed: a. Photograph of portrait of standing John Praed ''one of the many Cornish mayors and councillors of Eaglehawk and Bendigo, who died while in office'' typed beneath photo; b. Photo of obelisk with the following typewritten note attached: ''The handsome obelisk in the Eaglehawk cemetery raised by public subscription marks his last resting place''. (Obelisk mounted on large grave with decorative rails - name of 'Praed' clearly visible on front of obelisk).person, individual, john praed, mayor. councillor. eaglehawk.

Ken Arnold is a Bendigo author and publisher.A series of one hundred and thirty-five articles written by Ken Arnold and published in the Bendigo Weekly between 2000 and 2003. Each article has a topic or theme and includes historical information and details. Each article includes a photograph. The articles are stored in a red vinyl covered two ring A5 folder. Index below. Number Article Name Date 1. Centenary of Victoria 19.5.00 2. Storm Water Drain 26.5.00 3. Granite Rollers 2.6.00 4. Poverty Mine 9.6.00 5. Golden Monument. St Arnaud 16.6.00 6. Turner Statue 7.7.00 7. Gold Monument. High St Golden Square 30.6.00 8. Gold Monument. Howard Square Bendigo 14.7.00 9. Lansell Statue 21.7.00 10. Shelbourne West School 18.8.00 11. Mologa’s State Schools 25.8.00 12. Salinity Stone. Pyramid Hill 1.9.00 13. Cairn. Carisbrook 8.9.00 14. Commemorative Markers. Taradale 15.9.00 15. Burke Monument. Castlemaine 22.9.00 16. Cairn. Harcourt area 29.9.00 17. Cairn Marks Gold Route 6.10.00 18. Volcanic Rock Cairn. Woodstock 13.10.00 19. Garfield Water Wheel 20.10.00 20. Anticline. Castlemaine 27.10.00 21. Lawson Bridge 10.11.00 22. Plaque. Sutton Grange area 17.11.00 23. Memorial Cairn. Maryborough 1.12.00 24. Lonely Grave 8.12.00 25. Moonlight Flat Church 5.1.01 26. Historic Church. Near Tullaroop reservoir 12.1.01 27. Granite Statue. Castlemaine 19.1.01 28. Marker. Near Tullaroop reservoir 25.1.01 29. Church Site. Mologa 2.2.01 30. Church Site. Mologa 9.2.01 31. Plaque. Mologa 16.2.01 32. Mincha School 23.2.01 33. Historic Marker. Mincha 2.3.01 34. Expedition Marker. Pyramid Hill 9.3.01 35. Irrigation Marker. Tragowel 16.3.01 36. Mologa School Sites 23.3.01 37. Cairn. Pyramid Hill 30.3.01 38. Plaque. Pyramid Hill 6.4.01 39. Bristol Hill Lookout Tower. Maryborough 12.4.01 40. Eppalock Reservoir 20.4.01 41. Colbinabbin Cairn 27.4.01 42. Mount Macedon Cross 4.5.01 43. Memorial Gateway. Macedon 11.5.01 44. Cairn. Daylesford 18.5.01 45. Grave. Carlsruhe 25.5.01 46. Water Tower. Elmore 1.6.01 47. State School Site. Glenalbyn 8.6.01 48. Cairn. Kanya 15.6.01 49. Lonely Grave. Wedderburn 22.6.01 50. Church Cairn. Glenalbyn 29.6.01 51. Kamarooka School 6.7.01 52. Granite Marker. Moyston 13.7.01 53. Memorial Park. Kerang 20.7.01 54. Water Plaque. Bears Lagoon 27.7.01 55. Cemetery. Bears Lagoon 3.8.01 56. Race Monument 10.8.01 57. Cairn. Pyalong 17.8.01 58. Cairn. In memory of Edward Parker 24.8.01 59. Mt Macedon 31.8.01 60. Mt Macedon Cairn 7.9.01 61. Expedition Pass. Chewton 14.9.01 62. Granite Archway. St Arnaud 21.9.01 63. Stuart Mill School Site 28.9.01 64. School Site. Beazley’s Bridge 5.10.01 65. Fosterville 12.10.01 66. Barnadown 19.10.01 67. Salisbury School Site 26.10.01 68. Cricket History at Wattle Flat 2.11.01 69. School Site. Waterloo Plains 9.11.01 70. Carapooee School Site 11.01 71. Turkish Gun. Maldon 11.01 72. Kooreh 30.11.01 73. Marnoo East School 7.12.01 74. Bulgana Site 14.12.01 75. Emu School 21.12.01 76. Kooroocheang 4.1.02 77. Church Site. Gre Gre North 11.1.02 78. Carmens Tunnel. Maldon 18.1.02 79. Monument. Maldon 25.1.02 80. Woodfull Plaques. Maldon 1.2.02 81. Carapooee. St Peters Anglican Church 8.2.02 82. Cairn. Kingower 15.2.02 83. Cob & Co Stopover. Rheola 22.2.02 84. Flynn Monument 1.3.02 85. The Welcome Stranger. Moliagul 8.3.02 86. Campbell’s Creek Reserve 15.3.02 87. Mine. Fryerstown 22.3.02 88. Escott Grave. Near Chewton 28.3.02 89. School No 808. Kurting area 5.4.02 90. Graves. Bendigo Creek 10.5.02 91. School. Fish Point, Benjeroop North 17.5.02 92. Old Township. Diggora 24.5.02 93. Diggora West (1) 31.5.02 94. Diggora West (2) 7.6.02 95. School No 2735. Gower East 14.6.02 96. Pannoomilloo 21.6.02 97. Kamarooka Settlement 28.6.02 98. Mincha West State School No 1931 5.7.02 99. Bridges. Arnold 12.7.02 100. Woodvale 19.7.02 101. A Famous Son of Raywood. Jack Donaldson 26.7.02 102. Tandarra Area Schools 2.8.02 103. Dingee 9.8.02 104. Avonmore 30.8.02 105. Myola East School 6.9.02 106. Colbinabbin West 13.9.02 107. Colbinabbin West School 20.9.02 108. Runnymede area 27.9.02 109. Wanalta 4.10.02 110. School Sites. Between Wanalta and Carop 11.10.02 111. Burramboot 18.10.02 112. Kangaroo Chair. 25.10.02 113. Mincha South 1.11.02 114. Woodlands Church 8.11.02 115. School site. Sylvaterre 15.11.02 116. Terrick Terrick 22.11.02 117. Leitchville 29.11.02 118. Pennyweight Cemetery. Castlemaine 6.12.02 119. Mincha Area 13.12.02 120. Musk School 20.12.02 121. Dowie Park. Carisbrook 3.1.03 122. Neereman School Site 10.1.03 123. Bald Rock 17.1.03 124. Sylvaterre School Site 24.1.02 125. Carlsruhe 31.1.02 126. Athenaeum. Maldon 7.2.03 127. School. Mincha West 14.2.03 128. Yarraberb 21.2.03 129. Settlement Marker. Ravenswood Estate 28.2.03 130. Comini Reserve. Ravenswood 7.3.03 131. Ironbark and Gold Track. Whroo 14.3.03 132. Burke and Wills Obelisk. Castlemaine 21.3.03 133. James Cook Statue. Myers St Bendigo 28.3.03 134. St Marys Church. Axedale 4 .4.03 135. Butter Factory Site. Warragamba 11.4.03 events, monuments, historical sites, landmarks