Large Format Hardcover w/ Dust JacketSigned by Andrew Grimwade, Clifton Pugh and Mark Strizic, Volume number 616 0f 1200. "Royal Parking" Car Claim Check ticket inside front cover. Most colour plates have come unglued and are loose between pages.clifton pugh, mark strizic, australian photography, portrait, walsh st library

Letter regarding his design fees and royalties for the book 'Living in Australia'. (See item D330.1)Photocopy, quarto, 1 page.Some notes in Robin Boyd's handwriting on the back.

A proposal letter written by Mark Strizic for a grant from the Commonwealth Art Advisory Board to fund a series of art books. Strizic proposes a series of books illustrated by Strizic's own photography, under the series title Expressions. Strizic seeks a grant of $4900 from the board for the publication of two books, one of furniture maker Schulim Krimper, another on John Perceval's Cherubs. Budgets for these books are included, proposing to use the profit from sales to fund subsequent books, including one on the Centre 5 group of sculptors and one with Australian poets with graphics by artist Stan Ostoja-Kotkowski.Typewritten, carbon copy, foolscap, 4 pagesRobin Boyd pencil noterobin boyd, meriel wilmot-wright, myer foundation, mark strizic, schulim krimper, brian lewis, margaret garlick, inge king, clifford last, lenton parr, teisutis zikaras, julius kane, centre 5, time riders, john perceval, vincas jomantas, stan ostoja kotkowski, judith wright, roland robinson, kenneth slessor, max harris, claude wischik, commonwealth art advisory board, andrew grimwade, national gallery of victoria, joseph brown, brian stonier

A letter from Sandra Forbes, the Senior Editor of Pergamon Press to Mark Strizic, regarding some small changes to 'Living in Australia'. This attachment was included in the letter on same date to Robin Boyd (item D326.1).Quarto, carbon copy, 1 page

“Living in Australia”, published in 1970, was a collaborative project by architect Robin Boyd and photographer Mark Strizic. It was the first book which documented the architecture and personal design ideas of Robin Boyd. Strizic contributed not just the majority of the black and white photographs but also the book’s stylish graphic designHardcover with three-quarter cover sleeveRBF Acquisition. Possible Proof Copy.robin boyd, architecture, domestic - australia, marc strizic, architecture - australia, walsh st library

Hardcover w/ Dust Jacketwalsh st library

154 p : ill ; 25 cm. robin boyd, architecture, domestic - australia, marc strizic, architecture - australia

These are photographs by Mark Strizic of the 290 Walsh Street house in 1959-1960. These may be the images sent by the designer Bruce Anderson to Patricia Boyd (see item D339).Set of five black and white polaroid photographsmark strizic, walsh street, bruce anderson

Sculptor and jeweller Matcham Skipper (1921-2011) at work in his studio at Montsalvat, Eltham in 1970. He was a recipient of the Churchill Fellowship award. This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, matcham skipper, montsalvat, mark stritizic

Interior home office and sunroom of the home of Professor Macmahon Ball's house in York Street, Eltham. A mud brick house designed by architect Alistair Knox. Professor William MacMahon Ball (1901-1986) was a professor of political science, diplomat, author, jounalist and radio broadcaster. Reproduced on p108 of 'Pioneers & Painters'This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image Print 19 x 25 cmsepp, shire of eltham pioneers photograph collection, eltham, alistair knox, professor mcmahon ball, mud brick house, home office, sunroom, macmahon ball, pioneers and painters, professor macmahon ball

Donated through the Australian Government's Cultural Gifts Program by Dr Jonathan Hartley, 2006

Donated through the Australian Government's Cultural Gifts Program by Dr Jonathan Hartley, 2006

William (Jock) Frater (1890-1974) was an an artist and stained-glass designer who had some associations with Eltham. Frater was born in 1890 in Linlithglow Scotland. In 1910 he arrived in Melbourne. With a passion for painting, he hadn’t been in Melbourne very long before he met Percy Leason and Richard McGann, who were both working as lithographers with Sands and McDougall who produced Melbourne Directories. Jock Frater asked them where, near Melbourne, he should go to paint, and they both replied ‘Eltham’. Frater and Percy Leason became firm friends; and with others they spent their weekends painting, at Eltham and other places. Many times, during those weekends Frater and Leason would camp the night near Bible and Pitt streets. Another favourite spot for their weekend sketching was along the Diamond Creek where Judge Book Memorial Village was later built. In 1916 Jock Frater married his wife Winifred Dow, a tailoress. They bought a house and small property on the corner of Arthur and Bible streets. They lived in Eltham for about a year, then moved to Alphington. Jock also became a stained-glass designer. The west window of Wesley Church, Lonsdale Street, Melbourne, he regarded as his most significant design. His contribution to art in Australia was, however, as a painter who introduced Post-Impressionist principles and challenged the notion that art was an imitation of nature. He visited Central Australia in 1950 and Port Douglas, North Queensland, in 1952. His later major exhibitions were at the Australian Galleries, Melbourne, in 1958, the Victorian Artists’ Society in 1963, and a retrospective at the National Gallery of Victoria in 1966. Frater was a revered president of the Victorian Artists’ Society from 1963 until 1972, exhibiting annually with the society during the last decade of his career and filling three galleries at his final exhibition in July 1973. In 1974 Frater was appointed O.B.E. for his services to art. His work is represented in galleries and private collections throughout Australia as well as the Glasgow Art Gallery. He died at his home at Alphington on 28 November 1974 and was buried in Arthurs Creek cemetery. He was survived by four sons and a daughter. Reproduced Page 113 of "Pioneers and Painters: 100 years of the Shire of Eltham by Alan Marshall, 1971. This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image of colour print 12 x 9.5 cm. Also black and white printeltham local characters, sepp, shire of eltham pioneers photograph collection, "pioneers and painters", william frater, jock frater, artist, stained glass designer, immigrant, o.b.e.

The portrait of Robin Boyd by Marc Strizic may have originally hung in the office of Romberg and Boyd.strizic, robin boyd, walsh st furnishings

Donated through the Australian Government's Cultural Gifts Program by Dr Jonathan Hartley, 2006silver gelatin photograph

Donated through the Australian Government's Cultural Gifts Program by Dr Jonathan Hartley, 2006silver gelatin photograph

Donated through the Australian Government's Cultural Gifts Program by Dr Jonathan Hartley, 2006silver gelatin photograph

Donated through the Australian Government's Cultural Gifts Program by Dr Jonathan Hartley, 2006silver gelatin photograph

Donated through the Australian Government's Cultural Gifts Program by Dr Jonathan Hartley, 2006silver gelatin photograph

Donated through the Australian Government's Cultural Gifts Program by Dr Jonathan Hartley, 2006C-type photograph

Donated through the Australian Government's Cultural Gifts Program by Dr Jonathan Hartley, 2006silver gelatin photograph

Donated through the Australian Government's Cultural Gifts Program by Dr Jonathan Hartley, 2006silver gelatin photograph

Donated through the Australian Government's Cultural Gifts Program by Dr Jonathan Hartley, 2006silver gelatin photograph

Donated through the Australian Government's Cultural Gifts Program by Dr Jonathan Hartley, 2006silver gelatin photograph

Donated through the Australian Government's Cultural Gifts Program by Dr Jonathan Hartley, 2006silver gelatin photograph

Donated through the Australian Government's Cultural Gifts Program by Dr Jonathan Hartley, 2006silver gelatin photograph

Donated through the Australian Government's Cultural Gifts Program by Dr Jonathan Hartley, 2006silver gelatin photograph

Donated through the Australian Government's Cultural Gifts Program by Dr Jonathan Hartley, 2006silver gelatin photograph

Donated through the Australian Government's Cultural Gifts Program by Dr Jonathan Hartley, 2006silver gelatin photograph