Showing 14 items
matching melbourne jazz musician
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Australian Jazz Museum
DVD, Nigel- Buesst, Sunrise-Picture- Co, Benny Featherstone - Prince of Good Fellows, 1966
... melbourne jazz musician... prince of good fellows thirties jazz musician melbourne jazz ...The life and times of a legendary Melbourne musician who lived life with the brakes off. Arguably the first notable Australian jazz improvisor, he mastered many instruments - trumpet, trombone, clarinet, piano. But most of all he was an excellent drummer. Throughout the thirties Benny played hot jazz in a multitude of bands, inspired perhaps by hearing the "hot Harlem rhythms" of the Ellingon and Armstrong bands in London during a 1933 visitA 66 minute film remastered onto DVD-R of Benny Featherstone, a legendary Melbourne Musician, by Nigel Buesst. Housed in a DVD case with a photograph of a Featherstone band in front of a shell stage. piano, trumpet, trombone, clarinet, benny featherstone, prince of good fellows, thirties, jazz musician, melbourne jazz musician, nigel buesst, dvd, drummer, 1930 s -
Australian Jazz Museum
Musical Instrument
... melbourne jazz musician... thirties jazz musician melbourne jazz musician drummer 1930 s ...The brass cornet was owned by early Australian Jazz musician and multi-instrumentalist Benny Featherstone Benny Featherstone is considered "one of the most fascinating and gifted musicians in the history of Australian jazz" (Johnson, Oxford Companion to Australian Jazz, p 154). Once described as "Australia's Louis Armstrong"Buescher brass cornetTrue tone. Pat. Oct 89.07 287335 LP 262 The Buescher Elkhart Ind. U.S.A.benny featherstone, prince of good fellows, thirties, jazz musician, melbourne jazz musician, drummer, 1930 s, buescher cornet, trumpeter, trombonist, clarinetist, pianist, early australian jazz -
Eltham District Historical Society Inc
Photograph, Peter Pidgeon, Memorial to Peter Glass and Cecile Glass, Eltham Cemetery, Victoria, 5 April 2021
In 1938, Arthur William Glass (known as Peter Glass) was studying painting under Max Meldrum. Much of their inspiration came from the Eltham bush and the nearby Yarra River. With his friends jazz musicians Graeme and Roger Bell, Peter bought land at the top of John Street: enchanted by Montsalvat, he had the objective of building a mud-brick house. War intervened, but then in 1948 he began working for Alistair Knox as a carpenter and mud-brick builder. By then, Peter had married, necessitating a larger house, which he built with help from Alistair Knox. As a trained architectural draftsman, Peter later progressed to working for Alistair in that role, eventually running the drafting office during the 1960s. He was deeply involved in the foundation of the Australian Institute of Landscape Architects, and went on to design many gardens, some in partnership with Alistair Knox and Gordon Ford. He died in 1997 and is buried in Eltham Cemetery with his wife Cecile. Peter Glass (Arthur William) Artist A.I.L.A. 28.8.1917 - 28.12.1997 and his loving wife Cecile Madeleine 23.2.1927 - 6.2.2006 Rest In PeaceBorn Digitaleltham cemetery, gravestones, heritage excursion, cecile madeleine glass, peter glass -
Australian Jazz Museum
Musical instrument, Grafton Saxophone Company, Circa 1951
Given to Ade Monsbourgh by the Grafton Saxophone Company UK, during the Bell Second Tour C1951-1952. Ade Monsbourgh is considered one of Australia's most original and influential jazz musicians and composers. Rare Grafton acrylic plastic alto saxophone donated by the Grafton Saxophone Company UK, to Ade Monsbourgh during the Bell Second Tour C1951-1952 Rare cream-coloured Grafton acrylic plastic alto saxophone belonging Ade Monsbourgh together with mouthpiece Embossed Made in England Patent # 604 407 604 418 John E. Dallas & Son Ltd Sole distributors. # 10147ade monsbourgh, grafton saxophone, acrylic plastic saxophone -
Australian Jazz Museum
Musical instrument, Henry Selmer, Mid 20th century
Trumpet which belonged to Roger Emerson Bell leading jazz trumpeter and composer who was a major influence on the development of a uniquely Australian Jazz form. He played with his brother Graeme Bell and also led his own groups.Trumpet played by Australian Jazz musician Roger Bell through the mid to late 20th centurySilvered brass trumpet and mouthpiece with slight dent on rearEngraved "Made by Henry Selmer - Paris Depose Grand Prix Geneve 1927 Liege 1930 Signed by maker Henry Selmer Place Dancourt, Paris Made in France" "Silver on Brass Serial # 6697 (engraved on second valve)" roger bell, silver trumpet, henry selmer -
Australian Jazz Museum
Musical Instrument, Mid to late 20th centurry
Used on Ade Monsbourgh's Recorder in Ragtime album of 1956 described by Bruce Johnson as "a unique exercise in jazz on recorder."The significance of this recorder lies in it being both an early example of recorder making in Australia and its connection with internationally recognised Australian jazz musician Ade Monsbourgh. The Pan company was the first to produce recorders in Australia. It was established by jazz musicians Ade Monsbourgh and Don Roberts in the Melbourne suburb of Hawthorn, Victoria in 1951. The company manufactured affordable wooden recorders for school students. Instruments such as this were made using local timbers and featured an innovative section of the mouthpiece (the block unit or windway) which was removable and made of plastic, possibly to allow easier cleaning to occur for the sake of hygiene. It is unknown in what numbers these instruments were made. Ade Monsbourgh (1917-2006) was one of Australia's pioneering jazz musicians especially in the period following World War 2 when he played in Graeme Bell's band. As a talented and influential saxophonist he toured several countries, as well as playing with other leading Australian musicians including Bob and Len Barnard. He was awarded an Order of Australia for his services to music in 1992. Don 'Pixie' Roberts (b.1917) was also an early figure in the Australian jazz scene from the 1930s and, in particular, the Australian Jazz Convention of 1946. He also played with Graeme Bell's band. Alto Recorder belonging to Ade Monsbourghade monsbourgh, alto recorder -
Port Melbourne Historical & Preservation Society
Photograph - Sunday Jazz Concert in the Chapel, Mission Arts Centre, Port Melbourne, Alison Kelly, 1988
Three of thirty photos taken by Alison Kelly at the Mission Arts Centre, late 1980s, early 1990s. Some with captions. Many have copies already in collection. Photos of jazz musicians mounted on heavy card. Taped caption reads '16 Sunday afternoon jazz concert in Chapel, 1988' Also several other photos of musicians and performers.missions to seamen, arts and entertainment - music, mission arts centre, jazz -
Port Melbourne Historical & Preservation Society
Photograph - Wedding of Maree MENZEL and Marcus DAVIDSON, Hester Reserve, Port Melbourne, Pat Grainger, 1989
Maree and Marcus of 63 Station Street married after several years of living together. As she is a fashion designer, she designed and made all costumes; as he is a musician, some of his friends played jazz and rock for the procession to the Port Melbourne Yacht Club for the ceremony. Only three neighbours (including photographer) were invited to accompany the procession. The wedding must have been one of the last functions in the clubhouse before it burned.From a group of photographs of the 1989 wedding procession of Maree MENZEL and Marcus DAVIDSON, from the railway reserve near 63 Station Street to the Port Melbourne Yacht Club: three photos in railway reserve (Hester Reserve)celebrations fetes and exhibitions, built environment, maree menzel, marcus davidson, amelia finch -
Port Melbourne Historical & Preservation Society
Photograph - Wedding procession Maree Menzel & Marcus Davidson, Station Street to Yacht Club, Pat Grainger, 1989
Maree and Marcus of 63 Station Street married after several years of living together. As she is a fashion designer, she designed and made all costumes; as he is a musician, some of his friends played jazz and rock for the procession to the Port Melbourne Yacht Club for the ceremony. Only three neighbours (including photographer) were invited to accompany the procession. The wedding must have been one of the last functions in the clubhouse before it burned.From a group of photographs of the 1989 wedding procession of Maree Menzel and Marcus Davidson, from the Railway Reserve near 63 Station Street to the Port Melbourne Yacht Club clubhouse: bride and groom and wedding party assembling in the reservecelebrations fetes and exhibitions, built environment, maree menzel, marcus davidson -
Port Melbourne Historical & Preservation Society
Photograph - Wedding procession Maree Menzel & Marcus Davidson, Station Street to Yacht Club, Pat Grainger, 1989
Maree and Marcus of 63 Station Street married after several years of living together. As she is a fashion designer, she designed and made all costumes; as he is a musician, some of his friends played jazz and rock for the procession to the Port Melbourne Yacht Club for the ceremony. Only three neighbours (including photographer) were invited to accompany the procession. The wedding must have been one of the last functions in the clubhouse before it burned.From a group of photographs of the 1989 wedding procession of Maree Menzel and Marcus Davidson, from the railway reserve near 63 Station Street to the Port Melbourne Yacht Club: wedding party and musicians assembling in the reservecelebrations fetes and exhibitions, built environment, maree menzel, marcus davidson -
Port Melbourne Historical & Preservation Society
Photograph - Wedding procession Maree Menzel & Marcus Davidson, Station Street to Yacht Club, Pat Grainger, 1989
Maree and Marcus of 63 Station Street married after several years of living together. As she is a fashion designer, she designed and made all costumes; as he is a musician, some of his friends played jazz and rock for the procession to the Port Melbourne Yacht Club for the ceremony. Only three neighbours (including photographer) were invited to accompany the procession. The wedding must have been one of the last functions in the clubhouse before it burned.From a group of photographs of the 1989 wedding procession of Maree Menzel and Marcus Davidson, from the railway reserve near 63 Station Street to the Port Melbourne Yacht Club:Marcus and the dunny at 63 Station Street, showing his vest with hand embroidered graffiti motifs as often painted by him on local surfaces.celebrations fetes and exhibitions, built environment, maree menzel, marcus davidson -
Port Melbourne Historical & Preservation Society
Photograph - Wedding procession Maree Menzel & Marcus Davidson, Station Street to Yacht Club, Pat Grainger, 1989
Maree and Marcus of 63 Station Street married after several years of living together. As she is a fashion designer, she designed and made all costumes; as he is a musician, some of his friends played jazz and rock for the procession to the Port Melbourne Yacht Club for the ceremony. Only three neighbours (including photographer) were invited to accompany the procession. The wedding must have been one of the last functions in the clubhouse before it burned.From a group of photographs of the 1989 wedding procession of Maree Menzel and Marcus Davidson, from the railway reserve near 63 Station Street to the Port Melbourne Yacht Club: wedding party and musicians assembling in the reservecelebrations fetes and exhibitions, built environment, maree menzel, marcus davidson -
Port Melbourne Historical & Preservation Society
Photograph - Wedding procession Maree MENZEL & Marcus DAVIDSON, Station Street to Yacht Club, Pat Grainger, 1989
Maree and Marcus of 63 Station Street married after several years of living together. As she is a fashion designer, she designed and made all costumes; as he is a musician, some of his friends played jazz and rock for the procession to the Port Melbourne Yacht Club for the ceremony. Only three neighbours (including photographer) were invited to accompany the procession. The wedding must have been one of the last functions in the clubhouse before it burned.From a group of photographs of the 1989 wedding procession of Maree MENZEL and Marcus DAVIDSON, from the railway reserve near 63 Station Street to the Port Melbourne Yacht Club: procession in Donaldson Streetcelebrations fetes and exhibitions, built environment, maree menzel, marcus davidson, station street, port melbourne yacht club -
Port Melbourne Historical & Preservation Society
Photograph - Wedding procession Maree Menzel & Marcus Davidson, Station Street to Yacht Club, Pat Grainger, 1989
Maree and Marcus of 63 Station Street married after several years of living together. As she is a fashion designer, she designed and made all costumes; as he is a musician, some of his friends played jazz and rock for the procession to the Port Melbourne Yacht Club for the ceremony. Only three neighbours (including photographer) were invited to accompany the procession. The wedding must have been one of the last functions in the clubhouse before it burned.From a group of photographs of the 1989 wedding procession of Maree Menzel and Marcus Davidson, from the railway reserve near 63 Station Street to the Port Melbourne Yacht Club: procession in Beach Street, Swallow & Ariell, Sandridge Hotel and former cable tram depot in viewcelebrations fetes and exhibitions, built environment, maree menzel, marcus davidson, amelia finch