Part of a collection of photographs previously housed at Victorian Wool Processors (VWP), who were the last early stage wool processing company in Melbourne, and the second last in Victoria. The photographs were collected from other companies as they closed, and were donated to the museum by David Ritchie who was the General Manager at VWP. Victoria Wool Processors (Aust) Pty Ltd was founded by Jim Kim in 1983 as a dedicated international wool trading firm. Seeking greater quality control, the company opened its first physical processing plant in Melbourne in 1990 before scaling up to a state-of-the-art, 24-hour carbonising and scouring facility at Laverton North in 2002. For decades, it stood as one of the largest early-stage wool processing operations in the Southern Hemisphere, known for incorporating modern water-recycling and waste-management infrastructure. However, a severe domestic energy crisis and soaring natural gas prices forced the permanent closure of its manufacturing plant in December 2024, culminating in the company's official corporate liquidation in April 2026. This photo shows the final sale to take place at the Melbourne Wool Selling Centre located off Geelong Road in Brooklyn, Victoria on 30th June 2010.Colour photograph featuring a group portrait of people seated and standing inside a room.front: [printed] SOUTHERN WOOL TRADE / Final sale at 691 Geelong Rd. Brooklyn / 30/06/2010victorian wool processors, melbourne wool selling centre, early wool processing, textile industry, jim kim, wool trading, trade, sale

Jackie Kerin's (donor's) story. In 1973, I was in my late teens and while I’d moved to Sydney from Melbourne, to begin my first year of drama studies at the National Institute of Dramatic Art. My parents had moved to Lake Bunga, a few kilometers north of Lakes Entrance (Victoria). On my first holiday visit to Bunga, I called into the Jolly Jumbuck Country Craft Centre in Bairnsdale http://jumbukwool.com.au/history. I was entranced by the place and spent the following weeks learning to spin lumpy wool on an Ashford Wheel. By the end of the holidays, I had my own Ashford and it travelled with me back to Sydney. After graduation, I returned to Melbourne and the hippy “back to nature” movement was in full swing; there were many shops and galleries selling handmade woollen items and pottery etc. So I found an outlet for my pieces. Sometime in 1976-77, I met a spinner and weaver of Swiss origin (I think) – her name was Ingeborg Guber (not sure of the spelling). She had a small gallery/shop at Brighton Beach where she worked, with her pet duck for company. Ingeborg had an upright Philip Elford wheel; an Australian wheel crafted from Acacia melanoxylon (blackwood). I was smitten and ordered one. I have a memory of Philip driving to Hampton from Ballarat to make the delivery. I used this wheel for years but as time and enthusiasm for spinning waned, the wheel became a decorative item in the house. Then in the 90s, and with my drama training, I set myself up travelling to schools and festivals, museums and galleries as a storyteller. The spinning wheel had a new life accompanying me on my adventures. For many children, familiar with references to spinning in fairy tales, seeing the little Philip Elford upright was magical. The wheel was donated to the National Wool Museum in 2021.Vertical tripod leg spinning wheel. 6 spoke wheel with three bobbins. Inscription “Philip Elford Ballart” can be read in gold text stamped to the base of the wheel. Wording, stamped, gold. Philip / Elford / Ballartspinning wheel, textile production, hobby textiles, aciacia melanoxylon (blackwood)