In 2018 GHS members visited Turner's Bakery in Mernda for lunch and continued on to visit historic sites remaining in the Mernda area. This photograph shows the Mernda Uniting Church, established in 1888. It is sited on Schotters Road. Mernda is an area of rapid modern growth with a few remaining historic buildings dating from the 19th century.Digital copy of colour photographmernda, mernda historic sites, schotters road mernda, mernda uniting church

In 2018 GHS members visited Turner's Bakery in Mernda for lunch and continued on to visit historic sites remaining in the Mernda area. This photograph shows the newly built Mernda Station, part of the railway extension on the old Epping line. This station was opened in August 2018. Mernda is now the end of the line. It is sited on corner Bridge Inn Road and Schotters Road. Mernda is an area of rapid modern growth with a few remaining historic buildings dating from the 19th century.Digital copy of colour photographmernda, mernda historic sites, schotters road mernda, mernda station, bridge inn road mernda

In 2018 GHS members visited Turner's Bakery in Mernda for lunch and continued on to visit historic sites remaining in the Mernda area. This photograph shows the Mernda Mechanics Institute, established 1888. It was sited to the rear of the Bridge Inn Hotel on land donated by the hotel's owner. Today the Mechanic's institute is a small hall available to rent.Mernda is an area of rapid modern growth with a few remaining historic buildings dating from the 19th century.Digital copy of colour photographsmernda, mernda historic sites, mernda mechanics institute, mechanics institutes victoria, bridge inn hotel mernda

Digital copy of school group photograph Mernda State School No 488

Digital copy of school group photograph Mernda State School No 488 1927

In 2018 GHS members visited Turner's Bakery in Mernda for lunch and continued on to visit historic sites remaining in the Mernda area. This photograph shows remnants of the Mernda Market, established in 1919 as a livestock market. It was sited on Plenty Road in the carpark of the Bridge Inn Hotel. It evolved into a weekend 'trash and treasure' market although livestock auctions still took place on Mondays. In 2012 the livestock auctions moved to Whittlesea Showgrounds.Mernda is an area of rapid modern growth with a few remaining historic buildings dating from the 19th century.Digital copy of colour photographsmernda, mernda historic sites, mernda market, plenty road mernda, livestock auctions, trash and treasure markets

Moses Thomas standing with 2 children, Walter Thomas in wagon at the Bridge Inn Hotel Mernda possibly late 1860s early 1870s

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

Blackbraes Farm is listed in the Whittlesea Heritage Overlay HO14, Photographic survey, 10 Cravens Road Merndablackbraes farm, mernda

Bluestone bridge across the Plenty River, Mernda. Commissioned by Moses Thomas, Secretary Morang District Road Board 1867bridges, moses thomas, mernda, bridge inn road

In 2018 GHS members visited Turner's Bakery in Mernda for lunch and continued on to visit historic sites remaining in the Mernda area. These photographs show remnant bush and the Parks Victoria sign in the area.Mernda is an area of rapid modern growth with a few remaining historic buildings dating from the 19th centuryDigital copy of colour photographsmernda, parks victoria, bushland

In 2018 GHS members visited Turner's Bakery in Mernda for lunch and continued on to visit historic sites remaining in the Mernda area. This photograph shows the Bridge Inn Hotel Mernda, established 1891. The hotel is still operating in the 21st century.Mernda is an area of rapid modern growth with a few remaining historic buildings dating from the 19th century.Digital copy of colour photographmernda, bridge inn hotel mernda, mernda historic sites, hotels mernda

In 2018 GHS members visited Turner's Bakery in Mernda for lunch and continued on to visit historic sites remaining in the Mernda area. This photograph shows the Mernda Post Office, formerly the Mernda General Store. It is sited in Schotters Road. Today the Post Office has been relocated to modern premises in Mernda Village Drive.Mernda is an area of rapid modern growth with a few remaining historic buildings dating from the 19th century.Digital copy of colour photographmernda, mernda historic sites, mernda post office, schotters road mernda, post offices, mernda general store

The Mechanics Institute, Yan Yean (later Mernda) was built in 18881 p. black and white photocopy from bookyan yean, mernda, mechanics institutes victoria

Front view of 'Hillcrest' the Devine family home on Mernda Road, Olinda taken in 1911. The road deviation passed to the right of where the photographer was standing. The descriptive text on the reverse of this photograph was hand written by John Lundy-Clarke.“Hillcrest” the home of the Devine family 1911 in Mernda Road now Coonara Road. The road was deviated here to regrade it and the deviation past to the right of the camera. The house fronted down over the valley of the Sassafras Creek towards Kallista. It was close to the spot where the camera stood that the girls practiced the maypole dance in 1911. Vera Devine trained 11 of her mates in the dance here.hillcrest, mernda road, olinda, vera devine, devine family

Orginally at Mernda Primary School Plenty Road Mernda, lost, recovered from an antique shop in Geelong in 2016, purchased by Councilhonor board

“Like "Red Gums, Hunters Lane", this painting is a deliberate attempt to infuse some new qualities into my work of that period, particularly in the painting of local subject matter. The heightened chroma and simplification of forms accentuated by a more rhythmic quality, endow the picture with a decorative characteristic which places it outside the category of the picturesque. Such colour harmonies, despite the heightened intensities, particularly in the road, do nevertheless exist, and it is the artist's prerogative to select and emphasize these certain qualities in his quest for expression. Unlike oil painting, watercolour and gouache can be unforgiving media, and once a commitment is made to the initial marks and washes on the paper, one must employ a certain deftness of touch to develop the work and retain the initial freshness. Some technical planning before painting is essential.” John BorrackPart of the John and Gillian Borrack Federation Bequest, donated to the City of Whittlesea in December 2001 by Gillian and John BorrackJohn Borrackmernda

“A nature painting commenced on site and completed in the studio. More of a morass lying to the west of Yan Yean Reservoir in Dunnets Road, this intriguing site has nevertheless all the primeval qualities associated with swamps in general. The rhythmic movements of the old red gums dominate the surrounding bush with the tranquility of the water from recent rains. Painted directly onto a saturated sheet of rough paper, the large masses of foliage and integrated sky areas determine the tonal and colour key of the painting, while the strong horizontality of the lower water area stabilizes the design and contrasts with the vertical and oblique rhythms of tree trunks. The white of trunks and branches have largely been achieved by the lifting of colour with a stiff wet brush although slight touches of bodycolour are added for a few critical accents. Such a subject and its execution demands a sound concept and plan before any painting is commenced as the wayward nature of the medium demands great control. The painting must be bold and decisive. Sometimes the qualities of the medium should be allowed to take over in its wateriness and its soft and hard edge properties.” John BorrackPart of the John and Gillian Borrack Federation Bequest, donated to the City of Whittlesea in December 2001 by Gillian and John BorrackJohn Borrackmernda

The expression of the spirit of a place which in landscape painting is aesthetically more important than a literal topographical recording, can really only be achieved after a lifetime's experience of an area one has constantly observed, painted and loved for its innate characteristics. I gaze across the red gum plains of the Mernda landscape from my studio and witness them in all seasons and moods. Such a painting as this, free of all inhibitions of literal transcription are done relying purely on memory impressions. These are often inspired by a particular season or day, but the content of the work is a total of past experience and observations that lie in one's mind. The staccato quality of tree forms against vast horizontal spaces, the open colour planes and marks that define forms, the calligraphy and tonal resonance of the work, all find their origins in direct observations of nature that remain with me. Experience has taught me that the more direct and less complicated one can express an idea in watercolour and gouache, the more significant and vital the work will be. Occasionally one succeeds and manages a complete statement without recourse to reworking or additions. This painting typifies the direction in which my major work started to move in the late 1980's. Part of the John and Gillian Borrack Federation Bequest, donated to the City of Whittlesea in December 2001 by Gillian and John BorrackJohn Borrackmernda

Like Purple Plain, Mernda and Mernda Heat Haze this painting was a further development from aspects of the Basalt Plains series of the 1990's as seen in Mernda Plains Landscape. This picture has a greater minimalist quality about it, having been painted in the studio during a particularly wet spring when some of the surrounding flats were indented by channels of water. Greens are not a colour harmony I work with often, but here help convey the essence of the seasonal landscape. A much more formal structure has been emphasized in this picture in which atmospheric space has been almost negated in favour of a much shallower field of colour and two dimensional surface rhythm, an actual effect one can sometimes see under certain conditions of nature, particularly in a flat country. I have always had some respect for one or two of the better colour field painters of America in the 1950's and 1960's who actually untilzed expressive broad bands of colour harmonies in their work, but didn't classify them as landscape paintings. My own feelings on the subject are to avoid the clinical precision that such an approach can bring, and thus indicate some actual reference to landscape in a work, a horizon, however subtle, or marks indicating actual forms that give some scale to the work. I suppose the idea first occurred to me when I saw J. M. W. Turner's wonderful painting, Evening Star, in the National Gallery in London many years ago. In this work a few bands of mysterious colour and exquisite harmonies with one or two references to figure, sand, sea and sky, transmogrify everything into a magical unity. It serves as a revelatory example of how all art is dependent on abstract qualities and how great artists like Turner are able to conceal those qualities without lapsing into a forced mannerism.Part of the John and Gillian Borrack Federation Bequest, donated to the City of Whittlesea in December 2001 by Gillian and John BorrackJohn Borrack '90mernda

Photographs and information relating to Charles Turner, baker of Schotters Road Mernda.This text and photographs were copied from a Facebook site. Members are people who lived in the Greensborough area and share their reminiscences of the area with others. The site is administered by a GHS member but is not officially affiliated with the Society. Any information is the opinion of the contributor. Photographs and text sourced from social media.turners bakery mernda, schotters road mernda

Photograph shows washed out bush track with gully erosion at Barbers Creek, Mernda.Part of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No maker's marks. No caption on slide.erosion, barbers creek mernda

Digital copy of colour photographfred mitchell collection, 1956, dray, mernda

Melbourne and Metropolitan Board of Works. Yarra 2500 [base map] 13.28. Mernda, Wilton Vale. Municipality of Diamond Valley 257 and Whittlesea 239. Prominent streets: Wilton Vale Road. Features include Yan Yean Pipe Track and SEC Transmission Lines. The abandoned rail line (old Whittlesea line) is in the top left corner.MMBW Map in 1:2500 [scale] series. Cream parchment with green tape reinforcing on edges and punched holes on left edge.mmbw, melbourne and metropolitan board of works, shire of diamond valley, mernda - maps

Born in Healesville, Many Nicholson is a Wurundjeri-willam (Wurundjeri-baluk patriline) artist and Traditional Custodian of Melbourne and surrounds. Mandy also has connections to the Dja Dja wurrung and Ngurai illam wurrung language groups of the Central/Eastern Kulin Nation on her fathers side and German on her mothers.wurundjeri, aboriginal, kulin

Panton Hill Football League match results Digital file only - scanned by EDHS from item on loanlew howard collection, match details, panton hill football league, research football club

Photograph of ruins of early flour mill on Plenty River.http://www.mintinc.com.au/pdf/carome_mill_arch_report.pdf Detailed report on same.A photocopy of a photograph of Willis's Flour Mill located on the Plenty River behind Carome Station Mernda.Nilplenty river, flour mill, mernda, yan yean reservoir, riparian rights, 1840, fred kruger, williss mill

Mr Devine, Mrs Devine (nee Stewart) with children Vera and Stewart at their home 'Hillcrest' on Mernda Road (now Coonara road), Olinda 1911. The descriptive text on the reverse of this photograph was hand written by John Lundy-Clarke.Devine, Mrs Devine (nee Stewart) Vera Stewart 1911 on verandah of “Hillcrest” Mernda Road now Coonara Road. Mrs Dodd’s collection. Copied by J.L.C. 1974. vera devine, stewart devine, hillcrest, mernda road, coonara road, olinda, devine

"Hillcrest" on Mernda Road, Olinda. The home of the Devine Family. c1911 The descriptive text on the reverse of this photograph was hand written by John Lundy-Clarke.“Hillcrest” Mernda Road Olinda 1911. The home of the Devine family. The early settlement road passed to the left of the camera. House faced down over the valley of the Sassafras + Perrin Creek towards Kallista. The deviation to regrade the road passed to the right of the house. It was in front of the house on the left hand side of the picture that Vera Devine and her school mates practiced the maypole dance under her tuition. hillcrest, devine, devine family, mernda road

Photograph shows farmland on the flood plain of the Plenty River, north of MerndaPart of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No maker's marks. Caption on slide "Plenty"plenty river, mernda