Pale grey felt outside, white satin lining embroidered with silver metal thread embellished with turquoise beads.embroidery, metal thread, turkey, garments, 1900-20

Embroidered Chinese dragon roundel (buzi) from the Qing dynasty (1644-1911). Front facing five clawed dragon in gold thread surrounded by swirling clouds and a flaming pearl. The Dragon grasps a flaming pearl, symbolizing wisdom. power, and spiritual energy. Imperial Dragon with pearl. Embroidered in two halves of a circle for mounting on either side of the front opening of a garment. Dark blue silk back ground, worked in silk floss in blues, gold and reds. Dragon embroidered in gold metal threads. The dragon is surrounded by clouds and bats. metal thread, garments, china, dragon, bat

Indian Zardosi style embroidery using metal threads and sequins.Gold metal thread embroidered panel from India depicting a bird and flowers on red cotton surrounded by gold paillettes.floral, birds

Natural coloured linen embroidered with heavily padded metal thread work. Flower centres are drawn thread. Appliqued onto a brown geometric patterned braid border.embroidery, drawn thread, metal work

Oriental head embroidered in genuine Jap gold thread with hair of black felt, and beard of couched threads (plastic?) Background is brown silk or synthetic, mounted on a lighter brown padded board."Thread Mask" EW 1985embroidery, metal thread, oriental, goldwork, picture

Panel embroidered in gold work (or nue) and embellished with beads. "Mistress Mary" is dressed in medieval dress of brown silk on a dull green background.embroidery, metal thread, picture, 1960-80, australia

One of a number of samplers (see 1205, 1207 and 1208) embroidered by the donors aunt, Miss Elizabeth Lewis while studying at the Royal School of Needlework. She taught and judged embroidery throughout England.Goldwork sampler. Typical Royal School of Needlework metal thread sampler showing different techniques of metal thread and laid silk work on natural linen.goldwork, embroidery, silk embroidery, england, 1920-40

Made by Chinese in Australia, probably Sydney (Other examples in the Power House Museum.Unofficial Australian Coat of Arms. Central rectangular shield, quartered with a sheep, a ship, wheat sheaf and tools in the quarters. Kangaroo and emu on each side of shield. Two Australian flags, one orange, one purple on each side. Rising sun in the centre above the shield. Silver, metal thread scroll at the bottom with "Advance Australia" inscription. Wide cedar frame. Glass with gold fillet."Advance Australia" in silver metal thread ribbon scroll.embroidery, ceremonial, 1900, australia, metal thread

Made by founding member of The Embroiderers Guild Victoria, Edna Wark in 1982Metal thread embroidery with aluminium passing thread couched over laid string with a small amount of silk embroidery. Mounted behind soft, green velvet fabric frame.

Victorian eraPale blue silk with four white tulip shaped inserts, embroidered with metal thread, bullions, tape and black and gold thread edging, attached to cotton backing with hand stitching

Altar frontal with three cartouches - painted faces and hands. Goldwork embroidery and applique with small sections of foliage in surface embroidery.ecclesiastical, gold work

Exhibited at the 1966 Georges Exhibition and purchased by the Victorian Guild. Designed and worked by Mrs E.M. John, Doncaster School of Art, U.K.Cream satin, great variety of stitch techniques in coloured threads, gold and silver. Some applied with gold kid. Mounted in a black and gold frame.embroidery, goldwork, 1960-80, england, creative, panel

This is also an 18th century technique of using gold thread and is mentioned by Beryl Dean. Modern gold work - embroidered by Mrs Wark from a design by Con. Bolton. Taken from a figure of Justicia, the original is hanging in the Senior Common Rooms of Trinity College, Melbourne.Face entirely worked in Japanese gold thread using the Chinese technique which has no gold ends taken to the back. Padded felt is used for the head-dress. Framed in gold with back exposed for study.embroidery, panel, 1960-80, australia, goldwork

a. RAAF Drum Major's insignia (1954 to present 1995) on winter ceremonial band uniform stitched onto lower left and right sleeves.R.A.A.F. Drum Major's Insignia. Metal thread.embroidery, metal thread, badges, late 20th century, australia

Strip of purple ribbon with gold coloured metal thread edging.ribbon, silk, metal thread

A brimless short rounded cap worn by men in Africa, Middle East and South Asia. Although associated with many Islamic cultures, in the United States it is also worn with people of West African heritage, whether Christian, Islamic or a traditional African religion.Brimless cap hand embroidered with couched gold coloured metal thread.caps, metal thread embroidery

Exhibited and purchased from the 2010 "Jubilation" exhibition at The Embroiderers Guild Victoria, celebrating 50th Anniversary of the Guild.An abstract metal thread embroidery depicting a landscape, on a striped background in a white frame.picture, embroidery, metal thread, australia

A brimless short rounded cap worn by men in Africa, Middle East and South Asia. Although associated with many Islamic cultures, in the United States it is also worn with people of West African heritage, whether Christian, Islamic or a traditional African religion.Brimless cap hand embroidered with couched gold coloured metal thread with pink and maroon coloured highlights.caps, metal thread embroidery

White satin with a wide decorative band of silver metal thread work, sequins and pale floss silks. Matching silver fringe.embroidery, mats, india, oriental, metal thread, silk embroidery

b. RAAF signallers brevet (insignia) used 1954-1980, worn on service dress tunic above left breast pocket.R.A.A.F. badge -signallers brevet (insignia) used 1954-1980, worn on service dress tunic above left breast pocket. Metal thread.embroidery, metal thread, badges, late 20th century, australia

Agnus Dei: Latin - Lamb of God. The triumphal lamb is shown with a waving banner. A title for Jesus Christ originating from John 1:29. It refers to a specific prayer in Western Christian liturgies (Roman Catholic, Anglican, Lutheran) sung or said during the fraction rite (breaking of the bread) before Communion, often accompanied by musical settings.Silver and gold metal thread, gold sequins on square of blue silk. Possible 30-40 years old - 1960-80. Red velvet flag.embroidery, ecclesiastical, chasuble, 1960-80, australia, metal thread

Found in an opportunity shop.Pale yellow satin with a classical embroidered border in silver metal threads, and bullions. Flowers and pomegranates. Peacocks in dark blue, red, green and gold metal.embroidery, mats, metal thread, india

Said to have once belonged to Marie Antoinette.Crochet purse, Finely made in colours of red, blue, greens and gold with lovely tassels of silk (red) with silk and gold metal thread tops, and 2 closure rings.embroidery, crochet, tassels, purses, miser's purse, metal thread

Two blue silk panels with mirror image designs of phoenix and chrysanthemums. Metal thread, gold couched in orange, red, cream and turquoise silk. Selvedge and hemmed edges.embroidery, china, metal thread, silk embroidery, oriental, panels, phoenix, crysanthemum

RAAF crewman (technical) insignia badge known as a 'brevet' used 1968-c. 1985, miniature worn on summer and winter mess jackets on lower left lapel.R.A.A.F. badge -RAAF crewman (technical) insignia badge known as a 'brevet' used 1968-c. 1985, miniature worn on summer and winter mess jackets on lower left lapel. . Metal thread.embroidery, metal thread, badges, late 20th century, australia

The EGV Crest is used to publicize the Guild at exhibitions and demonstrations. A circle covered in green fabric with the crest of the Victorian Guild (scissors, thimble and needle) executed in metal thread work. On permanent display in the EGV gallery.embroidery, metal thread, 1980-2000, australia

Heavily embroidered in metal thread work in several shades of gold and brown, in a floral design. Both sides of bag are embroidered. open-work gold metal frame and double chain handle. Lined in gold silk.embroidery, gold work, metal thread

Chinese sleeve embroidery bands, or wanxiu became popular in the late 19th century during the Qing Dynasty, evolving from the traditional Han cuff embroidery and Manchu styles. These detachable, decorated bands were added to women's informal jackets and robes, often featuring symbolic motifs like landscapes, flowers, and auspicious symbols. They served both a decorative function, displaying artistic skill and personal wishes, and a practical one by covering the sleeves when hands were folded at the waist. History and evolution: Origins: The practice of embroidering cuffs on robes existed during the previous Ming Dynasty for Han women, and this was adopted by the Manchu rulers who founded the Qing Dynasty. Qing Dynasty (1644-1911): The practice was popularized and elaborated upon during this era, with detachable bands becoming a fashionable element for informal wear. Symbolism: The embroidery included a complex visual vocabulary of wishes for a long life, many offspring, and a happy marriage, derived from nature, mythology, and classical literature. Functionality: Women would fold their arms, often with their hands inside the sleeves, so the embroidered bands, which were sewn to hang down the back of the jacket, would be displayed prominently down the front. 19th century peak: The late 19th century was the peak of their popularity, with intricate designs becoming fashionable and even influenced by court tastes, such as those favoured by the Empress Dowager Cixi. Later developments: The late 19th century saw the introduction of chemical 'aniline' dyes from Europe, leading to brighter, bolder colours in embroidery. Motifs and their Meanings: Auspicious symbols: Designs often included symbols for good fortune, wealth, and longevity. Natural imagery: Birds, flowers, and landscapes were common motifs that could represent natural beauty or convey specific symbolic meanings. Figurative scenes: Bands could also feature narrative scenes from classical stories or legends. The choice of motifs allowed women to express personal desires, cultural values, and aesthetic preferences, reflecting a more personal and informal style than official court attire.Pair of rich blue silk (figured) bands, 66 cm of which is heavily embroidered in couched gold metal threads in a swirling pattern, with coloured silk birds (18). There is a gold spray (floral) at the base of each band.embroidery, garments, silk embroidery, metal thread, chinese

Purchased by donor. An ecclesiastical stole is a traditional liturgical strip of coloured cloth worn by ordained clergy as a symbol of authority, the yoke of Christ, and servant ministry. Symbolism: It represents the spiritual authority of ordained office and Christ's readiness to serve. Colours: Changes according to the liturgical season or special service—such as purple for Lent, green for Ordinary Time, red for Pentecost, and white/gold for festive celebrations. • Priests and Bishops: Worn draped around the back of the neck with both ends hanging down straight in front. • Deacons: Worn diagonally, draped over the left shoulder and fastened at the right side.Cream silk twill ground with ten panels of embroidered flowers stitched in coloured silks and gold metal threads. Alternating nine panels are stitched green ground with floral designs on top. Edged with gold cord and fringed on both ends.stole, priest's stole, metal thread