Indian Zardosi style embroidery using metal threads and sequins.Gold metal thread embroidered panel from India depicting a bird and flowers on red cotton surrounded by gold paillettes.floral, birds

Panel embroidered in gold work (or nue) and embellished with beads. "Mistress Mary" is dressed in medieval dress of brown silk on a dull green background.embroidery, metal thread, picture, 1960-80, australia

Oriental head embroidered in genuine Jap gold thread with hair of black felt, and beard of couched threads (plastic?) Background is brown silk or synthetic, mounted on a lighter brown padded board."Thread Mask" EW 1985embroidery, metal thread, oriental, goldwork, picture

One of a number of samplers (see 1205, 1207 and 1208) embroidered by the donors aunt, Miss Elizabeth Lewis while studying at the Royal School of Needlework. She taught and judged embroidery throughout England.Goldwork sampler. Typical Royal School of Needlework metal thread sampler showing different techniques of metal thread and laid silk work on natural linen.goldwork, embroidery, silk embroidery, england, 1920-40

Made by Chinese in Australia, probably Sydney (Other examples in the Power House Museum.Unofficial Australian Coat of Arms. Central rectangular shield, quartered with a sheep, a ship, wheat sheaf and tools in the quarters. Kangaroo and emu on each side of shield. Two Australian flags, one orange, one purple on each side. Rising sun in the centre above the shield. Silver, metal thread scroll at the bottom with "Advance Australia" inscription. Wide cedar frame. Glass with gold fillet."Advance Australia" in silver metal thread ribbon scroll.embroidery, ceremonial, 1900, australia, metal thread

Made by founding member of The Embroiderers Guild Victoria, Edna Wark in 1982Metal thread embroidery with aluminium passing thread couched over laid string with a small amount of silk embroidery. Mounted behind soft, green velvet fabric frame.

Exhibited at the 1966 Georges Exhibition and purchased by the Victorian Guild. Designed and worked by Mrs E.M. John, Doncaster School of Art, U.K.Cream satin, great variety of stitch techniques in coloured threads, gold and silver. Some applied with gold kid. Mounted in a black and gold frame.embroidery, goldwork, 1960-80, england, creative, panel

This is also an 18th century technique of using gold thread and is mentioned by Beryl Dean. Modern gold work - embroidered by Mrs Wark from a design by Con. Bolton. Taken from a figure of Justicia, the original is hanging in the Senior Common Rooms of Trinity College, Melbourne.Face entirely worked in Japanese gold thread using the Chinese technique which has no gold ends taken to the back. Padded felt is used for the head-dress. Framed in gold with back exposed for study.embroidery, panel, 1960-80, australia, goldwork

a. RAAF Drum Major's insignia (1954 to present 1995) on winter ceremonial band uniform stitched onto lower left and right sleeves.R.A.A.F. Drum Major's insignia. Metal thread.embroidery, metal thread, badges, late 20th century, australia

Strip of purple ribbon with gold coloured metal thread edging.ribbon, silk, metal thread

Exhibited and purchased from the 2010 "Jubilation" exhibition at The Embroiderers Guild Victoria, celebrating 50th Anniversary of the Guild.An abstract metal thread embroidery depicting a landscape, on a striped background in a white frame.picture, embroidery, metal thread, australia

White satin with a wide decorative band of silver metal thread work, sequins and pale floss silks. Matching silver fringe.embroidery, mats, india, oriental, metal thread, silk embroidery

Agnus Dei: Latin - Lamb of God. The triumphal lamb is shown with a waving banner. A title for Jesus Christ originating from John 1:29. It refers to a specific prayer in Western Christian liturgies (Roman Catholic, Anglican, Lutheran) sung or said during the fraction rite (breaking of the bread) before Communion, often accompanied by musical settings.Silver and gold metal thread, gold sequins on square of blue silk. Possible 30-40 years old - 1960-80. Red velvet flag.embroidery, ecclesiastical, chasuble, 1960-80, australia, metal thread

b. RAAF signallers brevet (insignia) used 1954-1980, worn on service dress tunic above left breast pocket.R.A.A.F. badge -RAAF signallers brevet (insignia) used 1954-1980, worn on service dress tunic above left breast pocket. Metal thread.embroidery, metal thread, badges, late 20th century, australia

Found in an opportunity shop.Pale yellow satin with a classical embroidered border in silver metal threads, and bullions. Flowers and pomegranates. Peacocks in dark blue, red, green and gold metal.embroidery, mats, metal thread, india

Two blue silk panels with mirror image designs of phoenix and chrysanthemums. Metal thread, gold couched in orange, red, cream and turquoise silk. Selvedge and hemmed edges.embroidery, china, metal thread, silk embroidery, oriental, panels, phoenix, crysanthemum

Said to have once belonged to Marie Antoinette.Crochet purse, Finely made in colours of red, blue, greens and gold with lovely tassels of silk (red) with silk and gold metal thread tops, and 2 closure rings.embroidery, crochet, tassels, purses, miser's purse, metal thread

c. RAAF crewman (technical) insignia badge known as a 'brevet' used 1968-c. 1985, miniature worn on summer and winter mess jackets on lower left lapel.R.A.A.F. badge -RAAF crewman (technical) insignia badge known as a 'brevet' used 1968-c. 1985, miniature worn on summer and winter mess jackets on lower left lapel. . Metal thread.embroidery, metal thread, badges, late 20th century, australia

The EGV Crest is used to publicize the Guild at exhibitions and demonstrations. A circle covered in green fabric with the crest of the Victorian Guild (scissors, thimble and needle) executed in metal thread work. On permanent display in the EGV gallery.embroidery, metal thread, 1980-2000, australia

Heavily embroidered in metal thread work in several shades of gold and brown, in a floral design. Both sides of bag are embroidered. open-work gold metal frame and double chain handle. Lined in gold silk.embroidery, gold work, metal thread

Pair of rich blue silk (figured) bands, 66 cm of which is heavily embroidered in couched gold metal threads in a swirling pattern, with coloured silk birds (18). There is a gold spray (floral) at the base of each band.embroidery, garments, silk embroidery, metal thread, chinese

Possibly purchased by donor in India or Pakistan.Cap (man's or child) hand quilted, navy cotton outer, cream inner lining. Hand tamboured in white and gold metal thread. Geometric star shaped design on crown and wavy border design on edge. hand assembled in white herringbone stitch.embroidery, cap, tambour, metal thread, pakistan, quilting

Imperial Dragon with pearl. Embroidered in two halves of a circle for mounting on either side of the front opening of a garment. Dark blue silk back ground, worked in silk floss in blues, gold and reds. Dragon embroidered in gold metal threads. The dragon is surrounded by clouds and bats. metal thread, garments, china, dragon, bat

? Damascus brocadeStrip of silk and metal thread damask woven fabric of buff, read and black. Depicts hunting or war with men on horseback and others on foot, using bows and arrows, and lances. There are dogs and and men blowing long horns. There are flowering plants on the ground, but the pattern repeat doesn't show an animal being hunted.weaving, silk, metal thread

The cope is one of the most striking vestments in the Church. An ecclesiastical hood is a liturgical or monastic head covering, often part of a cope or habit, used for warmth, distinction, or decoration. Originating from medieval cloaks, it has evolved into a symbolic accessory (like a cope hood) or functional gear (like a monk’s capuce) for various religious orders.Semi circular hood of gold organza with silver metal thread and aqua silk embroidery. Dark red short full silk fringe on curved edge, and 5 loops on straight edge to attach to garment. Has been backed with apricot satin, Front of 4 flowers (5 petalled), leaves and initials.IHSembroidery, metal thread, silk, ecclesiastical, hood, hat

19th century Japanese screen (partial) embroidered in silver metal threads on brown silk in a wooden frameEmbroidered screen depicting two cranes and one small bird amongst lily pads and flowers. Worked in silver metal thread couched with coloured silks. In original wooden frame.birds, flowers, crane, tsuru, lily pads

The dress was made by Miss Mary Ryan, a pupil at Lilydale Convent (now Mt Lilydale College) in 1902. It was worn to the Annual Empire Day Celebrations in Lilydale. Accompanying photo shows dress worn by Monica Ryan (no. 5089). The outfit also includes two hand made pockets for handkerchiefs and ties (nos. 735 & 736) Empire Day Dress; Cream silk, cotton lined, embroidered with kangaroos and emu holding shield, with Southern Cross stars above rising sun emblem. Banner below reads 'Advance Australia', embriodered with silk and cotton thread; also gold metalic braiding. Bodice of dress decorated with embroidered Australian and British flags, wattle branches and eucalyptus leaves, cotton, leather leaves(?); centre of dress and sleeve cuffs decorated with red, blue and white ribbons. Thin gold braiding around neckline. back of dress closes with hook and eye fasteners. 'Advance Australia' in gold metalic thread, bottom of dress. costume - childrens, costume - female ceremonial, lilydale

St Omer Church was built from 13th to 16th century in Omer, France. Omer airfield is not far from Ypres and was an airfield used by the RFC and RAF.Square multi coloured embroidered cloth. Flower, flower buds, leaves, stems on cream silk. Cotton lace border on all sides. Blue nylon ribbon bows attached at each corner. Centre - black lead sketch of St Omer Church. The item is framed in a dark wooden frame and has a dark green mounting board behind the silk." St Omer" embroidered in metal thread under the picture of the church.souvenir, embroidery, textile, ww1

Item sent home to "Dorrie" Elizabeth Dorothy Irene wood by her father, Private John Edward Wood 5239, 6th Battalion. Embarked 1/4/1916, killed in action 20/9/1917. No known grave. Name on the Menin Gate Panel 7, AWM Panel 49, Bendigo RSL Museum Roll of Honour. Headstone Eaglehawk Cemetery erected by his wife Ethel Irene Wood.Gold and green embroidered flowers on a blue silk fabric. Silk rope binding around its edges with knot on each corner. Cream silk on back and item is padded."Souvenir from France" embroidered in black/gold metal thread.souvenir, craft, textile, handkerchief holder