.1 - Book - 20 pages + grey covers, side stapled, issued by the Australian Commonwealth Engineering Standards Association, Tentative Australian Standard - "Air-break knife switches and laminated brush switches for voltages not exceeding 660Volts" - C23 - 1926, August 1926" .2 - Book - 24 pages + grey covers, side stapled, issued by the Australian Commonwealth Engineering Standards Association, Tentative Australian Standard - "Flame proof air break switches for Voltages Not Exceeding 600Volts", C25-1926, October 1926. .3 - Book - 24 pages + grey covers, side stapled, issued by the Australian Commonwealth Engineering Standards Association, Tentative Australian Standard - "Flame proof air break circuit breakers for Voltages Not Exceeding 600Volts", C26-1926, October 1926. .4 - Book - 24 pages + grey covers, side stapled, issued by the Australian Commonwealth Engineering Standards Association, Tentative Australian Standard - "Totally Enclosed air-break Circuit Breakers for Voltages not exceeding 660 Volts" - C27 - 1926, September 1926. .5 - Book - 24 pages + grey covers, side stapled, issued by the Australian Commonwealth Engineering Standards Association, Tentative Australian Standard - "Totally Enclosed air-break Switches for Voltages not exceeding 660 Volts" - C28 - 1926, December 1926. .6 - Book - 24 pages + grey covers, side stapled, issued by the Australian Commonwealth Engineering Standards Association, Tentative Australian Standard "Metallic Resistance Materials for Electrical Purposes" - C29-1926, November 1926. .7 - Book - 28 pages + grey covers, side stapled, issued by the Australian Commonwealth Engineering Standards Association, Tentative Australian Standard - "Face Plate controllers and resistances for use therewith Electric Motors (DC and AC Slip ring)" - C31-1926 - December 1926. .8 - Book - 28 pages + grey covers, side stapled, issued by the Australian Commonwealth Engineering Standards Association, Australian Standard "Contactor Controllers and Resistances for use therewith Electric Motors (DC and AC Slip ring)" - C32-1926 - December 1926. .9 Book - 36 pages + grey covers, side stapled, issued by the Australian Commonwealth Engineering Standards Association, Tentative Australian Standard - "Electrical Performance of Industrial Electric Motors and Generators with class A insulation" - C34-1927, October 1927 with a green label dated September 1932 advised that the tentative standard has been endorsed as a Standard with amendment. .10 - Book - 56 pages + grey covers, side stapled, issued by the Australian Commonwealth Engineering Standards Association, Tentative Australian Standard - "Electrical Performance of Large Electric Generators and Motors - Rating permitting overloads" - C35-1927, April 1927 with a green label dated September 1932 advised that the tentative standard has been endorsed as a Standard with amendment. On top right hand corner has the date stamp of the "The Electric Supply Co. of Victoria Ltd Ballarat" trams, tramways, power station, standards, materials, electrical systems

This specimen is from Barefoot Hills, Victoria. Sandstones are economically important as major reservoirs for both petroleum and water, as building materials, and as valuable sources of metallic ores. Most significantly, they are the single most useful sedimentary rock type for deciphering Earth history. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.A sedimentary rock composed mostly of quartz sand. Sandstone is the second most common sedimentary rock after shale. Sandstones consist of sand-sized grains principally quartz, feldspar and rock fragments. The two major classes of sandstone are arenite and wacke. the colour of sandstone varies from grey, yellow, red and white reflecting the variation in mineral content and cement and is gritty to touch (like sandpaper).Geological survey / R.... S 61 / Loc Bareboot Hills / Sheet / 24SE / 94 /burke museum, beechworth, indigo shire, beechworth museum, geological, geological specimen, mineralogy, sandstone, yellow sandstone, victoria, barefoot hills

This navy officer’s hat has been reconditioned and this alteration may have been done for theatrical purposes. No information is available on its original owner or his country or rank.This hat is of minor interest as it is no longer in its original condition and has no known local provenance. This is a Navy officer’s hat with a white cloth circular top and a black material base and a band lined with black material. It has a Bakelite peak. The black band has an off-centre cloth badge of metallic thread featuring decorative feathers and a flag with a blue and red six-pointed star. The hat appears to be a re-conditioning of an original hat and the badge is probably not an original one. The edges of the hat are frayed and soiled. The hat has a leather lining with the maker’s name inside the hat but this is illegibleSouthhamptonaustralian navy uniform, history of warrnambool

A hammer is a tool with a heavy head and a handle, often made of shock-absorbent wood or fiberglass that is used to strike an object. The most common uses for hammers are to drive nails, fit parts, forge metal, and break apart objects. Hammers vary in shape, size, and structure, depending on their uses. Hammers are basic tools in many trades. A hammer is composed of a head most often made of steel and a handle also called a helve or haft. Most hammers are hand tools. A traditional hand-held hammer consists of a separate head and a handle, fastened together by means of a special wedge made for the purpose, or by glue, or both. This two-piece design is often used, to combine a dense metallic striking head with a non-metallic mechanical-shock-absorbing handle -to reduce user fatigue from repeated strikes. If wood is used for the handle, it is often hickory or ash, which are tough and long-lasting materials that can dissipate shock waves from the hammer head. A well used hammer with wooden handle and steel headpioneers, early settlers, market gardeners, moorabbin, brighton, cheltenham, tools, craftsman, carpenters, blacksmiths, builders, woodwork,

Lusterware is a type of pottery or porcelain with a metallic glaze that gives the effect of iridescence. The technique on pottery was first developed in Mesopotamia (modern Iraq) in the early 9th century. It is produced by metallic oxides in an overglaze finish, which is given a second firing at a lower temperature in a "muffle kiln", or a reduction kiln, excluding oxygen. The Lusterware effect is a final coating applied over the ceramic glaze, and fixed by a light second firing, applying small amounts of metallic compounds (generally of silver or copper) mixed with something to make it paintable (clay or ochre). This is then fired in a reducing atmosphere at a temperature high enough to "soften" the glaze from the first firing, and break down the metallic compounds, leaving a very thin ("perhaps 10 or 20 atoms thick") layer that is fused with the main glaze, but is mainly metal. Lusterware normally only uses one colour per piece, and the range is limited a "gold" derived from silver compounds was historically the most common. The process has always been expensive and rather unpredictable, always requiring two firings, and often the use of expensive materials such as silver and platinum. The very thin layer of luster is often delicate, and many types of Lusterware are easily damaged by scratching removing the metallic layer, or by contact with acids. Lusterware has therefore always been for display and occasional use, although by the 19th century it could be relatively cheap. Many pieces show the luster effect only working correctly on parts of the surface, or not at all. An item probably made in Staffordshire UK where this type of pottery was popular in the late 19th century by unknown pottery as the subject item has no marks. The teapot at this time cannot be associated with a historical event, person, or place, provenance regards manufacture is unknown, item assessed as a collection asset given it was produced before 1950.Teapot ceramic ornate copper lusterware abstract floral design handle has a protruding sculptured bird for thumb grip. Nonewarrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, teapot, tea set, kitchen ware, ceramic, lusterware, pottery, staffordshire uk, pottery finishes

A hammer is a tool with a heavy head and a handle, often made of shock absorbent wood or fibreglass, that is used to strike an object. The most common use for hammers are to drive nails, fit parts, forge metal and break apart objects. Hammers vary in size, shape and structure, depending on their uses. Hammers are basic tools in many trades. A hammer is composed of a head, most often made of steel and handle also called a helve or haft. Most hammers are hand tools. A traditional hand-held hammer consists of a separate head and handle, fastened together by means of a special wedge made for the purpose, or by glue, or by both . This 2 piece design is often used to combine a dense metallic striking head with a non-metallic mechanical shock absorbing handle - to reduce user fatigue from repeated strikes. If wood is used for the handle, it is often ash or hickory, which are tough and long lasting materials that can dissipate shock waves from the hammer head. This upholsterer’s hammer has one end of the steel head rounded for knocking nails into wood furniture. The other end is divided to form a 2 pronged claw for withdrawing nails. . An upholsterer's hammer with a steel head and wooden handle, The steel head has one rounded end and a clawed endpioneers, early settlers, market gardeners, moorabbin, bentleigh, cheltenham, brighton, tools, craftsman, carpenters, cabinet makers, blacksmiths, builders, woodwork

The 'Black Saturday' bushfires were a series of bushfires that ignited across the Australian state of Victoria on and around Saturday, 7 February 2009. It was Australia's worst ever natural disaster. The fires occurred during extreme bushfire-weather conditions and resulted in Australia's highest ever loss of life from a bushfire: 173 people died and 414 were injured as a result of the fires.This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. The 'Black Saturday' series is a powerful investigation of emotion and grief as experienced by many Nillumbik residents during the 2009 'Black Saturday' bushfires. A cluster of bronze figurines either stand alone or embrace in groups. Their expressions and gestures of despair are made more pertinent with the raw like application and surface treatment of the material used. The 'Black Saturday' series is a challenging work, but one that encourages healing, connection and empathy. Solitary male figure wrapped in a blanket, clutched to his chest and over his head. Surface treatment is textured. Metallic brown colour with base starting to turn a green patina. Sticker underside of sculpture 'WEGNER THE BLANKET AG205642'wegner, bronze, figurine, black saturday, sculpture

The 'Black Saturday' bushfires were a series of bushfires that ignited across the Australian state of Victoria on and around Saturday, 7 February 2009. It was Australia's worst ever natural disaster. The fires occurred during extreme bushfire-weather conditions and resulted in Australia's highest ever loss of life from a bushfire: 173 people died and 414 were injured as a result of the fires.This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. The 'Black Saturday' series is a powerful investigation of emotion and grief as experienced by many Nillumbik residents during the 2009 'Black Saturday' bushfires. A cluster of bronze figurines either stand alone or embrace in groups. Their expressions and gestures of despair are made more pertinent with the raw like application and surface treatment of the material used. The 'Black Saturday' series is a challenging work, but one that encourages healing, connection and empathy. Solitary male figure wearing a long hooded coat clutching his hands underneath his chin in shock. Surface treatment is textured. Dark metallic brown colour. Hand carved on base, back of figure '2/6 WEGNER 10'wegner, bronze, figurine, black saturday, sculpture

The 'Black Saturday' bushfires were a series of bushfires that ignited across the Australian state of Victoria on and around Saturday, 7 February 2009. It was Australia's worst ever natural disaster. The fires occurred during extreme bushfire-weather conditions and resulted in Australia's highest ever loss of life from a bushfire: 173 people died and 414 were injured as a result of the fires.This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. The 'Black Saturday' series is a powerful investigation of emotion and grief as experienced by many Nillumbik residents during the 2009 'Black Saturday' bushfires. A cluster of bronze figurines either stand alone or embrace in groups. Their expressions and gestures of despair are made more pertinent with the raw like application and surface treatment of the material used. The 'Black Saturday' series is a challenging work, but one that encourages healing, connection and empathy. Two men embrace in despair. One man throws his arms around the other man's shoulders. The other man holds the other's back. Surface treatment is textured. Dark metallic brown colour with figures starting to turn a green patina. Note stuck with tape underside of sculpture 'Savage Art Prize Peter Wegner (phone number) The Embrace 2011'wegner, bronze, figurines, black saturday, sculpture

The 'Black Saturday' bushfires were a series of bushfires that ignited across the Australian state of Victoria on and around Saturday, 7 February 2009. It was Australia's worst ever natural disaster. The fires occurred during extreme bushfire-weather conditions and resulted in Australia's highest ever loss of life from a bushfire: 173 people died and 414 were injured as a result of the fires.This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. The 'Black Saturday' series is a powerful investigation of emotion and grief as experienced by many Nillumbik residents during the 2009 'Black Saturday' bushfires. A cluster of bronze figurines either stand alone or embrace in groups. Their expressions and gestures of despair are made more pertinent with the raw like application and surface treatment of the material used. The 'Black Saturday' series is a challenging work, but one that encourages healing, connection and empathy. Solitary figure sitting on rock/log with elbows resting on knees and hands on head. Face looking down in despair. Surface treatment is textured. Dark metallic brown colour with figure starting to turn a green patina.Sticker underside of sculpture 'No. 205640 (AP)'wegner, figurine, bronze, black saturday, sculpture

The 'Black Saturday' bushfires were a series of bushfires that ignited across the Australian state of Victoria on and around Saturday, 7 February 2009. It was Australia's worst ever natural disaster. The fires occurred during extreme bushfire-weather conditions and resulted in Australia's highest ever loss of life from a bushfire: 173 people died and 414 were injured as a result of the fires.This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. The 'Black Saturday' series is a powerful investigation of emotion and grief as experienced by many Nillumbik residents during the 2009 'Black Saturday' bushfires. A cluster of bronze figurines either stand alone or embrace in groups. Their expressions and gestures of despair are made more pertinent with the raw like application and surface treatment of the material used. The 'Black Saturday' series is a challenging work, but one that encourages healing, connection and empathy. Three figures embrace in despair (two men, one woman). One throws his arms around the other two figures who are consoling each other in an emotional embrace. Surface treatment is textured . Metallic brown colour. 'WEGNER THE WAKE 1 AG205643'wegner, figurines, bronze, black saturday, sculpture

Worn by Lt. Sharpley. From Mitcham RSL. .1 Red woollen cropped jacket with green wool lapels and black cuffs and epaulets. Australian Intelligence Corps badges on lapels. Epaulet badges, crown and diamond shape and metallic button. Formal Mess Dress. .2 Waistcoat of green woollen velvet like material with black satin back and oyster satin lining. 4 metal buttons and 2 slit pocketsCGCF Victoriauniforms, army

From Mitcham RSLKhaki Officers No 1 dress jacket.with belt and attached 'Royal Australian Artillery' material Badges on top of sleeves. Crown and 'R' badges on both shoulder epaulets. Artillery lapel badges - metallic and various campaign ribbons. Internal label 'Ince Bros. tailors Melb.uniforms, army

A Dayton tennis racquet, with a steel head, and small, open throat, and, wooden shaft and deep-grooved handle. Racquet strings made from piano wire. Small metallic plaque on shaft on obverse, with image of tennis player, reads: DAYTON/STEEL/RACQUET. Materials: Wood, Metal, Glue, Lacquer, String, Paint, Leather, Inktennis

A Dayton Pilot tennis racquet, with a steel head and open throat, and, wooden shaft and deep-grooved handle. Racquet strings made from piano wire. Racquet head stringing continues through into the fully opened throat. Metallic badge features on shaft on obverse, with the image of a tennis player below the inscription: DAYTON/STEEL/RACQUET. Decal of model features on right side of shaft. Materials: Wood, Metal, Glue, Lacquer, Paint, Leather, Ink, Cordtennis

A Dayton-built, Wilson Indestructo, wholly metallic tennis racquet, with a wood or cork fibre handle grip wrapped around lower shaft. Strung with piano wire along and across head and open throat. Model and manufacturing details engraved into underside of butt cap. Materials: Metal, Glue, Paint, String, Cord, Wood fibretennis

A wooden racquet with laminated concave throat, cloth tape shoulder reinforcements, and medium grooved handle. Inscription across and along throat on obverse: DRIVA/(EXELA)/WILLIAMS & CO. PARIS. Inscription across butt cover, in French: WILLIAMS & CO/1. RUE CAUMARTIN/PARIS/A GARDER SOUS PRESSE. Adhered onto the throat on reverse is a small metallic - possibly silver - diamond device, containing within the initials L.C. Materials: Wood, Gut, Cloth tape, Ink, Glue, Lacquer, Leather, Metal, Stringtennis

A wooden racquet with solid, and tapered, convex throat, cloth tape shoulder reinforcements, and medium grooved handle. Features early use of laminated wood strips, nailed to side of stem, and up along throat and lower head. This is also painted brown. Inscription across throat on obverse: TUNMER/"SPECIAL". Inscription across butt cover, in French: A.A. TUNMER/& CO.//PARIS/A GARDER SOUS PRESSE. Adhered onto the throat on obverse is a small metallic - possibly silver - monogram, possibly spelling the initials K.B. On the throat on reverse, is inscription in French and Latin: MARQUE DE FABRIQUE DEPOSEE/ATA/IN HOC SIGNO VINCES. Materials: Wood, Gut, Cloth tape, Ink, Glue, Lacquer, Leather, Metal, Painttennis

A Wilson Slammer racquetball racquet, with one-piece metallic frame, plastic throat brace, plastic handle with leather grip, and cord tail. Materials: Metal, Plastic, Leather, Cord, Nylon, Ink, Adhesive tape, Gluetennis

A Wilson Stan Smith Monterey tennis racquet. Base of head features Wilson logo. Throat and shaft feature model name and gold and white shield device with 'S' at centre. Lower shaft and butt cap feature 'W' trademark. Leather handle grip features quatrefoil perforations. Butt cap has metallic plate adhered to it, engraved with the name 'JOE'. Materials: Wood, Nylon, Leather, Glue, Metal, Lacquer, Paint, Adhesive tape, Ribbon, Plastictennis

A wooden tennis racquet painted metallic blue from shoulders to handle, with blue ribbon whipping from shoulders to shaft. Inscription across base of head on obverse: COLLEGIATE. Inscription across throat, on reverse: BANCROFT/FIRST IN TENNIS SINCE 1882. Handwritten name across cloth butt cover features the surname: ROHMS. Materials: Wood, Nylon, Leather, Glue, Lacquer, Metal, Ink, Cloth, Plastic, Adhesive tape, Painttennis

A Ring Tennis set chest (.1) containing: rings (.2 - .5); guy ropes (.6 - .7); net posts (.8, 2 parts, .9, one part); court boundary markers (.10 - .19); rope (.20), and a metallic flag marker (.21). Eight miscellaneous pieces also feature. Inscription across top of lid: "TENIKOIT' OR RING TENNIS/...REGULATION FOUR PLAYER SET. Across top of base: R.H. MOTTRAM/(SOLE MAKER)/CHURCH STRETTON/SHROPSHIRE. On sides of box: TENIKOIT/NO. 2A. Materials: Wood, Metal, Lacquer, Ink, Glue, Rubber, Paint, Rope, Cord, Stringtennis