Showing 46 items matching "metallic materials"
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Moorabbin Air MuseumDocument (Item) - Vacuum Heat Treatment And Brazing Of Metallic Materials
... Vacuum Heat Treatment And Brazing Of Metallic Materials...Vacuum Heat Treatment And Brazing Of Metallic Materials...Moorabbin Air Museum Moorabbin Airport 12 First Street Moorabbin melbourne Vacuum Heat Treatment And Brazing Of Metallic Materials Document Vacuum Heat Treatment And Brazing Of Metallic Materials ... -
Moorabbin Air Museum
Manual (item) - CAC Commonwealth Aircraft Corporation Non Metallic Materials, Non Metallic Materials CA 100/300/400/700/800
... CAC Commonwealth Aircraft Corporation Non Metallic Materials...Non Metallic Materials CA 100/300/400/700/800...Moorabbin Air Museum Moorabbin Airport 12 First Street Moorabbin melbourne Commonwealth Aircraft Corporation Non Metallic Materials CA 100/300/400/700/800 Manual CAC Commonwealth Aircraft Corporation Non Metallic Materials ...Commonwealth Aircraft Corporation -
Moorabbin Air Museum
Manual (item) - British American Equivalents for Metallic Materials
... British American Equivalents for Metallic Materials...British American Equivalents for Metallic Materials...Moorabbin Air Museum Moorabbin Airport 12 First Street Moorabbin melbourne Binder British American Equivalents for Metallic Materials Manual British American Equivalents for Metallic Materials ... -
Moorabbin Air Museum
Booklet (item) - CAC Method Of Call Up Metallic Materials
... CAC Method Of Call Up Metallic Materials...CAC Method Of Call Up Metallic Materials...Moorabbin Air Museum Moorabbin Airport 12 First Street Moorabbin melbourne CAC Method Of Call Up Metallic Materials Booklet CAC Method Of Call Up Metallic Materials ... -
Moorabbin Air Museum
Manual - Aircraft materials, Military Handbook Metallic Materials and Elements for Aerospace Vehicle Structures
... Military Handbook Metallic Materials and Elements for Aerospace Vehicle Structures...Title only on inside page Military Handbook Metallic Materials and Elements for Aerospace Vehicle Structures Manual Aircraft materials ...Full overview of metallic materials/elements for aircraft, circa late 60s - early 70sLarge 3 ring folder. Title only on inside pagenon-fictionFull overview of metallic materials/elements for aircraft, circa late 60s - early 70sformiulas, basic principles, failures, steel, aluminium alloys, alloys, fatigue, element properties, magnesium alloys -
Moorabbin Air Museum
Book - Aeronautical Engineering, Mechanical Testing of Metallic Materials
... Mechanical Testing of Metallic Materials ...Moorabbin Air Museum Moorabbin Airport 12 First Street Moorabbin melbourne Aeronautical engineering Tensile test Proof stress Hardness tests Calibration of testing machines Overview of proof testing, circa 1940 Mechanical Testing of Metallic Materials Book Aeronautical Engineering ...Overview of proof testing, circa 1940non-fictionOverview of proof testing, circa 1940tensile test, proof stress, hardness tests, calibration of testing machines -
Moorabbin Air Museum
Book (Item) - Mechanical Testing of Metallic Materials with special references to proof stress by RA Beaumont
... Mechanical Testing of Metallic Materials with special references to proof stress by RA Beaumont...Moorabbin Air Museum Moorabbin Airport 12 First Street Moorabbin melbourne Book Mechanical Testing of Metallic Materials with special references to proof stress by RA Beaumont ANSETT AUSTRALIA HISTORICAL AIRCRAFT GROUP ... -
Moorabbin Air Museum
Book - Aeronautical engineering, Inspection of Aircraft After Overhaul ( B Licence)
... Non metallic materials...Moorabbin Air Museum Moorabbin Airport 12 First Street Moorabbin melbourne Aeronautical engineering Non metallic materials Metallic materials Component inspection Hulls & floats Inspection of completed aircraft Overview of post overhaul inspection for those seeking B licence, circa 1941 Inspection of Aircraft After Overhaul ( B Licence) Book Aeronautical engineering ...Overview of post overhaul inspection for those seeking B licence, circa 1941non-fictionOverview of post overhaul inspection for those seeking B licence, circa 1941non metallic materials, metallic materials, component inspection, hulls & floats, inspection of completed aircraft -
Ballarat Tramway MuseumBook, Australian Commonwealth Engineering Standards Association, "Flame proof air break switches for Voltages Not Exceeding 600Volts"s", 1926-1932
... .1 - Book - 20 pages + grey covers, side stapled, issued by the Australian Commonwealth Engineering Standards Association, Tentative Australian Standard - "Air-break knife switches and laminated brush switches for voltages not exceeding 660Volts" - C23 - 1926, August 1926" .2 - Book - 24 pages + grey covers, side stapled, issued by the Australian Commonwealth Engineering Standards Association, Tentative Australian Standard - "Flame proof air break switches for Voltages Not Exceeding 600Volts", C25-1926, October 1926. .3 - Book - 24 pages + grey covers, side stapled, issued by the Australian Commonwealth Engineering Standards Association, Tentative Australian Standard - "Flame proof air break circuit breakers for Voltages Not Exceeding 600Volts", C26-1926, October 1926. .4 - Book - 24 pages + grey covers, side stapled, issued by the Australian Commonwealth Engineering Standards Association, Tentative Australian Standard - "Totally Enclosed air-break Circuit Breakers for Voltages not exceeding 660 Volts" - C27 - 1926, September 1926. .5 - Book - 24 pages + grey covers, side stapled, issued by the Australian Commonwealth Engineering Standards Association, Tentative Australian Standard - "Totally Enclosed air-break Switches for Voltages not exceeding 660 Volts" - C28 - 1926, December 1926. .6 - Book - 24 pages + grey covers, side stapled, issued by the Australian Commonwealth Engineering Standards Association, Tentative Australian Standard "Metallic Resistance Materials for Electrical Purposes" - C29-1926, November 1926. .7 - Book - 28 pages + grey covers, side stapled, issued by the Australian Commonwealth Engineering Standards Association, Tentative Australian Standard - "Face Plate controllers and resistances for use therewith Electric Motors (DC and AC Slip ring)" - C31-1926 - December 1926. .8 - Book - 28 pages + grey covers, side stapled, issued by the Australian Commonwealth Engineering Standards Association, Australian Standard "Contactor Controllers and Resistances for use therewith Electric Motors (DC and AC Slip ring)" - C32-1926 - December 1926. .9 Book - 36 pages + grey covers, side stapled, issued by the Australian Commonwealth Engineering Standards Association, Tentative Australian Standard - "Electrical Performance of Industrial Electric Motors and Generators with class A insulation" - C34-1927, October 1927 with a green label dated September 1932 advised that the tentative standard has been endorsed as a Standard with amendment. .10 - Book - 56 pages + grey covers, side stapled, issued by the Australian Commonwealth Engineering Standards Association, Tentative Australian Standard - "Electrical Performance of Large Electric Generators and Motors - Rating permitting overloads" - C35-1927, April 1927 with a green label dated September 1932 advised that the tentative standard has been endorsed as a Standard with amendment. ...Ballarat Tramway Museum South Gardens Reserve Wendouree Parade Ballarat Ballarat goldfields Trams tramways Power Station Standards Materials Electrical Systems On top right hand corner has the date stamp of the "The Electric Supply Co. of Victoria Ltd Ballarat" .1 - Book - 20 pages + grey covers, side stapled, issued by the Australian Commonwealth Engineering Standards Association, Tentative Australian Standard - "Air-break knife switches and laminated brush switches for voltages not exceeding 660Volts" - C23 - 1926, August 1926" .2 - Book - 24 pages + grey covers, side stapled, issued by the Australian Commonwealth Engineering Standards Association, Tentative Australian Standard - "Flame proof air break switches for Voltages Not Exceeding 600Volts", C25-1926, October 1926. .3 - Book - 24 pages + grey covers, side stapled, issued by the Australian Commonwealth Engineering Standards Association, Tentative Australian Standard - "Flame proof air break circuit breakers for Voltages Not Exceeding 600Volts", C26-1926, October 1926. .4 - Book - 24 pages + grey covers, side stapled, issued by the Australian Commonwealth Engineering Standards Association, Tentative Australian Standard - "Totally Enclosed air-break Circuit Breakers for Voltages not exceeding 660 Volts" - C27 - 1926, September 1926. .5 - Book - 24 pages + grey covers, side stapled, issued by the Australian Commonwealth Engineering Standards Association, Tentative Australian Standard - "Totally Enclosed air-break Switches for Voltages not exceeding 660 Volts" - C28 - 1926, December 1926. .6 - Book - 24 pages + grey covers, side stapled, issued by the Australian Commonwealth Engineering Standards Association, Tentative Australian Standard "Metallic Resistance Materials for Electrical Purposes" - C29-1926, November 1926. .7 - Book - 28 pages + grey covers, side stapled, issued by the Australian Commonwealth Engineering Standards Association, Tentative Australian Standard - "Face Plate controllers and resistances for use therewith Electric Motors (DC and AC Slip ring)" - C31-1926 - December 1926. .8 - Book - 28 pages + grey covers, side stapled, issued by the Australian Commonwealth Engineering Standards Association, Australian Standard "Contactor Controllers and Resistances for use therewith Electric Motors (DC and AC Slip ring)" - C32-1926 - December 1926. .9 Book - 36 pages + grey covers, side stapled, issued by the Australian Commonwealth Engineering Standards Association, Tentative Australian Standard - "Electrical Performance of Industrial Electric Motors and Generators with class A insulation" - C34-1927, October 1927 with a green label dated September 1932 advised that the tentative standard has been endorsed as a Standard with amendment. .10 - Book - 56 pages + grey covers, side stapled, issued by the Australian Commonwealth Engineering Standards Association, Tentative Australian Standard - "Electrical Performance of Large Electric Generators and Motors - Rating permitting overloads" - C35-1927, April 1927 with a green label dated September 1932 advised that the tentative standard has been endorsed as a Standard with amendment. ....1 - Book - 20 pages + grey covers, side stapled, issued by the Australian Commonwealth Engineering Standards Association, Tentative Australian Standard - "Air-break knife switches and laminated brush switches for voltages not exceeding 660Volts" - C23 - 1926, August 1926" .2 - Book - 24 pages + grey covers, side stapled, issued by the Australian Commonwealth Engineering Standards Association, Tentative Australian Standard - "Flame proof air break switches for Voltages Not Exceeding 600Volts", C25-1926, October 1926. .3 - Book - 24 pages + grey covers, side stapled, issued by the Australian Commonwealth Engineering Standards Association, Tentative Australian Standard - "Flame proof air break circuit breakers for Voltages Not Exceeding 600Volts", C26-1926, October 1926. .4 - Book - 24 pages + grey covers, side stapled, issued by the Australian Commonwealth Engineering Standards Association, Tentative Australian Standard - "Totally Enclosed air-break Circuit Breakers for Voltages not exceeding 660 Volts" - C27 - 1926, September 1926. .5 - Book - 24 pages + grey covers, side stapled, issued by the Australian Commonwealth Engineering Standards Association, Tentative Australian Standard - "Totally Enclosed air-break Switches for Voltages not exceeding 660 Volts" - C28 - 1926, December 1926. .6 - Book - 24 pages + grey covers, side stapled, issued by the Australian Commonwealth Engineering Standards Association, Tentative Australian Standard "Metallic Resistance Materials for Electrical Purposes" - C29-1926, November 1926. .7 - Book - 28 pages + grey covers, side stapled, issued by the Australian Commonwealth Engineering Standards Association, Tentative Australian Standard - "Face Plate controllers and resistances for use therewith Electric Motors (DC and AC Slip ring)" - C31-1926 - December 1926. .8 - Book - 28 pages + grey covers, side stapled, issued by the Australian Commonwealth Engineering Standards Association, Australian Standard "Contactor Controllers and Resistances for use therewith Electric Motors (DC and AC Slip ring)" - C32-1926 - December 1926. .9 Book - 36 pages + grey covers, side stapled, issued by the Australian Commonwealth Engineering Standards Association, Tentative Australian Standard - "Electrical Performance of Industrial Electric Motors and Generators with class A insulation" - C34-1927, October 1927 with a green label dated September 1932 advised that the tentative standard has been endorsed as a Standard with amendment. .10 - Book - 56 pages + grey covers, side stapled, issued by the Australian Commonwealth Engineering Standards Association, Tentative Australian Standard - "Electrical Performance of Large Electric Generators and Motors - Rating permitting overloads" - C35-1927, April 1927 with a green label dated September 1932 advised that the tentative standard has been endorsed as a Standard with amendment. On top right hand corner has the date stamp of the "The Electric Supply Co. of Victoria Ltd Ballarat" trams, tramways, power station, standards, materials, electrical systems -
Warrnambool and District Historical Society Inc.Hat, Navy Officer's, Mid 20th century
... material. It has a Bakelite peak. The black band has an off-centre cloth badge of metallic thread featuring decorative feathers and a flag with a blue and red six-pointed star. ...material. It has a Bakelite peak. The black band has an off-centre cloth badge of metallic thread featuring decorative feathers and a flag with a blue and red six-pointed star. ...This navy officer’s hat has been reconditioned and this alteration may have been done for theatrical purposes. No information is available on its original owner or his country or rank.This hat is of minor interest as it is no longer in its original condition and has no known local provenance. This is a Navy officer’s hat with a white cloth circular top and a black material base and a band lined with black material. It has a Bakelite peak. The black band has an off-centre cloth badge of metallic thread featuring decorative feathers and a flag with a blue and red six-pointed star. The hat appears to be a re-conditioning of an original hat and the badge is probably not an original one. The edges of the hat are frayed and soiled. The hat has a leather lining with the maker’s name inside the hat but this is illegibleSouthhamptonaustralian navy uniform, history of warrnambool -
Bendigo Military MuseumEquipment - AMMUNITION POUCH, 1942
... Additional material at back with metallic clips to attach to uniform. ...Additional material at back with metallic clips to attach to uniform. three small pouches built into inside of top of lid. ...Canvas ammunition pouches carried by soldiers during WW2.Canvas pouch, cream coloured with stud clip to close. Open at top. Additional material at back with metallic clips to attach to uniform. three small pouches built into inside of top of lid.Inside stamped, “L.L.8.T.L. 1942”passchendaele barracks trust, ammunition pouch -
Bendigo Military MuseumEquipment - COMPASS POUCH, Unknown
... Additional material on back with a metallic clip to attach to uniform. ...Additional material on back with a metallic clip to attach to uniform. ...Khaki green compass pouch with metal stud to close. Additional material on back with a metallic clip to attach to uniform. Small stud hole at bottom of pouch.Inside in Texta "Stasse J." passchendaele barracks trust, compass pouch -
Emerald Museum & Nobelius Heritage ParkAccessory - Black Drawstring Bag, c. 1920s
... Another cluster of tiny metallic rings adorn the tassel. The inside of the bag is also black, made with a less glossy material than the outside....Another cluster of tiny metallic rings adorn the tassel. The inside of the bag is also black, made with a less glossy material than the outside. ...This bag is believed to have belonged to Ruby May Selina Wallace (1891-1973), who lived in Inglewood in regional Victoria. It was donated by an Emerald resident who received it from Ruby. It may belong to the Art Deco 'Flapper' fashion of the 1920s and may have been a handmade contribution to the styles of the time.This bag may be an example of handmade expressions of 'Flapper' fashion in 1920s Australia.A bag made with black, glossy satin-like material, closed with a black drawstring. A black tassel hangs beneath the bag, and a fringe of similar black threads adorn the outside of the bag's opening, just below the drawstring. Tiny metallic rings are arranged regularly around the opening, between the threads and the drawstring. Another cluster of tiny metallic rings adorn the tassel. The inside of the bag is also black, made with a less glossy material than the outside.No inscriptionstextiles, fashion, drawstring bag, flappers, art deco, 1920s -
The Beechworth Burke MuseumGeological specimen - Yellow Sandstone
... Sandstones are economically important as major reservoirs for both petroleum and water, as building materials, and as valuable sources of metallic ores. Most significantly, they are the single most useful sedimentary rock type for deciphering Earth history. ...This specimen is from Barefoot Hills, Victoria. Sandstones are economically important as major reservoirs for both petroleum and water, as building materials, and as valuable sources of metallic ores. Most significantly, they are the single most useful sedimentary rock type for deciphering Earth history. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.A sedimentary rock composed mostly of quartz sand. Sandstone is the second most common sedimentary rock after shale. Sandstones consist of sand-sized grains principally quartz, feldspar and rock fragments. The two major classes of sandstone are arenite and wacke. the colour of sandstone varies from grey, yellow, red and white reflecting the variation in mineral content and cement and is gritty to touch (like sandpaper).Geological survey / R.... S 61 / Loc Bareboot Hills / Sheet / 24SE / 94 /burke museum, beechworth, indigo shire, beechworth museum, geological, geological specimen, mineralogy, sandstone, yellow sandstone, victoria, barefoot hills -
The Beechworth Burke MuseumGeological specimen - Cinnibar
... metallic mercury at the crystal surface. This mercury may produce a silver colouration A common red ore that is often found in locations where there has been volcanic activity and has been historically used as a red pigment as a cosmetic or for colouring stone. It is commonly used today as a method of creating mercury. Burke Museum Beechworth Minerology Geology Geological Specimin Spain Cinnabar CINNIBAR / (Mercury sulphide) / Locality: Spain. Red and brownish red stone with some whitish silver material ...Cinnabar is naturally red, but can undergo photo-oxidation to form colloidal metallic mercury at the crystal surface. This mercury may produce a silver colourationA common red ore that is often found in locations where there has been volcanic activity and has been historically used as a red pigment as a cosmetic or for colouring stone. It is commonly used today as a method of creating mercury.Red and brownish red stone with some whitish silver material at the surface CINNIBAR / (Mercury sulphide) / Locality: Spain.burke museum, beechworth, minerology, geology, geological specimin, spain, cinnabar -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)Tools, wooden hammer with steel head, c1900
... This two-piece design is often used, to combine a dense metallic striking head with a non-metallic mechanical-shock-absorbing handle -to reduce user fatigue from repeated strikes. If wood is used for the handle, it is often hickory or ash, which are tough and long-lasting materials that can dissipate shock waves from the hammer head. ...This two-piece design is often used, to combine a dense metallic striking head with a non-metallic mechanical-shock-absorbing handle -to reduce user fatigue from repeated strikes. If wood is used for the handle, it is often hickory or ash, which are tough and long-lasting materials that can dissipate shock waves from the hammer head. pioneers, early settlers, market gardeners, moorabbin, brighton, cheltenham, tools, craftsman, carpenters, blacksmiths, builders, woodwork, A well used hammer with wooden handle and steel head Tools, wooden hammer with steel head Early settler ...A hammer is a tool with a heavy head and a handle, often made of shock-absorbent wood or fiberglass that is used to strike an object. The most common uses for hammers are to drive nails, fit parts, forge metal, and break apart objects. Hammers vary in shape, size, and structure, depending on their uses. Hammers are basic tools in many trades. A hammer is composed of a head most often made of steel and a handle also called a helve or haft. Most hammers are hand tools. A traditional hand-held hammer consists of a separate head and a handle, fastened together by means of a special wedge made for the purpose, or by glue, or both. This two-piece design is often used, to combine a dense metallic striking head with a non-metallic mechanical-shock-absorbing handle -to reduce user fatigue from repeated strikes. If wood is used for the handle, it is often hickory or ash, which are tough and long-lasting materials that can dissipate shock waves from the hammer head. A well used hammer with wooden handle and steel headpioneers, early settlers, market gardeners, moorabbin, brighton, cheltenham, tools, craftsman, carpenters, blacksmiths, builders, woodwork, -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)Tools, hammer upholstering, c1900
... This 2 piece design is often used to combine a dense metallic striking head with a non-metallic mechanical shock absorbing handle - to reduce user fatigue from repeated strikes. If wood is used for the handle, it is often ash or hickory, which are tough and long lasting materials that can dissipate shock waves from the hammer head. ...This 2 piece design is often used to combine a dense metallic striking head with a non-metallic mechanical shock absorbing handle - to reduce user fatigue from repeated strikes. If wood is used for the handle, it is often ash or hickory, which are tough and long lasting materials that can dissipate shock waves from the hammer head. ...A hammer is a tool with a heavy head and a handle, often made of shock absorbent wood or fibreglass, that is used to strike an object. The most common use for hammers are to drive nails, fit parts, forge metal and break apart objects. Hammers vary in size, shape and structure, depending on their uses. Hammers are basic tools in many trades. A hammer is composed of a head, most often made of steel and handle also called a helve or haft. Most hammers are hand tools. A traditional hand-held hammer consists of a separate head and handle, fastened together by means of a special wedge made for the purpose, or by glue, or by both . This 2 piece design is often used to combine a dense metallic striking head with a non-metallic mechanical shock absorbing handle - to reduce user fatigue from repeated strikes. If wood is used for the handle, it is often ash or hickory, which are tough and long lasting materials that can dissipate shock waves from the hammer head. This upholsterer’s hammer has one end of the steel head rounded for knocking nails into wood furniture. The other end is divided to form a 2 pronged claw for withdrawing nails. . An upholsterer's hammer with a steel head and wooden handle, The steel head has one rounded end and a clawed endpioneers, early settlers, market gardeners, moorabbin, bentleigh, cheltenham, brighton, tools, craftsman, carpenters, cabinet makers, blacksmiths, builders, woodwork -
Flagstaff Hill Maritime Museum and VillageCeramic - Teapot, First half of the 20th century
... metallic compounds, leaving a very thin ("perhaps 10 or 20 atoms thick") layer that is fused with the main glaze, but is mainly metal. Lusterware normally only uses one colour per piece, and the range is limited a "gold" derived from silver compounds was historically the most common. The process has always been expensive and rather unpredictable, always requiring two firings, and often the use of expensive materials...metallic compounds, leaving a very thin ("perhaps 10 or 20 atoms thick") layer that is fused with the main glaze, but is mainly metal. Lusterware normally only uses one colour per piece, and the range is limited a "gold" derived from silver compounds was historically the most common. The process has always been expensive and rather unpredictable, always requiring two firings, and often the use of expensive materials ...Lusterware is a type of pottery or porcelain with a metallic glaze that gives the effect of iridescence. The technique on pottery was first developed in Mesopotamia (modern Iraq) in the early 9th century. It is produced by metallic oxides in an overglaze finish, which is given a second firing at a lower temperature in a "muffle kiln", or a reduction kiln, excluding oxygen. The Lusterware effect is a final coating applied over the ceramic glaze, and fixed by a light second firing, applying small amounts of metallic compounds (generally of silver or copper) mixed with something to make it paintable (clay or ochre). This is then fired in a reducing atmosphere at a temperature high enough to "soften" the glaze from the first firing, and break down the metallic compounds, leaving a very thin ("perhaps 10 or 20 atoms thick") layer that is fused with the main glaze, but is mainly metal. Lusterware normally only uses one colour per piece, and the range is limited a "gold" derived from silver compounds was historically the most common. The process has always been expensive and rather unpredictable, always requiring two firings, and often the use of expensive materials such as silver and platinum. The very thin layer of luster is often delicate, and many types of Lusterware are easily damaged by scratching removing the metallic layer, or by contact with acids. Lusterware has therefore always been for display and occasional use, although by the 19th century it could be relatively cheap. Many pieces show the luster effect only working correctly on parts of the surface, or not at all. An item probably made in Staffordshire UK where this type of pottery was popular in the late 19th century by unknown pottery as the subject item has no marks. The teapot at this time cannot be associated with a historical event, person, or place, provenance regards manufacture is unknown, item assessed as a collection asset given it was produced before 1950.Teapot ceramic ornate copper lusterware abstract floral design handle has a protruding sculptured bird for thumb grip. Nonewarrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, teapot, tea set, kitchen ware, ceramic, lusterware, pottery, staffordshire uk, pottery finishes -
Embroiderers Guild, VictoriaHeadwear - 19th C Ottoman Turkish Wool and Goldwork Cape
... materials, such as felted wool, velvet, or silk, and intensive hand-embroidered gold bullion thread (known as "Dival" or couched embroidery). These capes, which were often worn by urban elites, frequently feature high collars, short lengths designed to cover the arms, and intricate floral or paisley patterns. Key Characteristics & Design (19th Century): Fabric & Color: Deep black, red, cream, green, or blue "doeskin" wool or silk satin is common, often lined with bright silk. Goldwork: The defining feature is the lavish use of gold metallic...materials, such as felted wool, velvet, or silk, and intensive hand-embroidered gold bullion thread (known as "Dival" or couched embroidery). These capes, which were often worn by urban elites, frequently feature high collars, short lengths designed to cover the arms, and intricate floral or paisley patterns. Key Characteristics & Design (19th Century): Fabric & Color: Deep black, red, cream, green, or blue "doeskin" wool or silk satin is common, often lined with bright silk. Goldwork: The defining feature is the lavish use of gold metallic ...Victorian-era Ottoman Turkish capes from the 19th century are characterized by their luxurious materials, such as felted wool, velvet, or silk, and intensive hand-embroidered gold bullion thread (known as "Dival" or couched embroidery). These capes, which were often worn by urban elites, frequently feature high collars, short lengths designed to cover the arms, and intricate floral or paisley patterns. Key Characteristics & Design (19th Century): Fabric & Color: Deep black, red, cream, green, or blue "doeskin" wool or silk satin is common, often lined with bright silk. Goldwork: The defining feature is the lavish use of gold metallic couching stitches and gold bullion thread. Structure: Often high-collared, short-length shoulder capes, sometimes closed with a single ball and loop fastening at the neck. Origin: These were typically high-fashion items worn in large urban centres like Istanbul and İzmir during the late 19th century, influencing and being influenced by Western fashion trends. Black wool cape with stand-up collar. Interfaced, but lining missing. Heavily embroidered with gold metal thread. 0.8 mm gold metal braid round all edges and over neck seam. Gold metal thread embroidery in curvi-linear foliage style design on collar, centre back, front edges, lower side and small running design along bottom edge.goldwork, capes, capes, embroidery, gold work, wool, austrian -
Geoffrey Kaye Museum of Anaesthetic HistoryTool - Tongue Depressor
... material. The top arm of the instrument has a serrated grip below to facilitate tongue adherence, also has a middle space canal with semi circular welded rings to possibly introduce or attach an anaesthetic tube. This piece has in its internal lateral side engraved the possible owner's initial and last name. Minor scratches and dust marks are present over the piece as well as oxidation spots around engraved name. Weld spots in metallic...material. The top arm of the instrument has a serrated grip below to facilitate tongue adherence, also has a middle space canal with semi circular welded rings to possibly introduce or attach an anaesthetic tube. This piece has in its internal lateral side engraved the possible owner's initial and last name. Minor scratches and dust marks are present over the piece as well as oxidation spots around engraved name. Weld spots in metallic ...J. Austen chrome plated tongue depressor blade only. Size 2 1/4, stainless steel material. The top arm of the instrument has a serrated grip below to facilitate tongue adherence, also has a middle space canal with semi circular welded rings to possibly introduce or attach an anaesthetic tube. This piece has in its internal lateral side engraved the possible owner's initial and last name. Minor scratches and dust marks are present over the piece as well as oxidation spots around engraved name. Weld spots in metallic semi circles edges on top of the piece.Engraved at the internal side of the handle, V. BRAND Stamped at the external side of the handle, J.AUSTEN / 2 1/4 / STAINLESStongue depressor, medical instruments, airway instruments, j. austen -
Lakes Entrance Historical Society
Map - Alpine Study Area - Minerals, Land Conservation Council
... Non metallic mineral deposits. 3. Fuel mineral deposits. 4. Extractive industries material...Non metallic mineral deposits. 3. Fuel mineral deposits. 4. Extractive industries material Map Alpine Study Area - Minerals Land Conservation Council ...Map shows Cassilis goldfields 1. Metallic mineral deposits. 2. Non metallic mineral deposits. 3. Fuel mineral deposits. 4. Extractive industries materialMap 10minerals, study, goldfields -
Vision AustraliaEquipment - Object, Lavender braille writer, 1962-1982
... material tended to warp and production was discontinued. (Information from the American Printing House for the Blind website). Lavender Braille Writer consisting of an oblong shaped structure made out of a beige coloured metal base with cream coloured keys and a beige coloured hard plastic cover. Braille letters are achieved by punching the various keys. A metallic...material tended to warp and production was discontinued. (Information from the American Printing House for the Blind website). Lavender Braille Writer consisting of an oblong shaped structure made out of a beige coloured metal base with cream coloured keys and a beige coloured hard plastic cover. Braille letters are achieved by punching the various keys. A metallic ...Designed by Raymond Lavender, American Printing House for the Blind, it was produced between 1962-1982. A modernized Braille writer, the Lavender allowed the paper to exit through the cover in a way similar to a typewriter. The keys are rectangular and the design is compact with no protruding parts. The cover, which is an integral part of the design, snaps on the case. The case and cover are made of Cycolac, a high impact resistant plastic. After the writer was in use for some time, it was discovered that the plastic material tended to warp and production was discontinued. (Information from the American Printing House for the Blind website). Lavender Braille Writer consisting of an oblong shaped structure made out of a beige coloured metal base with cream coloured keys and a beige coloured hard plastic cover. Braille letters are achieved by punching the various keys. A metallic handle is included.Beige coloured plastic rectangle object with cream buttons and silver returns lever with covering boxbraille equipment, assistive devices -
Nillumbik Shire CouncilSculpture: Peter WEGNER (b.1954 NZ - a.1958 AUS), Peter Wegner, The Blanket (from the 'Black Saturday' series), 2009
... material used. The 'Black Saturday' series is a challenging work, but one that encourages healing, connection and empathy. wegner, bronze, figurine, black saturday, sculpture Sticker underside of sculpture 'WEGNER THE BLANKET AG205642' Solitary male figure wrapped in a blanket, clutched to his chest and over his head. Surface treatment is textured. Metallic ...The 'Black Saturday' bushfires were a series of bushfires that ignited across the Australian state of Victoria on and around Saturday, 7 February 2009. It was Australia's worst ever natural disaster. The fires occurred during extreme bushfire-weather conditions and resulted in Australia's highest ever loss of life from a bushfire: 173 people died and 414 were injured as a result of the fires.This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. The 'Black Saturday' series is a powerful investigation of emotion and grief as experienced by many Nillumbik residents during the 2009 'Black Saturday' bushfires. A cluster of bronze figurines either stand alone or embrace in groups. Their expressions and gestures of despair are made more pertinent with the raw like application and surface treatment of the material used. The 'Black Saturday' series is a challenging work, but one that encourages healing, connection and empathy. Solitary male figure wrapped in a blanket, clutched to his chest and over his head. Surface treatment is textured. Metallic brown colour with base starting to turn a green patina. Sticker underside of sculpture 'WEGNER THE BLANKET AG205642'wegner, bronze, figurine, black saturday, sculpture -
Nillumbik Shire CouncilSculpture: Peter WEGNER (b.1954 NZ - a.1958 AUS), Peter Wegner, Man in Shock (from the 'Black Saturday' series), 2010
... material used. The 'Black Saturday' series is a challenging work, but one that encourages healing, connection and empathy. wegner, bronze, figurine, black saturday, sculpture Hand carved on base, back of figure '2/6 WEGNER 10' Solitary male figure wearing a long hooded coat clutching his hands underneath his chin in shock. Surface treatment is textured. Dark metallic ...The 'Black Saturday' bushfires were a series of bushfires that ignited across the Australian state of Victoria on and around Saturday, 7 February 2009. It was Australia's worst ever natural disaster. The fires occurred during extreme bushfire-weather conditions and resulted in Australia's highest ever loss of life from a bushfire: 173 people died and 414 were injured as a result of the fires.This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. The 'Black Saturday' series is a powerful investigation of emotion and grief as experienced by many Nillumbik residents during the 2009 'Black Saturday' bushfires. A cluster of bronze figurines either stand alone or embrace in groups. Their expressions and gestures of despair are made more pertinent with the raw like application and surface treatment of the material used. The 'Black Saturday' series is a challenging work, but one that encourages healing, connection and empathy. Solitary male figure wearing a long hooded coat clutching his hands underneath his chin in shock. Surface treatment is textured. Dark metallic brown colour. Hand carved on base, back of figure '2/6 WEGNER 10'wegner, bronze, figurine, black saturday, sculpture -
Nillumbik Shire CouncilSculpture: Peter WEGNER (b.1954 NZ - a.1958 AUS), Peter Wegner, The Embrace (from the 'Black Saturday' series), 2011
... material used. The 'Black Saturday' series is a challenging work, but one that encourages healing, connection and empathy. wegner, bronze, figurines, black saturday, sculpture Note stuck with tape underside of sculpture 'Savage Art Prize Peter Wegner (phone number) The Embrace 2011' Two men embrace in despair. One man throws his arms around the other man's shoulders. The other man holds the other's back. Surface treatment is textured. Dark metallic ...The 'Black Saturday' bushfires were a series of bushfires that ignited across the Australian state of Victoria on and around Saturday, 7 February 2009. It was Australia's worst ever natural disaster. The fires occurred during extreme bushfire-weather conditions and resulted in Australia's highest ever loss of life from a bushfire: 173 people died and 414 were injured as a result of the fires.This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. The 'Black Saturday' series is a powerful investigation of emotion and grief as experienced by many Nillumbik residents during the 2009 'Black Saturday' bushfires. A cluster of bronze figurines either stand alone or embrace in groups. Their expressions and gestures of despair are made more pertinent with the raw like application and surface treatment of the material used. The 'Black Saturday' series is a challenging work, but one that encourages healing, connection and empathy. Two men embrace in despair. One man throws his arms around the other man's shoulders. The other man holds the other's back. Surface treatment is textured. Dark metallic brown colour with figures starting to turn a green patina. Note stuck with tape underside of sculpture 'Savage Art Prize Peter Wegner (phone number) The Embrace 2011'wegner, bronze, figurines, black saturday, sculpture -
Nillumbik Shire CouncilSculpture: Peter WEGNER (b.1954 NZ - a.1958 AUS), Peter Wegner, Disbelief (from the 'Black Saturday' series), 2010
... material used. The 'Black Saturday' series is a challenging work, but one that encourages healing, connection and empathy. wegner, figurine, bronze, black saturday, sculpture Sticker underside of sculpture 'No. 205640 (AP)' Solitary figure sitting on rock/log with elbows resting on knees and hands on head. Face looking down in despair. Surface treatment is textured. Dark metallic ...The 'Black Saturday' bushfires were a series of bushfires that ignited across the Australian state of Victoria on and around Saturday, 7 February 2009. It was Australia's worst ever natural disaster. The fires occurred during extreme bushfire-weather conditions and resulted in Australia's highest ever loss of life from a bushfire: 173 people died and 414 were injured as a result of the fires.This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. The 'Black Saturday' series is a powerful investigation of emotion and grief as experienced by many Nillumbik residents during the 2009 'Black Saturday' bushfires. A cluster of bronze figurines either stand alone or embrace in groups. Their expressions and gestures of despair are made more pertinent with the raw like application and surface treatment of the material used. The 'Black Saturday' series is a challenging work, but one that encourages healing, connection and empathy. Solitary figure sitting on rock/log with elbows resting on knees and hands on head. Face looking down in despair. Surface treatment is textured. Dark metallic brown colour with figure starting to turn a green patina.Sticker underside of sculpture 'No. 205640 (AP)'wegner, figurine, bronze, black saturday, sculpture -
Nillumbik Shire CouncilSculpture: Peter WEGNER (b.1954 NZ - a.1958 AUS), Peter Wegner, The Wake 1(from the 'Black Saturday' series), 2010
... material used. The 'Black Saturday' series is a challenging work, but one that encourages healing, connection and empathy. wegner, figurines, bronze, black saturday, sculpture 'WEGNER THE WAKE 1 AG205643' Three figures embrace in despair (two men, one woman). One throws his arms around the other two figures who are consoling each other in an emotional embrace. Surface treatment is textured . Metallic ...The 'Black Saturday' bushfires were a series of bushfires that ignited across the Australian state of Victoria on and around Saturday, 7 February 2009. It was Australia's worst ever natural disaster. The fires occurred during extreme bushfire-weather conditions and resulted in Australia's highest ever loss of life from a bushfire: 173 people died and 414 were injured as a result of the fires.This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. The 'Black Saturday' series is a powerful investigation of emotion and grief as experienced by many Nillumbik residents during the 2009 'Black Saturday' bushfires. A cluster of bronze figurines either stand alone or embrace in groups. Their expressions and gestures of despair are made more pertinent with the raw like application and surface treatment of the material used. The 'Black Saturday' series is a challenging work, but one that encourages healing, connection and empathy. Three figures embrace in despair (two men, one woman). One throws his arms around the other two figures who are consoling each other in an emotional embrace. Surface treatment is textured . Metallic brown colour. 'WEGNER THE WAKE 1 AG205643'wegner, figurines, bronze, black saturday, sculpture -
Whitehorse Historical Society Inc.Accessory - Wedding Horseshoes and heart, 1948
... White satin and bronze metallic ribbon heart shape on white ribbon with ribbon bow and white ribbon on left 4. Pale blue ruched material horseshoe, pale blue ribbon loop -box 5. ...White satin and bronze metallic ribbon heart shape on white ribbon with ribbon bow and white ribbon on left 4. Pale blue ruched material horseshoe, pale blue ribbon loop -box 5. ...Used for the marriage of Charlotte Edith (Tottie) Ryder (aunt of donor) to Alfred George Tooke (b 1898 England d 1998) held at Church of England, Thornbury on 13 March 1948.1. White satin horseshoe white loop cord silver foil leaves x2 3 cream coloured flowers with yellow centres Note attached All the best wished from Joy and Doug 2. White satin ruched ribbon loop and bow 3 tulle and ribbon flowers; sequins on each point4 sequins silver 2 on top 3. White satin and bronze metallic ribbon heart shape on white ribbon with ribbon bow and white ribbon on left 4. Pale blue ruched material horseshoe, pale blue ribbon loop -box 5. White ribbon loop with 4 tails each with silver painted wishbone attached One cream/yellowed wax flower at base of ribbon loop See also Knickers NA4921, Negligee Set NA4922, Wedding Dress NA4923 and Wedding Veil NA4925costume accessories, female -
Whitehorse Historical Society Inc.Uniform - Army Dress uniform, 1963
... metallic button. Formal Mess Dress. .2 Waistcoat of green woollen velvet like material with black satin back and oyster satin lining. 4 metal buttons and 2 slit pockets...metallic button. Formal Mess Dress. .2 Waistcoat of green woollen velvet like material with black satin back and oyster satin lining. 4 metal buttons and 2 slit pockets Uniform Army Dress uniform ...Worn by Lt. Sharpley. From Mitcham RSL. .1 Red woollen cropped jacket with green wool lapels and black cuffs and epaulets. Australian Intelligence Corps badges on lapels. Epaulet badges, crown and diamond shape and metallic button. Formal Mess Dress. .2 Waistcoat of green woollen velvet like material with black satin back and oyster satin lining. 4 metal buttons and 2 slit pocketsCGCF Victoriauniforms, army -
Whitehorse Historical Society Inc.Uniform - Army uniform
... material Badges on top of sleeves. Crown and 'R' badges on both shoulder epaulets. Artillery lapel badges - metallic and various campaign ribbons. ...material Badges on top of sleeves. Crown and 'R' badges on both shoulder epaulets. Artillery lapel badges - metallic and various campaign ribbons. ...From Mitcham RSLKhaki Officers No 1 dress jacket.with belt and attached 'Royal Australian Artillery' material Badges on top of sleeves. Crown and 'R' badges on both shoulder epaulets. Artillery lapel badges - metallic and various campaign ribbons. Internal label 'Ince Bros. tailors Melb.uniforms, army
