The Royal Blind Foundation of Queensland was formed from an amalgamation of Vision Queensland, Queensland Blind Industrial Centre and Royal Blind Foundation in 2001. These annual reports chronicle the work of the foundation until it's amalgamation with four other state based agencies to become Vision Australia in 2006.1 volume of text and illustrations in various pagingsannual reports, royal blind foundation of queensland, alexander gilliland, nick carter, peter beattie, michael coates, chris giger, rob giger, yvonne sullivan, paul sullivan, matthew sullivan

The Ballarat Junior Technical School was part of the Ballarat School of Mines.P [Peter] Chatham was the brother of Philip Chatham's father, John [Jack] ChathamFoolscap, charcoal green book with red leather binding and marbled edges. In date order each student who received a certificate from the Ballarat Junior Technical School between 1914 and 1939 is listed, along with their results. ballarat junior technical school, certificates, guido brelaz, noel brelaz, harold adair, norman anstis, howard beanland, allan bernaldo, g. g. callister, francis capuano, j.e. capuano, peter chatham, arthur coates, leslie crouch, richard dale, francis davis, henry dodds, jack dulfer, john dulfer, donald furlong, john garner, bennett gluyas, otto hauser, r, haymes, graham hopwood, arthur h. hoskin, r.m. kittelty, carl krahnert, larkin, michael, leask, james, leech, george, fred longhurst, john martin, john mcnabb, harold morton, g.g. netherway, harry o'bern, h. pitman, keith rash, percival a. trompf, percy trompf, harold g. wakeling, harold waller, robert h. warnock, thomas wasley, george webb, albert williams, john a. garner, walter button, jack kopke, b. bernaldo, a. snowden, g.c. callister, a.l. brittain, w.j. bassett, j.k. kneeshaw, ronald ditchfield, l.a. chung

Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders in the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. Federation University VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree – on the basis of extensive work experience and knowledge.brown wood framed photograph with title and names of students underneath, green background.Creative Framing Gallery stamp on back.37viosh, viosh australia, occupatonal health and safety, daniel bilucaglia, anthony borg, nathaniel bryant, graeme braybrook, josephine cavanagh, gregory coates, vanessa deane, barry dunn, tracy edwards, stephen fisher, paul flower, brenton gallaway, luke gibson, andrew graham, ian hamley, nigel hevey, william hurenkamp, phillip irvine, michael johnson, glenn joy, richard keating, michael ketchen, sheryllea lucas, malcolm mcdonald, graham mcfee, andrew mcgregor, thomas nash, stephanie newell, wayne newstead, sydney parker, bernadette pearce, robert pfeiffer, branton proctor, lyndsay shanahan, nicola smirnios, glen spalding, mark st clair, emma stuart, greg taylor-adams, leonie ter horst, jason van boven, paul wilkinson, elizabeth window, timothy wood, john zen

Militia Units of Maryborough 1860-1901 (Victoria, Australia). Historical Publications. Included with book - Author's business card and leaflet titled "History of the/LEGION/of/FRONTIERSMEN/of the/COMMONWEALTH"Soft cover book. Soft cover - cardboard, black print on front and back, Illustration - front black and white photograph, half portrait of a soldier in uniform. Back - black and white small military coat of arms. 62 pages - cut, white, plain. Illustrated black and white photographs, maps and diagrams.books, military, history

The photograph of the all male committee of the IPS was taken at Ithaca House in 1976, sixty years after the establishment of the Ithacan Philanthropic Society. At the time, in accordance with the constitution, women were ineligible to be full members and therefore committee members. Pictured L-R, back: Petros Kouratos, Dennis Lourantos, J. Mavromatis, Dennis Katsamas, Naki Raftopoulos, Parry Gabriel; front: Michael Black, (Mavrokefalos) Evangelos Metaxas, Nick Varigos (Varvarigos), Sotiris Sikiotis, Stathy Raftopoulos. A black and white photograph of eleven men, members of the Ithacan Philanthropic Society Committee 1976. They are seated and standing in front of a wall which has a large photograph on it and coat hooks along the wall.

Michael Bordeaux was well known for his work in supporting Christians in the Soviet Union, including smuggling bibles into the Soviet Union.B & W photograph of Michael Bordeaux seated behind a table on which are several books which he authored. He is wearing glasses, coat and tie.michael bordeaux; russia; soviet union; communist; christians; bibles

Michael Crooks was the auctioneer responsible for selling Australia's million dollar wool bale on the 11th January, 1995 in Geelong, using this gavel. The wool was shorn from sheep of the Wyndarra and Rockbank bloodlines. A flock of 290 sheep were kept undercover at Kadinia, the property of the Appledore family from Brim in the Wimmera district of Victoria. Their record-breaking wool was produced by giving the sheep a special diet and providing each one with a UV-protective coat. Around 180 fleeces were selected for the million dollar bale. The sale of the first bale of wool measuring below 14 microns was held in the Auction Room here at the National Wool Museum. Bidding began at 40,000 (cents a kilogram) and steadily increased until there were only two bidders left. The bidders represented the Japanese firm Aoki International and Loro Piana of Italy. The hammer fell at 1,030,000 cents per kilogram, with Aoki International paying $1,194,800 for the 116kg bale. The fleece was scoured (cleaned) at the Goulburn Wool Scour, New South Wales. The degree of preparation and care taken with the task was extreme. The Scour closed production three days before and was extensively cleaned. On the day of scouring 12 tonnes of 17 micron wool was washed to condition the water, then nine bales of extra super fine wool, worth over $300,000 was washed as a trial run. Toabo Agaki Japan was employed to process the scoured wool into suit cloth. Taobo required the scoured wool to contain 0.5% residual grease, 12% moisture and a yield of 83kg. These requirements were met. The entire staff of the Scour wanted to be part of washing the best wool in the world. Without asking for payment both the night shift and afternoon shift crews assisted the day shift in the task. The bale was fed into the scour in seven minutes and fitted into three bowls, half the scour. It completely disappeared into the dryer and the last wool was fed before the first wool was out. The clean wool was hand-packed into cardboard cartons and freighted to Japan. Aoki International, based in Yokohama Japan, cut three suit lengths from the cloth, then blended the remaining wool into an exclusive line of commercially-available suits. These suits are labelled Kadinia.Small wooden hammer, with handle and double sided face.gavel, michael crooks, auctioneer, wool industry, million dollar bale, geelong, auction, kadinia, appledore

This photograph shows armed guards and Wool Manager Keith Jackson posing with the million dollar wool bale after it was sold by auctioneer Michael Crooks on the 11th January, 1995 in Geelong. The wool was shorn from sheep of the Wyndarra and Rockbank bloodlines. A flock of 290 sheep were kept undercover at Kadinia, the property of the Appledore family from Brim in the Wimmera district of Victoria. Their record-breaking wool was produced by giving the sheep a special diet and providing each one with a UV-protective coat. Around 180 fleeces were selected for the million dollar bale. The sale of the first bale of wool measuring below 14 microns was held in the Auction Room here at the National Wool Museum. Bidding began at 40,000 (cents a kilogram) and steadily increased until there were only two bidders left. The bidders represented the Japanese firm Aoki International and Loro Piana of Italy. The hammer fell at 1,030,000 cents per kilogram, with Aoki International paying $1,194,800 for the 116kg bale. The fleece was scoured (cleaned) at the Goulburn Wool Scour, New South Wales. The degree of preparation and care taken with the task was extreme. The Scour closed production three days before and was extensively cleaned. On the day of scouring 12 tonnes of 17 micron wool was washed to condition the water, then nine bales of extra super fine wool, worth over $300,000 was washed as a trial run. Toabo Agaki Japan was employed to process the scoured wool into suit cloth. Taobo required the scoured wool to contain 0.5% residual grease, 12% moisture and a yield of 83kg. These requirements were met. The entire staff of the Scour wanted to be part of washing the best wool in the world. Without asking for payment both the night shift and afternoon shift crews assisted the day shift in the task. The bale was fed into the scour in seven minutes and fitted into three bowls, half the scour. It completely disappeared into the dryer and the last wool was fed before the first wool was out. The clean wool was hand-packed into cardboard cartons and freighted to Japan. Aoki International, based in Yokohama Japan, cut three suit lengths from the cloth, then blended the remaining wool into an exclusive line of commercially-available suits. These suits are labelled Kadinia.Colour photograph showing three men with a bale of wool in front of an armaguard truck. Two of the men are armed guards standing either side of the wool bale, one is holding a shotgun. Another man in a suit and tie is crouching near the bale.gavel, michael crooks, auctioneer, wool industry, million dollar bale, geelong, auction, kadinia, appledore, keith jackson, armed guards, armaguard

This photograph shows bidding underway for the million dollar bale in the Sale Room on the 11th January, 1995 at the National Wool Centre, Geelong. People depicted include Sale Team Baxter Murray, Auctioneer Michael Crooks and Wool Manager Keith Jackson. The wool was shorn from sheep of the Wyndarra and Rockbank bloodlines. A flock of 290 sheep were kept undercover at Kadinia, the property of the Appledore family from Brim in the Wimmera district of Victoria. Their record-breaking wool was produced by giving the sheep a special diet and providing each one with a UV-protective coat. Around 180 fleeces were selected for the million dollar bale. The sale of the first bale of wool measuring below 14 microns was held in the Auction Room here at the National Wool Museum. Bidding began at 40,000 (cents a kilogram) and steadily increased until there were only two bidders left. The bidders represented the Japanese firm Aoki International and Loro Piana of Italy. The hammer fell at 1,030,000 cents per kilogram, with Aoki International paying $1,194,800 for the 116kg bale. The fleece was scoured (cleaned) at the Goulburn Wool Scour, New South Wales. The degree of preparation and care taken with the task was extreme. The Scour closed production three days before and was extensively cleaned. On the day of scouring 12 tonnes of 17 micron wool was washed to condition the water, then nine bales of extra super fine wool, worth over $300,000 was washed as a trial run. Toabo Agaki Japan was employed to process the scoured wool into suit cloth. Taobo required the scoured wool to contain 0.5% residual grease, 12% moisture and a yield of 83kg. These requirements were met. The entire staff of the Scour wanted to be part of washing the best wool in the world. Without asking for payment both the night shift and afternoon shift crews assisted the day shift in the task. The bale was fed into the scour in seven minutes and fitted into three bowls, half the scour. It completely disappeared into the dryer and the last wool was fed before the first wool was out. The clean wool was hand-packed into cardboard cartons and freighted to Japan. Aoki International, based in Yokohama Japan, cut three suit lengths from the cloth, then blended the remaining wool into an exclusive line of commercially-available suits. These suits are labelled Kadinia.Colour photograph showing an interior view of people seated at rows of tables with an auctioneers stand at front of the room.michael crooks, auctioneer, wool industry, million dollar bale, geelong, auction, kadinia, appledore, keith jackson, sale room

This photograph shows Grower Ian Appledore, Auctioneer Michael Crooks and Wool Manager Keith Jackson posing with the million dollar bale after it was sold on 11th January 1995 in Geelong. The wool was shorn from sheep of the Wyndarra and Rockbank bloodlines. A flock of 290 sheep were kept undercover at Kadinia, the property of the Appledore family from Brim in the Wimmera district of Victoria. Their record-breaking wool was produced by giving the sheep a special diet and providing each one with a UV-protective coat. Around 180 fleeces were selected for the million dollar bale. The sale of the first bale of wool measuring below 14 microns was held in the Auction Room here at the National Wool Museum. Bidding began at 40,000 (cents a kilogram) and steadily increased until there were only two bidders left. The bidders represented the Japanese firm Aoki International and Loro Piana of Italy. The hammer fell at 1,030,000 cents per kilogram, with Aoki International paying $1,194,800 for the 116kg bale. The fleece was scoured (cleaned) at the Goulburn Wool Scour, New South Wales. The degree of preparation and care taken with the task was extreme. The Scour closed production three days before and was extensively cleaned. On the day of scouring 12 tonnes of 17 micron wool was washed to condition the water, then nine bales of extra super fine wool, worth over $300,000 was washed as a trial run. Toabo Agaki Japan was employed to process the scoured wool into suit cloth. Taobo required the scoured wool to contain 0.5% residual grease, 12% moisture and a yield of 83kg. These requirements were met. The entire staff of the Scour wanted to be part of washing the best wool in the world. Without asking for payment both the night shift and afternoon shift crews assisted the day shift in the task. The bale was fed into the scour in seven minutes and fitted into three bowls, half the scour. It completely disappeared into the dryer and the last wool was fed before the first wool was out. The clean wool was hand-packed into cardboard cartons and freighted to Japan. Aoki International, based in Yokohama Japan, cut three suit lengths from the cloth, then blended the remaining wool into an exclusive line of commercially-available suits. These suits are labelled Kadinia.Colour photograph showing three men standing around a bale of wool.michael crooks, auctioneer, wool industry, million dollar bale, geelong, auction, kadinia, appledore, keith jackson, sale room, geelong wool centre

This sales catalogue was the one used by Auctioneer Michael Crooks on 11th January 1995 when the million dollar bale was sold at the National Wool Centre, Geelong. The wool was shorn from sheep of the Wyndarra and Rockbank bloodlines. A flock of 290 sheep were kept undercover at Kadinia, the property of the Appledore family from Brim in the Wimmera district of Victoria. Their record-breaking wool was produced by giving the sheep a special diet and providing each one with a UV-protective coat. Around 180 fleeces were selected for the million dollar bale. The sale of the first bale of wool measuring below 14 microns was held in the Auction Room here at the National Wool Museum. Bidding began at 40,000 (cents a kilogram) and steadily increased until there were only two bidders left. The bidders represented the Japanese firm Aoki International and Loro Piana of Italy. The hammer fell at 1,030,000 cents per kilogram, with Aoki International paying $1,194,800 for the 116kg bale. The fleece was scoured (cleaned) at the Goulburn Wool Scour, New South Wales. The degree of preparation and care taken with the task was extreme. The Scour closed production three days before and was extensively cleaned. On the day of scouring 12 tonnes of 17 micron wool was washed to condition the water, then nine bales of extra super fine wool, worth over $300,000 was washed as a trial run. Toabo Agaki Japan was employed to process the scoured wool into suit cloth. Taobo required the scoured wool to contain 0.5% residual grease, 12% moisture and a yield of 83kg. These requirements were met. The entire staff of the Scour wanted to be part of washing the best wool in the world. Without asking for payment both the night shift and afternoon shift crews assisted the day shift in the task. The bale was fed into the scour in seven minutes and fitted into three bowls, half the scour. It completely disappeared into the dryer and the last wool was fed before the first wool was out. The clean wool was hand-packed into cardboard cartons and freighted to Japan. Aoki International, based in Yokohama Japan, cut three suit lengths from the cloth, then blended the remaining wool into an exclusive line of commercially-available suits. These suits are labelled Kadinia.Bound paper booklet, approximately 35 pages, with printed and handwritten text.Front: [handwritten] AUCTIONEER M. CROOKS Front: [printed] SALE NO G04/28 / VICTORIAN PRODUCERS' / 147-155 PELHAM STREET, CARLTON / Will Offer for Sale by Auction / AT / THE NATIONAL WOOL CENTRE / GEELONG / Under Conditions of Sale as Displayed in Sale Room and at Wool Store / ON / WEDNESDAY, 11TH JANUARY / 1995 / 4044 BALES WOOL / INCLUDING 1241 BALES BY SEPARATIONmichael crooks, auctioneer, wool industry, million dollar bale, geelong, auction, kadinia, appledore, keith jackson, sale room, geelong wool centre

This seal was found by Patrick Bradley Cocks, a Shire Of Braybrook & City Of Sunshine employee at the St. Albans Tip McKechnie Street St. Albans in the late 1960's to the early 1970's. The seal was donated to the society by Patrick's son MichaelCicular metal seal with the engraved Shire Of Braybrook Coat Of Arms in reverse on one side. The other side allows for a handle to fitted (Missing)Shire Of Braybrook Victoriashire of braybrook, seal

Item presented by the Borough of Wangaratta to MALONEY MAURICE MICHAEL : Service Number - VX82156 : Born 18 May 1917 at Wangaratta in recognition of his military service during WW2. Died 1/9/1965 and buried at Wangaratta.Medal issued by the Borough of Wangaratta to local citizens in appreciation of their service during WW2Metal Medallion mounted on metal base - Obverse side : Above, coat of arms (Of Britain). woman in long dress in field, holding a cornucopia. Plants behind include grapevine, grain and possibly tobacco; around: BOROUGH OF WANGARATTA * INCORPORATED 1863 *, Reverse: In Grateful Appreciation WORLD WAR / 1939-1945. Wreath around.Borough of Wangaratta Inc 1863 In grateful Appreciation VX 82156 Dvr Maloney M.M World War 1939-1945m m maloney, ww2, medal

A brown book with a grey dust jacket featuring an old photograph of a bullock team and wagon, Birt's Hill, Brushy Creek. A farmer, Michael Smith stands at the horse's head. The title and author are printed in black lettering at the top with Shire of Lillydale printed in white at the bottom with a white outline of the shire coat of arms. The spine has all details in black lettering. The back of the book's end paper has a list of the Shire of Lillydale West Riding Councillors. The blurb on the back end paper gives an outline of the contents inside. There is a Preface, Contents, Acknowledgements, and Index at the back. Inside are photographs, maps, advertisements and detailed information about the early days of settlement and development up to the 1980's. Pp. 96.non-fictionThe book is a historical account of these Victorian suburbs, commissioned by the Shire of Lillydale. It documents the area's development through personal stories, maps, and photographs, detailing the evolution of these communities.

Michael O'Meara: Born 1871 Linton. Son of John and Maria O'Meara.Black and white copy of original portrait showing a man wearing a dark suit and waist coat, white shirt and checkered tie. He is standing with both hands in his pant pockets. He has a large mustache and set in an oval frame."Michael O'Meara".michael o'meara

After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, This example was commissioned from Andrew Thomas a Ballarat photographer and designer by Michael Taffe owner of Hymettus at Ballarat in the 1990s and is a computer assisted design. It incorporates the generational family home, Hymettus and the family coat of arms with the owner's signature.Bookplate from Hymettus Cottage and Garden, first open to the public in 1917 as champion garden City of Ballaarat. the bookmark indicates the book it is affixed to was part of the family library in the house and represents four generations from 19th, 20th and 21st centuries a rare phenomenon in urban Australia.Bookplate depicts "Hymettus", a weatherboard cottage behind a paling fence with cottage name above image and family crest below.Signature of M. J. Taffe.ballarat, bookplate, hymettus, taaffe, taffe, andrew thomas

A small painting of the Taaffe family coat of arms painted on glass in reverse by Glen Taffe in 1992 as a Father's Day present for Michael Taffe.painting, glass, fathers' day., armorial, art, glass

This image is part of a collection of 35mm colour transparencies taken by photographer Katrina Lawrence at the opening of the carousel on the waterfront in Geelong on 14th October 2000. This image shows steam engine operator John Honeysett. The Steampacket Place Development Board, a joint team formed by the Victorian State Government and the City of Greater Geelong undertook the $30 million revitalisation of the entire Geelong Waterfront from 1995 to 2000. As part of the revitalisation, in August 1996, the Steampacket Place Development Board purchased an unrestored Armitage-Herschell portable steam-driven carousel to restore and locate as a major feature on the revitalised waterfront. The Carousel was manufactured around 1892 by the Armitage-Herschell company of New York. The Carousel operated on the Mordialloc Pier from the 1920s to the 1950s. Twenty-four of the 36 horses are original, and believed to be rare examples hand-carved by the American master, Charles Dare. Each horse took 300 hours to restore, with intricate carving, coating, filling, sanding, smoothing, painting and varnishing.Colour image showing a man in a white coat standing near a steam engine with a carousel in the background.merry go-round, horses, carousel, geelong, restoration, rides, j. j. miller, geelong waterfront, michael crutchfield, steam engine, katrina lawrence, opening, 35mm colour transparency, steampacket place development board, city of greater geelong, revitalisation, celebration, event, armitage-herschell, geelong memorial brass band

This image is part of a collection of 35mm colour transparencies taken by photographer Katrina Lawrence at the opening of the carousel on the waterfront in Geelong on 14th October 2000. This image shows Iggy, who worked as a steam engine boilermaker at the carousel. The Steampacket Place Development Board, a joint team formed by the Victorian State Government and the City of Greater Geelong undertook the $30 million revitalisation of the entire Geelong Waterfront from 1995 to 2000. As part of the revitalisation, in August 1996, the Steampacket Place Development Board purchased an unrestored Armitage-Herschell portable steam-driven carousel to restore and locate as a major feature on the revitalised waterfront. The Carousel was manufactured around 1892 by the Armitage-Herschell company of New York. The Carousel operated on the Mordialloc Pier from the 1920s to the 1950s. Twenty-four of the 36 horses are original, and believed to be rare examples hand-carved by the American master, Charles Dare. Each horse took 300 hours to restore, with intricate carving, coating, filling, sanding, smoothing, painting and varnishing.Colour image showing a man in a white coat and black cap oiling a steam engine.merry go-round, horses, carousel, geelong, restoration, rides, j. j. miller, geelong waterfront, michael crutchfield, steam engine, katrina lawrence, opening, 35mm colour transparency, steampacket place development board, city of greater geelong, revitalisation, celebration, event, armitage-herschell, geelong memorial brass band

This image is part of a collection of 35mm colour transparencies taken by photographer Katrina Lawrence at the opening of the carousel on the waterfront in Geelong on 14th October 2000. This image shows Iggy, who worked as a steam engine boilermaker at the carousel. The Steampacket Place Development Board, a joint team formed by the Victorian State Government and the City of Greater Geelong undertook the $30 million revitalisation of the entire Geelong Waterfront from 1995 to 2000. As part of the revitalisation, in August 1996, the Steampacket Place Development Board purchased an unrestored Armitage-Herschell portable steam-driven carousel to restore and locate as a major feature on the revitalised waterfront. The Carousel was manufactured around 1892 by the Armitage-Herschell company of New York. The Carousel operated on the Mordialloc Pier from the 1920s to the 1950s. Twenty-four of the 36 horses are original, and believed to be rare examples hand-carved by the American master, Charles Dare. Each horse took 300 hours to restore, with intricate carving, coating, filling, sanding, smoothing, painting and varnishing.Colour image showing a man in a white coat and black cap oiling a steam engine.merry go-round, horses, carousel, geelong, restoration, rides, j. j. miller, geelong waterfront, michael crutchfield, steam engine, katrina lawrence, opening, 35mm colour transparency, steampacket place development board, city of greater geelong, revitalisation, celebration, event, armitage-herschell, geelong memorial brass band

This image is part of a collection of 35mm colour transparencies taken by photographer Katrina Lawrence at the opening of the carousel on the waterfront in Geelong on 14th October 2000. This image shows Iggy, who worked as a steam engine boilermaker at the carousel. The Steampacket Place Development Board, a joint team formed by the Victorian State Government and the City of Greater Geelong undertook the $30 million revitalisation of the entire Geelong Waterfront from 1995 to 2000. As part of the revitalisation, in August 1996, the Steampacket Place Development Board purchased an unrestored Armitage-Herschell portable steam-driven carousel to restore and locate as a major feature on the revitalised waterfront. The Carousel was manufactured around 1892 by the Armitage-Herschell company of New York. The Carousel operated on the Mordialloc Pier from the 1920s to the 1950s. Twenty-four of the 36 horses are original, and believed to be rare examples hand-carved by the American master, Charles Dare. Each horse took 300 hours to restore, with intricate carving, coating, filling, sanding, smoothing, painting and varnishing.Colour image showing a man in a white coat and black cap oiling a steam engine.merry go-round, horses, carousel, geelong, restoration, rides, j. j. miller, geelong waterfront, michael crutchfield, steam engine, katrina lawrence, opening, 35mm colour transparency, steampacket place development board, city of greater geelong, revitalisation, celebration, event, armitage-herschell, geelong memorial brass band

This image is part of a collection of 35mm colour transparencies taken by photographer Katrina Lawrence at the opening of the carousel on the waterfront in Geelong on 14th October 2000. This image shows a steam engine operator. The Steampacket Place Development Board, a joint team formed by the Victorian State Government and the City of Greater Geelong undertook the $30 million revitalisation of the entire Geelong Waterfront from 1995 to 2000. As part of the revitalisation, in August 1996, the Steampacket Place Development Board purchased an unrestored Armitage-Herschell portable steam-driven carousel to restore and locate as a major feature on the revitalised waterfront. The Carousel was manufactured around 1892 by the Armitage-Herschell company of New York. The Carousel operated on the Mordialloc Pier from the 1920s to the 1950s. Twenty-four of the 36 horses are original, and believed to be rare examples hand-carved by the American master, Charles Dare. Each horse took 300 hours to restore, with intricate carving, coating, filling, sanding, smoothing, painting and varnishing.Colour image showing a man in a blue coat operating a steam engine with a carousel in the background.merry go-round, horses, carousel, geelong, restoration, rides, j. j. miller, geelong waterfront, michael crutchfield, steam engine, katrina lawrence, opening, 35mm colour transparency, steampacket place development board, city of greater geelong, revitalisation, celebration, event, armitage-herschell, geelong memorial brass band