Records the program of events for the Third Reunion of the Greensborough Football Club Past and Present Players Association. Includes proposed toast list and is amended to show the actual speakers.Records a reunion dinner in 1969 and the speakers from the evening. Folded stiffened 4 page paper program fom the Third Reunion Dinner of the 'Borough Boys. AKA the Greensborough Football Club Past and Present Players Association. Dated 26th July 1969.Blue biro scribble on front cover, editing of Toast List on third page and written words "Norm Hanvey Mime" on back cover.greensborough football club, past and present players association.

PHOTOGRAPH OF A SCHRAMM MINE DRILLERPHOTO OVERLAID ANOTHER PHOTO OF PORTION OF BULL & MOUTH HOTELlocal history, photography, photographs, miming, driller

Refer to Cat No's 10815P and 10817P as they also mention the Deravet's. Part of the Meade Collection. See Cat No. 10785P for details of service for "Ernest James Meade" (No. 2112).Black and white photograph of the YMCA building in London. Multi story buildings in background. Group of men and women standing in front of the YMCA building. Some men are in Australian Army uniform. Postcard proforma on back with handwritten details.Handwritten on back in indelible pencil: "Desire Deravet, Aimable Deravet, Mime Deravet, Celine Deravet, Germaine Deravet, Josephine Deravet, Josephine Malbury". "Bieme Province, Nanier, Belgigue" Handwritten on back in indelible pencil: "1 ADAC No.12 Camp OTB Sand Hill, Wilts, England". In white type on front LH corner: "THE YMCA, ALDWICH HUT!".meade collection, ernest james meade, photograph, ymca, ww1, deravet family

Taken in the late 1800s, depicted is a portrait of Charles Sherwood Stratton (professionally known as General Tom Thumb). He is dressed in a formal suit. Charles Sherwood Stratton was an American performer who traveled with the Barnum & Bailey Circus. The show was founded by Phineas Taylor (P. T.) Barnum in 1871. Charles participated in various acts including singing, dancing, miming, and celebrity impersonations. He gained international fame for his successful career and small physical stature. Charles performed in Australia in August 1870. He was joined by his touring party as part of the Barnum & Bailey Circus "Round the World" tour. The "Australian Tom Thumb", real name John David Armstrong, made his "audaciously competitive" stage debut alongside Charles when the circus performed at the Prahran Popular Entertainments in Melbourne. Charles, P. T. Barnum and the circus inspired the popular musical drama film, "The Greatest Showman" (2017).The photograph is historically significant due to Stratton's status and legacy as an internationally renowned performer. Furthermore, the record relates to the history of performance in Victoria during the late nineteenth century. It illustrates the type of entertainment that was enjoyed by the public during this time. Black and white rectangular photograph printed on matte photographic paper.Reverse: 3712 /entertainment, entertainment album, general tom thumb, circus, performance, arts, recreation, lavinia warren stratton, charles sherwood stratton, 1800s, portrait, p. t. barnum, barnum & bailey circus

Printed in the late 1880s, the postcard features a photograph of Charles Sherwood Stratton (professionally known as General Tom Thumb) and his wife, Lavinia Warren Stratton. Accompanying this image are a pair of black calf boots. Charles Sherwood Stratton and Lavinia Warren Stratton were American performers who traveled with the Barnum & Bailey Circus, founded by Phineas Taylor (P. T.) Barnum. They each participated in various acts including singing, dancing, miming, and celebrity impersonations. Both Charles and Lavinia gained international fame for their successful careers and small physical stature. Charles and Lavinia performed in Australia in August 1870. The duo were joined by their touring party as part of the Barnum & Bailey Circus "Round the World" tour. They performed at three evening events and two matinees in Beechworth during this time. Charles, Lavinia, P. T. Barnum and the circus inspired the musical drama film, "The Greatest Showman" (2017).The postcard is historically significant due to Charles Sherwood Stratton's status as an internationally renowned performer. It also provides insight into the arts in Victoria during the late nineteenth century, illustrating the type of entertainment that was enjoyed by the public during this time.Black and white rectangular postcard printed on card.Obverse: A pair of General Tom Thumb's boots presented to / the town of Beechworth, where he and three other / dwarfs gave 3 night & 2 matinee performances 1870 / General Tom Thumb toured Europe as the star of / Barnum's famous circus giving impersonation acts / He was a great favourite of Queen Victoria / He was then 34 years old and 31 inches high / His wife was 34 inches / Reverse: 3706 / POST / CARD / KODA / CORRESPONDENCE / ADDRESS ONLY / KODAK / KODAK / A02450 /entertainment album, general tom thumb, charles sherwood stratton, lavinia stratton, circus, p.t. barnum, barnum and bailey circus, arts, performance, recreation, entertainment

Taken in 1870, the photograph depicts Charles Sherwood Stratton (known professionally as General Tom Thumb), Lavinia Stratton, George Washington Morrison Nutt (known professionally as Commodore Nutt), and Huldah Pierce Warren Bump (known professionally as Minnie Warren). They are all dressed in identical costumes worn in 1864 before Emperor Louis Napoleon and Empress Eugenia in Paris. Charles, Lavinia, George and Huldah were all American performers who traveled with the Barnum & Bailey Circus, founded by Phineas Taylor (P. T.) Barnum. They each participated in various acts including singing, dancing, miming, and celebrity impersonations, gaining international fame for their successful careers and small physical stature. The group performed in Australia in August 1870. They were joined by their touring party as part of the Barnum & Bailey Circus "Round the World" tour. Beechworth hosted the circus for three evening shows and two matinees.The photograph is historically significant due to the internationally renowned status of the four individuals pictured. In a general sense, it also provides insight into the arts in Victoria during the late nineteenth century, illustrating the type of entertainment that was enjoyed by the public during this time. The record's historical significance is further enhanced by the attire worn by the individuals in the photograph, and these garments' connections to Emperor Louis Napoleon and Empress Eugenia.Black and white rectangular photograph printed on matte photographic paper.Reverse: 4732.1 / General Tom Thumb + wife / Colonel Nutt + Minnie Warren / (?) / Beechworth / 1870 /entertainment album, general tom thumb, lavinia warren, commodore nutt, minnie warren, circus, p.t. barnum, barnum and bailey circus, beechworth, 1800s, performance, arts

The carte de visite features a photograph of Charles Sherwood Stratton (professionally known as General Tom Thumb) and his wife, Lavinia Warren Stratton. The image was taken in Paris, France in 1864. Charles Sherwood Stratton and Lavinia Warren Stratton were American performers who traveled with the Barnum & Bailey Circus, founded by Phineas Taylor (P. T.) Barnum in 1871. They each participated in various acts including singing, dancing, miming, and celebrity impersonations. Both Charles and Lavinia gained international fame for their successful careers and small physical stature. The duo performed in Australia in August 1870. They were joined by their touring party as part of the Barnum & Bailey Circus "Round the World" tour. The "Australian Tom Thumb", real name John David Armstrong, made his "audaciously competitive" stage debut alongside the popular Stratton couple when the circus performed at the Prahran Popular Entertainments in Melbourne. Charles, Lavinia, P. T. Barnum and the circus inspired the musical drama film, "The Greatest Showman" (2017).The carte de visite is historically significant due to Charles Sherwood Stratton's status as an internationally renowned performer. In a general sense, it also provides insight into the arts in Victoria during the late nineteenth century, illustrating the type of entertainment that was enjoyed by the public during this time. The record's historical significance is further enhanced by its medium as a "carte de visite"; a specific photographic method popularised in the nineteenth century. The record has a valid interpretive capacity for those interested in history and museum studies. It develops our understanding of the sensationalised "human curiosities" exhibition genre that was championed by the West during the late nineteenth and early twentieth centuries. Considering the record's historic context, it is a useful resource for discussing the ethics of representing live human beings for entertainment in a public exhibition context.Sepia rectangular photograph printed on matte photographic paper mounted on card.Obverse: General Tom Thumb and Wife, / in the identical costumes worn before Emperor Louis / Napoleon and the Empress Eugenie, at the Palace of / the Tuilleries, Nov. 29, 1864 / Reverse: 3707 / Compliments of / Charles SStratton. / Lavinia Warren Stratton. / Published by / E. & H. T. Anthony & Co. / CA / 591 Broadway New York. / MANUFACTURERS / of the best / PHOTOGRAPHIC ALBUMS / A02539 /entertainment, entertainment album, circus, general tom thumb, australian tom thumb, charles stratton, lavinia stratton, performance, arts, carnival, p. t. barnum, melbourne, prahran, john david armstrong, film

An Australasian Darter is a waterbird with a distinctive long straight neck and a sharp bill. This feature has resulted in this bird sometimes being called the "snakebird" . This specimen is a slim bird with pale grey to white colouring. This colouring identifies this particular specimen as female. The Australasian Darter is commonly located around waterways in freshwater or brackish wetlands more than 0.5m deep. The Darter will perch on fallen trees and branches near the water and holds its wings out to the sides in an effort to dry them. The Noongar people of southwestern Australia called this bird "mimal". It has also been called the New Holland darter or the New Holland devil-bird. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.An Australasian Darter with a large, slim body and grey to white colouring. This specimen has a long snake-like neck and webbed feet. It has large powerful wings positioned flat against the rear of its body. The eyes are made of glass and are a pale yellow colour which is similar in colour to the long and sharp bill.Paper label: "154 New Holland Darter"taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, darter, bird, australasian darter

The Ruyton Reporter (formerly known as Ruyton Reports) captures the essential Ruyton Girls' School experience for the broader school community. It has been produced since 1986.The record has strong historic significance as it pertains to one of the oldest girls' school in Victoria, Australia. Ruyton was founded in 1878 in the Bulleen Road, Kew, home of newly widowed Mrs Charlotte Anderson (now High Street South). Thus, the record can be used as a reference example for research into Victorian school history. It also gives insight into the types of activities and events undertaken at Ruyton Girls' School during the period of its production. The record's significance is further enhanced by its exceptionally well-documented provenance, having remained the property of Ruyton Girls' School since its production.Black and white newsletter printed on paper with staple binding. 8 pages.Front Page: Vol. 3 No. 2 November, 1988 / R / RECTE ET FIDE LITER / RUYTON / 1878 - 1988 Reports / From Ruyton Girls' School / 12 Selbourne Road, Kew. 3101 / Telephone (03) 819 2422 / SCHOOL PAGEANT / Over 500 girls were involved in the School Pageant which was written and produced to honour 110 years of Ruyton's history. In / Music, Mime and Tableaux, girls from Year 3 to Year 12 re-created special memories of the past. Members of the staff and parents / were most supportive of this event and we were particularly pleased to welcome Miss Dorothy Armstrong to the final performance. / The words of the School Song which she composed were really sung with vigour and affection in her presence. / Hockey Team L. t. R. Clare Mansfield, Bridget Langley, Melinda Willis, / Cas Curran, Karina Winspear, Chelsea Cornell. (Courtesy Progress Press) / Eurythmics L. to. R. Brooke Madder, Tamara Johnson, Melanie Littlejohn. / (Courtesy Progress Press) /ruyton girls' school, ruyton, school, students, newsletter, ruyton reports, ruyton news, kew, victoria, melbourne, girls school

Documents relating to organizations (not Bendigo based): a. Flyer (bi fold) ''A Community Radio Station for Central Victoria?'' re obtaining an FM radio broadcasting licence- Central Victorian Community Broadcasting Association; b. paper presented at Bendigo seminar for ''Regionalism and the Arts'' 13/7/1985 by Ric McCracken, Footscray Community Arts Centre; c. 12 page booklet ''Info Pak - the Community Arts Paper'' published by the Footscray Community Arts Centre, 1978; d. 4 -paged Newsletter of the Victoria Welsh Male Voice Choir, issue 1, May2002 ''Tongues of Fire''; e. 8-paged booklet describing the Robert Blackwood Hall, Monash University, Clayton (pub. Ca. 1971?); f. 26- paged ''Work Guide - How to establish an Artist In Community project'' , published by the Community Arts Resource Centre, East Melbourne , 1989; g. info sheet on residential schools, Jan 1979 - ''Mime and Dance Education'', Dept of Continuing Education, University of New England; h. personal and artistic information re potter, Judy Lorraine , Wedderburn; i. Copied extracts from ''Australian Quilts - The People and Their Art'' descriptions of the work of nine quilters from The Quilters Guild, pub. By Simon Schuster (no date); j. letter from The Lieder Society of Victoria Inc to Arts Bendigo October 2001 re opportunities for concerts in area; k. information about various performances of the Australian Performing Group, APG, (Pram Factory) -no stated datemerle hall collection, community arts, australian performing group

McColl Rankin & Stanistreet. Books related to Broken Hill Mining companies. a/ Broken Hill South, operations at Broken Hill. b/ North Broken Hill LTD, summery of operations. c/ Zinc Corp LTD New Broken Hill Consolidated Limited Southern Power Corporation Limited PTY LTD. d/ The Broken Hill Mining Industry. e/ North Broken Hill LTD, reports & statements of accounts June 1934. Markings/inscriptions: each book labelled on front cover as above.organization, mining, mccoll rankin & stanistreet, broken hill miming industry zinc reports and statement of accounts