Colour photograph of the Henry Sutton display in the Ballarat Mining Exchange during Ballarat Heritage Weekend.henry sutton, sutton autocar, ballarat mining exchange, ballarat heritage weekend

ballarat heritage services, ballarat heritage weekend

Catherine Reef United Claimholders Gold Mine The Catherine Reef United Claimholders Gold Mine was a significant site in the history of gold mining in Victoria, Australia. It operated from 1861 to 1913 and was considered the second most important gold mine in Victoria, behind the Port Phillip Company at Clunes. The mine utilized steam power for quartz mining, which required pounding the quartz to sand to extract gold. The mine's engine and battery foundations are remnants of this historical activity and are of great archaeological and scientific importance to the State of Victoria. The mine played a crucial role in the development of Victorian manufacturing industry and is a characteristic example of an important form of gold miningThree documents relating to the Catherine Reef United Claimholders Gold Mine, Eaglehawk. 1. Bendigo Mining, one page Information Sheet regarding the history of the Catherine Reef United mine site. Text is an extract from 'Bendigo's Deborah Gold Mine and its Era' by James Lerk. 2. Bendigo Mining Heritage News, - The Catherine Reef Eaglehawk Mine. Double sided one page information sheet. Images of archaelogical remains at Catherin Reef are featured on the front page. Emma Farrell and Mark Andrews question/answers featured on back page. 3. A3 photocopy of map of Catherine Reef United mine site and a list of archaeological remains found. bendigo mining n.l., bendigo, mining, gold, kangaroo flat, james lerk, catherine reef united claimholders gold mine, eaglehawk, archaeological dig, mining heritage, bendigo amalgamated goldfields, poppet head

Dahlia & Arts Festival, Eaglehawk.16th - 26th March, 1995. Programme. Debutante Ball (1), 'The Festival' Exhibition at the Borough Galleries. Debutant Ball (2). Art Preview and Presentation of Awards. Craft Market. Displays of Cake Decorating. Sidewalk Busking Competition. Gala Fair. Eaglehawk Fire Brigade open day. Porcelain Art and Craft Show. Art Show. Display of Memorabilia-Cornish Assoc. Static Display-Irish Assoc. Children's Multi-Dimensional Art Exhibition. Children's Photographic Display. Flower Show. Photographic Print Competition. Eaglehawk Heritage Society-Display. Bridge to Park, foot race. Street Procession. O'Shea-Ryan Bendigo Irish Dancing School and O'Shea-Ryan Academy of Irish Dance - Melbourne Performance. 2nd Seasons Fashion Show. 13th Annual Dahlia & Arts Half Marathon. Ecumenical Church Service. Picnic Lunch. Free Concert-Guinness Show Band. Cycling Criterium. Mining Heritage Tour of Eaglehawk. Dahlia Diner. Variety Concert. ''High Jinx On The High Seas''. Childrens Fancy Dress Parade. Gala Charity Old Time Ball. Brass Instrument Solo/Party Competition. 'Gardening Through The Drought'-Guided Tour. California Hill Church Open Day Craft & Devonshire Teas. Traditional Cornish Concert. 'A Time to Remember'. Annual Croquet & Bowls Tournaments. Festival Guest of Honor Mr Wayne Gregson - Journalist. Editor - Bendigo Advertiser. Festival President, Mr Noel Thomas. Vice Presidents Alan Bull, Kevin Herdman. Executive Officer Jeanette Moss. Treasurer Lorna Thomas. Acknowledgements and sponsors on back page.event, entertainment, eaglehawk dahlia & arts festival, dahlia & arts festival, eaglehawk.16th - 26th march, 1995. programme. debutante ball (1), 'the festival' exhibition at the borough galleries. debutant ball (2). art preview presentation of awards. craft market. displays of cake decorating. sidewalk busking competition. gala fair. eaglehawk fire brigade open day. porcelain art and craft show. art show. display of memorabilia-cornish assoc. static display-irish assoc. children's multi-dimensional art exhibition. children's photographic display. flower show. photographic print competition. eaglehawk heritage society-display. bridge to park, foot race. street procession. o'shea-ryan bendigo irish dancing school and o'shea-ryan academy of irish dance - melbourne performance. 2nd seasons fashion show. 13th annual dahlia & arts half marathon. ecumenical church service. picnic lunch. free concert-guinness show band. cycling criterium. mining heritage tour of eaglehawk. dahlia diner. variety concert. ''high jinx on the high seas''. childrens fancy dress parade. gala charity old time ball. brass instrument solo/party competition. 'gardening through the drought'-guided tour. california hill church open day craft & devonshire teas. traditional cornish concert. 'a time to remember'. annual croquet & bowls tournaments. festival guest of honor mr wayne gregson - journalist. editor - bendigo advertiser. festival president, mr noel thomas. vice presidents alan bull, kevin herdman. executive officer jeanette moss. treasurer lorna thomas. acknowledgements and sponsors

The remains of the 180 mine battery as painted by Alfred Perry in 1959. This is a watercolour and indian ink sketch on card. Yellow card attached with painting states: ' George Lansell Exhibit No 4. The remains of the 180 mine battery as painted by Alfred Perry in 1959. It was from the 180 that George Lansell laid the foundations of his fortune and indeed the fortunes of the district. With his capital behind the field mining flourished for nearly one hundred years and ensured employment for the many miners in the district.'Alfred Perryartwork, print, mining heritage, alfred perry, mining battery, 180 mine, victoria hill

Victoria Hill Marong Rd Bendigo (Opposite the Gold Mines Hotel) Heritage Day Brochure 2010. Victoria Hill Guided Tours James Lerk (Bendigo Historical Society) George Ellis (Bendigo Cornish Association) Rod Orr (Bendigo Field Naturalists Club) David Bannear (Heritage Victoria) Presentations: Rod Fraser The Geology of Victoria Hill and Bendigo, Kurt Walder German Heritage Ballerstedts-miners from the Hartz Mountains crushing battery, Rod Orr Mining and the Environment in Bendigo, Michele Matthews (BRAC) Sir John Quick the Forgotten Father of Federation spent his youth in the shadow of Victoria Hill, David Bannear ''Things Forgotten'' - the Archaelogy of Bendigo, Carol Holsworth the Chinese and Victoria Hill area, John Kelly Inquests held at the Gold Mines Hotel, George Ellis The Cornish miners of the Ironbark and Long Gully area, Amanda Jean The Ironbark Heritage Study. Coath Cottage Open Day owner Andrew Ward and Restorer Gary Hill explain the history and restoration of the 1860s miners cottage after Black Saturday fire. Restoration Loans from the City of Greater Bendigo.bendigo, gold mining, heritage day 2010

Bendigo's Central Deborah Gold Mine and its Era A history of the Central Deborah Gold Mine. Dedicated to' all those who toiled, beneath the soil' Written by James A. Lerk.James A. Lerkbendigo, history, central deborah gold mine, bendigo, history, central deborah gold mine, mining, heritage

Views of the City of Bendigo and Borough of Eaglehawk, Victoria, Australia, Softcover book of 28 pages with black and white photos with coloured borders.bendigo, history, buildings/streetscapes, bendigo, gold mining, heritage buildings

The Blowhole is an artifical diversion tunnel in the Jim Crow Creek made by Chinese miners seeking gold around the 1870s. Ann Gervasoni and Clare Gervasoni stand on the edge of the pool associated with The Blowhole. hepburn, hepburn regional park, blowhole, mining, heritage, chinese

Many Cornish from St Just came to the Victorian goldfields. They were excellent miners. St Just is a World Heritage Site. st just, cornwall, cornish, mining, industrial heritage

st just, mining, world heritage site, bendigo

An illustration from the Picturesque Atlas of Australasia, hand-tinted photo-engraving by W.C. Fitler shows Clunes in late 1880's. It shows little evidence of the town's mining heritageTINTED RELIEF WOOD ENGRAVING PRINT OF THE TOWNSHIP OF CLUNES. HAND COLOURED, MOUNTED AND FRAMED WITH CREAM COLOURED MATT, DARK GREEN FRAME AND GOLD INSIDE TRIM.GENUINE ANTIQUARIAN PRINT LABEL ON BACK FROM LECKIE GALLERYwood engraving, relief, 1890, w.c.fitler

St. Just's Point. Author: George Ellis. History of Cornish and area in Bendigo called St. Just's Point, near Long Gully. Foreword by James Lerk.George Ellisbendigo, history, st. just's point, bendigo, st. just's point, history, heritage, mining, cornish

Many miners came from the St Just are in Cornwall to Ballarat, Victoria, Australia for the gold rushes. This sign reads that St Just, Cornwall is a Cornish Mining World Heritage Site twinned with Huelgoat and Bendigo.ellis, st just, bendigo, miners

Ray Beer was an employee of the Central Deborah Gold Mine. February 15th 2009: Bendigo Advertiser: 'MINING stalwart Raymond Beer has died at the age of 74 after a battle with cancer. He leaves behind an extended family and a legacy in Bendigo’s mining history. Ray was mine manager at the Central Deborah Gold Mine - appointed in 1978 - and led the team that made possible the underground project at the second level. He had a vision to allow visitors to go underground and experience Bendigo’s mining heritage first hand. Ray was responsible for developing the new battery, shaft and poppet head to make this a reality. It took persistence and lots of hard work. Friend and work colleague Bill McNamara said Ray was as good as 10 men. His enthusiasm and work ethic were unprecedented. Ray will be sadly missed by his wife, Thelma, six children, 15 grandchildren, seven brothers, three sisters, his extended family, and friends. He will be remembered for his kindness, tenacity and strength of character. In recognition of his contribution to Bendigo’s mining history, after more than 20 years of service at his retirement, a bronze life-sized statue was unveiled in his honour'.Colour photos : 2 photos, same image of Ray Beer, holding a gold ingot. Ray dressed in hard hat, casual clothing. Written on photo ' Ray Beer with 201 ozs of gold A.1. Mine, Gaffneys Creek'bendigo, mining, gaffneys creek, ray beer, central deborah gold mine

Victoria Quartz Gold Mine was on Victoria Hill, Ironbark, Bendigo. The Victoria Hill Quartz Gold Mines are scientifically important, as they contain relics span nearly sixty years of mining (1854 to 1913), documenting the richest and most significant years of Bendigo's world-famous quartz mining industry. Enhancing the significance of the place are relics from the Victoria Quartz Company operations, including, at 4,870 feet, the world's deepest nineteenth-century gold mining shaft. (Heritage Victoria) Geology of Victoria Hill: https://aigjournal.aig.org.au/wp-content/uploads/2019/12/AIG-Victoria-Hill-Mining-Reserve_FinalWeb.pdfTyped copy of what appears to be a speech. Mentioned is that after 1910 the Commonwealth took over the minting it's own money. Gold mining was chosen for the one pound note and a Bendigo scene was chosen. The scene chosen shows boring operations in the Victoria Quartz Mine. The picture was taken by Vincent Kelly of the five figures but for engraving only three were shown. They were Mr W Healy, Mr J Smith and Mr James Beverage. James Beverage was a member of Bendigo's first fire brigade. He went to Beechworth for a demonstration and on the way home stopped at Christie's Hotel in Swanston Street. There was a fire at the hotel and Mr Beverage rescued Mrs Christie, her baby and a servant. At a later date Mr Beverage saved a woman from a burning building in Moore Street in Bendigo. He received the Royal Humane Society's Medal which is now housed at the Bendigo Fire Station in Hargreaves Street. In the City's formative years the area that deposited its rain water into the Long Gully Creek was considered to be in Long Gully and for many years the Victoria Quartz Mine deposited many thousands of gallons of water into the Long Gully Creek. Mr Steve Gibbons unveiled the plaque.bendigo, history, long gully history group, the long gully history group - banknotes and james beverage, victoria quartz mine, vincent kelly, shepard's bush, mr rickards, mr abraham, mr w healy, mr j smith, mr james beverage, south iron bark mine, rae's hill, sandhurst no 1 fire brigade, christie's hotel, mrs christie, royal humane society's medal, bendigo fire station, long gully history group, mr steve gibbons, department of environment water heritage, arts commnmoration of historic events and famous persons

This report was prepared by historian Robin da Costa-Adams to assess the cultural heritage significance of "Enniskillen" at 14 Balwyn Road, Canterbury. It includes some family history on a number of prominent families - the McAlpin family, the Hindson family and the architect, Arthur William Plaisted who designed 'Enniskillen' for the McAlpin family. McAlpin's was a major Victorian flour company in the nineteenth and early twentieth centuries. Owned and operated by J. McAlpin and Sons, the company sold its flour products across Australia and overseas. McAlpin's developed a successful marketing campaign which was pitched directly at housewives. One innovation was the publishing of a free cookbook which had recipes in it that used McAlpin's products. These free cookbooks were published successively from the 1930s through to the 1960s in Australia. Arthur Plaisted also designed the Surrey Hills Medical Centre in Union Road c1911. Some of his work is featured on the State Library of Victoria Collection. Robin da Costa-Adams has researched and written many publications including 'Blackburn a picturesque history, 1978'; 'Land of Gold: Gwlad yr Aur: James Tipping and a Mining Heritage'; 'Address (with signatories) from the women of Ballarat & Ballarat East to the women of England 1864 : against transportation of convicts', compiled and indexed by Robin; and 'Connie's Story : commemorating the Life of Mrs Edward (Plorn) Dickens'. Robin has been a tireless campaigner for heritage protection in Canterbury. This document on 'Enniskillen' was included with Robin's submission for 2 VCAT hearings regarding possible development of the property. Both resulted in a judgement against the proposed developments. In the recent (2021) hearing the document was specifically mentioned in the judgement.A report prepared by Robin da Costa-Adams in 2009 to assess the cultural heritage significance of "Enniskillen" at 14 Balwyn Road, Canterbury. It includes some family history on the McAlpin family, the Hindson family and the architect Arthur WIlliam Plaisted family.(mr) arthur plaisted, (mr) walter plaisted, enniskillen, shrublands, house names, (mr) francis henty, (mrs) mary henty, (mr) ernest carter, heathfield, (mr) john hindson, (mrs) alice hindson, (mr) william hindson, (mrs) annie west mcalpin, (mr) john mcalpin, mcalpin bakery, (mr) keith matthies, dental surgeon, (mr) william wolf, architects, (miss) mary beacon, robin ca costa-adams

Ray Beer was an employee of the Central Deborah Gold Mine. February 15th 2009: Bendigo Advertiser: 'MINING stalwart Raymond Beer has died at the age of 74 after a battle with cancer. He leaves behind an extended family and a legacy in Bendigo’s mining history. Ray was mine manager at the Central Deborah Gold Mine - appointed in 1978 - and led the team that made possible the underground project at the second level. He had a vision to allow visitors to go underground and experience Bendigo’s mining heritage first hand. Ray was responsible for developing the new battery, shaft and poppet head to make this a reality. It took persistence and lots of hard work. Friend and work colleague Bill McNamara said Ray was as good as 10 men. His enthusiasm and work ethic were unprecedented. Ray will be sadly missed by his wife, Thelma, six children, 15 grandchildren, seven brothers, three sisters, his extended family, and friends. He will be remembered for his kindness, tenacity and strength of character. In recognition of his contribution to Bendigo’s mining history, after more than 20 years of service at his retirement, a bronze life-sized statue was unveiled in his honour'. Central Deborah Gold Mine history: At its peak, Central Deborah Gold Mine reached a depth of 412 metres. It has 17 separate levels and 15 kilometres of drives and cross cuts (tunnels). The Central Deborah was very much a hands-on mine and the conditions that the miners worked in would be considered shocking by today's standards – being lowered underground in a cage with only two sides, often working ankle to knee deep in water, filling up to 32 ore trucks a shift by hand which were then pushed a mile or more along rails in the drives, working by carbide lamp, breathing in the fumes and rock dust and communication by bells. Geez, they were ironmen. However, at the time working conditions were considered to be among the best on the goldfields at Central Deborah, after all it was one of the only mines that had hot showers. Following Central Deborah Gold Mine's closure, the Bendigo skyline began to noticeably change. Obvious remnants of mining such as poppet heads, engine rooms, service quarters, battery houses and chimneys were steadily disappearing. After intense lobbying by the local community, the Bendigo City Council purchased the still very much intact Central Deborah Gold Mine in 1970 for a mere $6,000 to ensure that a vital link to Bendigo's historic golden past was maintained. The Bendigo Trust was then formed to oversee the operations of the Central Deborah Gold Mine, which led to the surface of the mine being opened to the public in 1971. Initially the surface was open for just 12 hours a week and as the demand for viewing a part of Bendigo's history increased, so did the opening hours. In 1974 the mine was gazetted as a Public Historical Purposes Reserve and attracted such visitors as H.R.H Prince Charles. By far the greatest shortcoming at this stage was that no one could view the underground workings, as these had become flooded. After what could only be described as a monumental effort by everyone involved, Level 2 of the mine was officially opened to the public by the Premier of Victoria, the Honourable John Cain, on 20 June 1986, which brought to fruition a long standing dream.Black and white photograph. Ray Beer, underground at Central Deborah Gold Mine, standing alongside wooden sign 'Murrell's Corner'. Sign is placed horizontally on timber supports, side of drive visible in background. Ray is wearing bib and brace overalls and hard hat with a belt around his waist. He is giving a 'thumbs up' sign. gold mining, central deborah gold mine, ray beer, mine manager

Steve Gibbons, Federal Member for Bendigo, suggests selling non-heritage parts of the Fortuna Villa property to fund maintenance of the historic mansion, ornamental lake, and mining battery. Non-heritage areas could be subdivided for private housing and possibly a health or aged-care facility. A new road connecting Marble and Chum streets could open up the site for these developments. The land west of the heritage lake and buildings is proposed for housing, while the corner of Chum and Booth streets is suggested for a health or aged-care facility. Gibbons emphasizes that only the original George Lansell property and its historic buildings are of heritage value; army-era buildings are not. He proposes that proceeds from development and ongoing rates be set aside to fund future maintenance of the heritage assets. Gibbons insists the mansion should remain in public ownership to preserve George Lansell's legacy and avoid burdening taxpayers or ratepayers. He is open to other ideas for the property's future use but stresses the need for a sustainable funding source. The City of Greater Bendigo is awaiting reports from the Department of Defence before making decisions about the property's future.Fortuna Article - "Fortuna part sale idea" Jan 24 2009 The Bendigo Advertiser by Sara Mennie This item contains the following: 11217.34a Colour Photo of Steve Gibbons, Federal Member for Bendigo 11217.34b Colour Photo of proposed extensions to the Fortuna site 11217.34c Part of Page 4 - Article "Fortuna part sale idea" 11217.34d Colour Photo of Front Page Photo from the Bendigo Advertiser showing Fortuna with a "For Sale Sign"non-fictionbendigo, fortuna, george lansell, steve gibbons

Merle Hall Collection: Rosalind Park Creative Village Bendigo Project Letters 31 March 1994 To: Victorian Arts Council Members From Grant Finck Project Coordinator Content: Introduces himself as the coordinator for 12 months; to members looking for expression of interest, includes Information Sheet 1994 on what the Creative Village is. 27 October 1995 To: Mrs. Mearle Hall From: City of Greater Bendigo, Bernard Smith (Director Environmental Services) Content: Granting access to the Victoria Hill site for small quantities of geological material. 10 January 1996 To: Mrs. Mearle Hall From: City of Greater Bendigo, Bernard Smith (Director Environmental Services) Content: Endorsement of the project by the Council and confirmation that the Council will provide preliminary site work to allow the project to be enabled. Also advised the Arts Bendigo Mosaic Project makes contact with the Salvation Army (New Work Opportunity Project) 27 February 1996 To: Mrs. Mearle Hall From: Ken Beasley Manager Project Development The Smith Read Training Group. Content: LEAP Project Proposal - Mining Heritage Mosaic outlining the benefits of using LEAP Trainees to undertake the project. Proposed Scope of work outlining responsibilities of each participant. Bendigo Mining NL Environmental Trust Fund (Perseverance Exploration and Department of Energy and Minerals Victoria representatives) 27 June 1996 To: Mrs. Mearle Hall From: City of Greater Bendigo, Bernard Smith (Director Environmental Services) Content: Advising that the Council will match dollar for dollar funding for the engagement of an artist to supervise the construction of the Mosaic in Upper Rosalind Park up to $3,500. 22 July 1996 To: Anne Buzza From Geof Brown Camp Hill Primary School Content: Thanks for using and managing the school students to help create tiles. 9 October 1996 To: Mrs. Mearle Hall From: City of Greater Bendigo, Bernard Smith (Director Environmental Services) Content: Enclosed cheque for matching grant of $3500 15 October 1996 To: Mrs. Mearle Hall From: City of Greater Bendigo, Bernard Smith (Director Environmental Services) Content: Agreement to relocate the project facilities to the car park and to maintain a close liaison between the Council and Arts Bendigo. 13 November 1996 To: Mrs. Mearle Hall From: The Sidney Myer Fund Helen Morris Research Officer Content: Remittance advice for $1000 22 April 1997 To: Mrs. Mearle Hall From: John Little Administrator Victorian Arts Council Content: Remittance advice for $500 towards the project and enclosing 12 VAC Annual reports. 20 October 1998 To: Mrs. Mearle Hall From: City of Greater Bendigo, Andrew Hall (Director Community Development) Content: Advising that the Council will make a grant of $1090 for the purpose of printing of Brochures for Bendigo Heritage Mosaic. A service agreement to be signed before the issue of the grant, 21 March 2001 To: Mrs. Mearle Hall From: City of Greater Bendigo, Justin Hanney (Director Community Services) Content: A reference from Council supporting the project application to Vic Health for the development of a series of small mosaic pieces along the linear pathway asjacent to the Bendigo Creek. 12 November 1996 To: Mrs. Mearle Hall From: Arts Bendigo Inc. Content: Cheque for $2000 being first payment as under contract two for mosaic project. 4 December 1996 To: Mrs. Mearle Hall From: Arts Bendigo Inc. Content: Cheque for $2000 being second payment as under contract two for mosaic project. 27 July 1997 To: Maery Gabriel Mosaic Artist From: Arts Bendigo Inc. Content: Cheque for $2000 being final payment as under contract two for mosaic project. 12 June 1997 - Two copies To: Maery Gabriel Mosaic Artist From: Arts Bendigo Inc. Content: Agreement between Maery Gabriel (The artist) and Arts Bendigo Inc. to complete the final two sections of the Bendigo Heritage Mosaic at the base of the Rosalin Park Poppet Head, Bendigo with a design of approximately two square meters within each section. The work to be completed by the endo of July 1997, unless severe weather conditions make the laying impossible. Agreement for two lots of $2000. 14 June 1996 From: Maery Gabriel Mosaic Artist To: Arts Bendigo Inc. Content: receipt for 50% payment for two weeks and $60 Travelling expenses. 21 May 1996 Agreement between Arts Bendigo of P.O Box 563, Bendigo in the State of Victoria (hereinafter referred to as the ‘AB’ of the first part AND Meary Hall of Morningswood, Petersons Road, Ellinbank, 3821 in the State of Victoria (hereinafter referred to as ‘the artist’) of the second part. ENGAGEMENT: (a) AB engages the Artist to provide her services as Mosaic Artist for the design and creation of a Mosaic pavement surround to the poppet head lookout in Rosalind Park, Bendigo and matters incidental thereto at such schools, halls and any other places as required from time to time by AB and the Artist accepts the engagement upon the term and conditions hereinafter appearing. (b) Services to be provided by the artist include community consultation and design work in association with AB Co-Ordinator and Arts Bendigo, a minimum of six weeks of the artist’s time within the six months of the project. Completion of section one of the whole design with further work on the other sections to depend on available funding. The agreed fee was $5400 and $60 per visit to Bendigo with living away to be provided by Arts Bendigo 1 November 1996 Agreement between Arts Bendigo of P.O Box 563, Bendigo in the State of Victoria (hereinafter referred to as the ‘AB’ of the first part AND Meary Hall of Morningswood, Petersons Road, Ellinbank, 3821 in the State of Victoria (hereinafter referred to as ‘the artist’) of the second part. ENGAGEMENT: (a) AB engages the Artist to provide her services as Mosaic Artist for the design and creation of a Mosaic pavement surround to the poppet head lookout in Rosalind Park, Bendigo and matters incidental thereto at such schools, halls and any other places as required from time to time by AB and the Artist accepts the engagement upon the term and conditions hereinafter appearing. (b) Services to be provided by the artist include community consultation and design work in association with AB Co-Ordinator and Arts Bendigo, a minimum of six weeks of the artist’s time within the six months of the project. Completion of section one of the whole design with further work on the other sections to depend on available funding. The agreed fee was $5000 and $60 per visit to Bendigo with living away to be provided by Arts Bendigo, plus transfer of the diamond saw purchased by AB 28 August 1996 Memorial to Bendigo’s Mining Heritage and Traditions financial and other support as at August 128th Arts Bendigo Financial contribution: $7000 Local Busine Sponsors: $2800 City of Greater Bendigo Matching Above: $2800 City of Greater Bendigo Site works: Equiv, $12000 Local Businesses and institutions supplying goods and services to total value of: Equiv: $7600 Expenditure: Purchase of equipment, including diamond saw: $2000 Purchase of materials: $800 Artists design fees: $3000 Artists on site work, travel and accommodation: $12000 insurance, administration etc.: $700 31 May 1996 List of possible donors' checklist Undated Budget Sheet 21 September 1995 From: The Victorian Arts Council To: City of Greater Bendigo Content: Invoice for $5000 10 December 1995 From: Maery Gabriel artist To: Arts Bendigo Content: Invoice $1575 for design of Rosalind Park Lookout. 45 hours @ $35/hour 1 October 1996 Historic mining Mosaic Pavement, Rosalind Park Poppet Head Financial Statement as a October 1st, 1996 28 October 1996 From: Maery Gabriel To: Ann Buzza (representing Arts Bendigo) Report on project of Rosalind Park Mosaic as at October 1996. The report lists the difficulties faced with the weather, unsuitable facilities on site and problems with the LEAP team labour.victorian arts council, city of greater bendigo

The Victoria Quartz Gold Mine was situated on Victoria Hill, Ironbark, (1877 - 1913). At the turn of the century, this was the site of one of the premier mines on the Bendigo goldfield. In 1908, it boasted the world's deepest shaft - 4,478 feet (1,365 metres). The shaft reached a depth of 4,613 feet (1,406 metres) in 1910. In 1857 eight small claims in this area had been merged to form the Victoria Reef Quartz Mining Co. Another merger in 1877 led to the formation of the Victoria Quartz Co. For the next three decades, the mine produced consistent profits. In 1910, water burst into the claim, flooding the shaft and halting operations. The company baled water for six months then handed the mine over to the tributers who worked the upper levels for the share of the profits. The mine closed in 1913, having produced over 48,000 ounces of gold and paid dividends of £99,600. (Source, Goldfield Guide https://www.goldfieldsguide.com.au/explore-location/400/victoria-hill-mining-reserve/) Victorian Heritage Register information on mine: Statement of Significance Last updated on - July 14, 2005 The story of quartz mining on Victoria Hill lies at the heart of Bendigo's historical status as the world's richest and deepest reefing field. Gold was discovered on Victoria Hill in 1854, and by early 1855 claims had been taken up over its entire extent. Shafts were first worked by windlass, whip or whim, and primitive crushing batteries were in operation. By 1861, Victoria Hill had yielded at least 1,200,000oz in gold. One of the early claims on Victoria Hill was owned by Prussian immigrants, Christopher Ballerstedt and his son Theodore. In 1854, they bought a claim on the hill for £80, to which they subsequently added other claims, and from the quartz veins (called spurs), worked both by shafts and a large open cut, obtained gold worth nearly £200,000. Christopher Ballerstedt was dubbed 'Father of the Hill' and has been credited as the first to debunk the theory at that time prevalent on the Bendigo field, that the gold content of reefs would diminish at depth. As his shafts plunged below the 200-foot level, the quartz remained rich in gold. His success inspired others, and so led the way to Bendigo's later status as the world's deepest and richest goldfield. The Ballerstedt's built Bendigo's grandest mansion, Fortuna. Theodore continued to work Victoria Hill after his father's death, but in 1871, convinced that his claim was exhausted, he sold both mine and mansion to George Lansell for £60,000. Lansell's mine on Victoria Hill was called the 180, and operated under his ownership until his death in 1906. The mine supplied the initial wealth that made Lansell Bendigo's 'Quartz King'. George Lansell was such a force in Bendigo's mining history that his death was cited as one of the reasons for the decline of Bendigo as a quartz mining centre, The Victoria Hill Quartz Gold Mines are of historical, archaeological and scientific importance to the State of Victoria. The Victoria Hill Quartz Gold Mines are historically significant as the symbolic heart of Bendigo's famous goldfield. The mines are linked to nineteenth-century individuals (Christopher Ballerstedt and George Lansell) who played prominent roles in the evolution of Bendigo. Both men's fortunes and their influence on Bendigo, originated from mining operations carried out on the hill. The Victoria Hill Quartz Gold Mines are historically and scientifically important as characteristic examples of an important form of gold mining. Gold mining sites are of crucial importance for the pivotal role they have played since 1851 in the development of Victoria. As well as being a significant producer of Victoria's nineteenth century wealth, quartz mining, with its intensive reliance on machinery, played an important role in the development of Victorian manufacturing industry. The Victoria Hill Quartz Gold Mines are important as a manifestation of this aspect of gold mining. The Victoria Hill Quartz Gold Mines are scientifically important, as they contain relics span nearly sixty years of mining (1854 to 1913), documenting the richest and most significant years of Bendigo's world-famous quartz mining industry. Enhancing the significance of the place are relics from the Victoria Quartz Company operations, ncluding, at 4,870 feet, the world's deepest nineteenth-century gold mining shaft. As a postscript to the chronology of gold mining is the surviving crushing machinery (formerly part of the Bendigo Crushing Works) which was erected near the foundations of Lansell's 180 mine in 1932, to crush quartz for nearby mines. The place has a potential to yield artefacts and evidence which will be able to provide significant information about the technological history of gold mining. [Source: Victorian Heritage Register] Hermes Number 8506 https://vhd.heritagecouncil.vic.gov.au/index.php/places/8506/download-report Hand drawn plan of the bottom section of the Victoria Quartz Gold Mine. Mine shaft shown from 2706 feet to 5200 (potential) feet shown, with annotation regarding geological features and gold obtained from different level crushings. Blue border sticker on outside of plan: '13 BC 23 Victoria Quartz Trans-Section'. Plan is not dated. The Victoria Quartz plan is part of the Margaret Roberts Collection.victoria hill quartz gold mine, victoria hill

Nicholas John Bolle was born in Dorstadt, Germany in 1836 to parents Heinrich (Johannes Heinrich Wilhelm) and Friederike Hartmann (Anne Marie Friedericke). Around the age of 20 he immigrated to Australia and made his way, most likely on foot, 150km in a northerly direction to the Bendigo goldfields. In March 1863 Nicholas registered his first mining claim, naming it Bolle’s Reef. Having worked this reef until it no longer paid, he went on a prospecting tour of the area and found another gold reef towards Elysian Flat, staked a claim and registered it under the name of his beloved wife ‘Rosanna’. Sadly, as was often the case, the cost of hiring men to get the gold out of the ground, and removing it from the clay and quartz, outweighed the amount of profit he was making from his discoveries. In November 1863 while living and working at Old Tom Gully, Nicholas appeared in the Government Gazette as insolvent. Nicholas continued to struggle on, scoping out the surrounding area in the Whipstick Forest, and having some little success and by 1869 he was given a government reward of 25 pounds for discovering a new area of gold in the Whipstick. The Government Gazette records this reward – 'for the discovery of the Whipstick, 25 pounds' (Government Gazette 1869) By 1872 Nicholas had established a quartz crushing plant at his mine in Old Tom Gully, (the Old Tom mine) a remote place in the middle of the Whipstick. Mining was a dangerous business, and in 1875 Nicholas was called as a witness in a coroner’s inquest into the death of a John Bashton who was accidentally killed in a mining accident at nearby Easter Claim in December. In 1881, he was again called to give evidence when one of his employees Mr Thomas Garrett was killed while working at his claim at Old Tom Reef. So we are fortunate to have Nicholas describing his day’s work in his own words. Reference: Michelle Dennis Family History http://www.michelledennis.com.au/?page_id=1067) The Old Tom Mine site is situated between Old Tom Road, Scotsman Road, Eaglehawk-Neilborough Road and an unnamed road, Whipstick VIC 3556. The Marong Heritage Study, Mining Sites ( City of Greater Bendigo) describes the former mine site as follows: '40 metre-long mullock heap with one dumping line running north from a filled shaft. The heap has been partially quarried. 20 metres south is a scatter of red hand-made bricks and rough concrete rubble. Further south there are smaller mullock dumps and a line of shallow reef workings Surface workings 30 metres west of the mullock dump, running north, is a line of small mullock paddocks, terminating in a shallow open cut. On the same line to the south, in an area north and west of the most southerly section of reef workings there is an area of hydraulic sluicing. West of the cyanide works and along Scotchman Gully there are patches of shallow alluvial workings. Battery site On the eastern side of the open-cut is a small mullock paddock, below which is a spread of hand-made red bricks and fire bricks. Near this rubble is a dry dam, with traces of battery sand nearby. Puddling machine site 10 metres north of the water race is the outline of a 20 foot diameter puddling machine. The central mound retains its wooden post and fragments of timber side-boarding are still present in the puddling trench. Water was fed to the puddling machine from the race by a pipe, now largely buried. The dumps are weathered and partially quarried, but the puddling machine is in good con 40 metre-long mullock heap with one dumping line running north from a filled shaft. The heap has been partially quarried. 20 metres south is a scatter of red hand-made bricks and rough concrete rubble. Further south there are smaller mullock dumps and a line of shallow reef workings Surface workings 30 metres west of the mullock dump, running north, is a line of small mullock paddocks, terminating in a shallow open cut. On the same line to the south, in an area north and west of the most southerly section of reef workings there is an area of hydraulic sluicing. West of the cyanide works and along Scotchman Gully there are patches of shallow alluvial workings'. Reference: https://www.goldfieldsguide.com.au/explore-location/553/old-tom-mine/ Document. Gold Sale notes for Nicholas Bolle. Papers pinned together covering the years 1868 - 1887 being statement of gold melted and assayed for Nicholas Bolle from the Eaglehawk branch of the Bank of Victoria. A few of the papers are from the Bank of New South Wales - Eaglehawk Branch, Bank of Australasia, Bank of Australasia Gold Office. The earliest statement dated 3 Jul 1868 is for Messrs Harrison & Bashton. Other early ones are for Derbyshire Reef. The Bank of Victoria cards mention R. H. Andrews, Agent on the back. The Bank of Australasia Gold Office statement contains an ink picture of the building on the back.gold sale notes for nicholas bolle, bank of victoria - eaglehawk branch, bank of new south wales, bank of australasia, bank of australasia gold office, messrs harrison & bashton, derbyshire reef, r. h. andrews

This model of a mechanical ore roasting and chloridising furnace was invented and patented by Thomas Edwards of the Edwards Pyrites Smelting and Ore Reduction Company. This new type of furnace produced a high standard of sulphur free ore known as ‘sweet roasted’. Edwards used this model for demonstrations in the USA. Of note is the central large vertical cogwheel (externally driven) which drives small vertical cogwheels via angled cogging drives. These in turn drive a horizontal wheel. Each side of the vertical wheel is set on an opposite side to the horizontal wheel of its neighbours, resulting in opposite direction rotation of neighbouring horizontal wheels. Each horizontal wheel turns a rabble (set of vertical iron paddles) within the furnace. These rabbles, each turning in opposite direction to its neighbours, move the roasting ore in a zig-zag path through the furnace. The elongated furnace with its line of rabbles produced a much ‘sweeter’ roasted ore than could be obtained from a typical tank-shaped furnace. In 1924, when the model was donated to the Ballarat School of Mines, Ballarat’s Courier newspaper reported, ‘Apart from its historical and education value, the gift should serve to stimulate the inventive faculties of the students who have to win fame for the school and for themselves in the metallurgical world.’ The furnace model was donated to Ballarat School of Mines and used as an educational prop from 1924. The model relates to the mining industry which is a significant part of Ballarat's history and heritage. Ballarat School of Mines is the oldest Technical School in Australia and is celebrating 150 years in 2020.Metal model of Edwards' Ore Reduction Furnace. The model includes cogwheels, rabbles and other details. Scale is thought to be around 1:20M259ballarat school of mines, edwards, pyrites, ore reducation, edward retallack, mining, model