A. Part of the G.Hadden Collection. B. Describes all types of mining machinery"Mining Machinery" Hard Bound, gold lettering, 378 pages.Inside front cover "G.Hadden Private", "10/-"

Mafeking Goldfield Mt William Mining Scene c1900. Horse powered mining machinery.stawell

Handwritten notes on mining machinery sold at auction. South St Mungo - Winding Engine. Pair of 15 ? Cyl. Winding Engines. 7 ft Winding Gear. Also, Jackass Boiler. Feed Pump, Trucks, Rails, Flat Sheets, Poppet Heads, Housing, etc. Sold for 270 pounds. Purchaser H Ralph for Austral Drill Co. Lady Barkly Company - 12-inch Cylinder Winding Engine. 8 ft Winding Gear. Cornish Flue Boiler, Feed Pump, Rails, Poppet Heads, Housing, etc. Sold for 162 pound 10 shillings. Purchaser W. J. Sever, Mining Merchants, Melb. Crushing Battery - Complete 40 Head Battery. Tandem Compound Engine. 11 in & 22 in Cylinders. High Press, Boilers, Electric Lighting Plant. 6 in Cyl. High Speed Engine, Fire-proof, Feed Pump, Rails, Flat Sheets, Tools & Sundries. 1000 pound to R. Ralph. These three mining plants, complete. Sold by Messrs. Bell, Lambert and Nixon - Auctioneers. Ref; Bendigo Advertiser. July 14th, 1910, Page 2.document, gold, new chum & victoria lines of reef, mining machinery new chum line eaglehawk, south st mungo, h ralph, austral drill co, lady barkly company, w j sever, crushing battery, messrs bell, lambert and nixon

Document: McColl, Rankin & Stanistreet Deborah United Gold Mining Co. Machinery File. Buff fooscap folder. Letters enclosed relate to machinery e.g. quotations for machinery repairs and purchases, tenders for dam, erection of winding plant and poppet legs. August 1940 - December 1945.McColl, Rankin & Stanistreetorganization, business, deborah united gold mine nl, mccoll, rankin & stanistreet, deborah united gold mining co., gold mining, machinery, poppet legs

Colour photocopy of original photo. Four separate images showing underground mining machinery working in the Swan Decline, Kangaroo Flat Gold Mine. On one machine (bottom LH corner) 'Tamrock DT 18' visible on side of equipment. Date stamp on all four images is 12/6/2000, between times of 12.35 p.m. to 12.48 p.m.western mining corporation, goldmining, capping, shaft, mining regulations, kangaroo flat gold mine, 2000, swan decline, machinery

BHS CollectionHandwritten, carbon copy of a list of boilers, crushing equipment, burners, Cyanide plants and rails at various locations.Locations include: Deborah Mine, Deborah Extended, Monument Hill, R. Barker's Yard, Victoria Hill, Maldon State Battery, Liddle's Bendigo, Devonshire Sands, North Deborah, The Great Southern, South Deborah, North Hustlers and Wattle Gully. Notes prepared by Albert Richardson.mine, gold, victoria hill, victoria hill, mining equipment machinery etc, deborah mine, deborah extended, monument hill, r barker's yard, victoria hill, miller & co melb, maldon state battery, john cocks, mr l picken, liddle's bendigo, g holt, devonshire sands, graham bedford, central deborah, north deborah, great southern, south deborah, north hustlers, wattle gully

Document dated 28th April 1865 "All that the amalgamated alluvial claim at Pottery Flat aforesaid registered Number 881 in the Books of the Mining Register for the Mining District of Sandhurst known as the Royal Oak Company's claim." Listed in "The Bendigo goldfield registry" 1872 as Royal Oak Company: Bignell's Reef, Derwent Gully. Capital £24000., in £24,000 20s. shares. Manager, W. Barker. Newspaper articles dating from 11 Jan 1867 refer to the company as "Royal Oak Mining Company". Both names appear to be used interchangeably. This A3 document is made up of 3 pieces of heavy stock lined paper. The document is bound on the left side with glue and string creating a book which comprises the legal contract of mortgage for mining equipment. The document is handwritten in black ink across 4 pages (2 double sided pages) with the last page acting as the documents cover when folded down into a pamphlet. The signature page includes 9 red wax seals. When held up to the light, the cover page and internal page show an indentation reading G. Wilmot 1862. The first page of the contract shows an indentation of a crest and the initials GW.joseph hocking, alfred inkson gillman, benjamin lean, absalom brewer, donald fraser, william seed, john rowe, william collier, george drake, mining, royal oak company, the bank of victoria, g. wilmot

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

BHS CollectionHorwood Collection - Chewton Mining. Mining machinery, believed to be in Chewton. Markings; Aug75M2Kodakmine, gold, chewton, horwood collection - chewton mining. mining machinery, believed to be in chewton

BHS CollectionHorwood Collection - Chewton mining. Mining machinery, possible an old boiler and the wheel of the winding machine. Other machinery parts are there. Markings; noneAgfacolormine, gold, chewton, horwood collection - chewton mining. mining machinery, possible an old boiler and the wheel of the winding machine. other machinery parts are there

Copy of photo: underground mining scene. Large jumbo machine digging at face of mine. Two men standing alongside machine. Bendigo Mine ? Fosterville Gold Mine ? Photo donated by John Williams in Feb. 2012. Written on rear of photo : John Williams, Feb. 2012'cottage, miners

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

Hand written notes on the Historical Record of the Central Deborah Gold Mine written various size paper. It mentions the machinery, Miners' Wages, Price of Gold, Predictions of Victor Pabst, mining correspondent of the 'Bendigo Independent'.Other mining machinery. Written by A Richardson, dated 21/10/1971. Written in black pen - Written for Jim Sullivan - Central Deborah. Handed in on 20/10/1971.mine, gold, central deborah gold mine, central deborah gold mine, mining machinery, history of the central deborah gold mine, victor pabst, bendigo independent, the bendigo goldfield - resources of the central area, new monument battery, golden carshalton battery, north deborah, state battery, victoria hill, price of gold

2 typed copies of history and description of the Central Deborah Mine. Document describes the Historical Record, Historical Background, Brief Chronological History, Some Facts (a brief description of the machinery), Miners' Wages, Price of Gold, Huge Mining Machinery of Other Days, Some Notes on the Geology and the Central Deborah Reefs. Written by A. Richardson. One copy has 1235 D in a circle written on the top left corner and the second copy has Mr John Arthur 15/11/71 30c written across the top.mine, gold, central deborah mine, central deborah gold mine, history of central deborah gold mine, victoria hill, mining machinery, a. richardson, central deborah gold mine geology, central deborah gold mine reefs, price of gold

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

Taken around 1858, depicting a row of five business buildings on a rocky, sloping hillside at New Town, with a view across to residences and open land. Businesses included, Joseph E. Bishop, Coach Builders; Straughair Duncan, Engineers, Blacksmiths & Farriers; Straughair Duncan, Beechworth Foundry; Wholesale & Retail Est. 1855, Mackenzie Family Store ; and T. Pratten, Grocer. The Mental Hospital can be seen in the background. Mark Straughair and John Duncan, established the Beechworth Foundry, Newtown in 1858 and went on to build an important industry, employing around sixteen men, after acquiring Alexander Roger's New Ford Street Foundry in the late 1860s. Making and repairing mostly mining and agricultural machinery for the Ovens District and a Beechworth brewery, the business continued to function after Straughair's death in 1882, up until the death of Duncan in 1896, when the business folded. This photograph is historically significant because it shows the development of the businesses in Beechworth from the early establishment of the town.Sepia rectangular photograph printed on photographic paper mounted on boardObverse: [Pin holes from circular tacks in all four corners] Reverse: 84.216-1/ Newtown/ 1997.2650/ 21/ BMM3056/new town, newtown, newtown beechworth, local business, 1858, 1850s beechworth, joseph e. bishop, coach builder, coach, mark straughair, m. straughair, straughair and duncan, john duncan, j. duncan, beechworth foundry, mackenzie family store, t. pratten, grocer, beechworth grocers, beechworth mental asylum, beechworth mental hospital, mayday hills mental asylum, mental hospital, alexander rogers, new ford street foundry, 1860s beechworth, 1860s, mining machinery, agricultural machinery, manufacturing, bridge road