In 1909, assistant Chaplain Rev. Haire presented the Mission with an 'uncommonly artistic pulpit' in memory of his mother. A plaque in memory of Jane King Haire can be found on the side next to the steps. The dedication was performed by the Archbishop of Melbourne on the 26th January (date engraves on the plaque) This pulpit was designed by Melbourne architect Rodney Howard Alsop (1881-1932) and manufactured by William John Dalziel (furniture manufacturer). It was initially used in the first Mission in Central Melbourne, Siddeley St. It is located in the Chapel of Saint Peter of the Mission to Seafarers 717 Flinders St. complex since 1917 (State Heritage listed (H1496). This complex was designed by Walter Richmond Butler in 1916, and officially opened on 11 September 1917, a day '...of unusually kind weather', by the Governor of Victoria, the Honourable Sir Arthur Stanley. According to a later article published in 1950: The pulpit is a model, built to scale, of the stern of an old ship of the line in Lord Nelson's day. This pulpit is significant as it is housed in The Memorial Chapel of Saint Peter forming part of the State Heritage listed Mission to Seafarers Victoria complex. It was built in Melbourne of Australian timbers, and is one of only two known maritime inspired pulpits, both associated with Missions to Seamen of the early 20th C. the other is held in the ANMM Collection see link. Their statement of significance is worth quoting in part as it applies equally to this pulpit "...an extremely rare and unique example of such pulpits. It is highly significant as a wonderfully preserved example of a time when religion was preached to sailors for their spiritual guidance and temperance..." Rodney Howard Alsop was an important Melbourne architect of the Arts and Crafts movement. John William Dalziel had sailed from Liverpool to Melbourne in 1862. Seventeen years later Penman and Dalziel founded the business in Lonsdale Street West, and won recognition at the Indian and Colonial Exhibition in London in 1886. Penman and Dalziel were identified in 1937 as one of Melbourne’s early ‘skilled craftsmen’ and ‘leading names’ in the manufacture of fine furniture. He died in February 1918 in a railway accident.Timber pulpit built in the form of a ship's stern including a timber step ladder for access, a timber keel and rudder, a rope fixed from the pulpit to a post mounted to the floor, and a dedication plaque on the side of the pulpit. The pulpit sits on timber legs. It's likely to be the original rope: traditionally made coir rope with twisted fibres, covered with canvas supported by a thread. At lower end the rope is secured by a monkey fist know and at the top by a turk head knot.Inside the pulpit (right) is the cardboard label with the maker details: " On an attached plaque see 0678 To the greater glory of God and in ever loving memory of Jane King Haire. This pulpit is erected by her son. Blessed are the pure in heart. For they shall see God. St. Matt. V.8. 26.1.09mission, seafarers, melbourne, victoria, chapel, saint peter, pulpit, australian timber, stern, walter richmond butler, australian maritime history, reverend w.f. haire, rodney howard alsop (1881-1932), wright's lane, william john dalziel, gifts-1917, heritage listed

non-fictionmerchant navy, ww2

Large square based glass containers with a circular openings on their tops and some of which have a paper label with respective text depending on its contents. Each container is accompanied by a corresponding glass lid. These are found in the back storage location of the parent item. Howson Edwards, Chemist and Druggist, At the Glauber's Head, No.47, Old-Gravel-Lane, Ratcliff-Highway volum collection,

Photographed by Alison Kelly while she was joint caretaker of the building during the Mission Arts Centre days 1987 to 1991From album of photos mostly by Alison Kelly: view down the lane behind Swallow Street toward the rear of the Port Melbourne Missions to Seamen building (Telecom building on right)missions to seamen, built environment, alison kelly

This print of Christ is slightly smaller than the original 1927 oil painting by Herbert Beecroft, which is titled “Christ” and measures, in centimetres, 60 high by 50 wide. The original is displayed at John Wesley’s House & The Museum of Methodism in Islington, England. This print was part of the original furnishings donated by the Williamstown Lightkeepers' Auxiliary to the St Nicholas' Mission to Seamen's Church at 139 Nelson Place, Williamstown, Victoria, operated by the Missions to Seamen organisation. The title of the print is taken from the Holy Bible, from the New Testament book of Luke, chapter 22 verse 61, which is a famous Christian account of Jesus being betrayed by Peter, which leads to Jesus’ crucifixion; “And the Lord turned, and looked upon Peter. And Peter remembered the word of the Lord, how he had said unto him, Before the cock crow, thou shalt deny me thrice.”. The print was published in 1942 by the National Sunday School Union in England, now known as the National Christian Education Council. The NSSU was established in Britain in 1803 to promote Sunday Schools in Britain and overseas. The organisation produced many publications, including training manuals and materials for Sunday School teachers. Herbert Beecroft 1864-1951, also known as Lawrence Herbert Beecroft, was an early 20th-century artist. He and his wife emigrated from England to Sydney, Australia, in 1905. He worked as a painter, illustrator, miniaturist, lightning cartoonist, and lecturer. From 1927, Beecroft painted a series of portraits of Jesus Christ, prints of which made many worldwide sales. He entered a miniature portrait in the 1921 inaugural Archibald Prize competition. It was one of forty-one entries but the title was unknown. It was probably JF Archibald, the person who endowed the prize, first awarded in 1921. THE MISSIONS TO SEAMEN (Brief History): - The Missions to Seamen was an Anglican charity in Great Britain that has served the world's seafarers since 1856. Its symbol is a Flying Angel, inspired by a Bible verse. Today, there are centres in over 200 ports worldwide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria, the organisation began in Williamstown in 1857 as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’ in an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In 2000, the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres, such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943, a former Williamstown bank was purchased for the Missions to Seamen Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, and the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981, and resembles the Williamstown chapel. This print of Christ, originally painted by Herbert Beecroft, represents the social movement in the early 20th century to educate all children in good morals and Christianity. The book is historically significant for its connection to the Missions to Seamen and to the Williamstown Lightkeepers' Auxiliary, an organisation of women, formed to support seafarers. A religious portrait of the artist’s impression of Jesus. The print is in a gilt timber frame behind glass. The frame has eyelets and wire for hanging. The backing paper lifts to reveal a handwritten pencil inscription. The portrait shows a male figure from the waist up facing the viewer but turned slightly to his right. He has long wavy blond hair, a moustache and a beard. He wears a blue-grey robe over a collarless white shirt. The background is red-brown. It is the artist’s impression of Jesus. The whole frame-mat has script text above and below the print, giving its title, and details of the publisher and producer. This print was produced from an original 1927 oil painting by Herbert Beecroft. It was published in 1942 by The National Sunday School Union in London and produced by Frost & Reed Ltd., England. This print is part of the St. Nicholas Seamen's Church Collection. Handwritten script on the mat; “Published in 1942 by the National Sunday School Union, 4 Black Friars Lane, London, EC4. Produced by Frost & Reed Ltd., Bristol & London. Printed in England. Copyright.” and, “The Lord turned and looked upon Peter … and Peter remembered” Signature on bottom left “Herbert Beecroft” In pencil on backboard under back paper “H 89 / 12”. Pen on white tape “155”flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, print, religious, vintage, 1942, herbert beecroft, lawrence herbert beecroft, archibald prize winner, early 20th-century, artist, oil painting, luke 22:61, flagstaff hill maritime museum and village, religion, religious service, religious worship, worship service, st nicholas seamen’s church, williamstown, missions to seamen victoria, mission to seafarers, st nicholas missions to seamen’s church williamstown, missions to seamen, st nicholas missions to seamen’s church flagstaff hill, 139 nelson place williamstown, anglican church, church furnishings, religious furnishings, seating, williamstown lightkeepers' auxiliary

Closing time for the Theatre Royal Melbourne’s Theatre Royal opened 16 July 1855 at 236 Bourke Street, between Swanston and Russell, in the heart of the city’s entertainment district and it was comparable in size to London’s Drury Lane and Covent Garden. It was rebuilt in 1872 following a fire, remodelled in 1904, and demolished in 1933, due in part to the Great Depression, and also to the growing popularity of moving pictures. On the site was erected Manton’s department store, then Coles, Target, and now Kmart. The Quaker Girl, a 1910 Edwardian musical comedy with long running success in London, Paris and Broadway, opened in Melbourne at the Theatre Royal on 22 July 1933. Stars Cyril Ritchard and Madge Elliott were to become husband and wife, their Sydney wedding photograph now an iconic Australian image of that time. The theatre closed 13 November 1933. MCK080 Published: The Age 4 November 1933 Featured in "Newsworthy: Melbourne in photographs 1933-1936" exhibition at East Melbourne Library, October to December 2023. Exhibition caption by project volunteer, Louise McKenzie. THEATRE ROYAL (1933, November 4). The Age (Melbourne, Vic. : 1854 - 1954), p. 5. Retrieved October 16, 2025, from http://nla.gov.au/nla.news-article203364238 Additional research by project volunteer, Fiona Collyer and librarian, Fiona Campbell: The Theatre Royal closed on 13 November 1933. During demolition in December, a worker was pinned by the legs under two tons of collapsing ceiling concrete. Miraculously he escaped with only a broken leg. A commemorative plaque was unveiled in 1937, displayed at the front of Manton's department store. The event was covered in The Age on 20 Dec 1937. It was a beautiful blue enamel and brass with the comedy and tragedy masks, one crying and one laughing, at the top with a timeline of the theatre underneath. Its whereabouts became unknown after the multiple changes with department stores on the site. In 2019 Greg Sampson set out on a mission to find it and in 2021 eventually tracked it down, on a wall behind the door of a staff tea room in Kmart. After much arduous lobbying by Greg it was eventually relocated to the Kmart arcade on the site where the Theatre Royal was originally located. Annette Cooper's history of Manton's and the Bourke Street site described the process of acquisition and demolition of the theatre: "Around 1933, the theatre came on the market – ‘a gift from heaven’ for its enterprising neighbours. Manton’s acquired the theatre and started planning for its demolition to enable the expansion of the store. William Manton and his sons, Jack and Ivor, watched the final production at the theatre, Harold Fraser-Simson’s musical comedy The Maid of the Mountains. 'It was, for the theatre-goers, a nostalgic last appearance, an emotional night, the end of an era. There were those who were mortified at the prospect of a store taking the place of their palace of dreams.' Even Whelan the Wrecker sensed the importance of the occasion and donated four bricks from the theatre to the National Museum of Victoria. They are the oldest bricks in the museum’s collection and form part of its Whelan the Wrecker collection." UNDER BIG FALL OF CONCRETE (1933, December 8). The Herald (Melbourne, Vic. : 1861 - 1954), p. 1. Retrieved April 14, 2026, from http://nla.gov.au/nla.news-article243215969 The Relocation of the Theatre Royal Plaque, Greg Sampson, https://theatreheritage.org.au/on-stage-magazine/news/item/989-the-relocation-of-the-theatre-royal-plaque Photo of theatre interior, Arts Centre Melbourne, https://collections.artscentremelbourne.com.au/#details=ecatalogue.184409 OLD THEATRE ROYAL (1937, December 20). The Age (Melbourne, Vic. : 1854 - 1954), p. 10. Retrieved March 25, 2026, from http://nla.gov.au/nla.news-article205554847 AMATEUR ATHLETICS -- LIFE SAVING DISPLAY MEMORIAL PLAQUE UNVEILED (1937, December 20). The Age (Melbourne, Vic. : 1854 - 1954), p. 15. Retrieved March 25, 2026, from http://nla.gov.au/nla.news-article205554863 It's smart to be thrifty: the story of Manton's department store, Annette Cooper, https://www.slv.vic.gov.au/sites/default/files/3%20Annette%20Cooper%20-%20It%E2%80%99s%20smart%20to%20be%20thrifty%2C%20the%20story%20of%20Manton%27s%20department%20store.pdfPhotographer notations on slide: "Theatre Royale 1933 B4". theatres, 1930-1939, fires, musicals, films, department stores, demolished buildings, commemorative plaques, incidents, concrete, whelan the wrecker, bricks, kmart, bourke street melbourne, manton's department store, theatre royal, coles, target

Possible dates: b. 12/10/1868, d. 14/10/1947. Husband, Alfred Coates was Home Missionary in Diamond Creek from 1910 to 1913 and in Bacchus Marsh on 18/3/191, according to the Argus, p. 19, 18/3/1916.B & W waist length studio portrait of Sister Bessie (Emma Elizabeth Coates nee Dau) dressed in her Home Missionary uniform.Verso: "Presented to the Junior Department of the Carlton Methodist Mission by: Ruby Farrell, Marjorie P. Saynor, Ruth I. Lane, Daphne Blanthorne, Thelma Jessop, Margaret McCutcheon, Elva Taylor, Phylis McCrohan, Dulcie Bolton, Eileen Colk, Teacher Junior (Supt.) Eva Reed, Sister Louie, 2 Thessalonians 1. 11,12 1927dau, emma elizabeth, sister bessie, methodist central mission, home missionary, alfred coates