Beige furry Teddy Bear with tartan foot pads and bowtie. Teddy Bear belong to Tommy, son of soldier William Smithpersonal momento

PHOTOGRAPH DONATED BY MRS. BAINBRIDGE [NEE JONES] YOUNGER DAUGHTER OF MR. & MRS. W JONES.PHOTO COPY BLACK AND WHITE PHOTOGRAPH TAKEN 17.5.1938. A MOMENTO OF THE SOCIAL TO MR. & MRS. W. JONES OF CLUNES , THEY ARE SEATED IN CENTRE SECOND ROW. MR. LES DAVIS CENTRE FRONT ROW POSSIBLY ACTED AS MC.A MOMENTO OF THE SOCIAL TO MR. & MRS. W. JONES CLUNES 17.5.38local history, photography, photographs, early citizens

Returned Soldier's Ball held in Wangaratta on 9th August 1937 Captain Mulder and Jim Boyd were floor stewards. A special set of four couples in full regimental dress danced the Quadrilles and other set dances.First Military Ball held in Wangaratta and due to its success it was decided to make it an annual event. Black and white unframed photograph of large group of men and women in front of stage with flags in backgroundA momento of the Ret. Soldiers Ball Wangaratta 9.8.371937, wangaratta, returned soldier's ball

Returned Soldier's Ball held in Wangaratta on 9th August 1937 Captain Mulder and Jim Boyd were floor stewards. A special set of four couples in full regimental dress danced the Quadrilles and other set dances.First Military Ball held in Wangaratta and due to its success it was decided to make it an annual event. Black and white unframed photograph of large group of men and women in front of stage with flags in background mounted on brown cardboardA momento of the Ret. Soldiers Ball Wangaratta 9.8.371937, wangaratta, returned soldier's ball

Hand •crochet cloth Doily, probably cotten, Dedication Inscription,Lone Pine Greater Love Lost rest in peace Pine tree, Flags / banners, Shield with cross, Embroided in the momento "LONE/PINE/GREATER/LOVE/REST/IN/PEACE".handcraft, lone pine, doily, hand crochet cloth doily, world war one handcraft, love token, momento anzac cove

The Australian Vietnam Forces National Memorial is located on Anzac Parade in Canberra, the Nation's Capital. In May 1988 the Federal Government announced its support for the project. In August 1988 the first official Vietnam Veterans’ Day was held. In September, the Minister for Veterans’ Affairs, Ben Humphries, launched two television commercials designed to encourage donations and handed over a cheque for $12,500. Subsequent support from the Federal Government brought this to $250,000. However the bulk of the funds cam from public donation, together with some corporate sponsorship. The final cost for the memorial was just over $1.2 million. (info. from Vietnam Veterans association of Australia web-site)This item is significant in that it is a reminder of the history and experiences of the veterans of the Vietnam War and the enduring impact of the war on society.A framed momento of Vietnam War. Medallion is inset into red coloured card over mount board. It is double sided so that the medallion can be viewed from both sides. Silver raised lettering on rectangular black ribbon: "For Those Who Served Suffered and Died - Vietnam 1962 - 1973" Black lettering on red card: "This Commemorative Medallion was presented to the Orbost Shire Council by the Vietnam Veterans Association in recognition of the generosity of the people of the Orbost Shire, the Shire Council and the local R.S.L. in raising $1000, toward the building of the Vietnam Veterans National Memorial in Canberra. This Shire was the first area in the state to raise $1000." On front of medallion: "In Appreciation For Your Support" On reverse side of medallion: "Australian Vietnam Forces - National Memorial"vietnam-war war-momento war-plaque

Various momentos - Veteran representatives visit program 11-20 August 1996, Cloth napkin of National Congress Qld 2004, program of 2004 dinner, Vietnam Veterans of America badgevietnam veterans

White china dish re The RAChD momento dedicated to the Army Chaplain Service. A brief history printed on the back and the motto "In the sign Conquer". This features a cross and royal crown above. All in black and whiteIn This Sign Conquerchina dish

Item posted back to Australia as momento of AIF Soldiers journey to WW1 WW1 memorabiliaSouvenir postcard booklet of Cabo Verde (West Africa)Printed - Souvenir de Sao Vicente - Cabo Verde Handwritten to Mother from Cecil - with love 14/7/16.ww1, soldier's correspondence

The stones are a momento from Anzac Cove, the site of the Australian Infantry Force's landing in 1915.Landing at ANZAC Cove , 25 April 1915 Description As part of the attempt to seize the Gallipoli Peninsula in order to suppress the Turkish defences guarding the Dardanelles, military landings were made at Cape Helles at the southern tip of the peninsula (the main landing) and on the west coast near Ari Burnu. At this secondary objective two Divisions of the Australian and New Zealand Army Corps (ANZAC) landed in the darkness and faced rugged and difficult country. Units mixed up on their arrival rushed inland and became separated from the main force, which came under growing fire from the Turkish defenders. While Turkish reinforcements arrived, the ANZAC position became increasingly precarious as the assaulting force failed to secure their initial objectives. Falling back on improvised and shallow entrenchments the ANZACs held on for a crucial first night. By that first evening 16,000 men had been landed; of those over 2,000 Australians had been killed or wounded. www.awm.gov.au ANZAC Cove landingTwo smooth stones. Both would fit into the palm of a medium sized hand. One is dark, almost black, the other lighter, with a pinkish tinge.Catalogued as 108A and 108 Banzac cove, gallipoli

These newspapers were kept by the donors parents as a momento of the time nearing the end of the European War and the Pacific War.. Old news print yellowing small tears at the edgesThe Advertiser, Adelaide South Australia, (dated) Wednesday May 9 1945 & Wednesday August 15 1945 The News, Adelaide, Tuesday May 8, May 9, & August 14 1945many articles of the war and other happenings of the time.

"Happy Medium" Photo Co., Yarra Street, Warrandyte. Provided souvenir photos for patrons of the Eltham Barrel as a momento of their visit Souvenir Photo cover made of card and printed both sides with centre fold. 4 slits for inserting souvenir photo (not included)happy medium photo co., eltham barrel, souvenir

This is a report on the status of Royal Australian Survey Corps mapping and charting and geodesy for the period 1 July 1991 to 30 June 1992A4 Report, Part of Bendigo 1:100,000 map on the cover, Plastic ring binder., gloss paper pages, plastic folders inside back cover containing Indexes of Mapping production and a momento of 50th Anniversary Army Survey Regiment ParadeSigned by Simon Lemon, Director of the Royal Australian Survey Corps - Armyroyal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr

With 3 left over cloth badges belonging to the Mt Beauty High School, the idea of making a cushion was born. Possibly to be sold at a fete or as a momento.Created by a member of the Mt Beauty High School. Square orange cushion with 3 Mt Beauty High School pocket cloth badges sewn diagonally across the cushion from the top right to the bottom left. The rest of the cushion is made up of predominantly orange squares sewn together. There is a zip across the top.cushion, mt beauty high school cloth badge, sewing

From the Introduction: Our Victorian First Contingent comprises some 6700 officers and men, and this booklet is issued as a souvenir of Victoria's complement and to serve as a record and momento ......Soft cardboard cover, glossy finish. White background with red / blue / white print over a red / white / blue flag. Cover & pages stapled centre fold. Pages unnumbered, cut, plain, white, illustrated black / white photos. Booklet appears to be a facsimile of a souvenir booklet with the introduction dated 1914. Printed on cover: “For Empire, Australia's Rally to the Dear Old Flag. Victoria's First Expeditionary Force to the Motherland. Roll of Honour” Price: “One Shilling” Handwritten inscription 1st page top L in blue ink. “Peter Ball”booklet, contingent, victoria

Made in Camp 1 by AW (Initials on back) for Mr. FJ Haslinger in 1940. Given to Helmut Ruff as a momento when released from Camp 1 in 1947Beaten copper holder for matchbox, patterned. Holds box of "Crown" Safety matchesholder - matchbox, haslinger fj, ruff h, camp 1, tatura, ww2 camp 1, personal, effects, smoking, accessory, copperwork

Inscribed gum leaf"From the Australian Bush Bairnsdale 23/4/18"gum leaf, ww1, world war 1, momento, australia

Made in Camp 1 by AW - initials on back for Mr. FJ Haslinger in 1940. Mr Haslinger's initials and what is assumed to be his Prisoner No. (POW 2036) on the bottom. Given to Helmut Ruff as a momento when released from Camp in 1947Beaten copper ashtray with 4 indentations to rest cigarettes, hammered pattern either side of indentations and on bottom of ashtrayTatura POW - 2036 FJH 1940ashtray, haslinger fj, ruff h, camp 1, tatura, ww2 camp 1, smoking, accessory, copper

Black leather bound bible with embossing on cover and handwritten notes on flyleaf written by Rev George F Dyson (son of Martin) 15 April 1944.Presented by the Conference of the Victorian and Tasmanian Wesleyan Methodist Church to the Rev Martin Dyson, as a momento of his year of office as president of the of the conference 1893 Melb. March 5th 1894.

Document presented to the Borough Council of Sandhurst. In recognition of highly valuable services -- handwritten. List of names of 26 commissioners. Secretary- J.G.Knight.F.R.I.B.A Exhibition opened by His Excellency. Sir J.H.T.Manners-Sutton. K.C.B on the 24th of October 1866 and closed on the 23rd of February 1867. Having been opened to the public for 105 days. Original civic momento. Coloured in Red & Green. DR 269civic mementoes, presentations, memorial exhibition

The joystick has been held by the Barber family since the crash in 1945. It had been kept as a momento to the witnessing of the incident involving an aeroplane from the Nhill Air Training School. In recent times the joystick has been mounted on a display base and loaned to the Nhill Aviation Heritage Centre to add to the awairness of this event. This is the only remains of this aircraft known to existSection of a wooden aircraft joystick, broken off at the base. Made of turned and polished wood with a turned handle section approx 100mm at the top. Mounted on a wooden display base with two brass retaining rings. Display base has information in text and description artwork of the aircraft. Inscription "MEMORABILIA from R.A.A.F. FLYING SCHOOL / NHILL AERODROME World War II"air crash, joy stick, propodollah, barber, tiger moth, a17 751, keith scholfield, lac john considine

RAF Sweetheart Brooch most likely made during WW2. The heart has possibly been made from llucite acrylic. Sweetheart badges were momentos given to loved ones by troops departing for foreign shores. Originally regimental badges worn close to the heart, they represent a close connection to a particular armed force.Clear plastic sweetheart brooch in the shape of a heart with crown above eagle with pin fastening attached to rear.raf, sweetheart brooch, trench art

On note in photograph file: Laying the Foundation Stone of St Stephen's Rectory, High St, Rutherglen. "The foundation stone was laid on Wednesday, 21st June, 1905, before a large number of parishioners and visitors by Mrs T H Armstrong, wife of the Bishop of Wangaratta; Royston Ready presenting Mrs Armstrong with a silver trowel as a momento of the occasion." From - The Parish of St Stephen, Rutherglen 1863-1963. The Rector at this time was Rev A J E Harris-Rivett. St Stephens Rectory, High Street, Rutherglen. Mrs Armstrong, wife of the first Bishop laid the stone. Information from Father Angus Cooper - 1987Photograph of the laying of the foundation stone at St Stephens Rectory, Rutherglen, black & white, cardboard, unframed"D. Bennett, Platino Bromo, Rutherglen" On back of photo: "Laying of foundation stone of rectory of St Stephens Rutherglen"anglican church, st stephens church, royston ready, t h armstrong

This blazer pocket is from Ann (Price) Royal's Clarendon Presbyterian Ladies College blazer. Ann attended CPLC 1947 - 1957. Blazer pockets were embroidered with the school crest and additional embroidery was added during a student's years at College to reflect school colours and leadership roles. School colours were awarded for participation and leadership in various sport, house and academic pursuits. Ann's pocket, and the accompanying authorisation receipt reflect her receipt of the following awards: Athletics Colours (1952 - 1957), Hockey Colours (1954 - 1957) , Cairns House colours, school colours (1957) as well as leadership roles as Prefect (1957), House Captain (1957) and Sports Captain (1956). Students removed their pockets after graduation to keep as a momento of their school years. The authorisation receipt indicates that Ann's family chose not to have the final embroidery for Aths 1957, Hockey 1957 added to the pocket - probably because these awards would have been identified at the end of Ann's final school year. Significant reflection of school focus and individual attainmentBrown felt blazer pocket with braid across opening and embroidered crest and achievements; bottle green braid piece, multi-coloured braid piece; completed authorisation receipt for pocket embroidery made out to Harry Davies and Co Pty Ltd. Authorisation receipt: Harry Davies & Co Pty. Ltd / Drapers and style specialists 401, 403, 405, 413 STURT STREET 1719 Sturt Street Ballarat 13.12.1957 / Please supply Mrs J Price / for daughter ANN, for Clarendon P.L.C. uniform / full CREST for blazer pocket, Aths 52.53.54.55.56.57, Hockey 54,55,56,57 / Prefect 1957, House Captain 1957, Sports Captain 1956. / M H McPhersonann-price, ann-royal, 1950s, clarendon-presbyterian-ladies-college, prefect, house-captain, sports-captain

Horace Pickford was born at Clunes. His mother was Bessie and his wife was Ida. Horace enlisted on 22 June 1915. He was killed in action on 27 September 1917. He was buried in the vicinity of Polygon Wood. Horace was the brother of Edith Pickford ( m Holmes) and the maternal uncle of Elizabeth Mary Holmes ( m Chatham)Images relating to Australian World War One Soldiers from Ascot. . 2 Black and white carte postale of 17 Australian soldiers in uniform. Many hold a bugle and 5 drums are placed in the foreground. The Battalion colonel sits in the centre. The card was written by Horace Pickford (2282) of 'C' Company, 58th battalion. .3 Certificate of Marriage for Henry Robbins Pickford Family Tree .7 John Pickford Written in ink verso "France 14 July 17 Dear Edie I received your ever welcome letter a few days ago, this is but a card, but you will hear from other letters Ed. This is our batt bugle band, one of my friends belongs to it. I will march him out. Our colonel is in the center. Keep this little photo, it will be a little momento of the old battalion. We have a brass-band also. I have just received a letter from Ethel Pickford from England. Ta Ta now old kid with love. Horace (2882)chatham family collection, chatham, world war one, world war 1, france, horace pickford, ethel pickford, polygone wood, band, music, edith pickford, clunes, brass band, bugle band, henry robbins, family history, william pickford, charles pickford, elizabeth millard, sarah pickford, john pickford, alexander pickford

Imants Tillers has been identified as a quintessential postmodern artist in his use of appropriation and quotation. Since 1981 he has used his signature canvas boards to explore themes relevant to contemporary culture, from the centre/periphery debates of the 1980s to the effects of migration, displacement and diaspora. Most recently, his paintings have been concerned with place, locality and evocations of the landscape. Imants Tillers and Baldessin met on their way to the Bienal de Sao Paulo in 1975 and in the following year worked on two collaborative etching plates in Paris that were printed by Pierre Giarudon. 'Unsaid + Nameless' harks back to his experiences with Baldessin in Paris forty years ago. It is a poignant image of absence that can be read in the tradition of the momento mori. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George.'Unsaid + Nameless' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. In 1976 Baldessin and Tillers embarked on the collaborative work 'According to des Esseintes'; a post modern Surrealist game of consequences and sequences. In homage to his friendship and work, Tillers completed an unfinished Baldessin plate from 1976 inspired from their 'des Esseintes' collaboration. The addition of Odilon Redon's 'smiling spider' is indicative of Tiller's broader post-modern approach. Solar plate etching of Odilon Redon's 'Laraignee souriante' (The Smiling Spider) on an incomplete plate etched by George Baldessin in 1976 on Somerset paper. Other images include skewed perspectives of a wooden window frame, 'wooden' floor or table(?) folded sheet of paper and unknown apparatus. In pencil (handwritten): low plate: left '14/25' (edition); centre: 'Unsaid + Nameless' (title); right 'Imants Tillers' (signature); low paper: right emboss 'GB' (Baldessin Press & Studio monogram)solar plate etching, george baldessin, somerset paper, spider, line, ekphrasis2018, odilon redon, appropriation, post modern, surrealism, collaboration, paris, folio

Portrait plaque of a bare headed profile bust of John Wesley left, made of bronze gilt and mounted on dark brown wood. The plaque has paper on the back on which text is printed including manufacturer's details for re-ordering. On front: "SEAL OF THE METHODIST CONFERENCE" On back: " SEAL OF THE METHODIST CONFERENCE/ THE REVD. JOHN WESLEY NAT 1709, OB. 1791/WHAT HATH GOD WROUGHT, rev. printed label in twenty lines, TO THE METHODIST CONNECTION AT LARGE/ THE WANT OF A NEW METHODIST CHAPEL IN BIRMINGHAM/ CORRESPONDENT TO THE SIZE AND RESPECTABILITY OF THE TOWN, HAS LONG BEEN FELT BY THE FRIENDS OF METHODISM, A CONSIDERABLE NUMBER OF WHOM CANNOT BE ACCOMODATED IN THE CENTRAL CHAPEL. SUBSCRIPTIONS FOR THE ERECTION OF A COMMODIOUS PLACE OF WORSHIP HAVE ALREADY COMMENCED AND THE PROFIT ARISING FROM THE SALE OF THEIS INTERESTING PIECE WILL BE SACREDLY APPROPRIATE TO THE SAME PURPOSE. THE PURCHASERS OF THESE MEDALS WIL BE MANIFESTING THEIR LIBERALITY AT THE SAME TIME AS THE PIECE ITSELF WILL OPERATE AS A MOMENTO OF OUR OBLIGATION TO THE LASBOURS AND LEARNING OF THAT APOSTOLIC MAN TO WHOM WE ARE INDEBTED FOR OUR RICHEST BLESSINGS. IT WILL ALSO REMIND US THAT WE ARE ONE BODY THROUGHOUT THE WORLD. AND WITH THESE ENLARGED VIEWS NO UNDERTAKING CAN BE TOO GREAT FOR US TO ACCOMPLISH AND SURELY THEN NO FRIEND OF METHODISM WILL BE WITHOUT ONE OF THESE IMPRESSIONS IN HIS POSSESSION. THE FRIENDS IN EVERY CIRCUIT MAY BE SUPPLIED BY APPLYING TO JAMES HEELEY MANUFACTURER OF FINE STEEL TOYS, GREAT CHARLES STREET BIRMINGHAM. JANY. 1ST 1820 ENGRAVED AND PRINTED BY R. PEART, 38 BULL STREET BIRMINGHAM."rev john wesley, rev james watkin

EXHIBITION in the DOME The Sea is All Around Us - Margaret Woodward 11-21 May 2015 Dome Gallery – Mission to Seafarers, 717 Flinders Street, Melbourne, Australia. 37 º 49'21" S 144º 57'03"E Hours: Daily 11.00am - 4.00pm The sea is all around us is a multi-layered event which will create a memorable experience for those visiting the Dome Gallery and the Mission to Seafarers in Melbourne’s Docklands. The event will acknowledge and raise awareness of the working lives and journeys of seafarers by making visible their role in transporting commodities, materials and objects to and from Australia’s shores. This installation invites seafarers and visitors to participate in a global project which aims to witness sea journeys and trace the mobile life of seafarers and souvenirs. For a fortnight in May 2015, the Dome Gallery will become an architectural large scale compass, with the circular floor marking the intersection of its latitude and longitude (37 º 49'21" S 144º 57'03"E). Over these two weeks the Dome Gallery will be inscribed with marks recording journeys made by seafarers, recording destination and departure ports, home lands and waterways, and in doing so making visible a small segment of the global patterns of seafaring. Custom-made souvenirs designed for the installation will be given to seafarers as gestures of welcome and a memento of their visit. The souvenirs originating in Poland will continue their journey by sea, to destinations beyond the Dome becoming part of the global network of seafaring, with an invitation for seafarers to record their future journeys using QR code scanning technologies. It is hoped that by releasing the 200 limited edition souvenirs accompanying the seafarers the mobile life of souvenirs and seafarers will also become visible. For more information visit the website: sensingtheremote.net Margaret Woodward is Associate Professor of Design at Charles Sturt University For a fortnight in May 2015, Margaret Woodward was ‘in residence’ at the Mission to Seafarers Norla Dome Gallery with her participatory installation project "The Sea is All Around Us". The floor of the gallery became a large scale compass. Seafarers were welcomed to the gallery their ships, journeys and destinations were recorded and mapped on the floor drawing. Seafarers were welcomed with cake and souvenir mugs of tea. These mugs, a momento for the seafarers, were inscribed with a scannable QR code and an invitation for seafarers to record their journeys on a dedicated project website. Around 120 souvenirs are now continuing their journey by sea and seafarers have scanned the mugs from locations including Singapore, Brisbane, Fremantle, Adelaide, Busan and Johor! After the exhibition Margaret Woodward was able to follow the seafarers' whereabout: ""The Sea is all Around Us". I am in awe of where this project might go, well done Margaret. One week has passed since finishing up at the Mission to Seafarers Victoria. Today I check my website and can see that the cup-carrying seafarers are reaching warmer climates, they tell me it’s getting hot as some are already in Suva and Port Lautoka. I’ve watched the souvenirs travel and fan out from Melbourne, some West to Adelaide and Fremantle, others going north to Sydney Brisbane, Singapore and Busan. Another seafarer scans in from Changi Airport, excited to be going home for some time with his family in the Phillipines. I keep an eye on my ‘fleet’ of 22 ships that visited the Dome Gallery, and see where they are on the Live Shipping website, watch some of them sail up the coast of Western Australia and marvel at the steady pace this journey takes. I am so used to flying over coastlines and countries in a matter of hours, impatiently watching the tracking screen from my airline seat, this shipping pace seems so much more real, so much more of a passage. I feel connected to these ships, to the people on board, to know that an object has passed from my hands to theirs, now holding in it my cargo of concern."margaret woodward, installation, exhibition, norla dome, 2015, sea voyage, sea journey, cultural events