Showing 386 items matching moon
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Gippsland Art Gallery
Work on Paper, Piggott, Owen, Moon Along the Edge, 1983
Donated from the estate of the artist, 2016Pencil on cardgippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Frazer, David, Fly Me to the Moon, 1996
Purchased, 1996Wood, Paper, Inkgippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Young, William, Moon in the Water, 2011
Donated by the artist, 2013Paint, Acrylic, Oil, Canvasgippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Kleefsman, Deborah, Moon Rising, 2017
Purchased, 2017Drypoint etching and chine-colle on papergippsland, artwork, permanent collection -
National Wool Museum
Record, Gramophone, A Wandering Minstrel & The Moon and I
Gramophone record used in the mending room of the Foster Valley Mill.textile mills staff, valley worsted mill, gramophone, record, textile mills - staff -
Latrobe Regional Gallery
Print, HOS, Kees. Born 1916, The Hague, Holland, Between Sun - Moon, 1963
Title and edition 5/25 - bottom left under print Signed and dated 'Kees Hos '63' under bottom left of print. -
Latrobe Regional Gallery
Print, HOS, Kees. Born 1916, The Hague, Holland, Between Sun-Moon, 1963
Title and edition 8/25 - under bottom left of printed image. Signed and dated 'Kees Hos '63' -
Tramways/East Melbourne RSL Sub Branch - RSL Victoria Listing id: 27511
Book, DON CHARLWOOD et al, NO MOON TONIGHT (RAAF), 1956
940.544941, historical, isbn: 0 14 015447 7 -
Heidelberg Theatre Company Inc..
Program Photos Review Poster, Ruby Moon by Matt Cameron directed by Elise Dorian
2009, 371 -
Heidelberg Theatre Company Inc..
Program Photos Newsletter Poster Articles, Moon Over Buffalo by Ken Ludwig by special arrangement with Dominie Pty Ltd directed by Wendy Drowley
2000, 314, wendy drowley -
Heidelberg Theatre Company Inc..
Program Photos Newsletter Poster, Ring Round the Moon by Jean Anouilh directed by Alice Bugge
1990, 259, alice bugge -
Federation University Art Collection
Artwork - Printmaking, 'Resting Moon' by Kaye L. Green, 2011
The Gippsland Art School collects examples of limited edition prints to use as a teaching collection. The collection is largely unframed and comprises works from the Print Council of Australia, staff members and former students.Unframed colour lithograph with chine colle.Artist proofprintmaking, gippsland printmaking teaching collection, kaye green, gippsland campus, churchill -
Federation University Art Collection
Artwork - Printmaking, 'Silver Moon' by Kaye L. Green, 1994
The Gippsland Art School collects examples of limited edition prints to use as a teaching collection. The collection is largely unframed and comprises works from the Print Council of Australia, staff members and former students.Unframed colour lithograph with silver chine colleArtist's Proofkaye green, churchill, gippsland campus, gippsland printmaking teaching collection, printmaking -
Federation University Art Collection
Oil on board, Neville Bunning, The Moon Bird [related to a larger painting]
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Painting of a woman doing her hair in front of a bulldingart, artwork, neville bunning -
Federation University Art Collection
Printmaking - Etching & Aquatint, Rogerson, Madonna, Moon Shell
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork -
Monbulk RSL Sub Branch
Book, Crecy Publishing, No moon tonight, 2000
Don Charlwood was born in Melbourne in 1915. Accepted as a RAF navigator in 1940, he was posted to 103 Squadron at Elsham Wolds in the winter of 1942. There he crewed up with a pilot from Western Australia and a British crew to fly a Lancaster bomber. In No Moon Tonight he gives a profound insight into the inner lives of the men of Bomber Command and their hopes and fears in the face of mounting losses. He depicts the appalling human cost of the air war in an account which has been favorably compared to other enduring memoirs of the 1st World War, namely Sassoon's Memoirs of an Infantry Officer and Remarque's All Quiet on the Western Front. A memorable first hand account of the air war over Germany.Ill, p.244.non-fictionDon Charlwood was born in Melbourne in 1915. Accepted as a RAF navigator in 1940, he was posted to 103 Squadron at Elsham Wolds in the winter of 1942. There he crewed up with a pilot from Western Australia and a British crew to fly a Lancaster bomber. In No Moon Tonight he gives a profound insight into the inner lives of the men of Bomber Command and their hopes and fears in the face of mounting losses. He depicts the appalling human cost of the air war in an account which has been favorably compared to other enduring memoirs of the 1st World War, namely Sassoon's Memoirs of an Infantry Officer and Remarque's All Quiet on the Western Front. A memorable first hand account of the air war over Germany.world war 1939-1945 - aerial operations - britain, world war 1939-1945 - personal narratives - australia -
Ararat Gallery TAMA
Functional object, Evening Moon confection, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving -
Ararat Gallery TAMA
Functional object, Evening Moon confection, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving -
Ararat Gallery TAMA
Functional object, Evening Moon confection, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving -
Ararat Gallery TAMA
Functional object, Evening Moon confection, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving -
Ararat Gallery TAMA
Textile, Cresside Collette, Egyptian Moon Goddess, Astarte (curators title)
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Moorabbin Air Museum
Manual (item) - Specifications; Bob Nash; ASTA Engineering; Jindivik; Lynton Moon; PCB Accessories; Potentiometers; Protective Treatment; P.T.F.E; Relays; Relays-Accessories; Rivets; Resistors; Rubber Extrusions; Jervis Bay Ground Equipment
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Darebin Art Collection
Painting - Sid Cross, Sid Cross, Blue Moon Over Reservoir, 2013
reservoir -
Darebin Art Collection
Mixed media - Liu Xian Feng, Liu Xian Feng, Drinking with the Moon, 2010
Li Bai (701-762) is the greatest romantic poet in Tang Dynasty of China. He was given a post at the Hanlin Academy, which served to provide a source of scholarly expertise for the emperor.He was dismissed for an unknown indiscretion, and was sent into exile to the south-west by the Emperor. There after he wandered throughout China for the rest of his life. His creative inspiration emerged while drinking alcohol. His remaining 1,100 poetic creations reflect his unrestricted, romantic spirit. -
Thompson's Foundry Band Inc. (Castlemaine)
Sheet Music, Gipsy Moon& By The Fire Side
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Thompson's Foundry Band Inc. (Castlemaine)
Sheet Music, Honey Coloured Moon
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Thompson's Foundry Band Inc. (Castlemaine)
Sheet Music, I Love The Moon
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Thompson's Foundry Band Inc. (Castlemaine)
Sheet Music, Chinese Moon
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The Mrs Aeneas Gunn Memorial Library
Book, Rabindranath Tagore, The crescent moon, 1913
A book of childrens poetryp.82.fictionA book of childrens poetrybengali literature, childrens poetry -
Whitehorse Historical Society Inc.
Article, Wheelbarrow to the moon, 1990
The Sport for All Challenge by the Soviet Union requires 30 minutes of physical activity by willing residents.The Sport for All Challenge by the Soviet Union requires 30 minutes of physical activity by willing residents. Photo; Cr Les Cooper pushing barrow with three volunteersThe Sport for All Challenge by the Soviet Union requires 30 minutes of physical activity by willing residents. cooper, les, city of nunawading, sports and recreations, sport for all challenge, logie, mark, cocking, jeff, bradley, rosalind