Churchill Island has a significant photograph collection dating from the nineteenth century. Moonah trees can be seen growing in various spots around Churchill Island. They are a type of Melaleuca and can live for up to 300 to 400 years. Moonah trees were of special significance to the Bunurong people, the local aboriginal tribe, who called Churchill Island Moonar'mia. The Bunurong people also have a special legend which relates to the Moonah Tree. The legend is that there was a boy and girl who had fallen in love and wished to spend each moment in each other’s embrace, this resulted in them neglecting their family duties. The lovers still continued to disappear to be alone, so the tribal elders banished them from their village. The moonah tree trunks are the reminder of the lovers in their tightly entwined embrace twisting around each other. A statue representing this legend can be seen at the entrance to the Churchill Island Visitor Centre.Black and white photograph of group of moonah trees by the shoreline.Catalogue number written in pencil on reverse. On reverse in pencil 'FROM ALBUM 10, page 59'churchill island, moonah, tree, melaleuca

This album was presented to the Earl of Stradbroke by the Fathers of Soldiers and Returned Soldiers 16/2/1923. Photo shows Cowes Pier looking north across the bay with Moonah trees and coastal vegetation in the foregroundPhotograph of Cowes Pier looking north across the bay with Moonah tree and other coastal vegetation in the foreground. Photo would have been taken from the Esplanade.Rose Series P 2788. The Pier, Cowes, Phillip Island, Vic.phillip island, cowes, pier, earl of stradbroke, moonah tree

Memorabilia and notes to rules officials at the Australian Open 2005, played at the Moonah Links (Rye Victoria) 24-27 November 2005. Bruce Harding was a rules official at this competition.Bruce Harding is a past HGC President and was involved with Victoria's junior teams, the Victorian Golf Association and was a rules official..Memorabilia collection of 2 p. additional local rules; 4p. ‘Rules Walkers Roster’; 4 car park passes; Moonah Links scorecard; 2 AGU guest passes; 2 season passes; Bruce Harding - Rules Official badge.bruce harding, golf - rules, australian open (golf)

One of a collection of 15 sheets with copies of Postcards printed onto A3 sheets from the Shirley Jones Collection.Copies of postcards. Cowes Pier; Churchill Island; People waiting on the Cowes Pier for the Steamer; The Cowes Pier; View of Churchill Island; Coastal scene at Cowes; Postcard with 4 scenes at Churchill Island - Amess Cottage, Moonah Trees, Historic Cannon; Kilcunda General Store."Cowes from the Pier" - "Waiting for the steamer on the Pier at Cowes P.I." - "The Pier at Cowes" - "Churchill Island from Phillip Island" - "Churchill Island, Amess Cottage, Moonah Trees, Historic Cannon" - "The General Store Kilcunda Vic"cowes pier phillip island, churchill island, amess house churchill island, moonah trees, kilcunda general store, shirley jones collection, thelma astbury

Part of collection donated to the Museum by Mr. Bernard Grayden. 1975Girl on seat under wind-blown trees (Moonahs?) at Cowes"Room for another" Cowes, Phillip Island. Valentine Series M1260local history, documents, postcards, cowes, phillip island, sepia postcard, girl, seat and trees, bernard grayden

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decadeBlack and white photograph of a line of Moonah trees near a shoreline with a paddock in the foreground. Catalogue number written in pencil on reverse. churchill island

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century to the present. This series of photos comes from an album entitled 'Aspects of Churchill Island'.Black and white photograph with white border showing fallen moonah tree trunks in front of a stand of treesCatalogue number written on reverse in pen/pencilchurchill island, landscape

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century to the present. Black and white photograph with white border of a pasture with moonah trees in the background. The Churchill Island shoreline and inlet is also visible.Catalogue number written on reverse in pencilchurchill island

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century.Colour photograph of two people moving up past the shoreline among shrubs and moonah trees, bending down with hands over their headscatalogue number written on reverse in pencilchurchill island, photograph

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade.Black and white photograph of a group of twisted moonah trees, and logs on the Churchill Island shoreline and mudflats. Photograph has been printed on a type of card and has a matte finish applied.Catalogue number written in pencil on reverse.churchill island, photograph

Sea Baths at Cowes built 1893. Wooden structures extending into water. Much seaweed on sand, Moonah tree and scrub to right of photograph.The baths seafront, CowesThe Baths, Cowes. Black and Whitelocal history, photographs, sea baths, cowes, sepia photograph, mary karney

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade.This series of photographs were taken in the late 1890s and show scenes from around the island while it was owned by Samuel Amess and his family.Black and white reprint of a photograph from the late nineteenth century showing two men resting in a paddock with a line of trees dividing the field from the water. One man is reclining on the grass while another stands. Copy of 0658.3Catalogue number written in pencil on reverse. 'VICTORIAN DEPT OF AGRICULTURE' written in pencil on reverse Stamp on reverse: 'Photograph by Information Branch Victorian Dept. of Agriculture Ref. No 1978(541-8)'amess house, churchill island, samuel amess, moonahs

Lists of residents of the Warangesda 1880-1925, Maloga 1874-1888, Cummeragunja 1889-1953 (Stn) 1883 - present (Res) Moonah Cullah 1910-1952(Stn) 1896-1962(Res) Aboriginal Stations and other Rivereina Aboriginals 1874-1954maps, b&w photographs, registry listingsyorta yorta, wemba wemba, wiradjuri, warangesda, maloga, cummeragunja, moonah cullah

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century to the present. Black and White photograph of Ted Jenkins driving a tractor hitched to a cart with tree trunks on the back. Printed on card with a white border.Catalogue number written in pencil on reverse. Handwritten in pencil on reverse 'Ted on tractor Fallen timber from around the Moonah forest to be cut up for (?) stove etc'churchill island, ted jenkins

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century to the present.Black and white photograph of Ted Jenkins on a tractor pulling a cart with timber. Printed on card with a white border.Catalogue number written in pencil on the reverse. Handwritten on reverse in pencil 'Ted on tractor. Fallen timber from around the Moonah forest to be cut up for (?) stove etc'

Official program of the Australian Open 2003, played at Moonah Links (Rye) 18-21 December 2003. Accompanied by local rules and pace of play leaflet; AGU guest pass and 1 p. notes on dealing with TIO situations. Bruce Harding was a rules official at this competition.Bruce Harding is a past HGC President and was involved with Victoria's junior teams, the Victorian Golf Association and was a rules official..Official program 83p., col. Illus. Accompanied by local rules and pace of play leaflet; AGU guest pass and 1 p. notes on dealing with TIO situationsbruce harding, golf - rules, australian open (golf)

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show events and people from the Churchill Island precinct and the enormous amount of collaboration and work that went into the development of the heritage area and making it accessible and interactive for visitors of all ages.Black and white photograph of a group of people in a greenhouse on Churchill Island. The photograph has a plant in the centre of the frame and has been taken from the outside. Photograph has been printed on a type of card and has a matte finish applied.Catalogue number written in pencil on reverse. Hand written on reverse in pen: "'Gone Potty' re-potting moonah in the greenhouse. Ch. Isld working bee Jan 21 1980."churchill island, photograph

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century. This series provides an insight into the early days of Churchill Island as a Conservation site.Black and White group photograph of person kneeling in front of the tractor and implements shed, cutting a long roll of chicken wire.Catalogue number written on reverse in pencil. Handwritten on reverse in pencil '1979 Note Aged Moonah Tree 400+ before storm damage 2 of First tractor and implement shed'churchill island

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century to the present.Black and white photograph of Ted Jenkins on a tractor pulling a cart with timber. Printed on card with a white border.Catalogue number written in pencil on the reverse. Handwritten on reverse in pencil 'c.1942 - 1943 Ted driving tactor. Two cars bought - one used parts (chassey) for trailer - one dumped in big dam. - Collecting wood for stove and open fires - Piles of 'Mountain Tea Trees' (now called Moonah) - Used fallen wood only 'Fire and stove used to 'go all day' and 'eat wood' (A. Evans)churchill island, ted jenkins

Part of a collection of photographs donated by Bruce Bennett. Taken from different collections: Betty Kuc collection and Wal Steer. Most are photographs taken of postcards and photos.233-08. Black & White photograph of a postcard. Cowes Pier with shed, cranes and old Moonah tree in the foreground. 233-09. Black & White photograph of a postcard. Cowes Pier looking towards the east. Beach and foreshore in the foreground. 233-10. Black & White photograph reproduction of two young ladies in swimming costumes on Cowes Beach with pier in background. 233-11. Black & White photograph of a postcard. Cowes pier and Jetty shed, showing post and rail fence around entrance to pier. Tall Moonah tree near Jetty shed. 233-12. Black & White photograph reproduction of Genesta House with "Welcome Home" sign and Union Jack flags flying. Perhaps a welcome for local ment back home from the war?? 233-13. Black & White photograph reproduction of Genesta House in Cowes, Phillip Island. 233-14. Black & White photograph reproduction of Gullifer's Corner Store on the corner of Thompson Avenue & Chapel Street, Cowes Phillip Island. 233-15. Black & Whtie photograph of a gathering at the Cenotaph in Cowes, Phillip Island. 233-16. Black & White photograph reproduction of the Butcher Shop, Thompson Avenue, Cowes, near the old Shire Hall. 233-17. Black & White photograph reproduction of the lady on the rocks at Erehwon Point. Coastal vegetation behind the beach and two boats on the sand in the distance. 233-18. Black & White photograph reproduction of the Cowes Pier with masted ship and small boat at the pier. 233-19. Black & White photograph of the Garage Tea Rooms in Thompson Avenue, Cowes, with young cypresses which were planted circa 1915.233-08. The Rose Series P659. The Pier, Cowes, Phillip Is., Victoria. 233-09. The Rose Series P658. The Pier, Cowes, Phillip Is., Victoria. 233-11. The Rose Series P672. The Pier, Cowes, Phillip Is., Victoria. 233-16. Cowes - Jan. 1938 cowes pier phillip island, cenotaph cowes phillip island, gullifer's corner store cowes phillip island, garage tea rooms cowes phillip island, genesta house, genesta guesthouse, guesthouses cowes phillip island, erehwon point, cowes, a. smith garage tea rooms cowes phillip island, butcher shop cowes phillip island, bruce bennett, betty kuc collection, wal steer collection

Beige covered catalogue of Tasmanian Sales by Auction held over three days. On Tuesday 9th May 1944 was an auction of Mining machinery,pumps, plant, equipment and buildings at the Michael Moon Mine, Poimena (Blue Tier) and at the AZ Mine, Poimena (Blue Tier). Thursday 11th May 1944 was the sale of Contractor's Machinery, plant and equipment used in the Construction of the Hobart Bridge by order of the Hobart Bridge Co. Ltd. And Friday 12th May 1944 was the auction of machinery, equipment, motor vehicles etc. at the Public Works Depot at Moonah, Hobart. J. H. Curnow & Son were the Auctioneers. Booklet contains description of some of the machinery, Special Notice regarding travelling and freight, Conditions of Sale and an Auctioneer's Notice mentioning the sale is being conducted by permission of the Director of Machine Tools and Gauges under Regulation 59 of the National Security (General) Regulations. Principals only are allowed to bid and buy unless special permission is granted by DMT & G for some person to act on their behalf, and that person must be an employee of the Firm.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - tasmanian mining and contractor's auction, michael moon mine, a z mines, hobart bridge co ltd, public works department hobart, j h curnow & son, w c wedd, director of machine tools and gauges, national security (general) regulations, the prahran telegraph printing co, c j curnow, h j lowe, f c dyett, j l jamieson & co

1. The moral lexicon of the Warlpiri people of central Australia LR Hiatt This paper discusses words that match ?Good? and ?Bad?; examples of ?Good? and ?Bad? behaviour; morality and law; and egalitarianism and dominance. It also presents a comparison with Gidjingarli (Burarra). 2. Mobs and bosses: Structures of Aboriginal sociality Patrick Mullins (Mount Druitt, NSW) A commonality of Aboriginal social organisation exists across the continent in communities as different as those from the Western Desert across to Cape York, from the towns of New South Wales and Western Australia to cities like Adelaide. This is found in the colloquial expressions ?mob? and ?boss?, which are used in widely differing contexts. Mobbing is the activity where relatedness, in the sense of social alliances, is established and affirmed by virtue of a common affiliation with place, common experience and common descent, as well as by the exchange of cash and commodities. Bossing is the activity of commanding respect by virtue of one?s capacity to bestow items of value such as ritual knowledge, nurturance, care, cash and commodities. Mobbing and bossing are best understood as structures in Giddens? sense of sets of rules and resources involved in the production of social systems, in this case social alliances. Mobbing and bossing imply a concept of a person as a being in a relationship. Attention needs to be given to the way these structures interact with institutions in the wider Australian society. 3. Recognising victims without blaming them: A moral contest? About Peter Sutton?s ?The Politics of Suffering: Indigenous Policy in Australia since the 1970s? and Gillian Cowlishaw?s replies Ma�a Ponsonnet (Universit� Paris- 8-Saint-Denis) Peter Sutton?s texts on Aboriginal violence, health and their politicisation are replied to using his methodology, and acknowledging his convincing points. Sutton rightly denounces a lack of lucidity and scientific objectivity in anthropological debates. These inadequacies impede identification of what Aboriginal groups can do to improve their situations for fear that this identification would lead to blame the victims. At the other end of the ethical spectrum, those who advocate a broader use of what I will call a ?resistance interpretation? of violence fail to recognise victims as such, on the implicit grounds that seeing victims as victims would deprive them of any agency, on the one hand, and entail blame, on the other hand. I aim to define a middle road between those views: the idea that victims should be acknowledged as such without being denied their agency and without being blamed for their own condition. This middle road allows identification of the colonisers? responsibilities in the contemporary situation of Indigenous communities in Australia, and to determine who can do what. Secondly, I show that Sutton?s texts convey, through subtle but recurrent remarks, an ideology of blame rather than a mere will to identify practical solutions. As a consequence, some of his proposals do not stand on a solid and objective causal analysis. 4. 'You would have loved her for her lore?: The letters of Daisy Bates Bob Reece (Murdoch University) Daisy Bates was once an iconic figure in Australia but her popular and academic reputation became tarnished by her retrograde views. Her credibility was also put in doubt through the exposure of her fictionalised Irish background. In more recent times, however, her ethnographic data on the Aborigines of Western Australia has been an invaluable source for Native Title claims, while her views on Aboriginal extinction, cannibalism and ?castes? are being seen as typical of her time. This article briefly reviews what has been the orthodox academic opinion of her scientific achievement before summarising what is reliably known of her early history and indicating what kind of person is revealed in the 3000 or more letters that she left behind. 5. What potential might Narrative Therapy have to assist Indigenous Australians reduce substance misuse? Violet Bacon (Curtin University of Technology) Substance misuse is associated with adverse consequences for many Australians including Aboriginal and Torres Strait Islander peoples. Extensive research has been conducted into various intervention, treatment and prevention programs to ascertain their potential in reducing substance misuse within Aboriginal and non-Aboriginal communities. I explore the potential of Narrative Therapy as a counselling intervention for assisting Indigenous Australians reduce the harm associated with substance misuse. 6. Bone points from the Adelaide River, Northern Territory Sally Brockwell (University of Canberra) and Kim Akerman (Moonah) Large earth mounds located next to the vast floodplains of the lower Adelaide River, one of the major tropical rivers draining the flat coastal plains of northern Australia, contain cultural material, including bone points. The floodplains of the north underwent dynamic environmental change from extensive mangrove swamps in the mid-Holocene, through a transition phase of variable estuarine and freshwater mosaic environments, to the freshwater environment that exists today. This geomorphological framework provides a background for the interpretation of the archaeology, which spans some 4000 years. 7. A different look: Comparative rock-art recording from the Torres Strait using computer enhancement techniques Liam M Brady (Monash University) In 1888 and 1898, Cambridge University?s Alfred C Haddon made the first recording of rock-art from the Torres Strait islands using photography and sketches. Systematic recording of these same paintings and sites was carried out from 2000 to 2004 by archaeologists and Indigenous Torres Strait Islander and Aboriginal communities as part of community-based rock-art recording projects. Computer enhancement techniques were used to identify differences between both sets of recordings, to reveal design elements that Haddon missed in his recordings, and to recover images recorded by Haddon that are today no longer visible to the naked eye. Using this data, preliminary observations into the antiquity of Torres Strait rock-art are noted along with recommendations for future Torres Strait region rock-art research and baseline monitoring projects. 8. Sources of bias in the Murray Black Collection: Implications for palaeopathological analysis Sarah Robertson (National Museum of Australia) The Murray Black collection of Aboriginal skeletal remains has been a mainstay of bio-anthropological research in Australia, but relatively little thought has been given to how and why this collection may differ from archaeologically obtained collections. The context in which remains were located and recovered has created bias within the sample, which was further skewed within the component of the collection sent to the Australian Institute of Anatomy, resulting in limitations for the research potential of the collection. This does not render all research on the collection unviable, but it demonstrates the importance of understanding the context of a skeletal collection when assessing its suitability for addressing specific research questions.maps, b&w photographs, colour photographs, illustrations, graphs, chartswarlpiri, sociology, daisy bates, substance abuse, narrative therapy, rock art, technology and art, murray black collection, pleistocene sites, watarrka plateau

Mawul Rom Project: Openness, obligation and reconciliation Morgan Brigg (Universtiy of Queensland) and Anke Tonnaer (University of Aarhus, Denmark) Aboriginal Australian initiatives to restore balanced relationships with White Australians have recently become part of reconciliation efforts. This paper provides a contextualised report on one such initiative, the Mawul Rom crosscultural mediation project. Viewing Mawul Rom as a diplomatic venture in the lineage of adjustment and earlier Rom rituals raises questions about receptiveness, individual responsibility and the role of Indigenous ceremony in reconciliation efforts. Yolngu ceremonial leaders successfully draw participants into relationship and personally commit them to the tasks of cross-cultural advocacy and reconciliation. But Mawul Rom must also negotiate a paradox because emphasis on the cultural difference of ceremony risks increasing the very social distance that the ritual attempts to confront. Managing this tension will be a key challenge if Mawul Rom is to become an effective diplomatic mechanism for cross-cultural conflict resolution and reconciliation. Living in two camps: the strategies Goldfields Aboriginal people use to manage in the customary economy and the mainstream economy at the same time Howard Sercombe (Strathclyde University, Glasgow) The economic sustainability of Aboriginal households has been a matter of public concern across a range of contexts. This research, conducted in the Eastern Goldfields of Western Australia, shows how economically successful Aboriginal persons manage ?dual economic engagement?, or involvement in the customary economy and the mainstream economy at the same time. The two economies sometimes reinforce each other but are more often in conflict, and management of conflicting obligations requires high degrees of skill and innovation. As well as creating financially sustainable households, the participants contributed significantly to the health of their extended families and communities. The research also shows that many Aboriginal people, no matter what their material and personal resources, are conscious of how fragile and unpredictable their economic lives can be, and that involvement in the customary economy is a kind of mutual insurance to guarantee survival if times get tough. Indigenous population data for evaluation and performance measurement: A cautionary note Gaminiratne Wijesekere (Dept. of Families, Housing, Community Services and Indigenous Affairs, Canberra) I outline the status of population census counts for Indigenous peoples, identifying information on Indigenous births and deaths, and internal migration estimates. I comment on the ?experimental? Indigenous population projections and question the rationale for having two sets of projections. Program managers and evaluators need to be mindful of limitations of the data when using these projections for monitoring, evaluating and measuring Indigenous programs. Reaching out to a younger generation using a 3D computer game for storytelling: Vincent Serico?s legacy Theodor G Wyeld (Flinders University, Adeliade) and Brett Leavy (CyberDreaming Australia) Sadly, Vincent Serico (1949?2008), artist, activist and humanist, recently passed away. Born in southern Queensland in Wakka Wakka/Kabi Kabi Country (Carnarvon Gorge region) in 1949, Vincent was a member of the Stolen Generations. He was separated from his family by White administration at four years of age. He grew up on the Cherbourg Aboriginal Reserve in the 1950s, when the policies of segregation and assimilation were at their peak. Only returning to his Country in his early forties, Vincent started painting his stories and the stories that had been passed on to him about the region. These paintings manifest Vincent?s sanctity for tradition, storytelling, language, spirit and beliefs. A team of researchers was honoured and fortunate to have worked closely with Vincent to develop a 3D simulation of his Country using a 3D computer game toolkit. Embedded in this simulation of his Country, in the locations that their stories speak to, are some of Vincent?s important contemporary art works. They are accompanied by a narration of Vincent?s oral history about the places, people and events depicted. Vincent was deeply concerned about members of the younger generation around him ?losing their way? in modern times. In a similar vein, Brett Leavy (Kooma) sees the 3D game engine as an opportunity to engage the younger generation in its own cultural heritage in an activity that capitalises on a common pastime. Vincent was an enthusiastic advocate of this approach. Working in consultation with Vincent and the research team, CyberDreaming developed a simulation of Vincent?s Country for young Aboriginal and non-Aboriginal persons from the Carnarvon Gorge region to explore Vincent?s life stories of the region. The use of Vincent?s contemporary paintings as storyboards provides a traditional medium for the local people to interactively re-engage with traditional values. Called Serico?s World, it represents a legacy to his life?s works, joys and regrets. Here we discuss the background to this project and Vincent?s contribution. A singular beeswax representation of Namarrkon, the Lightning Man, from western Arnhem Land RG Gunn (La Trobe University) and RL Whear (Jawoyn Association) Samples from a beeswax representation of Namarrkon, the Lightning Man, from western Arnhem Land were analysed for radiocarbon and dated to be about 150 years old. An underlying beeswax figure was found to be approximately 1100 years old. The Dreaming Being Namarrkon is well known throughout Arnhem Land, although his sphere of activity is concentrated around the northern half of the Arnhem Land plateau. Namarrkon is well represented in rock-paintings in this area and continues to be well represented in contemporary canvas-paintings by artists from the broader plateau region. We conclude that representations of Namarrkon in both painted and beeswax forms appear to be parallel manifestations of the late Holocene regionalisation of Arnhem Land. ?Missing the point? or ?what to believe ? the theory or the data?: Rationales for the production of Kimberley points Kim Akerman (Moonah) In a recent article, Rodney Harrison presented an interesting view on the role glass Kimberley points played in the lives of the Aborigines who made and used them. Harrison employed ethnographic and historical data to argue that glass Kimberley points were not part of the normal suite of post-contact artefacts used primarily for hunting and fighting or Indigenous exchange purposes, but primarily were created to service a non-Indigenous market for aesthetically pleasing artefacts. Harrison asserted that this market determined the form that these points took. A critical analysis of the data does not substantiate either of these claims. Here I do not deal with Harrison?s theoretical material or arguments; I focus on the ethnographic and historical material that he has either omitted or failed to appreciate in developing his thesis and which, in turn, renders it invalid. The intensity of raw material utilisation as an indication of occupational history in surface stone artefact assemblages from the Strathbogie Ranges, central Victoria Justin Ian Shiner (La Trobe University, Bundoora) Stone artefact assemblages are a major source of information on past human?landscape relationships throughout much of Australia. These relationships are not well understood in the Strathbogie Ranges of central Victoria, where few detailed analyses of stone artefact assemblages have been undertaken. The purpose of this paper is to redress this situation through the analysis of two surface stone artefact assemblages recorded in early 2000 during a wider investigation of the region?s potential for postgraduate archaeological fieldwork. Analysis of raw material utilisation is used to assess the characteristics of the occupational histories of two locations with similar landscape settings. The analysis indicates variability in the intensity of raw material use between the assemblages, which suggests subtle differences in the occupational history of each location. The results of this work provide a direction for future stone artefact studies within this poorly understood region.document reproductions, maps, b&w photographs, colour photographskimberley, mawul rom project, 3d computer game, storytelling, vincent serico, beeswax, namarrkon, artefact assemblages, strathbogie ranges, groote eylandt, budd billy ii

HistoricalColoured booklet with original drawings by Robert Ingpenvictoria churchill island, graham pizzey, robert ingpen, victoria conservation trust, moonah trees, samuel amess, margaret campbell, churchill island cannon