Henry MORITZ (1931- ) Born Mainz, Germany Arrived Australia c1952 Henry Moritz was an experienced commercial artist when he left Germany for Australia. After working as a railwayman, coal miner, fruit picker and steelworker, he started teaching commercial art at the Ballarat School of Mines Technical Art School in 1963. He moved to the Mount Helen Tertiary Division, and was head of the Art School at the Ballarat College of Advanced Education (BCAE) when he produced this work. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Original caricature of Bill Durant. Both Bill Durant and artist Henry Moritz were staff members at the Ballarat College of Advanced Education (later Federation University). Neville Bunning ceremoniously presented the chair to Bill Durant in the Art Department at Neville Bunnings Retirement function.Verso "Bill Durant in 'Nev Bunning's Chair' which was ceremoniously presented to Bill in Art SChool Staffroom at Neville's retirement function. Drawing by Hner Moritz Donated by Heather (walton) Durant Heather (SMB Library) married Bill (SMB Physics Head) in December 1960. KC (Ken Clements) July 2002art, artwork, henry moritz, bill durant, caricature, available

Three cartoons by Henry Moritz.hnery moritz, enigineering, ballarat college of advanced education

Henry Moritz taught at the Ballarat School of Mines.Marquetry in at least 4 timbers with the words Ballarat School of Mines and industries worked in dark timber.henry moritz, marquetry, ballarat school of mines

Both Bill Durant and Henry Moritz were staff members at the Ballarat College of Advanced Education (later Federation University). Neville Bunning ceremoniously presented the chair to Bill Durant in the Art Department at Neville Bunnings Retirement function. Framed caricature of Ballarat School of Mines staff member Bill Durant sitting in Neville Bunnings Chair. "Mr. Chairman"bill durant, henry moritz, caricature, available

Henry MORITZ (1931- ) Born Mainz, Germany Arrived Australia c1952 Henry Moritz was an experienced commercial artist when he left Germany for Australia. After working as a railwayman, coal miner, fruit picker and steelworker, he started teaching commercial art at the Ballarat School of Mines Technical Art School in 1963. He moved to the Mount Helen Tertiary Division, and was head of the Art School at the Ballarat College of Advanced Education (BCAE) when he produced this work. The Ballarat College of Advanced Education logo was derived from the Southern Cross depicted on the Eureka Flag, which was adopted by Ballarat College of Advanced Education in 1978. The logo was designed by former student Debra Garton, who graduated with a Diploma of Art and Diploma of Education. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Farmed marquetry using fine woods chosen for their grains and reflective properties: silver ash, cedar, queensland walnut, grey bird's eye maple and African gaboon.art, artwork, henry moritz, marquetry, logo, southern cross, ballarat college of advanced education, available, stars

Henry Moritz lectered in Design at the Ballarat College of Advanced Education. He was a silled cartoonist and in maquetry.Photograph of Henry Moritz of the Ballarat College of Advanced Education, in academic regalia. henry moritz, academic regalia, graduations, ballarat college of advanced education

Image probably from the 70's before St Moritz burnt down.Photograph black and white original.Fair condition.Buildings St Moritz and Earls Court with high rise building cnr Esplanade and Robe Street) in background.

Henry Moritz lectured in the Visual Arts School at the Ballarat College of Advanced EducationCopy of a cartoon by Ballarat College of Advanced Education Design Lecturer Henry Moritz. The cartoon was created for the farwell of Mrs C. henry moritz, cartoon

The St. Moritz Ice Rink was a popular ice skating rink on The Esplanade, St. Kilda, Victoria. It operated between 1939–1981. As one of only two ice rinks in Melbourne in the 1940s and 1950s, it played a central role to the sport of ice hockey in Australia. Closed in 1982, it soon suffered a major fire and was then demolished, an event later seen as a major blow to the heritage of St Kilda. It was first built as the Wattle Path Palais de Danse in 1922, a very large dance hall, designed by architects Beaver & Purnell, The Wattle Path was the venue for the first all-Australian dance championship, and featured some of the best dance bands of Australia, as well as from America. Popular throughout the 1920s, it suffered due to the Great Depression, and closed in the early 1930s. From 1933-1936 the building became a film studio, Efftee Studios, for Frank W. Thring. In 1938, businessman Henry Hans "Harry" Kleiner announced that the Wattle Path would become an ice rink. He was sole proprietor until 1953, when he sold the business to J. Gordon and T. Molony, both champion skaters. Trade declined during the 1970s. The building was sold in 1980 to developers Hudson Conway and trucking magnate Lindsay Fox and was closed in early 1982. It was nominated to the Historic Buildings Preservation Council, but a majority of City of St Kilda councillors voted to oppose this action and uphold a demolition permit already issued. The building infamously suffered a fire later that year, leaving only the facades, which were demolished soon after. The site remained vacant until about 1991, when a mid-price hotel called the St Moritz was constructed. By 1993 it was simply called the Novotel St Kilda. The hotel closed in 2019 and was replaced by an apartment complex.black and white photographSt Moritz, St Kilda. Ice Skating. Caf�st moritz, st kilda, the esplanade, ice skating

Invitation to the 'arrival' of the Hotel St Moritz at 14-15 The Esplanade, St Kilda, on 10 October 1991. The hotel was built on the site of the former St Moritz ice rink. The Hotel St Moritz became Novotel Bayside in 1993 and The Novotel St Kilda in 1999. The building was demolished in 2019 and replaced with apartments.White glossy folded card with folded white paper insert, printed in blue. An illustration of the hotel and palm trees is embossed on the front of the card.hotel st moritz, novotel, st kilda hotels

Picture of late 19th century double storey, double fronted mansion with wrought iron pillars and balcony lace work on upper ballistrade. Built for Moritz Michaelis in 1870. Part of Donald McDonald collection of images.Alfred Kursteiner, Moritz Michaelis. Backed but unmounted black and white copy in good condition.Linden, 26 Acland Street, for Moritz Michaelis, merchant and founder of Jewish Synagogue Charnwood Cres, now used as art and culture centre by COPPlinden, mansions, st kilda, acland street

Top section of blue poster with black and white images and writing, glued to heavy white board. Cartoons by Henry Moritz. henry moritz, ballarat college of advanced education, open day, poster

Copy of a cartoon by Ballarat College of Advanced Education Design Lecturer Henry Moritz. The cartoons related to farewells for staff membershenry moritz, cartoon

1950 season ticket issued by St Moritz Ice Skating Palais, Upper Esplanade St Kilda, to Brian ReedFolded stiff card, covered in green cloth and inscribed in gold on the front. Paper (white with black printing) is pasted inside and bears the ticket holder's name, written in blue ink.BRIAN REEDst moritz

Ticket of admission to play ice hockey with the Pirates Hockey Club at St Moritz Ice Palais, Upper Esplanade St KildaGreen card printed in black on one side, over-stamped in purpleTwo lines of stamped text. Line one: indecipherable, though appears to be over-stamped dates in July ('Jul') and August ('Aug'). Line two: 'Pirates'ice hockey, st moritz

Henry Moritz lectured at the Ballarat Technical Art School, a division of the Ballarat School of Mines.A scene depicted in marquetry showing a man and a woman holding a bird. marquetry, henry moritz, available, women

Ingrid purchased these rabbit fur ski pants on her honeymoon in St. Moritz, Switzerland in 1965. She immigrated to Australia in February 1968 with her husband, although she skied in Australia she never wore the pants here.Rabbit fur ski pants printed in tiger skin pattern. Side zip and slits at ankles.skiing, ski clothing

Civil engineer and geologist Ferdinand Moritz Krause lecturered at the Ballarat School of Mines from 1880 to 1895. He was born at Kassel, Germany on 24 February 1841, the youngest son of Frederich Wilhelm Krause. Ferdinand Krause married Amy Augusta Dimock. He died in South Africa 16 June 1918. In June 1880 Krausé was appointed to the Ballarat School of Mines as lecturer in 'geology, palaeontology, mineralogy, electricity, magnetism, scientific mining, geological and topographical surveying' and as museum curator. In 1881 he was appointed Professor of Geology and in 1892 was elected president of the Staff Association. He was held in high repute by his students and also known as a keen musician. He resigned from the School of Mines to be lecturer in mining at the University of Melbourne from June 1895 to January 1897. Whilst at Ballarat in 1887-90 he had completed geological maps and reports on the parishes of Haddon, Carngham, Scarsdale, Lillerie, Smythesdale and Comeralghip; these were published in 1898. The Institute of Surveyors elected him a member in 1891. His Introduction to the study of Mineralogy for Australian readers was published in Melbourne in 1896. In January 1897 he became manager of the General Gordon mine near Kalgoorlie. In 1900 he contributed an article to the Ballarat School of Mines Students' Magazine on the mining geology of Kalgoorlie. Invited by a former student, George Denny, Krausé left for South Africa in 1901. His last work was a geological map of the Barberton area, Transvaal, published in March 1918. He died on 16 June, survived by his wife, three sons and a daughter. (http://adb.anu.edu.au/biography/krause-ferdinand-moritz-3971, accessed 20 November 2018) Black and White photograph of the head and shoulders of Professor Ferdinand Krause of the Ballarat School of Mines.ballarat school of mines, ferdinand krause, geology, fm krause, krause, ballarat school of mines museum

Boy with a Thorn Though the classical bronze that the figure was modeled has become known as Lo Spinario, both Stuart Rattle and Kevin O’Neill referred to it as The Boy with a Thorn. Information from the late Stuart Rattle and John Graham, the late Kevin O’Neill’s partner. The statue was bought by Kevin O’Neill from a South Yarra antique dealer in the 1980s. She had bought it in Europe. Stuart believed that it was cast in Berlin by Moritz Geiss who had pioneered the popular process of zinc casting of classical statues. Schinkel, the architect of early 19th Century Prussian public buildings used the process extensively. I assume that the decorations that can be seen in Berlin currently are copies of those copies, given the comprehensive destruction of the city in 1945. Unless there is a date stamped on the statue, and there might well be, there is no firm indication of its age, although Stuart and Kevin believed it was “turn of the century”. It was given to Stuart by John Graham after the death of Kevin O’Neill. Prior to its installation at Musk Farm, it was “by the dam” at Marnarnie, O’Neill’s property at Mt Macedon. It became a much photographed focal point in the sunken garden at Musk Farm. The statue is a gift from the Rattle family to The Friends of Wombat Hill Botanic Gardens who intend to give it, in turn, to Hepburn Shire to be placed in the Botanic Gardens. Both the family and the Friends see it as a memorial to Stuart’s tireless work to raise funds for the Gardens and to raise the profile of the Gardens so that their considerable significance could be more broadly acknowledged. The CMP notes that statuary has been a feature of most botanic gardens (and a notable feature of the Ballarat Botanical Gardens) and James Lowe, the head of Parks for the Shire has also commented that it is an area that could well be developed in the Gardens. This comes from his attendance at meetings of the BGANZ, the “peak professional body” for the development and maintenance of registered botanic gardens in Aus and NZ. Given the lack of funds that the Shire has been able to allocate to the Gardens, a donation of this calibre is a welcome addition to the cultural asset that the Gardens represent. A very large number of residents of the Shire are members of the Friends, have visited Musk Farm and are appreciative of the Gardens. There is a current feeling that the Gardens are undergoing a dynamic revival as a result of the success of the Café and also because of the extraordinary improvement and enhancement of the amenity that has been undertaken over the past two years by the Friends. The installation of the Boy with the Thorn is another move forward for the Gardens. The statue is cast zinc. It is sometimes referred to a white bronze. As can be seen in the photographs, it is in very good condition with no damage or apparent degeneration of the metal. The Smithsonian Institution has a lengthy document relating to the deterioration and repair of similar casts in the US where urban pollution has taken its toll but for the most part it deals with inappropriate repair rather than maintenance protocols. One of the properties of zinc that is appreciated in Australia is its ability to withstand the elements and given that the artwork has been either on Mt Macedon or at Musk for the last 30 years or more, its relocation to Wombat Hill seems to be an appropriate one. The Friends are prepared to organise and pay for the relocation of the statue. The issue of security from the point of view of theft, malicious damage and environmental impact will need to be addressed. The Ballarat Botanical Gardens have recently reinstalled statuary which has been damaged and which had been removed from the Gardens on account of this. They have used Rockworks Ballarat and Wilson’s Memorials to make plinths, secure artworks with steel pins and to provide especially robust fixings to ensure the safety of the various sculptures. The CMP (2007) makes a number of recommendations regarding security in the Gardens ranging from the installation of lighting to the locking of the gates overnight and the repair/reinstatement of appropriate fencing – not done as yet to my knowledge. Paul Bangay has also agreed to act as a consultant in the process of installing the Boy. John Graham estimates its value at $20,000 The preferred location for the work would be at the entrance to the Fernery from the lawn. The paths form an intersection at that point that could be modified to fit the statue. But this is currently a suggested location only. The statue is a gift from the Rattle family to The Friends of Wombat Hill Botanic Gardens who have gifted it to the Hepburn Shire to be placed in the Botanic Gardens. Both the family and the Friends of the Wombat Hill Botanical Gardens Daylesford see it as a memorial to Stuart’s tireless work to raise funds for the Gardens and to raise the profile of the Gardens so that their considerable significance could be more broadly acknowledged. Lo Spinario (Boy with a thorn) c. 1900 copy after the Greco-Roman Hellenistic antique bronze in Rome. c. 1900 copy after the Greco-Roman Hellenistic antique bronze in Rome (Palazzo dei Conservatori, Musei Capitolini, Rome) Manufacturer M. Geiss, Berlin Nonedaylesford, wombat hill botanical gardens, stuart rattle, kevin o'neill, john graham, boy with a thorn, lo spinario, classical sculpture, zinc, classical nude, hepburn shire, public art, sculpture, art

A series of black and white photographs showing 1870 Founders Hall under construction. The brick hall is now a part a Federation University Australia's Caro Conference Centre and is located on the Mount Helen Campus federation university, federation university australia, feduni, university of ballarat, caro conference centre, 1870 founders hall, founders hall, great hall, construction