Landscape view from Barbers Road across the valley. Kia-Ora was built by George Barber in 1909 and run as a guest house. John Lundy-Clarke annotated the properties shown with the owners' names. Excellent companion piece to J L-C's "Mountain of Struggle".kalorama valley, kia-ora guest house, mountain of struggle, john lundy-clarke

The Keoghs took up Lot 7 in the Village Settlement in 1905. John Keogh was a big Irishman and cleared many of the giant trees on his Lot 7. They had little water for their crops so grew gooseberries and red currants rather than the more valuable strawberries. Mrs Keogh (nee Cleary) inherited money in 1906 and they built a new weatherboard house. The original bush hut remained as the kitchen. Son James (Jimmie) married Mary Walsh, a teacher at the local school. Jimmie built the small shop on the triangle of land cut off when the CRB road went through. Jimmie and his wife left the district when he joined Victoria Police. Jimmie came back to the area and finally sold the land of Lot 7 to Rimington's Nurseries. He moved his family to Kilsyth. In 1939 the shop was moved across the road to be used as an office by the road builders. It burned down that year.Black and white photograph of a man, woman and young male standing outside a wooden hut. There are crop remnants in the foreground and a wooden paling fence behind the hut. A label on the front reads A SETTLER'S HUT. Reverse of photograph has handwritten description by John Lundy-Clarke.Front: A SETTLER'S HUT Reverse: 1905 Keogh's hut on Falls Road then Main Road. This was later the kitchen of their extended home as described in the narrative "Mountain of Struggle". The figures are - Mrs Keogh. John Keogh settler. Son James Keogh.keogh, john keogh, james keogh, jimmie keogh, mary walsh, cleary, shop, store, gooseberries, rimington's nursery

A town no matter how small has stories to tell. This book celebrates some of the colourful, creative, successful, struggling, non- conforming and sometimes irreverent locals who have called Wycheproof and District"home' - some for a short time , others for a life- time.This is a slice of local culture and life.A Wycheproof and District 95 page book of local stories and poems. The coloured wrap-around cover photopraphs show early Mt Wycheproof with cows grazing on the mountain. On the back cover are photographs of the early Wycheproof Railway Station and a later day view taken on Mount Wycheproof . On the lower part of the cover: THE WYCHEPROOF AND DISTRICT hISTORICAL sOCIETY INChistory, poetry, wycheproof, local residents, mallee bush poetry, mallee, local history, farming, economy

Edith was George Lansell’s second wife and she was born in Bendigo. Edith Lansell (née Bassford)Edith, from a respectable but financially struggling family, became Lansell's housekeeper and later his wife. Edith raised six children and managed George’s affairs with great success after his death.Oil painting on canvas of 8 cattle drinking by the lake with man and dog. Boat on lake. White birds, mountains in distance. Dated 1900. Gold embossed frame. Edith Lansell was the second wife of Bendigo mining magnate George Lansell.E.Lansell ( local identity )artwork, oil painting, cattle by lake

Subtitled "The story of the mountain cattlemen of the Bogongs", this publication of 248 pages includes illustrations, photos, portraits, an index and maps on the end papers. The original edition was published in 1980 A history of the cattlemen of the Bogongs in the Victorian Alps, including their bushcraft, yarns, hut construction, dog and horse training. It looks at the issue of fire and cattle grazing and the struggle of the mountain cattlemen to retain their leases after the bushfires of 2003. This publication provides an enduring record of a special group of Australian pioneers whose lives and qualities of endurance have become part of Australian folklore.bogong high plains, cattlemen of the high plains, bogong high plains history

Book has no dustjacket, is bound with blue book cloth and has gold text on the spinenon-fiction'As the effects of the war raging in Europe begins to be felt at home in London, Monica Dickens decides to do her bit and to pursue a new career, and so enrols as a student nurse at a hospital in rural Hertfordshire. By nature clever and spirited, she struggles to submit to the iron rule of the Matron and Sisters, and is alternately infuriated and charmed by her patients. That's not to mention the mountains of menial work that are a trainee's lot. But there are friends among the staff and patients, night-time escapades to dances with dashing army men, and her secret writing project to keep her going.' [From Trove record]nursing, england

Hoda Afshar's 2018 body of work, "Remain," offers a forthright and unapologetic political commentary on Australia's border protection policy, shedding light on its impact on human rights. This collection comprises a film and a series of photographic portraits that chronicle the stories of stateless men who chose to stay on Manus Island, Papua New Guinea, even after the closure of the immigration detention centre in October 2017. In the accompanying film, the experiences of these men are conveyed through episodic fragments, narrated with a mix of lyrical and brutal voiceovers. Some express themselves through poetry, others through song, while some recall the riots and suicides. Set against the backdrop of a picturesque landscape featuring lush foliage and crystal-clear water—a stark contrast to the harsh realities described—the emotional impact of the work is intensified. It creates a simultaneous sense of beauty and horror. The photographic portraits of the same individuals are equally compelling. Positioned prominently against a dark backdrop, these subjects assert their presence, emphasizing their right to be seen. The deliberate simplicity of these portraits serves as a powerful political statement, countering the invisibility imposed by the act of detention. Afshar metaphorically acknowledges the struggles faced by these men, depicting them contending with the elements—fire, water, and earth—yet never questioning their inherent humanity. Here we see Behrouz Boochani, the Kurdish Iranian writer whose memoir ‘No Friend but the Mountains: Writing from the Manus Prison’ won the Victorian Premier’s Prize for Literature and the Prize for Non-Fiction in 2019. Boochani was held in detention on Manus Island from 2013 until the centre’s closure in 2017 and was forced to remain on the island in a stateless condition.

Worn, maroon hard-cover book with maroon dust-jacket Title printed in cream across the spine. Spine label taped to base of spine. Series title printed in black at the top of front cover, title and author printed beneath in cream text.non-fictionThe third volume in series 5 (medical) of the 'Australia in the War of 1939-1945' series. This volume focuses on medical problems that arose in the second half of World war II; as well as the struggles dealing with tropical diseases whilst fighting on the wet coasts and mountain regions in New Guinea, the Solomon islands and Borneo.ww2, wwii, world war 1939-1945, world war 1939-1945 medical care, australian army medical service, military medicine, military - sanitation, borneo, new guinea, solomon islands, tropical disease, kokoda