Created out of beaver fur, this handbag would have been quite rare and valuable. Not due to the design, this muff design was created repeatedly throughout the 1880s (typically, for the most fashionable, with matching dress cuffs and hat). However, this design was usually created with "beaver cloth", a wool made to resemble beaver fur, or, particularly in Australia, seal fur. Pure beaver fur was rare and quite prestigious, gaining such popularity in the 1700s that 80% of England's fur exports were beaver. But, on the flip side, becoming so popular they were overhunted to the point that, by the 1840s, the beaver fur trade was at a complete stand still.Brown beaver fur handbag and muff with satin lining and one internal pocket. Thick beaver fur rope handle attached with two circular d-rings. Metal frame and lockable clasp.beaver, fur, beaver fur, muffs, handbag, 1880s, 1800s, fur trade

This plain brown fur muff was worn by Miss Emma Louise Foreman in the mid 1920s, and later when she married Mr Elrick Tait, who owned a factory in Prahran which manufactured wooden tool handles.Brown round fur muff, lined with red satin material in original round box with lid.costume accessories, glove accessories

A hand muff belonging to the family of George Ward Cole in the late 1800s. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor the Duke Of Edinburgh, Queen Victoria’s second son, at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished. A hand sewn dark blue silk velvet muff, circa late 1800s. This cylindrical muff features a central lightly padded area for the hands with the sides extending un-padded a further five centimeters. A six centimeter black grosgrain and satin ribbon decorates the front. Attached from the wearers right at the edge of the padded area and falling diagonally to the left edge of the padded area, where it finishes in a decorative bow.st ninians, george ward cole, muff, late 1800s, brighton, margaret morrison ward cole

Lady's white swan down muff. Has brown silk lining. Sheep's wool inside for warmth. Muff is in the original box.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Document: black pen engineering drawing . On top ' Muff coupling' On bottom ' A. Richardson, 17/8/17'person, alf richardson, engineering drawing, bendigo, alf richardson, mining, engineering drawing

Round brown cane muff case with brown leather strap around circumference with metal end. Two brown leather handles.costume accessories, female

Beatrice Myra Louise Wilson (Myra) married Edward John Price in 1930. According to John Lundy-Clarke Myra was the daughter of the man who rebuilt the Mt Dandenong State School in 1920, separating the school building from the school house.Black and white studio portrait of a young girl standing with her hands inside a fur muff. Handwritten inscription on reverse by John Lundy-Clarke Myra Wilson aged 10. Mrs E. John Price.myra wilson, myra price, edward john price, mt dandenong school

BLACK AND WHITE PHOTOGRAPH OF LADY DRESSED IN LONG DARK SUIT WITH BLACK FUR COLLAR HOLDING MUFF. WEARING HAT TRIMMED WITH WHITE HEAD BANDTHIS IS A SNAP CHUCK DONE. YOU WILL SEE IT WAS RATHER WINDY OUT THERE.local history, photography, photographs, early citizens

Booklet showing servicemen how to knit clothing Items for knitting shown as: Socks Stockings Cap Pullovers Scarf Mittens Neck muffs airmans gloves balaclava capPaper booklet, black ink printing, red A.C.F star in middle of front cover, 20 pagesknitting, clothing, uniform, comforts fund

The photographic firm of Morrison & Co., were active at 81 Bourke Street East during the 1880s. Like numerous other photographers in Melbourne, their business must have been severely curtailed by the Depression of the 1890s. The sitter’s identity has been established as a Mrs. Merritt. While we know that she is not the Mrs Merritt who was to be the wife of the future Mayor of Kew, there were two Mrs Merritts who were shopkeepers in High Street, Kew. Mrs Lucy Merritt operated a bootmaker’s shop, and subsequently a “boot warehouse” from 1888 until the 1920s. Miss Laura Merritt established a dressmaker’s shop in High Street in 1910. Her business also lasted until the 1920s, albeit changed to that of a bookseller and stationer. Both portraits are of the same woman.Cabinet Card by Morrison & Co. Silver albumen studio portrait of a woman later identified as Mrs Merritt of Kew. The sitter wears a dark, figured silk two-piece outfit with matching bonnet and a fur muff. Mrs Merritt, Kewmrs merritt, morrison & co

Dress worn by Alison Watson at the wedding of Angela and Ewan Costain in 1952. Angela was a teacher at Murtoa Primary School. The outfit which included a bonnet and muff was made by Alice Watson, dressmaker, Murtoa. .1 Back and front of flower girl dress. .2 Bonnet displayed on a velvet covered stand. .3 Photograph of bride and flower girl.3 Inside front presentation folder: Best wishes, - Angela and Ewen (Costain) Flower girl Alison Watson (Jobe) Under photograph, bottom L 1952; bottom R Athol Adams Dandenong flower girl dress, alice watson, alumni

Knitting Books provided by The Red Cross for women to contribute to the war effort by knitting garments for soldiers to stay warm. Second booklet also contains a list of donations accepted such as tinned food.Green Folder containing three knitting books. Knitting pattern for wounded soldiers or soldiers currently serving eg air pilots neck muff, airmens wollen gloves and bed socks. Newspaper clipping about knitting.On outside green folder " L.A Anderson, Sutherland's Creek." First Booklet. " Australian Red Cross Society Knitting Book" Second Booklet. " Australian Comforts Fund Victorian Division Guide to Knitting" Index of knitting patterns. Third Booklet. "Red Cross Society Australian Branch"wwi, wwii, australian red cross, red cross society, australian comforts fund, knitting, knitting patterns, victoria

Small booklet with patterns for socks, stockings, garters, spiral stockings (navy), balaclava, long sleeved pullover, sleeveless pullover, scarf, mittens, cap. airmen's neck muff,airmen's woolen glove used on active service.Australian Comforts Fundbooks, technical, handcrafts, knitting

Booklet- paper, cream, black writing, red star on cover, 19 pages“AUSTRALIAN COMFORTS FUND’ VICTORIA DIVISION ACF GUIDE TO KNITTING- STANDARD SOCKS, KHAKI STOCKINGS, GARTERS, SPIRAL STOCKINGS (NAVY), BALACLAVA CAP,LONG SLEEVE PULLOVER, SLEEVELESS PULLOVER, SCARF,MITTENS, CAP, AIRMAN’S NECL MUFF, AIRMAN’S WOOLLEN GLOVES, FOR ACTIVE SERVICE. MARCH 1941australian comforts fund, knitting for the troops

Postcard: man seated in cockpit of plane. Man is wearing jacket, goggles perched on head and ear muffs. Written on bottom RH of image: ' M. Pegoud, the aviator who has flown upside down & looped the loop' n On LH side ' Topical Post Card Co. Winton'Topical Post Card Co., Wintonaviation, civilian, m. pegoud, basil watson collection, m. pegoud, aviation, looped the loop.

Australian Comforts fund Victoria Division A.C.F. Guide to Knitting for Active Service. It covers Standard Socks, Khaki stocking, Garters, Spiral Stockings (Navy), Balaclava Cap, Long sleeve Pullover, Sleeveless Pullovers, Mittens, airman's neck muff, Gloves, Combined Balaclava Scarf, Scarf, Cap.RSL War Services Fund Stamped on cover.lydia chancellor collection, history, knitting

Reproduction of black and white photograph of two small children in formal clothing. Little girl standing on cane chair wearing large, decorated headpiece, heavy coat with buttons, knitted leggings and court shoes. A muff if on her shoulder. Boy wears large straw hat, white shirt with large lace collar, dark jacket and trousers, long socks and shoes. Inscriptions: on front - 'typical costumes about 1900', 'JG Biggs, Health Inspector'.person, group, children

Part of the Meade Collection. See Cat No. 10785P for details of service of "Ernest James Meade" No. 2112.1. Black and white studio photograph of a lady standing in front of a painted backdrop. Lady is wearing a dark dress and hat. Fur accessories being worn include a collar shawl wrap and muff handwarmer. Postcard format with handwriting on back. 2. Black and white studio portrait of a lady. Photograph is presented as a vignette. Photographer's name written on photograph. Handwritten message on photograph and envelope/folder. Photograph housed in a cream coloured folder with studio details on front.1. Handwritten in black ink on back: "To Ernest from Miss A. Baxter, 13 Barr St. Bridgeton, Glasgow". 2. Handwritten in black ink on photograph: "Yours Rosie". Handwritten in black ink on folder: "Sunday 17th 1918, England".meade collection, ernest james meade, photograph, ww1

Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crocheted example by Joyce Hucker.crochet, hucker, mrs joyce