1. The moral lexicon of the Warlpiri people of central Australia LR Hiatt This paper discusses words that match ?Good? and ?Bad?; examples of ?Good? and ?Bad? behaviour; morality and law; and egalitarianism and dominance. It also presents a comparison with Gidjingarli (Burarra). 2. Mobs and bosses: Structures of Aboriginal sociality Patrick Mullins (Mount Druitt, NSW) A commonality of Aboriginal social organisation exists across the continent in communities as different as those from the Western Desert across to Cape York, from the towns of New South Wales and Western Australia to cities like Adelaide. This is found in the colloquial expressions ?mob? and ?boss?, which are used in widely differing contexts. Mobbing is the activity where relatedness, in the sense of social alliances, is established and affirmed by virtue of a common affiliation with place, common experience and common descent, as well as by the exchange of cash and commodities. Bossing is the activity of commanding respect by virtue of one?s capacity to bestow items of value such as ritual knowledge, nurturance, care, cash and commodities. Mobbing and bossing are best understood as structures in Giddens? sense of sets of rules and resources involved in the production of social systems, in this case social alliances. Mobbing and bossing imply a concept of a person as a being in a relationship. Attention needs to be given to the way these structures interact with institutions in the wider Australian society. 3. Recognising victims without blaming them: A moral contest? About Peter Sutton?s ?The Politics of Suffering: Indigenous Policy in Australia since the 1970s? and Gillian Cowlishaw?s replies Ma�a Ponsonnet (Universit� Paris- 8-Saint-Denis) Peter Sutton?s texts on Aboriginal violence, health and their politicisation are replied to using his methodology, and acknowledging his convincing points. Sutton rightly denounces a lack of lucidity and scientific objectivity in anthropological debates. These inadequacies impede identification of what Aboriginal groups can do to improve their situations for fear that this identification would lead to blame the victims. At the other end of the ethical spectrum, those who advocate a broader use of what I will call a ?resistance interpretation? of violence fail to recognise victims as such, on the implicit grounds that seeing victims as victims would deprive them of any agency, on the one hand, and entail blame, on the other hand. I aim to define a middle road between those views: the idea that victims should be acknowledged as such without being denied their agency and without being blamed for their own condition. This middle road allows identification of the colonisers? responsibilities in the contemporary situation of Indigenous communities in Australia, and to determine who can do what. Secondly, I show that Sutton?s texts convey, through subtle but recurrent remarks, an ideology of blame rather than a mere will to identify practical solutions. As a consequence, some of his proposals do not stand on a solid and objective causal analysis. 4. 'You would have loved her for her lore?: The letters of Daisy Bates Bob Reece (Murdoch University) Daisy Bates was once an iconic figure in Australia but her popular and academic reputation became tarnished by her retrograde views. Her credibility was also put in doubt through the exposure of her fictionalised Irish background. In more recent times, however, her ethnographic data on the Aborigines of Western Australia has been an invaluable source for Native Title claims, while her views on Aboriginal extinction, cannibalism and ?castes? are being seen as typical of her time. This article briefly reviews what has been the orthodox academic opinion of her scientific achievement before summarising what is reliably known of her early history and indicating what kind of person is revealed in the 3000 or more letters that she left behind. 5. What potential might Narrative Therapy have to assist Indigenous Australians reduce substance misuse? Violet Bacon (Curtin University of Technology) Substance misuse is associated with adverse consequences for many Australians including Aboriginal and Torres Strait Islander peoples. Extensive research has been conducted into various intervention, treatment and prevention programs to ascertain their potential in reducing substance misuse within Aboriginal and non-Aboriginal communities. I explore the potential of Narrative Therapy as a counselling intervention for assisting Indigenous Australians reduce the harm associated with substance misuse. 6. Bone points from the Adelaide River, Northern Territory Sally Brockwell (University of Canberra) and Kim Akerman (Moonah) Large earth mounds located next to the vast floodplains of the lower Adelaide River, one of the major tropical rivers draining the flat coastal plains of northern Australia, contain cultural material, including bone points. The floodplains of the north underwent dynamic environmental change from extensive mangrove swamps in the mid-Holocene, through a transition phase of variable estuarine and freshwater mosaic environments, to the freshwater environment that exists today. This geomorphological framework provides a background for the interpretation of the archaeology, which spans some 4000 years. 7. A different look: Comparative rock-art recording from the Torres Strait using computer enhancement techniques Liam M Brady (Monash University) In 1888 and 1898, Cambridge University?s Alfred C Haddon made the first recording of rock-art from the Torres Strait islands using photography and sketches. Systematic recording of these same paintings and sites was carried out from 2000 to 2004 by archaeologists and Indigenous Torres Strait Islander and Aboriginal communities as part of community-based rock-art recording projects. Computer enhancement techniques were used to identify differences between both sets of recordings, to reveal design elements that Haddon missed in his recordings, and to recover images recorded by Haddon that are today no longer visible to the naked eye. Using this data, preliminary observations into the antiquity of Torres Strait rock-art are noted along with recommendations for future Torres Strait region rock-art research and baseline monitoring projects. 8. Sources of bias in the Murray Black Collection: Implications for palaeopathological analysis Sarah Robertson (National Museum of Australia) The Murray Black collection of Aboriginal skeletal remains has been a mainstay of bio-anthropological research in Australia, but relatively little thought has been given to how and why this collection may differ from archaeologically obtained collections. The context in which remains were located and recovered has created bias within the sample, which was further skewed within the component of the collection sent to the Australian Institute of Anatomy, resulting in limitations for the research potential of the collection. This does not render all research on the collection unviable, but it demonstrates the importance of understanding the context of a skeletal collection when assessing its suitability for addressing specific research questions.maps, b&w photographs, colour photographs, illustrations, graphs, chartswarlpiri, sociology, daisy bates, substance abuse, narrative therapy, rock art, technology and art, murray black collection, pleistocene sites, watarrka plateau

The soldiers' settlement scheme operated after the first and second world wars in an effort to more closely settle the land and also give opportunities to returned soldiers. Crown land and other larger estates were acquired for the purpose. Most of these maps relate to the area north of Warrnambool where many of the subdivisions were parts of larger estates.These maps pertaining to the Soldiers' Settlement program, relate to an interesting part of Australian and local history. As such they have historic and social interest and significance.A collection of 25 paper maps which relate to to the soldiers settlement post World War 2. Some have details of the people allocated the land and some smaller maps have the printed details of the applicants requirements.Text is black on white paper which in some cases is quite aged. The maps are as follows: .1 Narrapumelap Estate ( Ripon & Hampden) .2 Narrapumelap Estate Part 2 (Villers & Ripon) .3 Narrapumelap Estate Part 3 ( Villiers & Ripon) .4 Burrumbeet Estate ( Ripon) .5 ' Berrambool' Estate 9 Hampden & Villiers) .6 ' Hopkins Hill' Estate Villiers 4011 acres .7 Caramut North No 2 Estate ( Villiers ) .8 ' Morpor' Estate ( Villiers) 4172 acres .9 ' Morgiana' Estate ( Normandy) 3453 acres .10 ' Chatsworth House' ( Villiers) 9341 Acres .11 ' East Elwood' Estate Villiers 2407 acres .12 Grey's Estate ( Mornington) 1151acres .13 ' Rowes Estate' ( Buln Buln Gippsland 733 acres .14 'Tarrone' Estate No 2 Part map .15 'Chaldon Meade' Estate (Bourke) Bulla 517 acres .16 ' Terranallum South' Estate Hampden 3757 acres .17 ' Brung Brungle' Estate Dundas 695 .18 ' Armidale ' Estate ( Dundas)2108 acres .19 ' Moyne Falls' Estate ( Villiers) 627 acres .20' Yulong' Estate 9 Lowan 6321 acres .21 Murray Valley Irrigation District 9 Moira)113 acres .22 Murray Valley Irrigation District 103 acres .23 ' Mount Fyans' Estate ( Hampden) .24 ' Barwidgee ' Estate ( Villiers) 4277 acres .25 'Pine Hills' Estate 2nd portion ( Lowan) 6190 acres narrapumelap, berrambool, hopkins hill, caramut north, morpor, chatsworth house, east elwood, terrinallum, moyne falls, tarrone, caramut soldiers settlers, burrumbeet, morgiana, grey's estate mornington, chaldon meade, brung brungle

Tait collection: item 54 of 62 This document gives the details of the Letters of Administration of Michael Maloney who died intestate in 1907. He was aged 64. In this document he was described as a farmer from Dennington, near Warrnambool but a Michael Maloney is listed in 1866 as a butcher and this may be the same person or a member of his family. Michael Maloney left real estate to the value of £160 and personal estate to the value of £38. This was passed over to the son, Michael Maloney, a railway employee of Flemington, Melbourne. The lawyers involved in drawing up this document were O’Mahony and Murray who had legal offices in Warrnambool in the late 19th and early 20th centuries. Con O’Mahony had established his practice in Warrnambool in the 1880s under the name of Klingender, O’Mahony and Murray and by the 20th century this was operating under the name of O’Mahony and Murray. Con O’Mahony died in 1920. This document was then passed down to successive lawyers occupying the legal premises in Kepler Street where it was located in 2014 (the former premises of the legal firm of Mackay Taylor). This document is of some interest as it gives details of the Letters of Administration of Michael Maloney, a farmer in the Dennington area in the late 19th and early 20th centuries. It will be useful for researchers. This is a cream-coloured piece of parchment paper folded in two to make four pages. The front page has ruled black margins and there is handwritten material on two of the pages in brown ink. These two pages also have printed italic script on them in black ink with the handwritten material inserted in the spaces left. A seal of the Supreme Court of Victoria is attached with a green ribbon and there is a red stamp of the Master in Equity of the Supreme Court on the first page. The document is somewhat stained. The document gives the details of the Letters of Administration of Michael Maloney of Dennington who died in 1907. In the Supreme Court of Victoria in the Probate Jurisdiction in the Estate of Michael Maloney, late of Dennington, in the State of Victoria, farmer, deceased, intestate. Letters of Administration.o’mahony and murray,, warrnambool solicitors, michael maloney 1907, warrnambool, michael maloney dennington 1907, michael maloney, tait collection

These 18 photographs were taken at an Army Survey Regiment Open Day at Fortuna Villa, Bendigo on the 24th of February 1990. This occasion was one of several events held to commemorate the 75th anniversary of the formation of the Royal Australian Survey Corps. Although historical tours of Fortuna occurred on a regular basis, this was the first technical open day since 1972. The Royal Australian Survey Corps recognised that an Open Day was the best way for the local community in Bendigo to gain an insight into the unit’s important role as Defence’s map production agency, its technical equipment, and its economic importance to Bendigo. It also gave them an opportunity to tour through historic Fortuna Villa. This occasion is covered in more detail in page 143 of Valerie Lovejoy’s book 'Mapmakers of Fortuna – A history of the Army Survey Regiment’ ISBN: 0-646-42120-4. Refer to items 6434.27P and 6435.35P for more photos of the Open Day taken inside Fortuna, the garden areas and Map Production areas of Air Survey and Cartographic Squadron. Photo prints of some of these photos were scanned and catalogued in items 6247.30P and 6291.6P.These 18 photographs were taken at an Army Survey Regiment Open Day held at Fortuna, Bendigo on the 24th of February 1990. The 35mm colour and black & white negatives photographs were scanned at 96 dpi and are part of the Army Survey Regiment’s Collection. .1) - Photo, colour, 1990. Print Troop – WO2 Rob Bogumil with visitors. .2) - Photo, colour, 1990. Print Troop – L to R: SPR Ross Anza, LCPL Janet Murray with visitors. .3) - Photo, black & white, 1990. Print Troop – L to R: LCPL Janet Murray, MAJ Bob Coote, SPR Gary Lord with visitors. .4) - Photo, black & white, 1990. Photo Troop – L to R: WO2 Keith Fenton RE UK Exchange, SGT Steve Burke with visitors. .5) - Photo, colour, 1990. Photo Troop – SGT Steve Burke with visitors. .6) - Photo, colour, 1990. Photo Troop – L to R: unidentified, SGT Steve Burke with visitors. .7) - Photo, colour, 1990. Print Troop – L to R: CPL Peter Breukel, WO2 Keith Fenton RE. UK Exchange with visitors. .8) - Photo, black & white, 1990. Photo Troop - WO2 Keith Fenton RE. UK Exchange. .9) - Photo, black & white, 1990. Print Troop - civilian visitors. .10) - black & white, Print Troop, 1990. - L to R: civilian visitors, SSGT Ian Nichols, CPL John ‘Flash’ Anderson. .11) - Photo, black & white, 1990. Print Troop - L to R: SSGT Ian Nichols, CPL Dale Hudson, Planeta printing press, with civilian visitors. .12) - Photo, colour, 1990. Print Troop - L to R: SSGT Ian Nichols, CAPT Roger Hancock with civilian visitors. .13) - Photo, colour, 1990. Print Troop - LT Marty Lyons with civilian visitors. .14) - Photo, black & white, 1990. Print Troop - L to R: LT Marty Lyons, unidentified with civilian visitors. .15) - Photo, black & white, 1990. Orthophoto Mapping Section - L to R: SSGT Peter Imeson, SGT Bob Garritty with civilian visitors. .16) - Photo, colour, 1990. Optronics raster scanner - WO2 Adrian ‘Charlie’ Creedy with civilian visitors. .17) - Photo, colour 1990. Outside Photo Troop office - L to R: SSGT Rhys De Laine, WO2 Rob Bogumil. .18) - Photo, black & white, 1990. Photo Troop - civilian visitors..1P to .18P – no annotationsroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho sqn

This is a collection of seven photographs of Women’s Royal Australian Army Corps (WRAAC) personnel posted to the Army Headquarters Survey Regiment, Fortuna, Bendigo circa 1957 to 1964. After the disbandment of the Australian Women's Army Service (AWAS) in 1947 there was only one or two of civilian women in administrative positions at Fortuna. In February 1957 female positions from the disbanded Southern Command Field Survey Section in Melbourne were transferred to newly established positions at the Army Headquarters Survey Regiment, Bendigo. They were accommodated at the newly acquired ‘Turriff’ mansion in Carpenter Street, Bendigo. Their first Officer Commanding (OC) was CAPT Beryl Perry from 1957 to September 1960. Her replacement as OC was CAPT Carol Castor who served in several positions up to June 1967. The main areas of employment in these early days were in administrative positions, draughting in and retouching in Lithographic Squadron. WO2 MA McLaren was the female to reach the rank of WO2 as a Cartographic Squadron section commander in June 1961. WO1 Marj Knight served at Fortuna from 1959 to 1978 was the first female to reach the rank of WO1. WO1 Knight served in the senior Squadron Sergeant-Major and Technical Warrant Officer positions of Cartographic Squadron. She was also the first female PMC of the Army Survey Regiment SGT’s Mess. The WRAAC uniform seen in this collection was replaced in 1979. As the Australian Army implemented the disbandment of the WRAAC as a separate corps in 1980, WRAAC personnel posted to Royal Australian Survey Corps units were integrated into RA Svy.This is a collection of seven photographs of Women’s Royal Australian Army Corps (WRAAC) personnel posted to the Army Headquarters Survey Regiment, Fortuna Bendigo circa 1957 to 1964. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, black & white, c1957. Back row – unidentified personnel, Front row – centre: CAPT Beryl Perry, unidentified personnel. .2) - Photo, black & white, c1958. Back row – unidentified personnel, Front row L to R: unidentified, SGT Margaret McLaren, CAPT Beryl Perry, unidentified (x2). .3) - Photo, black & white 1959. Back row – L to R: PTE Gwen Hill, PTE Hilary Clarkson, PTE Helen Paisley, PTE Pam Carseldine, PTE Margaret Ross, PTE Barbara Minto, PTE Margaret Taylor. Front row L to R: PTE Barbara Hawkin, PTE Joan Murray, SGT Margaret McLaren, CAPT Carol Castor, CPL Jenny Murray, CPL Julie Williams, PTE Phillipa Bowman. .4) - Photo, black & white, October 1963. L to R: WO2 Margaret McLaren, PTE Kay Brown, CAPT Carol Castor, PTE Helen Pasley, PTE Bev Madex, CPL Marj Knight. .5) - Photo, black & white, October 1963. L to R: PTE Bev Madex, PTE Helen Pasley, PTE Kay Brown, WO2 MA McLaren, CPL Marj Knight. .6) - Photo, black & white, August 1963. Back row – L to R: PTE Hollingsworth, PTE GM Hill, PTE PE Sykes, PTE Nola Strawbridge, PTE Jan Cruickshank, PTE Margaret Taylor, PTE Prescott, PTE RR Hutton, PTE BJ Madex, PTE BM Fuhrmann, PTE Cockburn. Front row – L to R: PTE NA Falot, LCPL JA Hurst, SGT Marj Knight, CAPT Carol Caster, CPL Jennifer Murray, LCPL A Burrows, unidentified. .7) - Photo, black & white, 1964. Back row – L to R: PTE Dianne Fowler, PTE Leslie Mortimer, PTE Marlene Penglase, PTE Marg Cooper, PTE Irene Rankins, PTE Elaine Veith, PTE Lyn Ireland, PTE Marg Murphy, PTE Nola Downes, PTE Joan Lawler, PTE Henni Schunck. Front row – L to R: PTE Loretta Hall, LCPL Jo McNamara, SGT Marj Knight, CAPT Carol Caster, CPL Nola Strawbridge, PTE Mary McHugh, PTE Kalen Sargent..1P to .3P, .7P - no annotation, .4P to .6P - Personnel (surnames, no rank) annotated on back.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, wraac

These 10 photographs were taken over two decades from the late 1950s to 1979 at the Army Survey Regiment, Fortuna, Bendigo. The two photos taken in 1961 are annotated with named personnel and the date. The other photos are not annotated with dates, locations and names of personnel, although the technicians in the last three photos taken in 1979 are positively identified. The photos were most likely taken in the Ballroom, Ante Room and Attic, Cartographic Squadron’s main production rooms on the top floor of Fortuna Villa. Scribing was the cartographic process of drafting topographic features such as drainage, relief, vegetation, roads and culture on specially coated map reproduction material. The cartographic technician scribed out the map feature such as a creek to a specified line width on the map sheet, using a tool affixed with a metal or sapphire tipped cutter.This is a set of 10 photographs of technicians scribing topographic features at the Army Survey Regiment, Bendigo. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, black & white, c1950s. unidentified personnel in Cartographic Squadron .2) - Photo, black & white, c1960s. unidentified personnel in Cartographic Squadron .3) - Photo, black & white, c1960s. unidentified personnel in Cartographic Squadron Attic .4) - Photo, black & white, c1960s. Cartographic Squadron Attic .5) - Photo, black & white, Oct 1961. L to R: PTE P. Carseldine, PTE H.S. Pasley, PTE C.A. Brown, WO2 M.A. McLaren, CPL Jennifer H. Murray. Cartographic Squadron .6) - Photo, black & white, Oct 1961. CPL Jennifer H. Murray. Cartographic Squadron .7) - Photo, black & white, 1979. SPR Mick Ellis in Cartographic Squadron .8) - Photo, black & white, 1979. SPR Mark Casey in Cartographic Squadron .9) - Photo, black & white, 1979. SPR Sharon (Jones) Treble in Cartographic Squadron .10) - Photo, black & white, 1961. PTE BJ Madex. Cartographic Squadron.1 to .4 - annotated “Scribing” .5 – annotated “Scribing PTE P. Carseldine, PTE H.S. Pasley, PTE C.A. Brown, WO2 M.A. McLaren, CPL Jennifer H. Murray. Oct 1961” .6 - annotated “Scribing CPL Jennifer H. Murray. Oct 1961” .7 to .9 - annotated “Scribing” .10 – annotated “PTE Madex Oct 61”royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, carto

This is a set of 20 photographs of two personnel with their training awards upon return from their Subject 1 Corporal course, taken at the Army Survey Regiment, Bendigo in October 1987. Lithographic Squadron’s SPR Janet Murray and SPR Shona Hastie achievement on a military skills-based promotion course was commendable, given most of their employment was spent in Royal Australian Survey Corps technical tasks.This is a set of 20 photographs of two personnel with their training awards upon return from their Subject 1 Corporal course, taken at the Army Survey Regiment, Bendigo in October 1987. The photographs are on 35mm negative film and were scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) to .4) - Photo, black & white, 1987, SPR Shona Hastie with her SUBJ 1 CPL course award. .5) to .10) - Photo, black & white, 1987, SPR Janet Murray with her SUBJ 1 CPL course award. .11) - Photo, black & white, 1987, L to R: SPR Shona Hastie and SPR Janet Murray with their SUBJ 1 CPL course awards. .12) to .14) - Photo, black & white, 1987, L to R: SPR Janet Murray and SPR Shona Hastie with their SUBJ 1 CPL course awards. .15) to .17) - Photo, black & white, 1987, SPR Janet Murray with her SUBJ 1 CPL course award in front of an Ultra-MAN-III printing press. .18) to .20) - Photo, black & white, 1987, SPR Shona Hastie with her SUBJ 1 CPL course award in front of the Pakotone film processor..1P to .20P – ‘SPR Murray & Hastie SUBJ 1 for CPL Awards Oct 87’. royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho

These six photographs were most likely taken from the 1960s to the 1980s in Lithographic Squadron at the Army Survey Regiment, Fortuna, Bendigo. In photos .1P to .6P the Printing Technician is placing a map film negative on top of the printing plate within a vacuum frame before light exposure. See items 6060.8P and 6191.11P for more photos and information on printing plate processing.This is a set of six photographs of lithographic technicians preparing printing plates at the Army Survey Regiment, Bendigo c1990s. The photographs were on 35mm negative film and were scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) to .4) - Photo, black & white, c1990s, SPR Janet Murray preparing a printing plate in a vacuum frame. .5) to .6) - Photo, black & white, c1990s, printing plate vacuum frame..1P to .6P – there are no annotations.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho

These 10 photographs were most likely taken in the 1990s in Lithographic Squadron at the Army Survey Regiment, Fortuna, Bendigo. In photos .1P to .2P the technicians are applying a UV-sensitive pigmented dye emulating one of the print colours to a white opaque polyester sheet mounted on a rotating table in a whirler. The coated sheet was dried before placement in a vacuum light frame beneath a stud registered map negative. They were then exposed to a carbon arc lamp. For more photos and details on the process, see item 6059.5P. In photos .3P to .5P the technician is preparing a orthophotomap film positive. Photo .6P is the rear view of the tri-linear film punch. In photos .7P and .8P the technician is operating a heavy-duty guillotine to trim bulk printed map stock. Cartographers normally provided trim marks to specified map dimensions as guidance to the printer. The trimming stage, like all the other printing processes required high levels of accuracy. These guillotines were extremely powerful to cut through bulk quantities of printed maps. For more photos and details on this process, see item 6069.6P. In photo .9P the technician is operating a daylight film contacting frame. In photo .10P LT Ian Stoddart is taking a well-earned break.This is a set of 10 photographs of lithographic technicians undertaking tasks at the Army Survey Regiment, Bendigo c1990s. Photos .1P to .7P and .9P to .11P are on 35mm negative film and scanned at 96 dpi. Photo .8P is printed on photographic paper and scanned at 300 dpi. They are part of the Army Survey Regiment’s Collection. .1) and .2) - Photo, black & white, c1990s, unidentified printer technician and SPR Janet Murray using the map proof whirler. .3) to .5) - Colour, c1990s, Mick ‘Buddha’ Ellis preparing an orthophotomap film positive. .6) - Photo, Colour, c1990s, rear view of tri-linear film punch. .7) & .8) - Photo, Colour, c1990s, unidentified technician operating a heavy-duty guillotine. .9) - Photo, Colour, c1990s, printer technician SPR Shona Hastie operating a daylight film contacting frame. .10) - Photo, Colour, c1990s, LT Ian Stoddart taking a well-earned break. .1P to .10P– no annotationroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho

This collection of 35 photos of Lithographic Squadron personnel and equipment was taken at the Army Survey Regiment, Fortuna, Bendigo, in 1992. The photos were mainly taken in the Camera, Contacting, Printing, BARCRO and Production Control work areas, as well as outside Fortuna’s buildings. Although these photos are not annotated most personnel are positively identified. This is a set of 35 photographs of Lithographic Squadron personnel and equipment at the Army Survey Regiment, Fortuna, Bendigo, 1992. Photographs .1P to .32P are on 35mm negative film and scanned at 96 dpi. Colour photos .33P and .34P are on photographic paper scanned at 300 dpi. Photos .33P to .35P are on 35mm negative film and scanned at 2400 dpi. They are part of the Army Survey Regiment’s Collection. .1) - Photo, black & white, 1992, back row L to R: Andrew Arman, unidentified Mark McCulloch, Dale Hudson, front row L to R: Daryl South, unidentified (x2). Janet Murray, LT Dave Weston. .2) - Photo, black & white, 1992, back row L to R: unidentified, CPL Paul Baker, Shona Hastie, front row L to R: LT Craig Hersant, Darren Maher, Chad Hardwick, Rob Jones. .3) - Photo, black & white, 1992, WO2 Steve Egan. .4) - Photo, black & white, 1992, LT Craig Hersant. .5)- Photo, black & white, 1992, CPL Warren Shirley, Jeff Willey, Gary Kerr. .6) - Photo, black & white, 1992, L to R: CPL Penny Knott, Janet Murray, Shona Hastie. .7) - Photo, black & white, 1992, L to R: MAJ Terry Edwards, LT David Weston. .8) - Photo, black & white, 1992, Frank Lenane, WO1 Trevor Osborne. .9) - Photo, black & white, 1992, L to R: WO2 Rob Bogumil, WO2 Steve Egan. .10) - Photo, black & white, 1992, back row L to R: Terry Winzar, Roy Hicks Marty Stradbrook, Janet Murray, Nick Vanderzwan, Mark Bird, front row L to R: SGT Dale Hudson, SSGT Russ Mollenhauer, Ross Anza, SGT Kim Reynolds, SGT Stuart Ridge, WO2 Jeff Willey, Peter Hamilton, Garry Lord, Gavin McLean, unidentified. .11) - Photo, black & white, 1992, Janet Murray, Mick Muzeen. .12) and .13) - Photo, black & white, 1992, Janet Murray. .14) to.16) - Photo, black & white, 1992, SPR Scott Cameron, CPL Warren Shirley. .17) - Photo, black & white, 1992, L to R: SPR Shane Campbell, SGT Brian Paul. .18) - Photo, black & white, 1992, LCPL John Bragg. .19) - Photo, black & white, 1992, SPR Allison (Ottaway) Wooldrage. .20) - Photo, black & white, 1992, map inspection station, LT Colin Davidson. .21) - Photo, black & white, 1992, map inspection station. .22) - Photo, black & white, 1992, map inspection station, LT Colin Davidson. .23) and .24) - Photo, black & white, 1992, map inspection station, SPR Nicole Midgley. .25) - Photo, black & white, 1992, map inspection station. .26) - Photo, black & white, 1992, map inspection station, unidentified. .27) - Photo, black & white, 1992, CPL Penny Knott. .28) - Photo, black & white, 1992, CPL Ken Peters. .29) - Photo, black & white, 1992, WO2 Rob Bogumil. .30) - Photo, black & white, 1992, L to R: WO2 Peter Imeson, WO2 Rob Bogumil. .31) and .32) - Photo, black & white, 1992, L to R: SGT Brian Fauth. .33) - Photo, colour, 1992, Klimch Camera, CPL Damien Cole. .34) - Photo, colour, 1992, Speedmaster Printing Press, L to R: SGT Gary Kerr, unidentified, SGT Kim Reynolds, SPR Shane Campbell. .35) - Photo, colour, 1992, L to R: CPL Le-Anne (Smallshaw) Shirley, CPL Rob Jones, SPR Gary Sievers, SPR John Bragg.No personnel are identified.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho

A copy of a black and white photograph of paddle steamer travel along the Murray river. It shows passengers (2 men, 1 girl, 1 boy) on the upper deck of the P. S. Kelvin, around the late 1890-1900. In the background is a third man, Hugh Price, at the wheel of the paddlesteamer. On the back of the photograph is documented as being on the mail run and at the Murray Bridge.Demonstrates passenger transport and travel along the river as well as the delivery of mail services between rural communities around the Murray Bridge, Blanchetown region in South Australia around 1890-1900.Copy of a Black and white photograph of 2 men, 1 girl and 1 boy on upper deck of P. S. Kelvin. In background is a 3rd man, Hugh Price, at the wheel. Documented as being on mail run and at the Murray Bridge (at Echuca)Kelvin on mail run, Murray Bridge. Hugh Price at wheel in rear.murray bridge south australia, p.s. kelvin, mail run, hugh price, cargo, price family collection

Black and white photograph showing construction of Lock 7 possibly near Renmark. Amongst the equipment are several gantry cranes and structural timbers. Also shows the way the river was blocked off to enable works to be constructed. Copy of original photograph.Historically significant showing the construction of locks on the Murray river. Use of gantry cranes.Black and white photograph showing construction of Lock 7 possibly near Renmark. Amongst the equipment are several gantry cranes. Copy of original photograph.In pencil on back "Construction of Lock 7 (near?) Renmark". "A. J. Gibbons, photo" . "Price"murray river, lock construction, gantry cranes, price collection

A closeup, black & white photo of the P.S. Captain Sturt moored by river bank. Captain Sturt is a two-funnelled, two storey boat with the wheelhouse above the 2nd storey. It appears the second storey is cabins. The original photo is part of the Price Collection.Black and white copy of a photograph of P. S. Captain Sturt moored by river bank. Copy of an original photograph (unknown date)In black pencil "Price, Captain Sturt, date unknown

Construction of the Lock at Euston. An overhead crane is visible in the centre of the photo. In the foreground are 2 sets of low pylons. There is construction equipment visible on both sides of the photo. It is a dry river bed which appears to have a walled wooded end at the back of the photo.This is social and historically significant in that this photograph depicts the construction materials and techniques used at this time when constructing locks on the rivers in the Murray Darling region.Black and white photograph of construction work on Lock at Euston. Centre of photograph has an overhead crane. In the foreground are 2 sets of low phylons. Copy of an original photograph from the Price collection.In pencil on back: Price / Lock under construction / Euston / JENKINS PRINT/MILDURAmurray darling river basin, euston (lock construction), lock construction, price collection

This photograph shows three men opening a lock, manually using a lock capstan. The men are fit and strong. The river behind them appears to be very high. Not sure what the era is, but is obviously before looks were mechanised. The devise they are using is called a lock capstan.This photograph shows how locks were manually opened to allow river transport to proceed. A black and white photograph of three men working on a lock somewhere on the Murray River in South Australia. The device they are using is called a lock capstan.Written on the back in lead pencil Price. Opening up lock -probably Lock 7, Renmark. Maybe Euston.locks, renmark, euston, price family collection, murray river, capstan, lock capstan

This photograph shows the extent of the Euston lock in the early 20th Century. There is a paddle steamer in the background which appears to be going around the lock. This photograph might have been taken during construction of the lock?This photograph possibly shows the Euston lock being constructed. There is a paddle steamer in the background passing around the lock.A black and white photograph of Euston lock.Written on the back in lead pencil "Price. Euston Lock."murray river, euston (lock construction), price family collection, paddle steamer traffic

Scene depicted is believed to have been the Euston Lock. It shows various pieces of equipment in the foreground , with a pontoon names Bream on the left bank with a paddle steamer, sheds and cranes in the distance on the right hand side of the photograph. Original photograph from the Price collection. Historically and socially significant photograph depicting early 1920's life on the Murray river.Black and white photograph of river scene depicting , by the left bank a pontoon "Bream" and by the right bank a steamboat behind a shelter construction. There are various cranes on the right bank. Copy of an original photograph taken in the 1920s believed to at Euston Lock, N.S.W.In pencil on back: Price / believed to be Euston Lock.riverboats, paddle steamers, price collection

This is a copy of a photograph from the Price Collection. The river and town are unknown. The photograph shows how locks were constructed using long vertical planks to form a wall. One of the cranes is floating on a pontoon.This shows how the river was locked to develop the irrigation industry in the early 20th Century.A copy of a black and white rectangular photograph of a lock being constructed . The river is in the foreground and in the background, cranes and rigs can be seen. A wooden wall dominates the centre of the photograph. Houses and buildings can be seen in the distance.In pencil on the back is written; 'Price / Lock construction? 'Jenkins Print Mildura.'lock construction, price family collection, mildura, jenkins print, irrigation

The people in the photograph are unknown. No date is recorded. This photograph is part of the Hugh Price collection. P000065, P000066, and P000067 are all part of the Hugh Price collection.This photograph shows how big Murray cod are.This is a rectangular black and white photograph of a man and three young children standing in a boat. The man is standing on a container and holding a very big Murray Cod. To his right is a seated girl in white; to his left is a boy in shorts wearing a hat. Part of a young girl can be seen in the left hand corner of looking back at the camera.Written on the back in lead pencil are the words; Price and Cod.murray cod, price family collection, fishing

During the Second World War the P.S Marion operated as a passenger vehicle up and down the Murray River.This is a photograph showing Hugh Price steering the P.S. Marion while the Captain looks on! This photograph is linked to P000067, P000065 as they are all part of the Hugh Price Family collection.A copy of a black and white photograph of Hugh Price and Captain George Makins in the wheelhouse of the P.S Marion.In pencil, written on the back is Price / Oct 43 / Capt. Geo Makins, (in cap) & Hugh Price.p.s marion, hugh price, captain george makins, george makins, 1943, price family collection

Fishing documentation around the Echuca area in the 1920's. The children are unknown. This photograph and P000066 and P000065 are all part of the Hugh Price Family collection of photographs.This photograph is significant because it shows the size and weight of Murray cod living in the river system in the 1920's. What sort of equipment would have been needed to bring such a heavy fish onto the bank?A copy of a black and white photograph of three children standing on either side of three Murray cods which are suspended from a stand behind them. Written in lead pencil on the back of the photograph are the words; Price. 90 lb. cod c. 1926. 'Jenkins Print Mildura. murray cod, price family collection, jenkins print mildura, 1926

This photograph shows how locks were constructed in the early 20th Century. There is floating steam equipment in the left of the photograph. This photograph is significant because it shows equipment used to construct Locks along the Murray in the early days of the 20th Century. It shows the strategy and the lay out do constructing a Lock.A photo copy of a black and white photograph, which looks like it was a photograph taken of a photo which was still in someone's photo album. The photograph shows Lock construction. Locality is unknown.Written in lead pencil on the back are the words; Constructing Lock. Unknown site.irrigation industry, murray river, lock construction., the price family collection

A collection of photographs taken by or of Murray Bourchier or collected by him. The subjects range from street scenes in Cairo to the terrain over which the 4th Light Horse Regiment manoeuvred and fought, local inhabitants. Some photos are black and white and others sepia toned. There is a wide range of sizes. Some photos have notations by him and unfortunately some are illegible, The photos are contained in two albums.Refer attached files detailing captionsbourchier, photos

This is a set of eight photographs of 4th Field Survey Squadron personnel undergoing regimental training held at the Murray Bridge Training Area of South Australia in 1988. The aim of regimental training was typically to provide personnel a practical knowledge of infantry and minor tactics at the section level, navigation and map reading, RATEL and survival in the Field.This is a set of eight photographs of 4th Field Survey Squadron personnel undergoing regimental training held at the Murray Bridge Training Area of South Australia in 1988. The black and white photographs are on 35mm negative film and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 96 dpi. .1) - Photo, black & white, 1988. CPL Steve McGuiness. .2) - Photo, black & white, 1988. L to R: Unidentified, SPR Charmian McKean. .3) - Photo, black & white, 1988. SPR Andrew Quin. .4) - Photo, black & white, 1988. L to R: Unidentified, LT Geoff ‘GT’ Ford. .5) & .6) - Photo, black & white, 1988. Unidentified personnel. .7) - Photo, black & white, 1988. L to R: Unidentified (x2), SPR Perry Langeberg, SGT Laurie Justin (3rd from right), remainder unidentified. .8) - Photo, black & white, 1988. L to R: Unidentified, SGT Laurie Justin, remainder unidentified..1P to .8P – There are no personnel identified. ‘1988 REGT ADV TRAINING MURRAY BRIDGE’ annotated on negatives sleeve.royal australian survey corps, rasvy, 4 fd svy sqn

This collection of photographs produced by Murray Views, Gympie, features eight scenic black / white photographic prints of Orbost and surrounding tourist areas.Photographs like these allowed tourists to send many images of their holiday destination or hometown in the one small package. Fred Murray opened Murray Studios in Gympie in 1906. The postcard and souvenir production side of the business initially covered Gympie and surrounding regions, but Murray expanded the business to include North Queensland, NSW and even Adelaide. It was opened under a separate name, Murray Views, in 1929. In 1945 the business was taken over by Murray’s nephews who began postcard folder production.These photographs are a useful research material.A white envelope with green and white print containing eight photographs of the Orbost area. It is titled For Your Album Murray's Snapshotssouvenir photographs-orbost postcards

WW1 Australian Serviceman Joseph Nalder Pte. 2914 Supreme Sacrifice d. 18th October 1917 result of wounding in France. Died in War Hospital at Warrington, Lancashire, England. Age 44. Buried in Warrington War Cemetery, England. An early pupil of Towaninnie State School, he farmed at Lalbert, In the Mallee, Victoria and later at East Pingelly, W.A.This adds to collection of WW1 Serviceman’s records nationally and locallyLarge heavy brown wooden framed photo with gold inset , head and shoulders photograph of WW1 soldier Joseph Nalder in army uniform, cap with rising sun . Black and white rectangular photo.Noneww1, supreme sacrifice, wartime, lalbert, towaninnie, nalder

03053 PC Murray Views 14, Alpine Retreat Hotel Warburton Upper Yarra Shire 1888-1988 Centenary collection. Black & white Negative, scanned at 600 dpialpine retreat hotel warburton pc murray views 14

03058 PC Murray Views No 10 Green Gables, Quest House, Warburton. Upper Yarra Shire 1888-1988 Centenary collection. Black & white Negative, scanned at 600 dpigreen gables warburton pc murray views no 10 c1938 austin car