Showing 39 items
matching murray griffin
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Federation University Art CollectionWork on paper - Printmaking - Linocut, Griffin, Murray, 'Heron' by Murray Griffin, 1950
... 'Heron' by Murray Griffin...murray griffin...Murray GRIFFIN (11/11/1903– 29/01/1992) Born Malvern...signed lls 'Murray Griffin '50'...Griffin, Murray... (Churchill), Stawell and Horsham. goldfields Murray GRIFFIN (11/11 ...Murray GRIFFIN (11/11/1903– 29/01/1992) Born Malvern, Victoria Vaughan Murray (Murray) Griffin trained at the National Gallery of Victoria Art School from 1919 to 1923. He taught art at Scotch College (1936 to 1937), drawing and teaching at RMIT (1937 to 1940) and teacher of drawing at the National Gallery of Victoria Art School 1946 to 1953. In 1941 he was appointed an official war artist working with the 8th Australian Division in Malaya for three months. The completed works were prepared for transport to Australia but did not arrive and are lost. He was captured by the Japanese in February 1942 after the fall of Singapore and incarcerated for three and a half years as a Prisonor of war at Changi Prison, Singapore. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed colour linocut by Murray Griffen.signed lls 'Murray Griffin '50'art, artwork, murray griffin, griffin, linocut, printmaking -
Bendigo Military MuseumBook, Rohan D Rivett, Behind Bamboo, 1991
... by Murray Griffin. Rising Sun badge illustrated on front & back... Latrines by Murray Griffin. Rising Sun badge illustrated on front ...Book is part of the Australian War Classics series presented by E E (Weary) Dunlop.Book, soft cover, white print on front, back & spine. Front cover illustration detail from Digging Bore Hole Latrines by Murray Griffin. Rising Sun badge illustrated on front & back covers, 400 cut plain pages, black & white illustrations. Handwritten in blue ink on front flyleaf: J Fuller In black ink on front flyleaf: RSL Stampbooks, military history -
Ararat Gallery TAMAPrint, Nanette Bourke, The Growth of Tourism, 1988
... of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially... - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke ...Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMANanette Bourke, Opening up the Land, 1995
... of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially... - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke ...Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMANanette Bourke, Return of the Grasstrees, 2007
... of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially... - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke ...Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMAPrint, Nanette Bourke, No, I don't want to live to 100, Thank you, 1992
... of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially... - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke ...Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMAPrint, Nanette Bourke, Watch Over All Living Things, 1996
... of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially... - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke ...Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMAPrint, Nanette Bourke, Starleaf Grevillea, 2008
... of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially... - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke ...Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMAPrint, Nanette Bourke, Blue Devils, 1992
... of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially... - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke ...Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMAPrint, Nanette Bourke, Casuarina Grove, 2003
... of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially... - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke ...Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMAPrint, Nanette Bourke, Grasstrees, a different perspective, 1992
... of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially... - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke ...Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMAPrint, Nanette Bourke, Burnt Wattle's Tracery, 2008
... of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially... - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke ...Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMAPrint, Nanette Bourke, Smooth Fruited Grevillea, 1996
... of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially... - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke ...Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMAPrint, Nanette Bourke, Just a Gumtree, 2006
... of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially... - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke ...Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMAPrint, Nanette Bourke, The Cult of the Car - Carefree Youth, 1990
... of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially... - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke ...Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMAPrint, Nanette Bourke, The Cult of the Car - Obsolescence, 1989
... of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially... - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke ...Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMAPrint, Nanette Bourke, Scarlet Banksia, 1988
... of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially... - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke ...Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMAPrint, Nanette Bourke, She-Oak in Spring, 2002
... of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially... - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke ...Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMAPrint, Nanette Bourke, Aftermath, 2005
... of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially... - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke ...Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Surrey Hills Historical Society CollectionPhotograph, 627 Whitehorse Road, Surrey Hills
... and there is a portrait of him by Murray Griffin done in Changi. Dr Lorimer Grant... and there is a portrait of him by Murray Griffin done in Changi. Dr Lorimer Grant ...This has been a home/surgery for a number of general practitioners. Dr Hedley Francis Summons is listed on the 1931 and 1936 electoral roll as resident / practising here. He was born in Kew in 1899 (died in 1967) and married Elsie Florence Finlayson in 1925. They had a son and daughter. In 1937 the family returned to Melbourne from Edinburgh. He became Lt Colonel of the 2nd 9th Field Ambulance, 2nd AIF in WW2. He was taken POW on the fall of Singapore and there is a portrait of him by Murray Griffin done in Changi. Dr Lorimer Grant Morton (1904-1989) graduated in 1931 and was registered at 627 Whitehorse Road in that year until c1937. Dr Alan Herbert McNaughton graduated in 1932 and was the general practitioner during the WW2. He is listed at the address in the 1942 and 1943 electoral roll. He married Nancy Winifred Bottomley in 1940. Dr Jack Ramsay Collie (1914-1990) was a general practitioner at 627 Whitehorse Road from c1954-1980. He served in RAN in WW2; married Mary Sewell Graham in 1945 and had a son and a daughter. 627 Whitehorse Road probably ceased as a medical practice after his retirement. Sale history: Sold in November 2007 by Marshall White Real Estate for $1.455M Sold in September 2011 by Jellis Craig real Estate for $1.75MThe house is significant as an example of past practice of general practitioners having their surgeries as part of their home. This example is from a later date than the Surrey Hills Medical Centre (SHMC) at 174 Union Road, which was purpose-built for Dr James Landells Blakie in c1911. In this case the building has reverted to domestic use, whereas in the case of SHMC its use became solely medical.A coloured photograph of a house with an established garden and a wire fence along the front. A tall gum tree stands in front of the house.surrey hills, whitehorse road, doctors, dr hedley francis summons, dr jack ramsay collie, (miss) mary sewell graham, (mrs) mary sewell collie, dr donald malcolm collie, (miss) elsie florence finlayson, (mrs) elsie florence summons, dr alan herbert mcnaughton, (mrs) nancy winifred mcnaughton, dr lorimer grant morton -
Glen Eira Historical Society
Book - O’Neill College, Nagle Avenue, 2, Elsternwick
A commemorative history O’Neill College 1908 – 1981 published at the time of the amalgamation of O’Neill College with star of the Sea, 1982 (2 copies). The book (64 pages) includes a short history of O’Neill college, reports from Monsignor Lyons, Principles report and reports from various other sisters from 1930’s, 40’s, 50’s, 60’s and 70’s. Reminiscences from students activities in the 80’s. Many school photographs of staff, class photos, school outings, sporting events and year 9 camp. Date and author unknown.o’ neill college, sister margaret canoll, presentation secondary, nagle avenue, sister mary kavanagh, education committee, sister christine walsh, elsternwick, sister francis muirhead, peart leanne, sister marie therese harold, star of the sea college, collina filomena, gammaldi tony, mcwilliam lorraine, o'neill college mothers auxillary, mcwilliam barry, st. jospeh's school, sister mary claver stone, sister mary de sales mckenna, sister angela johnston, sister bonaventure harrington, cooper sheila, cooper robert, harnett eileen, harnett desmond, beldart dorothy, catholic schools, primary schools, secondary schools, land subdivision, richard o'neill ecclesiastical college, romanesque style, schreiber r.a., architects, diocesan teacher training college, registers, lists, diaries and journals, halls, kindergartens, school concerts, basketball, choirs, festivals and celebrations, fundraising events, sport, harrison bessie, lynch eileen, murray veronica, mullamby kathleen, mullamby mary, mullamby eileen, miller joseph, strachan barry, webster mary, waldam geoffrey, checchi norman, delaney ella, hooper george, cahill john, cooper john, doyle albert, sister catherine walsh, carr archbishop, mother mary peter fitzgerald, couch mary, couch ambrose, checchi thomas, cahill francis, cooper robert, cooper sheila, castieau margot, castieau john, collinson eileen, collinson john, carolan veronica, carolan james, coates emily, coates henry, cato helena, cato herbert, cato yootha, cahill vincent, cleverley ernest, cleverley francis, cleverley maisie, collins dorothy, collins alfred, clark madge, clark william, gough father, ryan father, morris father, sister benedicta, sister anglea, brennan father, o'neill sarah, riddell parade, mother peter fitzgerald, mother mary bernard justice, sister marie bernade, sister kath coury, hoy hubert mrs, dowling mr, dowling mrs, mclaughlin mr, mclaughlin mrs, collis-brown mr, collis-brown mrs, keane tom, smith coral-anne, dwyer coral, lyons monsignor, miller collin henry, sister catherine curtin, sister peter, sister laserian, sister clare, sister fintan, sister cyril, domec-carre inez, murphy eileen, miller joy, guiney leo, tennis, wood joyce, toomey marie, hayes teresa, sister mary chanel, cobern wanda, sister mary gabriel, jeffrey lorna, sister mary genevieve, pitt jean, clark veronica, phipps sheila, sister sheila, youngberry kathleen, sister benedict, lowday dulcie, sister anne-marie, keary brenda, briglia rita, sister immaculata, burns n., brennan b., wright s., baker e., brdawshaw billy, barnes joan, mason patricia, roberts connie, shelton june, murray betty, keane peggy, taylor audrey, feiss margaret, hoy rosemary, sans lydia, smythe victor, hoy agatha, souter bobbie, brennan kathleen, shelton moira, wallman vera, cox s., rogers s., brennan b., wright s., mckeeran k., power e., maloney j., fyfe p., wright e., chambers f., baker e., keary d., lynch maeve, mcilroy j., corrigan p., harris p., gill p., keogh k., hennessy d., garrett j., feiss j., deverall j., langley j., griffin moya, ashton norma, hull fay, linehan mary, murphy eileen, odgers shirley, brennan jean, mahony denise, meyer margaret, mornament ina, cox s., wright s., borelli marie, flanagan c., smythe p., whelan mary, hawkridge v., johnson v., filippina contessa, rawlings a.b., beer letty, sister mary joseph, eisma joan, langley joan, sister raymond, sister aloysius, garrett betty, sister gertrude, sister elizabeth, sister mary hilary, sister marie louis, stratford c., sister james cantwell, dance mrs., mcnamara colleen, share kath, sister adrian, sister patricia carroll, sister rose, sister pius, dunne patricia, sister james, sister sheila, sister jude, dawes pat, sister beatrice, mason june-maree, sister domenica, guatta win, sister marie cline, sister marie de lourdes, hale mrs, sister robert, sister merle, sister philomena, sister francis xavier, sister frances borgia, sister margaret bullock, sister bruna, mother peter, sister genevieve, kendall vern, collette leonie, sister philomena consedine, ashton francine, maher frank, mcgrath brian, van heeswick julie, west liz, ferrier fran, molloy miss, cooney jenny, tkalcevic josephine, sirianni lena, danielis simonetta, simmonds louis, richardson sharon, giannelli irene, carter louise, ettia gie, williamson helene, galli mrs, meagher mrs, fitzgibbon mrs, beveridge cathy, cocciardi bernadette, emmett mr, emmett mrs, brother moore, farrow sandra, warren angela, peters kim, tarcasio rina, tuohy helen, massey jayne, o'sullivan kerrie, killingsworth miss, conheady mrs, gray mrs, clark fiona, ferrier margaret, dotter andrea, muller mary, young samantha, aquilina tania, baker patricia, bean dianne, bouchereau brenda, brohier audrey, curtis debbie, ferrier frances, hynes nerida, jones leanne, krelle brenda, lamanna ann, loiacono chris, morin jackie, musster judy, renshaw susan, stratford margaret, hoareau marlene, clark nicole, o'neill college, williamson helen, victorian congregation of presentation sisters, sister margaret walsh, archbishop carr -
Glen Eira Historical SocietyArticle - CAULFIELD CITY CHOIR
This file contains 5 items: 1/4 Colour Photographs of the Caulfield City Choir and the farewell of its retiring conductor David Plummer, dating from May 1974 to 16/08/1978. 2/1 Black and white article taken from Southern Cross newspaper dated October 1975. The article relates the retirement of Caulfield City Choir’s foundation conductor David Plummer and the subsequent appointment of their new conductor Murray Brown. 3/1 black and white photograph of a choir taken by Sam Cylich for the Caulfield Contact newspaper regarding Ethnic Radio in Melbourne. 4/1 black and white photograph of the Caulfield City Choir dated September 1986 for the 40th anniversary concert taken at St Stephen’s Uniting Church Hall. 5/1 colour photograph of the Caulfield City Choir taken for their 40th anniversary concert on 07/09/1986 at St Stephen’s Church, Caulfield. Attached to the back is a letter to the Mayor, J. Campbell from Mrs Marj Sneddon dated 16/03/1987 as well as a list of the choir members photographed.plummer david, caulfield city choir, caulfield arts centre, lees ian, southern cross newspaper, brown murray, caulfield council, caulfield choir, franklin dorothy, hankin a, caulfield contact, cylich sam, balaclava road, mayors, celebrations, st stephen’s uniting church hall, anniversaries, campbell j, caulfield, heywood douglas, shewan joan, sneddon marj mrs, snowden avenue, caulfield city choir inc, caulfield historical society, heywood doug, lee ian, caulfield south, caulfield city council, ingram rene, ford del, musicians, conductors (music), uniting church, official buildings, singers, choirs, music, people associated with culture, jeffries carla, duncan dorothy, roberts christine, port maureen, stanley-low dorothy, nicholas norma, mealy melville, howells connie, glasson margaret, griffin betty, walshe gaye, holmes win, sneddon marj, kuca marie, fraser glad, rose ruth, provelsen marcia, copley marie, granger thea, dobbin leo, platt eric, campbell scott, franklin clyde, newbold ron, prebble ron, barnett margaret, alcock judy, davis-ward amanda, mcasey francine, mcalpine carol, cook doll, musical events and activities, clubs and associations, festivals and celebrations, religious structures and establishments, mcconchie christine, heywood joan, nutt tony, warden nelson, ingram bert, henderson vic, beeson barbara, eggington edna -
Bendigo Historical Society Inc.Newspaper - JENNY FOLEY COLLECTION: THE ROOS
Bendigo Advertiser ''The way we were'' from 2002. The roos: Kangaroo Flat State School's 1962 premiership football team. Back l-r: Steven Huzard, Vivian Charlton, Ret Murray, John Fisher, Douge Carter, Bruce Lowe, Ken Daniells, Alex Angove, Steven Cirace. Second row: Garry Burton, Garry Salaithiel, Allan Woodman, Graham Wild, Phillip Holden, Garry Place. Front: John Bacon,Peter Hayes, Robert Griffin, Robert Johanson and David Torr. The clip is in a foldernewspaper, bendigo advertiser, the way we were -
Port Melbourne Historical & Preservation SocietyPrint - Port Melbourne Football Club, Team of the Century, Ausdart Picture Framing, 2003
Colour print number 017 of 500 - Port Melbourne Football Club - Team of the Century. Players and dates listed on side also administration staff. Brown moulded timber frame.sport - australian rules football, port melbourne football club, pmfc, team of the century, gary brice, bill mcgee, bill swan, cyril letts, thomas griffin, jack macfarlane, jack reynolds, john julius sinn, norm goss snr, norm goss jnr, fred cook, peter bedford, tommy lahiff, bob bonnett, carl bowen, joe garbutt, bob kelsey, vic aanensen, reg murray, frank johnson, rob freyer, ted freyer, brian walsh, rob withers, graeme anderson, bill bedford, david holt, david king, stan plumridge, bill findlay -
Coal Creek Community Park & MuseumHonour Roll, Kardella State School No.3196, Honor Roll
List of volunteers from Kardella and Kardella School in the Australian Imperial Forces during WWI.One of the few remaining historic items from the hamlet of Kardella near Korumburra in Gippsland, Victoria.Honour roll made of varnished wood, with two panels, a triangular pediment and side columns tapering at top and base, text in black and gold. Kardella State School No.3196, Honor Roll 1914 The Great War 1919, Duty Nobly Done. * Died in service. Allcorn H., * Ambler L., Ambler, M., Barns C., * Blackmore H., Brydon A., Brydon T., * Cartright J., Chisholm E., Cosson H., Cullen A., * Cullen F., Cullen W., Curran J., Curran R., * Dick A., Dick H., * Dick J., Drownley C., * Dryden H., Elmore A., Elmore G., * Elmore T., Gravell W., Griffin A., Hastings F., Hort S., * Le Maitre A., Mitchell H., Mitchell S., Murray D., Murray E., * McNair A., McNair W., McNaughton D., Paterson B., * Richards H., Richards L., Simpson J., Spry L., Stubbs A., Stubbs B., Stubbs G., Thompson H., Tolson C., * Walker T., Wilkinson A., * Wilkinson R., Wilkinson S., Wilson R., Wynne G.kardella, w.w.i, school, honour roll -
Tatura Irrigation & Wartime Camps Museum
Book, Lillian Louisa Pitts et al, Merrigum Frank, 1990
Photo essay made by Lillian Louisa Pitts c 1915. Photographs part of the biggest family album in Australia. Originals owned by Frank Pitts, copied for Museum of Victoria collection. Merrigum Frank compiled by Evan McGillivray and Matthew Nickson.Photo essay made by Lillian Louisa Pitt, c 1915. Glossy hard cover, white, blue design. Photo of boy winking. Front and back in sepia, text left hand pages, pictures on right. Pages framed in grey. no page numbers.Tatura and District Historical Society 1990 -
Tatura Irrigation & Wartime Camps Museum
Folio - Wartime Camps, Camp 3, c.998
Letters, photos and recollections from former internees held in Camp 3, Tatura during World War 2.Many original documents, letters and photos relating to the internees held in Camp 3, Tatura during World War 2. Much of this material relevant to German Missionary families arrested in New Guinea.Black two ring folder.Camp 3.new guinea missionaries, camp 3 tatura, hertle, beinssen, fugmann,griffin, loveday camp, list. -
Tatura Irrigation & Wartime Camps Museum
Folder, Recollections of events in the life of the Girschik and Griffin families
Recollections of events in the life of the Girschik and Griffin families. Internment of the Girschik Family - Personal Diary by Rudolf Girschik. Letters (2) to Girschik Family and Annie Girschik in German and translated into English. New Homeland written by Helga Griffin. Copy of speeches to Goethe Society, Canberra 2006 and Tatura Probus Club 2007. Text in German and English. Birth Certificate Peter Girschik. Camp 3 TaturaWritten recollections of events in the life of the Girschik familyww2 camp 3, girschik, griffin, helga griffin, helga girschik, annie girschik, peter girschik, camp 3 tatura -
Tatura Irrigation & Wartime Camps Museum
DVD, ABC Interviews, 2006
ABC radio interviews with Jon Faine, J Cleary and P. Adams talking with Helga Griffin, nee Girschik, ex Camp 3, Persian Group, after launch of Helga's book "Sing Me That Lovely Song Again", her personal storyDVD. Text written in maroon, part of a Cello on the cover. Inside a rectangular clear plastic coverinterviews, griffin h, faine j, cleary j, adams p, abc radio, camp 3, tatura, ww2 camp 3, communications, dvd -
Tatura Irrigation & Wartime Camps Museum
DVD, Camp 3. Calendar 1944, 2006
DVD containing Tatura Camp 3 Calendar for 1944 and image of embroidery on Helga Griffin's dress made by her MotherDVD "Mag Media" in grey and gold text on a cream background. Wrapped in papercalendar, dress bodice, griffin h, camp 3, tatura, ww2 camp 3, communications, dvd
