An item from an and diverse collection, assembled by members of the Christian and Washfold families of Kew.Greeting card using a print of the Sidney Myer Music Bowl in the Kings Domainmyer music bowl, christian-washfold collection

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Two black and white photographs of two men dressed in suits standing together and shaking hands in one photo. They are standing in a music bowl with a ceiling consisted of six arches descending in size toward the back. Around the stage is a tiered platform of seating. Workmen can be seen working in the background. The man on the right is Frank Wright.frank wright, conductor, music bowl, stage

Colour photograph of the crowd at Carols by Candlelight held at the Myer Music Bowl. The view is from the rear of the crowd, with a sea of candles visible. The stage is lit up, and the Melbourne city skyline appears behind the shape of the Bowl.1 digital images of crowds during Carols by Candlelightroyal victorian institute for the blind, carols by candlelight

B/W picture of the crowd listening to an undated Carols by Candlelight concert.1 digital imageroyal victorian institute for the blind, carols by candlelight

Colour slide in a mount. Miraggio (seated figure) sculpture by Pino Conte at Sidney Myer Music Bowl, MelbourneMade in Australia / 23 / JAN 65M / Myer Music Bowl Sculpture: (Handwritten)melbourne, slide

Farming in the Wimmera. Markings; Sidney Myer Music Bowl Melbourne. Used as a teaching aid.Kodak perutzvictoria, wimmera, sidney myer music bowl, mouat crawford collection

Colour slide in a mount. Miraggio (seated figure) sculpture by Pino Conte at Sidney Myer Music Bowl, MelbourneMade in Australia / 24 / JAN 65M / Encircled 62 (Handwritten) / Myer Music Bowl Sculpture (Handwritten)melbourne, slide

MELBOURNE VIC. THE SHRINE PRINCE'S BRIDGE MYER MUSIC BOWL MELBOURNE Victoriamelbourne, victoria

Boyd argues that modern architecture has triggered a necessity for greater harmony between architects and engineers. Boyd describes the architectural qualities of tension structures through an analysis of several case studies including projects by Frei Otto and Boyd's own house at Walsh St. Being a relatively new concept, Boyd criticises the neglect towards smaller buildings in this structural system, and also highlights some of its shortcomings. A 2-page letter from 'Arthur' (surname unknown) at the University of Melbourne's Department of Civil Engineering provides feedback to Boyd on his analyses of the chosen case studies.Original manuscript of article published in The Architectural Review Vol.134, No.801, November 1963, pp. 324 - 334. This draft was returned with covering letter from: ‘Arthur’ (AJF) Melbourne Uni. Dept Civil Engineering. Typewritten (c copy), foolscap, 14 (+2 quarto letter) pagesMinor handwritten editsengineering, tensile structure, master-designer, bernard lafaille, zagreb french pavilion, matthew nowicki, livestock pavilion, frei otto, paul rudolph, florida house, bill irwin, kevin borland, peter mcintyre, john and phyllis murphy, yuncken freeman, sidney myer music bowl, eero saarinen, yale hockey rink, edward d. stone, brussels u.s. fair pavilion, boston arts centre, walsh street, robin boyd, manuscript

Possibly an inter-generational photograph of Carols by Candlelight attendees, named Worshop or Worsnop.B/W photograph of three females and a small boy holding candles in the Sidney Myer Music Bowl.891217/342 RVIB News. Annual Report PR page (crossed out). Worshop's or Worsnop'scarols by candlelight, fundraising

Mouat Collection - Farming in the Wimmera. 14 Silos togeter with office. Markings Sidney Myer Music Bowl, Melbourne. Used as a teaching aid.Kodakagriculture, farm, crop

The 1978 Carols by Candlelight crowd and stage in the Sidney Myer Music Bowl.2 x col. photographs of Carols by Candlelight in 1978.7122 - 78467D 7123 - 78466Bcarols by candlelight, fundraising

Guitarist Nathan Cavaleri at the stage door of the Sidney Myer Music Bowl.B/W photograph of Nathan Cavaleri with unknown male.24carols by candlelight, nathan cavaleri

The 1992 Carols by Candlelight stage and crowds inside the Sidney Myer Music Bowl.Col. photograph of Carols by Candlelight stage.Carols by Candlelight '92. CBC 92-1-5 Copyright WMC 1/53carols by candlelight, royal victorian institute for the blind, fundraising

An unknown performer entertains the crowd at the Sidney Myer Music Bowl during Carols by CandlelightB/W photograph of Carols by Candlelight crowdcarols by candlelight

Brian Naylor hosted the 1986 Carols by Candlelight performance at the Sidney Myer Music Bowl.B/W photographs of crowds watching Carols by Candlelight.carols by candlelight, brian naylor

A volunteer selling candles at Carols by Candlelight 2007, held at the Sidney Myer Music Bowl.1 digital image of man selling candles at concertcarols by candlelight, vision australia, volunteers

Denis Walter performing on stage at the 2006 Carols by Candlelight, held at the Sidney Myer Music Bowl.1 digital image of man selling candles at concertcarols by candlelight, vision australia, denis walter

Stage shots and a woman holding a child during the 1997 Carols by Candlelight held at the Sidney Myer Music Bowl.5 coloured slides of people and stage at Carols by CandlelightLabelled 66.6139-66.6146 12/97.carols by candlelight, fundraising

Twilight descends as the crowds light up the Sidney Myer Music Bowl as the Carols by Candlelight performance begins in 1992.Col. photograph of Carols by Candlelight stage.carols by candlelight, royal victorian institute for the blind, fundraising

Stage view of Carols by Candlelight, taken from inside the Myer Music Bowl. The orchestra and choirs watch the conductor, at a GTV camera televises the event.1 black and white photograph of orchestra and choirs on stagecarols by candlelight, royal victorian institute for the blind

Black and white photograph of the Sidney Myer Music Bowl. Crowd scene at Carols by Candlelight. Bowl is to right of shot. Light in centre, shining towards camera.1 black and white photograph of Carols by Candlelight stageroyal victorian institute for the blind, carols by candlelight

The Sydney Myer Music Bowl comes alight with the 3KZ Carols by Candlelight concert, date unknown. On the stage it musicians and a choir seated in a Calvary Cross arrangement that rises towards the ceiling of the Bowl.B/W photograph of Carols by Candlelight stageKZ2031carols by candlelight, royal victorian institute for the blind

Carols by Candlelight is a Christmas concert held at the Sidney Myer Music bowl. Programs and candle holders were sold, and collections made during the event to raise money for the RVIB. This is an undated songbook which contains no images or advertisements.1 volume with photographs and illustrationscarols by candlelight, fundraising

''Bells and Brass'' 2001 - Music for Massed brass and handbells. Information on sheet describing the performance at the Sidney Myer Music bowl 3rd November 2001; Letter to Sue Prain (letter of appreciation) from Footscray Yarraville City Band. 22/10/2001

Carols by Candlelight is an annual fundraiser which brings together performers from around Australia and the world, to sing carols with the general public. This series of slides is undated yet looks to be taken largely around 1988, with images of the crowds, the performers, volunteers who help run the event and the Sidney Myer Music Bowl.140 Coloured slides of crowds and performers at Carols by Candlelightcarols by candlelight, peter cupples, ray martin, marina prior, jo-beth taylor, debbie byrne, geoff harvey, rhonda burchmore, sylvie palladino, humphrey b. bear, lee kernaghan, denis walter, bernie brooks, venetta fields, lisa edwards, lindsay field

These small cards were handed out to people who were interested in attending a series of concerts presented by the City of Melbourne and featuring brass bands. While there is no detail on which bands were performing, concerts were held at the Sydney Myer Music Bowl and the Melbourne Town Hall, both prestigious venues. The cards were kindly donated to the Victorian Bands' League by bands person Lindsay Patterson.These rare cards indicate a prolonged initiative from the City of Melbourne to let bands play at some of the finest venues in Melbourne at the time. The cards would no doubt be iconic and useful for people who wanted to listen to the bands.5 small cards designed for pockets or wallets in distinctive colours.city of melbourne, victorian bands' league

In 1987, Australia Post released Christmas stamps and two first-day covers (envelopes with stamps affixed) with the Carols by Candlelight theme. The top first-day cover has a red candle in a gold old-style candlelight holder, with five stamps showing groups of people who are singing and holding similar candles. A large '50th Performance of Carols by Candlelight, Melbourne, Vic 3000, 24 Dec 1987' mark is stamped on the envelope, which has a background image of the Myer Music Bowl, a candle and songbook. The lower first-day cover has a boy holding a red candle in his right hand and a songbook in his left, singing. Two stamps, different to the ones in the envelope above, are affixed to the envelope and consist of groups of people holding red candles and singing. One '50th Performance of Carols by Candlelight ...' cancellation mark is stamped. In between the two envelopes is a photograph which shows the Myer Music Bowl at night, from the rear of the large crowd who are holding candles and songbooks.royal victorian institute for the blind, carols by candlelight