Showing 126 items
matching music recordings
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Bialik College
Mixed media (Collection), B'nei Mitzvah recordings and music 2001-2007
... B'nei Mitzvah recordings and music 2001-2007... and Performing Arts Music Jewish Life B'nei Mitzvah recordings and music ...bnei mitzvah, 2000s, visual and performing arts, music, jewish lifebnei mitzvah, 2000s, visual and performing arts, music, jewish life -
Clunes Museum
Audio - GRAMOPHONE RECORDS
... music recordings...audio recordings music recordings records 78rpm hmv His ...78rpm records in individual brown paper sleeves .1 Rhonda Rhapsody/Loves Roundabout .2 Old Folks at Home/Souvenir .3 La Mer/La Mer Part 2 .4 La Mer, Boston Symphone Orchestra .5 Peter and the Wolf Parts/and Conclusion .6 La Mer (both sides) .7 Peter and the Wolf Parts 2 & 5 8. Suite Gothique/Suite Gothique ConclusionHis Master's Voice audio recordings, music recordings, records, 78rpm, hmv -
Melbourne Legacy
Audio - Recording, vinyl record, Land of Mine, side 1. Recessional, side 2, 30/11/1957
... A recording of music at the annual Anzac Eve Commemoration... of the recording (both sides). A recording of music at the annual Anzac Eve ...A recording of music at the annual Anzac Eve Commemoration Ceremonies in late 1950s. Legacy has held annual "Anzac Commemoration Ceremony for Students" events, usually held just prior to ANZAC Day. It was a recording of the Australian Boys Choir singing 'Land of Mine' and 'Recessional'A record for ceremony at the Shrine. This recording was a means of providing words and music at ceremonies for Legacy or recording the proceedings. Plastic vinyl disc 45 RPM.Paper label giving details of the recording (both sides).anzac commemoration for students, songs -
Flagstaff Hill Maritime Museum and Village
Audio - Gramophone Cylinder, Sandy McNab, 1908
... music recording... recordings of music and speech made in 1888 still exist. The wax... recordings of music and speech made in 1888 still exist. The wax ...Edison Records was one of the early record labels that pioneered sound recording and reproduction, and was an important player in the early recording industry. The first phonograph cylinders were manufactured in 1888, followed by Edison's foundation of the Edison Phonograph Company in the same year. The recorded wax cylinders, later replaced by Blue Amberol cylinders, and vertical-cut Diamond Discs, were manufactured by Edison's National Phonograph Company from 1896 on, reorganized as Thomas A. Edison, Inc. in 1911. Until 1910 the recordings did not carry the names of the artists. The company began to lag behind its rivals in the 1920s, both technically and in the popularity of its artists, and halted production of recordings in 1929. Thomas A. Edison invented the phonograph, the first device for recording and playing back sound, in 1877. After patenting the invention and benefiting from the publicity and acclaim it received, Edison and his laboratory turned their attention to the commercial development of electric lighting, playing no further role in the development of the phonograph for nearly a decade. Start of the Recording Industry: In 1887, Edison turned his attention back to improving the phonograph and the phonograph cylinder. The following year, the Edison company introduced the ”Perfected Phonograph”. Edison introduced wax cylinders approximately 4+1⁄4 inches (11 cm) long and 2+1⁄4 inches (5.7 cm) in external diameter, which became the industry standard. They had a maximum playing time of about 3 minutes at 120 RPM, but around the turn of the century the standard speed was increased to (first 144) and then 160 RPM to improve clarity and volume, reducing the maximum to about 2 minutes and 15 seconds. Several experimental wax cylinder recordings of music and speech made in 1888 still exist. The wax entertainment cylinder made its commercial debut in 1889 at first, the only customers were entrepreneurs who installed nickel-in-the-slot phonographs in amusement arcades, saloons and other public places. At that time, a phonograph cost the equivalent of several months' wages for the average worker and was driven by an electric motor powered by hazardous, high-maintenance wet cell batteries. After more affordable spring-motor-driven phonographs designed for home use were introduced in 1895, the industry of producing recorded entertainment cylinders for sale to the general public began in earnest. Blank records were an important part of the business early on. Most phonographs had or could be fitted with attachments for the users to make their own recordings. One important early use, in line with the original term for a phonograph as a "talking machine", was in business for recording dictation. Attachments were added to facilitate starting, stopping, and skipping back the recording for dictation and playback by stenographers. The business phonograph eventually evolved into a separate device from the home entertainment phonograph. Edison's brand of business phonograph was called the Ediphone. The collection of three phonograph cylinders are an example of early recorded music use for domestic entertainment. They are significant as they represent the beginnings of the modern recording industry.Cardboard tube-shaped gramophone cylinder box with lid. The printed label on the outside of the box advertises the maker and patent details. The Catalogue Number and Title are either printed or hand written on the cylinder’s lid. This cylinder was made by Edison 1908 and contains Record number 53 by Sandy McNab. c. 1908On label “Edison Record No. 53, Sandy McNab" and "Form no. 1130, April 1908. Patented December 6 1904, No. 2109, and December 6 1904 No. 2110. “This record is sold by the National Phonograph Company of Australia Ltd, at Sydney Australia.” Trade Mark Thomas A. Edison warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, gramophone record, gramophone cylinder, edison cylinder, edison record, home entertainment, music recording, edison laboratory orange nj, usa, national phonograph company of australia ltd sydney, thomas a. edison -
Flagstaff Hill Maritime Museum and Village
Audio - Gramophone Cylinder, National Phonograph Co, Poor old England, 1908
... music recording... recordings of music and speech made in 1888 still exist. The wax... recordings of music and speech made in 1888 still exist. The wax ...Edison Records was one of the early record labels that pioneered sound recording and reproduction, and was an important player in the early recording industry. The first phonograph cylinders were manufactured in 1888, followed by Edison's foundation of the Edison Phonograph Company in the same year. The recorded wax cylinders, later replaced by Blue Amberol cylinders, and vertical-cut Diamond Discs, were manufactured by Edison's National Phonograph Company from 1896 on, reorganized as Thomas A. Edison, Inc. in 1911. Until 1910 the recordings did not carry the names of the artists. The company began to lag behind its rivals in the 1920s, both technically and in the popularity of its artists, and halted production of recordings in 1929. Thomas A. Edison invented the phonograph, the first device for recording and playing back sound, in 1877. After patenting the invention and benefiting from the publicity and acclaim it received, Edison and his laboratory turned their attention to the commercial development of electric lighting, playing no further role in the development of the phonograph for nearly a decade. Start of the Recording Industry: In 1887, Edison turned his attention back to improving the phonograph and the phonograph cylinder. The following year, the Edison company introduced the ”Perfected Phonograph”. Edison introduced wax cylinders approximately 4+1⁄4 inches (11 cm) long and 2+1⁄4 inches (5.7 cm) in external diameter, which became the industry standard. They had a maximum playing time of about 3 minutes at 120 RPM, but around the turn of the century the standard speed was increased to (first 144) and then 160 RPM to improve clarity and volume, reducing the maximum to about 2 minutes and 15 seconds. Several experimental wax cylinder recordings of music and speech made in 1888 still exist. The wax entertainment cylinder made its commercial debut in 1889 at first, the only customers were entrepreneurs who installed nickel-in-the-slot phonographs in amusement arcades, saloons and other public places. At that time, a phonograph cost the equivalent of several months' wages for the average worker and was driven by an electric motor powered by hazardous, high-maintenance wet cell batteries. After more affordable spring-motor-driven phonographs designed for home use were introduced in 1895, the industry of producing recorded entertainment cylinders for sale to the general public began in earnest. Blank records were an important part of the business early on. Most phonographs had or could be fitted with attachments for the users to make their own recordings. One important early use, in line with the original term for a phonograph as a "talking machine", was in business for recording dictation. Attachments were added to facilitate starting, stopping, and skipping back the recording for dictation and playback by stenographers. The business phonograph eventually evolved into a separate device from the home entertainment phonograph. Edison's brand of business phonograph was called the Ediphone. The collection of three phonograph cylinders are an example of early recorded music use for domestic entertainment. They are significant as they represent the beginnings of the modern recording industry.Cardboard tube-shaped gramophone cylinder box with lid. The printed label on the outside of the box advertises the maker and patent details. The Catalogue Number and Title are either printed or hand written on the cylinder’s lid. This cylinder contained Record no. 13619, the recording “Poor old England” published by Castling and Godfrey, sung by Billy Williams. Made by National Phonograph Company USA. C.1907On lid “Edison Record” and “This record should turn at 160 revolutions per minute, no faster” Written on lid in blue pen “Trumpet”, “EDISON AMBEROL RECORD / FOUR MINUTE”warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, gramophone record, gramophone cylinder, edison cylinder, edison record, home entertainment, music recording, edison laboratory orange nj, usa, national phonograph company of australia ltd sydney, thomas a. edison -
Flagstaff Hill Maritime Museum and Village
Audio - Gramophone Cylinder, B & H Jack, 1907
... music recording... recordings of music and speech made in 1888 still exist. The wax... recordings of music and speech made in 1888 still exist. The wax ...Edison Records was one of the early record labels that pioneered sound recording and reproduction, and was an important player in the early recording industry. The first phonograph cylinders were manufactured in 1888, followed by Edison's foundation of the Edison Phonograph Company in the same year. The recorded wax cylinders, later replaced by Blue Amberol cylinders, and vertical-cut Diamond Discs, were manufactured by Edison's National Phonograph Company from 1896 on, reorganized as Thomas A. Edison, Inc. in 1911. Until 1910 the recordings did not carry the names of the artists. The company began to lag behind its rivals in the 1920s, both technically and in the popularity of its artists, and halted production of recordings in 1929. Thomas A. Edison invented the phonograph, the first device for recording and playing back sound, in 1877. After patenting the invention and benefiting from the publicity and acclaim it received, Edison and his laboratory turned their attention to the commercial development of electric lighting, playing no further role in the development of the phonograph for nearly a decade. Start of the Recording Industry: In 1887, Edison turned his attention back to improving the phonograph and the phonograph cylinder. The following year, the Edison company introduced the ”Perfected Phonograph”. Edison introduced wax cylinders approximately 4+1⁄4 inches (11 cm) long and 2+1⁄4 inches (5.7 cm) in external diameter, which became the industry standard. They had a maximum playing time of about 3 minutes at 120 RPM, but around the turn of the century the standard speed was increased to (first 144) and then 160 RPM to improve clarity and volume, reducing the maximum to about 2 minutes and 15 seconds. Several experimental wax cylinder recordings of music and speech made in 1888 still exist. The wax entertainment cylinder made its commercial debut in 1889 at first, the only customers were entrepreneurs who installed nickel-in-the-slot phonographs in amusement arcades, saloons and other public places. At that time, a phonograph cost the equivalent of several months' wages for the average worker and was driven by an electric motor powered by hazardous, high-maintenance wet cell batteries. After more affordable spring-motor-driven phonographs designed for home use were introduced in 1895, the industry of producing recorded entertainment cylinders for sale to the general public began in earnest. Blank records were an important part of the business early on. Most phonographs had or could be fitted with attachments for the users to make their own recordings. One important early use, in line with the original term for a phonograph as a "talking machine", was in business for recording dictation. Attachments were added to facilitate starting, stopping, and skipping back the recording for dictation and playback by stenographers. The business phonograph eventually evolved into a separate device from the home entertainment phonograph. Edison's brand of business phonograph was called the Ediphone. The collection of three phonograph cylinders are an example of early recorded music use for domestic entertainment. They are significant as they represent the beginnings of the modern recording industry.Cardboard tube-shaped gramophone cylinder box with lid. The printed label on the outside of the box advertises the maker and patent details. The Catalogue Number and Title are either printed or hand written on the cylinder’s lid. This cylinder contained Record no. 49, “B & H Jack” and was made at the Edison Laboratory USA. C. 1905On lid “Edison Record No. 49”, written in pencil “B & H Jack” (it looks like this) On cylinder “EDISON GOLD MOULDED RECORDS ECHO ALL OVER THE WORLD” Patents listed for 1904 & 1905warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, gramophone record, gramophone cylinder, edison cylinder, edison record, home entertainment, music recording, edison laboratory orange nj, usa, national phonograph company of australia ltd sydney, thomas a. edison -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Musical Equipment, Gramaphone Edison c1900, late 19C / early 20C
A Gramophone / Phonogram is a device for the mechanical recording and reproduction of sound. The phonograph was invented in 1877 by Thomas Edison. in USA and Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s and introduced the graphophone, This Edison was donated to CMHs by the family of John Box 1841-1913This gramophone belonged to John Box 1841-1913 an early settler in the area of Henry Dendy's Special Survey Brighton 1841A wooden cabinet with a lift up lid enclosing a turntable , record , trumpet and handle . This cabinet stands on another storage cabinet with shelf and doorEDISONmanufactured objects, music, musical records, long playing records, gramophone, phonogram, wireless, edison thomas, edison pty ltd, electric lights; -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Manufactured Objects, Vinyl record cleaner kit 'NAGAOKA', c1970
a) Nagaoka Record Anti-Static & Disc Guard Kit The Nagaoka STAT-10 is a record protecting agent that serves both to protect your records from static and to significantly reduce record and stylus wear. By using this product you will improve the sound that you hear from your records, but will also protect your records. The unique charge reducing formula significantly reduces the amount of static electricity present on the surface of the vinyl recording. It also reduces the irritating noise produced by the scratches present on the surface of the vinyl recording. This record protecting agent also contains a special lubricant / protecting fluid agent.This lubricant / protecting fluid reduces record wear so that your recordings are as good as new. b) 'PAROSTATIK' Disc preener -: Use while rotating record slowly on Turntable. Press gently during one or two revolutions. Dust collected on plush surface should be removed before re-use. Device has "built-in" anti-static requiring occasional moisture replacement. Remove cap from centre tube withdraw and moisten wick (when dry) with clean water and replace Always return "Parostatik" to case when not in use. Vinyl records became very popular mid 20thC and cleaners were used to preserve the audio quality of the record surface.A box containing Vinyl record cleaning equipment manufactured by a) Nagaoka Pty Ltd Japan and b) 'Parostatik' C.E Watts Pty Ltd England a ) Box : NAGAOKA / A / trademark / NAGAOKA / AUTOMATIC RECORD CLEANER / ORIGINAL BEST PRODUCTS / NAGAOKA & CO LTD. MADE IN JAPAN / AUTOMATIC / RECORD CLEANER / AUTO 1 / NAGAOKA ORIGINAL BEST PRODUCTS b) Packet ; THE / "PAROSTATIK" PATENT .... REGD./ IMPROVED / DISC PREENER / FOR PERFECT RECORD MAINTENANCE Cylinder; Watts / "PAROSTATIK" / DISC PREENER / For perfect record maintenancerecord players, music, vinyl records, moorabbin, bentleigh, cheltenham, japan, nagaoka pty ltd ,, watts c. e. pty ltd, parostatik disc preener, england -
The Beechworth Burke Museum
Audio - Oral History, Jennifer Williams, Gwen and Jack Scott, 24th February 2000
Jack Scott was born in Beechworth on the 24th January 1919 into a third generation Beechworth family who had migrated from Scotland, Cornwall and Ireland during the 1860s. Also present during the oral history recording is Jack’s wife, Gwen Scott. In 1878 Jack’s grandfather established the carrier business - R. Scott Carriers. Jack’s grandfather secured a contract with the Zwar Brothers' Beechworth Tannery to transport all goods between the tannery and train station via horse and cart. Jack’s father and uncle carried on the family business, before Jack and his brother eventually joined after the Second World War. The company expanded from a single horse and cart short route to multiple trucks operating interstate routes. Prior to joining the family carrier business, Jack on leaving school started work at the tannery and served in the air force during the Second World War. When asked about the working conditions at the tannery, Jack recalls while they did have union representatives, it was not particularly effectual. The union representatives were often placated by sharing multiple whiskies with the Zwar brothers when in their offices to discuss workers’ issues. Gwen’s father also worked for the tannery for a period of time, and she enjoyed the annual picnics the tannery provided for employee families. Both Jack and Gwen’s connections to the tannery reinforces the tannery’s role as a major employer and presence in the Beechworth community. Prior to marrying Jack, Gwen worked in a range of roles including at the Ovens and Murray Hospital for the Aged, managing the family home when her parents both worked during the Second World War, and apprenticed with her sister as a hairdresser. Jack and Gwen provide some insight into maternal health issues in brief discussions of hospital birthing trends and awareness of contraception and family planning. Both Jack and Gwen recalled attending the open-air cinema at ‘The Rock’ in their childhoods. Gwen remembers that the ‘elites’ would sit on chairs at the front, and Gwen’s family sat on a rug at the back, while Jack would jump the fence and get in for nothing. Jack and Gwen discuss attitudes towards both Chinese Australians and Italian migrants in Beechworth. They did not notice any racism and from their perspective felt they were accepted in the town. Jack did note that Italian employees lost their jobs at the tannery during the Second World War, but believed they all stayed within the area and found stonemason and concrete work in the interim. Jack socialised with members of the Italian community and joyfully recalled attending their homes for music nights with lots of drinking and instruments being played. This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: Listen to what they say: voices of twentieth century Beechworth. These cassette tapes were digitised in July 2021 with funds made available by the Friends of the Burke. Gwen and Jack Scott’s account of their lives in Beechworth is historically and socially significant to the cultural heritage of the region. Gwen and Jack in reflecting on their everyday experiences of operating a family business, availability of work, leisure opportunities, interaction with migrants, and access to maternal health care provide essential economic, social, and healthcare insights. Gwen and Jack Scott’s oral history recording is part of a larger collection of oral histories recorded by Jennifer Williams in 2000, collectively they provide invaluable insights into Beechworth during the 20th century, much of the information in these oral histories would be lost if not documented and missed in the interpretation of tangible objects. This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 40 minutes of recordings on each side.Mrs Gwen and Mr Jack Scott jack scott, gwen scott, r. scott carriers, scott brothers, zwar brother's beechworth tannery, zwar tannery, beechworth tannery, ovens and murray hospital for the aged, benevolent asylum, open-air cinema, the rock cinema, italians beechworth, hospital births 1920s, wang tech, wangaratta tech, nell scott, jennifer williams, oral history, listen to what they say: voices of twentieth century beechworth, tannery union -
Australian Jazz Museum
Musical Instrument, 1930 (estimated); "circa 1930s"
Played by Lou Silbereisen for recordings with Graeme Bell and His Australian Jazz Band in the late 1940s and 1950s. Played by Brian Carter from 1958 to the mid 1960s.Boosey & Hawkes is a British music publisher. Until 2003, it was also a major manufacturer of brass, string and wind musical instruments. Recording Brass Bass manufactured by Boosey & Hawkes circa 1930s. Played by Lou Silbereisen for recordings with Graeme Bell and His Australian Jazz Band in the late 1940s and 1950s. Played by Brian Carter from 1958 to the mid 1960s.lou silbereisen, recording brass bass, boosey hawkes, graeme bell and his australian jazz band, brian carter -
Warrnambool and District Historical Society Inc.
Document - Music Folio, Mendelsshon Lieder ohne Worte, Circa 1900
This collection of works, “songs without words” was written in the 1830’s by Mendellson. He was of the opinion that the music should stand alone and hence no need for words. This collection of his work for piano solos is still on the music syllabus today. The stamp on the front cover J.B. Shepherd and Son relates the Shepherd family music store in Liebig Street, which operated around the turn of the 20th century . They sold pianos and other musical instruments as well as doing repairs and tuning and lessons.This collection of music scores by Mendelssohn is significant firstly because it is still used by music students 160 years after it was written and secondly this copy has local significance as it was owned by Grace Rome who was born in 1902 and was the daughter of one of Warrnambool’s most successful and longest living business people Thomas Rome, who incidently made one of the earliest sound recordings in Australia.Cream coloured card cover with dark green cloth binding with the title Mendelssohn in red text with black flourish. Other text on cover is black. Edition Peters at the top of cover in black text. Pages contain music scores .132 pages. Kullak printed on front cover. Light blue stamp, “J. E. Shepherd & Son, Piano, organ & music Warehouse. Tuners & repairers Warrnambool. Written in Black ink but scrubbed out with blue ink on inside fly is Grace Rome P.L.C. 1921. 1. Similarly un unknown name is scrubbed on front top right corner of cover. warrnambool, mendelssohn, lieder ohne worte, edition peters, grace rome -
Warrnambool and District Historical Society Inc.
45 R.P.M. Record, A Silver Star, 1975
This item was made by Crest Records, a Melbourne company established by Marcus Herman that recorded pop, jazz, folk, liturgical and other music from the early 1960s to the mid 1970s. The music and words of ‘A Silver Star’ were by Glorie Attrill nee McLean(1911-1998) who was born in Glenormiston, Victoria. She lived and farmed for some years at The Sisters and in her later years lived at Terang. She wrote several songs, with ‘A Silver Star’ being her best-loved composition. Her two autobiographical booklets are ‘Sunset Serenade’ and ‘At Twilight’. John McSwain was the son of an acquaintance in her childhood days. This record is of interest as the one of the songs was written by a local woman, Glorie Attrill and the disc was recorded in Warrnambool in the 1970s.This is a circular 45 R.P.M. black disc with silver-coloured printing in the centre. The cove has a black and white photograph of the singer on the front with white and blue printing, an image of a star and the logo of the recording company. There are also two pink labels from the retail shop where the record was purchased. The back cover has black and blue printing A Silver Star John McSwain Crest crest records, melbourne, john mcswain, singer, glorie attrill, songwriter, catherine brymer, musician, st. john’s presbyterian church, warrnambool, history of warrnambool -
Anglesea and District Historical Society
Portable Cassette Tape Recorder and Box, Estimated 1978
1. Portable cassette recorder with built-in electret microphone. 5-pin DIN connector for recording/playback Slim Line RQ-2734. 2. Box - handwritten date and price: 10-10-84 $49-98. Cardboardbox - design printed blue. 3. Operating Instructions (single sheet). Instructions in English and Spanish. 10-10-84 / $49-97music, national panasonic, matsushita electric industrial co. ltd. -
Robin Boyd Foundation
Functional object - Opera Glasses
Patricia Boyd was on the Board of the Australia Opera for several years. The Walsh St house holds a significant collection of opera recordings. Penleigh Boyd wrote this in The Age obituary to Dorothea Patricia Davies AM (3 Jan 1921-5 Nov 2009). "In 1988, Patricia was appointed a Member of the Order of Australia for her service to opera involving many years of voluntary work on the board of the Australian Opera - work which she greatly enjoyed involving travel, music and meeting many interesting and entertaining people. She was also a life member and former president of the National Gallery of Victoria Women's Association." The Walsh Street Archive also holds the Certificate and the medals associated with this honour (items D502 and F126 respectively).opera, patricia boyd, patricia davies, robin boyd -
Robin Boyd Foundation
Container - Ring-binder
Patricia Boyd was on the Board of the Australia Opera for several years. The Walsh St house holds a significant collection of opera recordings. Penleigh Boyd wrote this in The Age obituary to Dorothea Patricia Davies AM (3 Jan 1921-5 Nov 2009). "In 1988, Patricia was appointed a Member of the Order of Australia for her service to opera involving many years of voluntary work on the board of the Australian Opera - work which she greatly enjoyed involving travel, music and meeting many interesting and entertaining people. She was also a life member and former president of the National Gallery of Victoria Women's Association." The Walsh Street Archive also holds the Certificate and the medals associated with this honour (items D502 and F126 respectively).Black hard plastic 2-ring binderMrs Patricia Davies Board Meeting 12/4/84 The Australian Opera -
Vision Australia
Audio (item) - Sound recording, Royal Victorian Institute for the Blind, Around the Institute: April 29, 2003
Around the Institute was a weekly program consisting of interviews around a specific topic, undertaken by host Corey Nassau. April 29: Music therapy at Burwood school – Sue Coull, Braille music camp – Megan Sykes, NILS – Jane Evans. royal victorian institute for the blind, radio shows -
Vision Australia
Audio (item) - Sound recording, Royal Victorian Institute for the Blind, Around the Institute: October 7, 2003
Around the Institute was a weekly program consisting of interviews around a specific topic, undertaken by host Corey Nassau. October 7: Score Camp – Tim Robertson, Music – Robia Destovic and Marianna Karadic. royal victorian institute for the blind, radio shows -
Vision Australia
Audio (item) - Sound recording, Royal Victorian Institute for the Blind, Around the Institute: January 18, 2005
Around the Institute was a weekly program consisting of interviews around a specific topic, undertaken by host Corey Nassau. January 18: My other life in Music – Ron Dann, Writing and a paper at the BCA conference – Karen McKenzie.royal victorian institute for the blind, radio shows -
Tatura Irrigation & Wartime Camps Museum
Book, Sisters of Mercy Book 3, 1984
... of music. Melbourne Province. Recording the history of Mercy nuns ...Recording the history of Mercy nuns as pioneer music teachers in Victoria. Many nuns taught at Tatura. Stories and pictures in the book.Pale blue cover, black lettering, sketch of music symbols. History of music. Melbourne Province.tatura convent, sisters of mercy nuns, music teachers -
Tatura Irrigation & Wartime Camps Museum
Book, Sisters of Mercy Book 2, 1984
... of Music, Melbourne Province. Recording the history of Mercy nuns ...Recording the history of Mercy nuns, as pioneer music teachers in Victoria. Many nuns taugt at TaturaPale Blue cover. Black lettering, sketch of music symbols. History of Music, Melbourne Province.tatura convent, sisters of mercy, music teachers, pioneer music teachers -
Tatura Irrigation & Wartime Camps Museum
Book, Sisters of Mercy Book 1, 1984
Recording the history of mercy nuns, as pioneer music teachers, in Victoria. Many nuns taught schooling and music at TaturaPale blue cover, black lettering. Sketch of music symbols. History of music, Melbourne Province 1857-1984tatura convent, sisters of mercy, pioneer music teachers -
Tatura Irrigation & Wartime Camps Museum
Music Record x2, Tatura Male Choir & Ladies Chorus, 1986
These recordings were made when the choir presented the plays live in Shepparton, in 19 and 19 respectively33 1/3 RPM custom processed record of Tatura Male Choir and Ladies Chorus singing from their production of "The Gypsy Baron" (both sides) and "Die Fledermaus" (both sides). Both records have plastic sleeve and cardboard cover.W & G Custom processed record "The Gypsy Baron".|W & G Custom processed record "Die Fledermaus".tatura, musical, instruments, accessory -
Melbourne Athenaeum Archives
Theatre Flyer, Six Ribbons ;remebering Jon English by Peter Cupples commencing producuction at the athenaeum theatre on the 19th of March 2017, 2017
Jon English was one of few Australian performers to combine a stellar career in music,television and stage. For over four decades he remained one of this country's most successful.loved, and enduring recording and performing artists.Jon sadly and unexpectedly passed away on the 9th of march 2016,just as he was about to record a new album and embark on a national tour . on the first anniversary of Jon's passing we present 'Six Ribbons'' - a two and a half hour tribute show to an extrodinary man who.over the coursr of his long professional life, brought such joy and entertainment to so many in many genres tribute show coloured flyerjon english -
Williamstown High School
Wish & whisper - record 1990, 1990
Ep record in cardboard cover. Recording of Mystic Rose - A side: Wish and whisper, B side: December 31st,.See jpg's abovewilliamstown high school, music, 1990, mystic rose, sam bird, brendan cassar, vic posterino, travis williams, kieran tobin, susan turner, marcus waller, ben waller, jennifer mckervey, chhristine mckervey -
Williamstown High School
Stage band 2009, Stage band: recording sessions. Conducted by Mr Will Salisbury
One compact disk in jewel case. Seven tracks are included. For details see image above.williamstown high school, 2009, music program, stage band, will salisbury -
Koorie Heritage Trust
Book, Barwick, Diane et. al, Handbook for Aboriginal and Islander history, 1979
Contents: Archaeology Isabel McBryde; Archives H.J. Gibbney; Artefacts and museums Carol Cooper, Isabel McBryde; Australian Institute of Aboriginal Studies Diane Barwick, Jane Forge, James Urry; Biography: writing a life story Diane Barwick, Nan Phillips, Tom Stannage; Censuses and other population records L.R. Smith; Court and police records: evidence for Aboriginal history Tom Stannage; Genealogy: tracing family history Diane Barwick, Diane Bell, Francesca Merlan; Government - Government publications on Aborigines Brownlee Kirkpatrick; Government committees and Royal Commissions David H. Bennett. Guardians of history - Aboriginal heritage and the Australian Heritage Commission Josephine Flood; Historical Societies Nan Phillips, Tom Stannage. Land rights - Land rights: recent events and legislation Anita Campbell, Diane Bell, Diane Barwick; Land rights: an introductory bibliography Nicolas Peterson. Language: resources for research Luise Hercus, Francesca Merlan; Libraries James Urry; Maps and mapping John von Sturmer; Missions: settlements, sponsors, sources of information James Urry; Music Alice Moyle; Newspapers Andrew Markus; Oral history interviewing Peter Read; Photographic records - Koorie studies: records of the South Coast Yuin walkabout Guboo Ted Thomas; Photographs old and new Colin Roach; Films and film-making David McDougall; Publishing your work Shirley Andrew, Diane Barwick; Sport: resources for research Michael Mace, Bill Rosser; Tape recording Bryan Butler; Torres Strait Islands: information available in Papua New Guinea Peter Bolger; War and Aborigines Hank Nelson; Women in Aboriginal society: resources for research Diane Barwick, Diane Bell.xv, 187 p. ; 25 cm.Contents: Archaeology Isabel McBryde; Archives H.J. Gibbney; Artefacts and museums Carol Cooper, Isabel McBryde; Australian Institute of Aboriginal Studies Diane Barwick, Jane Forge, James Urry; Biography: writing a life story Diane Barwick, Nan Phillips, Tom Stannage; Censuses and other population records L.R. Smith; Court and police records: evidence for Aboriginal history Tom Stannage; Genealogy: tracing family history Diane Barwick, Diane Bell, Francesca Merlan; Government - Government publications on Aborigines Brownlee Kirkpatrick; Government committees and Royal Commissions David H. Bennett. Guardians of history - Aboriginal heritage and the Australian Heritage Commission Josephine Flood; Historical Societies Nan Phillips, Tom Stannage. Land rights - Land rights: recent events and legislation Anita Campbell, Diane Bell, Diane Barwick; Land rights: an introductory bibliography Nicolas Peterson. Language: resources for research Luise Hercus, Francesca Merlan; Libraries James Urry; Maps and mapping John von Sturmer; Missions: settlements, sponsors, sources of information James Urry; Music Alice Moyle; Newspapers Andrew Markus; Oral history interviewing Peter Read; Photographic records - Koorie studies: records of the South Coast Yuin walkabout Guboo Ted Thomas; Photographs old and new Colin Roach; Films and film-making David McDougall; Publishing your work Shirley Andrew, Diane Barwick; Sport: resources for research Michael Mace, Bill Rosser; Tape recording Bryan Butler; Torres Strait Islands: information available in Papua New Guinea Peter Bolger; War and Aborigines Hank Nelson; Women in Aboriginal society: resources for research Diane Barwick, Diane Bell.australian aborigines, to 1979. historical sources. | aborigines, australian -- history. | genealogy. | torres strait islanders -- history -- sources. | aboriginal australians -- genealogy. | aboriginal australians -- history -- sources. | aboriginal australians -- history. | aboriginal australians -- history -- archival resources. | aboriginal australians -- history -- library resources. | aboriginal australians -- history -- bibliography. -
Ukrainian Historical Society Sunshine
LP Vinyl Record, CBS Recording "Dnister" Cleveland USA, Songs of the heart
Representative of Ukrainian folk music in the 1960sVinyl record housed in record covervinyl record, volodymyr luciv, tenor, 1967 -
Tatura Irrigation & Wartime Camps Museum
Record - gramaphone, R.F.A, Tatura Primary School Choir, 1995
Accompanist Wilma Wilson, Conductor Trevor Williams (teacher). Recording produced 1995.Vinyl gramophone record, 33 1/3 rpm, 7". Music produced by Tatura Primary School Choir, accompanied by Wilma Wilson.Tatura Primary School Junior Choir - "Poor Mouse" "Do Re Me". Senior Choir - "Sunshine" "My Country".wilma wilson, trevor williams, tatura primary school junior choir, tatura primary school senior choir, school recordings -
Victorian Aboriginal Corporation for Languages
Audio CD, Music recorded at Gerard Mission, Cummeragunja, Barmah and Deniliquin, 1963
Songs performed by Annie Mason, Cyril Gerard and Cyril Lindsay at Gerard Mission; Sophie and Coral Briggs at Cummeragunja; Aaron Briggs at Barmah; Ralph Day and Dennis Atkinson at Deniliquin.CD, recording notes (for tracks 00191a and 00191b)gerard mission, cummeragunja, barmah, deniliquin, annie mason, cyril gerard, cyril lindsay, sophie briggs, coral briggs, aaron briggs, ralph day, dennis atkinson -
Victorian Aboriginal Corporation for Languages
CD, Korrawinga Aboriginal Corporation, Waaka yaalangu : untold stories, 2009
Nine songs in the Butchulla language sung by students. Joyce Bonner Co-ordinator, Kassie Bonner Music Director, Travis Page Song man and Tutor, Malcolm Burns Traditional dancer and Tutor, Nikki Michail freelance filmmaker and photographer (CD design and layout), Grevillea Studios, ALbion, Brisbane CD recording and mixing.CDbutchulla, korrawinga aboriginal corporation