Showing 377 items
matching musical score
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Friends of Westgarthtown
Book, music, Published by Allan's Music. Printed by Allan and Co. 276 Collins Street, Melbourne, Granddad's Songs
... Song book with musical score for keyboard..... Sylvia Schultz written on cover. Song book with musical score ...Song book with musical score for keyboard.Sylvia Schultz written on cover.books, music, musical books, granddad's songs, song book. -
Uniting Church Archives - Synod of Victoria
Pamphlet - Song sheets, Girls' Guild Union Choir
... Three fold booklet of songs and hymns with musical score.... booklet of songs and hymns with musical score. Girls' Guild Union ...Three fold booklet of songs and hymns with musical score.girls' guild union -
Friends of Westgarthtown
Book, music, Printed by Morrison and Bibb Limited; Published by Marshall, Morgan, Scott, Limited, Sacred Songs and Solos: Revised and enlarged with standard hymns
... Song book with musical score for keyboard including 1200... with musical score for keyboard including 1200 musical pieces. Sacred ...Song book with musical score for keyboard including 1200 musical pieces.Sylvia Schultz 581 written on inside front cover. Sticker reading Keswick Book Depot 315 Collins Street Melbourne. On fly leaf stamp reads Post Office Christian Assn. Melb. Branch. In pencil NH12/6 written.books, music, musical books, hymns, ira d. sankey, marshall, morgan, scott ltd, lutheran, song book -
Federation University Historical Collection
Programme - Music Score, W. Paxton & Co Ltd, Diadem of Gold Overture by G. Bailey and arranged by Frank Wright, mid 1900s
... musical score... overture musical score A 14 page booklet with a red and gold cover ...Frank Wright was a renown resident of Smeaton, where he was born in 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. He was the youngest of eleven children. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was appointed in 1934 as the Musical Director of the London County Council (the GLC or Greater London Council), where he organized many amazing concerts in most of the 150 parks, in and around the London district. He was also responsible for some of London’s major concerts at Kenwood, the Crystal Palace and Holland Park. He was made Professor of Brass and Military Band Scoring and Conducting and was a Fellow of the Guildhall School of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. Frank was awarded an M.B.E. in 1967 and he died in November 1970. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.A 14 page booklet with a red and gold cover, containing the 'Short Score' of the 'Diadem of Gold Overture' written by G Bailey and arranged by Frank Wright. The score was written for brass bands and on the inside front cover is a printed note written by Frank to the musicians on how to play the new features in the music. frank wright, g bailey, diadem of gold overture, musical score -
Federation University Historical Collection
Music score, Sailors' Songs (B.B. Version) by Frank Wright, mid 1900's
... musical score... brass bands musical score Music score covered with buff coloured ...Frank Wright was a renown resident of Smeaton, where he was born in 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. He was the youngest of eleven children. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was appointed in 1934 as the Musical Director of the London County Council (the GLC or Greater London Council), where he organized many amazing concerts in most of the 150 parks, in and around the London district. He was also responsible for some of London’s major concerts at Kenwood, the Crystal Palace and Holland Park. He was made Professor of Brass and Military Band Scoring and Conducting and was a Fellow of the Guildhall School of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. Frank was awarded an M.B.E. in 1967 and he died in November 1970. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Music score covered with buff coloured card with fabric tape binding around the edges. The score is 16 pages long and is called "Sailors' Songs (B.B. Version) by Frank Wright".frank wright, boy's brigade, sailors' songs, brass bands, musical score -
Uniting Church Archives - Synod of Victoria
Booklet - Girls' Guild Union, Canoe Exercises
... Brown paper covered musical score. Music by Ascher-Mahl...: "J.McClelland 241 Dandenong Rd Windsor" Brown paper covered musical ...Brown paper covered musical score. Music by Ascher-Mahl and words by J.M. The brown paper is sewn onto the score with twine.On front cover: "J.McClelland 241 Dandenong Rd Windsor"girls' guild -
Federation University Historical Collection
Photograph - Music Score, Molenaar, Sirius: Diversions on an Original Theme by Frank Wright
... . It is the musical score for a piece entitled 'Sirius - Diversions.... It is the musical score for a piece entitled 'Sirius - Diversions ...Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was appointed in 1934 as the Musical Director of the London County Council (the GLC or Greater London Council), where he organized many amazing concerts in most of the 150 parks, in and around the London district. He was also responsible for some of London’s major concerts at Kenwood, the Crystal Palace and Holland Park. He was made Professor of Brass and Military Band Scoring and Conducting and was a Fellow of the Guildhall School of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. Frank was awarded an M.B.E. in 1967. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Small 10 page booklet of black printing on yellowed paper. It is the musical score for a piece entitled 'Sirius - Diversions on an Original Theme'. It consists of a Prelude, Theme, Variations, Minuet and Rondo and was written by Frank Wright.Printed - To Laurasirius, frank wright, music score -
Melbourne Legacy
Booklet - Songbook, Digger Songs, 1922
... Paper book of Digger songs including musical scores... of particular songs Paper book of Digger songs including musical scores ...Songbook of WW1 songs, likely used by Legatees during comradeship activities. An album of Digger Songs "Songs the Diggers Sang"Comradeship meetings were very important to the Legatees. Legatees supported each other by coming together for various events throughout the year. A record that Legatees met for comradeship meetings and functions and that singing featured in the meetings.Paper book of Digger songs including musical scores. Printed 2 colours on cover (red and brown) and one colour (black) ink on internal pages. 28 pages plus 4 page cover.Blue ink pen references to page numbers of particular songscomradeship, songs -
Warrnambool and District Historical Society Inc.
Document - Sheet Music (2 copies), W H Glen & Co Pty Ltd, Music Sheet Ideal Town Song, 1928
... while the musical score is on pages 3-5. back cover is blank.... cover are the words to the song while the musical score ...Both copies - This sheet music was composed by A.J.Bates in 1928 as part of the Warrnambool celebrations when the city won the Ideal Town competition that year. This was the first Ideal Town award, a competition sponsored by the The Sun newspaper with the finalists decided by votes sent in by The Sun readers. Warrnambool won in the large town category. Warrnambool Council and local businesses used the award as a tourist promotion tool. An original link to Warrnambool through music.Both copies -Cream paper with black text and black and white illustrations along the top and left hand side in banners.Six pages. Inside the front cover are the words to the song while the musical score is on pages 3-5. back cover is blank.Written and composed by A.J. Bates. Printed by McCarron Bird & Co 479 Collins Street Melbourne.warrnambool the ideal town, sheet music -
Vision Australia
Plaque - Object, Commemorative plaque: Gordon Lavers
... a specialised understanding of both musical scores and music Braille... understanding of both musical scores and music Braille notation ..."Thjs collection of Braille Music was presented to the Royal Blind Society of New South Wales by Mrs Ruby Lavers in memory of her husband Gordon Lavers L.R.S.M., A.R.C.O. Director of Music of this Society from 1917 to 1961". Braille music requires a specialised understanding of both musical scores and music Braille notation. This collection materials would have been valuable addition to the Society, where blind musicians often had to learn pieces through memory due to the lack of musical scores transcribed.1 metal plaque attached to wooden boardroyal blind society of new south wales, gordon lavers, ruby lavers -
Warrnambool and District Historical Society Inc.
Programme, Half a sixpence, 1987
... of a musical score, a sixpence cut in half and the Holiday Actors logo... of a musical score, a sixpence cut in half and the Holiday Actors logo ...This is the programme of a musical production, ‘Half a Sixpence’ by the Warrnambool Holiday Actors. This company began in 1985 when a group of students from St Ann’s College and Christian Brothers College, Warrnambool (now merged to form the present day school, Emmanuel College), staged a musical production. The next year it was decided to extend membership to students across the district and membership today is still restricted to school students and young people. The Holiday Actors continue today with musical productions, mostly staged in school holidays. This programme is of interest as an example of the productions staged by the Warrnambool-based theatre company, Holiday Actors. This is a booklet of 20 pages, a programme for the musical ‘Half a Sixpence’. The front cover is yellow with images of a musical score, a sixpence cut in half and the Holiday Actors logo in red printing. The back cover has advertisements. The booklet contains sketches, printed material, advertisements and black and white photographs. The booklet is bound with metal staples. One small piece has been cut out of page seven. holiday actors, history of warrnambool -
Warrnambool and District Historical Society Inc.
Journal - Book, Music, Some of the music dates to the 1850’s and the booksellers from approximately that era
... This is a collection of musical scores bound together. Some... This is a collection of musical scores bound together. Some of the pieces ...This is a collection of musical scores bound together. Some of the pieces are dance pieces, polkas and quadrilles. Most of the scores are stamped with the name of Warrnambool booksellers or music stores which operated from the mid 1860’s to the 1900’s. The collection was bound by Thomas Smith who operated a printing business in Koroit St opposite the Baptist Church in the latter part of the 19th century. The music in this folio represents a collection of popular music some of which is still played today. It has a connection to a number of Warrnambool music stores and booksellers who traded in the latter part of the 19th century. Heavy brown card cover with black card spine and corners. Contains a variety of sheet music. Some coloured and black and white full page illustrations included. Sticker inside front cover: Thos. Smith, Bookbinder and printer, Warrnambool.” Stamp on page “Woodland Whispers,” Walter Davies Bookseller, stationer & newsagent, Warrnambool. Stamp Chas Hider Liebig St Warrnambool on St Patrick’s Day by Brinley Richards, and Prince Albert’s band March. Stamp “Jas Hider Bookseller Warrnambool”, on Sultan’s polka and Jolly Dogs Polka. Stamp Charles Hider Book and Music seller, Timor St Warrnambool on Bonne Bouche Polka. There is a signature possibly Granter? on several pages. warrnambool, chas hider, thomas smith bookbinder, woodland whispers, gerald stanley, prince alberts band march, stephen glover, bonny dundee quadrille by charles d’albert -
Mission to Seafarers Victoria
Booklet - Music Score, Franz Schubert Song Album, c. 1950
... of several musical score publications in the MTSV collection... of several musical score publications in the MTSV collection ...Commercially printed Song book with blue cover featuring small portrait of composer. Contains words and music scores for 8 songs by Franz Schubert.non-fictionmusic, sheet-music, entertainment, indigenous songs, songs, franz schubert, allan and co music -
Kew Historical Society Inc
Photograph, Kew Light Opera Company, San Toy OR The Emperor's Own, 1953
... . The book was written by Edward Morton, and the musical score.... The book was written by Edward Morton, and the musical score ...The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of performers in San Toy OR The Emperor's Own. San Toy was a "Chinese" musical comedy in two acts, first performed at Daly's Theatre, London, on 21 October 1899. The book was written by Edward Morton, and the musical score was written by Sidney Jones with lyrics by Harry Greenbank and Adrian Ross. Additional songs were written by Lionel Monckton. The photograph of the cast on stage includes 'Betty', far right. This may have been Betty Eames, Betty Wilson or Betty Crowe. The scenery was by Alexander and Day and the production directed by Lance Nicholls in the Kew Recreation Hall.Arrow and name 'Betty' beside right of photo.performing arts -- kew (vic.), scrapbooks, marion tilley collection, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria -
Kew Historical Society Inc
Photograph, Kew Light Opera Company, San Toy OR The Emperor's Own, 1953
... . The book was written by Edward Morton, and the musical score..., and the musical score was written by Sidney Jones with lyrics by Harry ...The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of performers in San Toy OR The Emperor's Own. San Toy was a "Chinese" musical comedy in two acts, first performed at Daly's Theatre, London, on 21 October 1899. The book was written by Edward Morton, and the musical score was written by Sidney Jones with lyrics by Harry Greenbank and Adrian Ross. Additional songs were written by Lionel Monckton. The scenery was by Alexander and Day and the production directed by Lance Nicholls in the Kew Recreation Hall. In the photo, nine of the ten members of The Emperor's Own are singing. The photo may include: Ethel Duncan, Marion Tilley, Julie Johnstone, Naomi Owen, Ruth Barnes, Joan Millerchip, Thelma Hiscock, Esme Melville, Elma Nicholson, and Jean Hayles.performing arts -- kew (vic.), scrapbooks, marion tilley collection, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria -
Kew Historical Society Inc
Photograph, Kew Light Opera Company, San Toy OR The Emperor's Own, 1953
... . The book was written by Edward Morton, and the musical score..., and the musical score was written by Sidney Jones with lyrics by Harry ...The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of performers in San Toy OR The Emperor's Own. San Toy was a "Chinese" musical comedy in two acts, first performed at Daly's Theatre, London, on 21 October 1899. The book was written by Edward Morton, and the musical score was written by Sidney Jones with lyrics by Harry Greenbank and Adrian Ross. Additional songs were written by Lionel Monckton. The scenery was by Alexander and Day and the production directed by Lance Nicholls in the Kew Recreation Hall. In the photo, nine of the ten members of The Emperor's Own are singing. They include: Ethel Duncan, Marion Tilley, Julie Johnstone, Naomi Owen, Ruth Barnes, Joan Millerchip, Thelma Hiscock, Esme Melville, Elma Nicholson, and Jean Hayles.performing arts -- kew (vic.), scrapbooks, marion tilley collection, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria -
Kiewa Valley Historical Society
Whistle Penny, circa 1950s
... the fundamentals of reading music and playing basic musical scores. Later... of reading music and playing basic musical scores. Later conversion ...This item is a cheap Penny Whistle made in Thailand Circa 1955. The item was one of the first wave of imports from the growing Asian steel producers. This was an era where cheaper Asia based steel companies did not compete against the stronger, and well established Australian ones. This Penny Whistle was "roughly" made and possibly purchased by the Victorian Education Department for use in school bands and music classes. Schools within the Kiewa Valley would have used them to integrate students the fundamentals of reading music and playing basic musical scores. Later conversion from steel to plastics would have been more conducive to multiple users in a classroom environment (more hygienic and rust proof.This item shows how the "cheaper" invasion of all types of manufactured goods from the Asian regions have altered the purchasing patterns of rural Australians(the more traditional consumer). The cost imbalance of purchasing from "The Mother Country (England)" or European supply versus the Asian manufacturers was due to not only the financial pressures post World War II but also in the elimination of Tariff restrictions placed on non favoured suppliers.This tin Penny Whistle is made from rolled tin(steel), cylindrical in shape, with a wooden Fipple plug at the mouth end and six note holes starting half way down the front side evenly spaced and ending 35mm from the bottom. This whistle is in the key of D"G steel & Co. D"music, wind instruments, whistle, celtic music -
Warrnambool and District Historical Society Inc.
Programme - Grand Amateur Concert, 1867
... a decorative border, black printing and an image of musical instruments... of musical instruments and music scores. The programme has frayed ...This is the programe of a concert held at Price’s Exchange Hall in Warrnambool in 1867. The concert was under the management of the Warrnambool Anglican Minister, Archdeacon Beamish and the proceeds were in aid of the Warrnambool Church of England Common School. The programme was printed on silk at the office of the Warrnambool Examiner newspaper. This paper was founded in 1851 by a pioneer settler in Warrnambool, Richard Osburne and it was leased by Henry Laurie and William Fairfax from 1867 to 1872; these latter two became the founders of the Warrnambool Standard (1872 to the present day) and were the printers of this programme. Three of the performers at this concert were well-known in Warrnambool for their musical talents – singer, William Fairfax, noted above, singer Sarah Welchman (also the proprietor of a private school for girls) and singer Mrs Steedman (also the proprietor of a girls’ private school in Warrnambool). The Warrnambool Church of England Common School (number 661) was established in Warrnambool as a Government-subsidized denominational school in 1860 and closed in 1876 when the Jamieson Street Warrnambool State School opened. Archdeacon Peter Beamish, the sponsor of the concert, was the Anglican Minister in Warrnambool from 1850 to 1895. Price’s Exchange Hall was part of a Temperance Hotel opened in Liebig Street in 1861 by Richard Wrench. In the 1860s Thomas Price opened the Royal Exchange Hotel on these premises and his Exchange Hall was the largest hall in Warrnambool at that time. This is a most significant item because:- 1. It is a rare example of a 19th century programme printed on silk 2. The listed concert programme is a good example of the type of entertainment held in Warrnambool in the 1860s 3. Some of the participants in the concert were well-known entertainers in Warrnambool in the 1860s – Fairfax, Steedman, Welchman 4. The programme is one of the few mementoes we hold of the Church of England Common School 5. Other people important in Warrnambool’s history are connected to this item – Archdeacon Beamish, Fairfax and Laurie of the Warrnambool Standard and Thomas Price and his Royal Exchange Hotel Hall. This is a programme printed on silk. The sheet has a decorative border, black printing and an image of musical instruments and music scores. The programme has frayed edges.Church of England Common School Grand Amateur Concert Wednesday 4th December 1867 Price’s Exchange Hall, Warrnambool royal exchange hotel, liebig street, archdeacon beamish, fairfax and laurie, warrnambool examiner -
Warrnambool and District Historical Society Inc.
Programme - Grand Amateur Concert, 1867
... a decorative border, black printing and an image of musical instruments... a decorative border, black printing and an image of musical instruments ...This is the programe of a concert held at Price’s Exchange Hall in Warrnambool in 1867. The concert was under the management of the Warrnambool Anglican Minister, Archdeacon Beamish and the proceeds were in aid of the Warrnambool Church of England Common School. The programme was printed on silk at the office of the Warrnambool Examiner newspaper. This paper was founded in 1851 by a pioneer settler in Warrnambool, Richard Osburne and it was leased by Henry Laurie and William Fairfax from 1867 to 1872; these latter two became the founders of the Warrnambool Standard (1872 to the present day) and were the printers of this programme. Three of the performers at this concert were well-known in Warrnambool for their musical talents – singer, William Fairfax, noted above, singer Sarah Welchman (also the proprietor of a private school for girls) and singer Mrs Steedman (also the proprietor of a girls’ private school in Warrnambool). The Warrnambool Church of England Common School (number 661) was established in Warrnambool as a Government-subsidized denominational school in 1860 and closed in 1876 when the Jamieson Street Warrnambool State School opened. Archdeacon Peter Beamish, the sponsor of the concert, was the Anglican Minister in Warrnambool from 1850 to 1895. Price’s Exchange Hall was part of a Temperance Hotel opened in Liebig Street in 1861 by Richard Wrench. In the 1860s Thomas Price opened the Royal Exchange Hotel on these premises and his Exchange Hall was the largest hall in Warrnambool at that time. This is a most significant item because:- 1. It is a rare example of a 19th century programme printed on silk 2. The listed concert programme is a good example of the type of entertainment held in Warrnambool in the 1860s 3. Some of the participants in the concert were well-known entertainers in Warrnambool in the 1860s – Fairfax, Steedman, Welchman 4. The programme is one of the few mementoes we hold of the Church of England Common School 5. Other people important in Warrnambool’s history are connected to this item – Archdeacon Beamish, Fairfax and Laurie of the Warrnambool Standard and Thomas Price and his Royal Exchange Hotel Hall. This is a programme printed on silk. The sheet has a decorative border, black printing and an image of musical instruments and music scores. The programme has frayed edges.Church of England Common School Grand Amateur Concert Wednesday 4th December 1867 Price’s Exchange Hall, Warrnamboolroyal exchange hotel, liebig street, warrnambool, archdeacon beamish, fairfax and laurie -
Warrnambool and District Historical Society Inc.
Programme - Grand Amateur Concert, 1867
... a decorative border, black printing and an image of musical instruments... of musical instruments and music scores. The programme has frayed ...This is the programe of a concert held at Price’s Exchange Hall in Warrnambool in 1867. The concert was under the management of the Warrnambool Anglican Minister, Archdeacon Beamish and the proceeds were in aid of the Warrnambool Church of England Common School. The programme was printed on silk at the office of the Warrnambool Examiner newspaper. This paper was founded in 1851 by a pioneer settler in Warrnambool, Richard Osburne and it was leased by Henry Laurie and William Fairfax from 1867 to 1872; these latter two became the founders of the Warrnambool Standard (1872 to the present day) and were the printers of this programme. Three of the performers at this concert were well-known in Warrnambool for their musical talents – singer, William Fairfax, noted above, singer Sarah Welchman (also the proprietor of a private school for girls) and singer Mrs Steedman (also the proprietor of a girls’ private school in Warrnambool). The Warrnambool Church of England Common School (number 661) was established in Warrnambool as a Government-subsidized denominational school in 1860 and closed in 1876 when the Jamieson Street Warrnambool State School opened. Archdeacon Peter Beamish, the sponsor of the concert, was the Anglican Minister in Warrnambool from 1850 to 1895. Price’s Exchange Hall was part of a Temperance Hotel opened in Liebig Street in 1861 by Richard Wrench. In the 1860s Thomas Price opened the Royal Exchange Hotel on these premises and his Exchange Hall was the largest hall in Warrnambool at that time. This is a most significant item because:- 1. It is a rare example of a 19th century programme printed on silk 2. The listed concert programme is a good example of the type of entertainment held in Warrnambool in the 1860s 3. Some of the participants in the concert were well-known entertainers in Warrnambool in the 1860s – Fairfax, Steedman, Welchman 4. The programme is one of the few mementoes we hold of the Church of England Common School 5. Other people important in Warrnambool’s history are connected to this item – Archdeacon Beamish, Fairfax and Laurie of the Warrnambool Standard and Thomas Price and his Royal Exchange Hotel Hall. This is a programme printed on silk. The sheet has a decorative border, black printing and an image of musical instruments and music scores. The programme has frayed edges.Church of England Common School Grand Amateur Concert Wednesday 4th December 1867 Price’s Exchange Hall, Warrnambool royal exchange hotel, liebig street, archdeacon beamish, fairfax and laurie, warrnambool examiner -
Glen Eira Historical Society
Document - CAULFIELD CITY CHOIR
... by David Plummer. Date unknown. 2/Three musical score sheets... conducted by David Plummer. Date unknown. 2/Three musical score ...This file contains five items: 1/A program of the ‘Second Folk Song Festival’ presented by Caulfield City Choir conducted by David Plummer. Date unknown. 2/Three musical score sheets transcribed by Michael Finnissy for the Caulfield City Choir, dated 1983. 3/A black and white program for the Caulfield City Choir’s Christmas Celebrations at St. John’s Uniting Church on 06/12/1986, conducted by Douglas Heywood. 4/Two black and white programs of presentations given by the Caulfield City Choir and the Camberwell Chorale with the Camerata Orchestra, conducted by Douglas Heywood, at the Camberwell Centre. The first is of the Verdi Requiem on 03/05/1987; the second is ‘The Creation’ by Joseph Haydn on 14/05/1988. 5/A black and white program of the Caulfield City Choir Inc.’s presentation of Victorian Lollipops, conducted by Douglas Heywood at St. Stephen’s Uniting Church Hall on 13/09/1987.emms betty miss, kooyong road, caulfield, caulfield city choir, plummer david, law bernard, butler eric, finnissy michael, murrumbeena, harries rita, st. john’s uniting church, glenhuntly road, glen huntly road, elsternwick, hopetown gardens, heywood douglas, shewan joan, st. margaret’s anglican church caulfield, baptist church murrumbeena, church of christ carnegie, st. james’ lutheran church moorabbin, st. andrew’s presbyterian church caulfield south, holy cross roman catholic church caulfield south, st. john’s uniting church elsternwick, baker tim, sneddon j.f. mrs., snowdon avenue, caulfield city council, caulfield philharmonic society, sneddon marjorie, snedden marjorie, north road, ormond, barnard j., cook d., copley m., duncan d., field b., ford r., fraser g., granger t., greenhaugh h., howells c., jefferies c., kuca m., lockett j., mcalpine c., mcconchie c., mealy m., moorees j., nicholas n., nixon v., polites s., pope m., port m., provelsen m., provelson m., rose r., simmons h., terkuile k., alcock j., bannister j., barnett m., beeson b., cinaglia c., glasson m., griffon b., holmes w., sneddon m., weickhardt j., henderson v., ingram h., ketels m., nutt a., polites c., warden n., dobbin l., mccaffrey p., newbold r., prebble r, shewan j., st. stephen’s uniting church hall, balaclava road, hawthorn road, kooyong road, dobbin leo, heywood thomas, ford dellys, the scotsglen players, caulfield city hall, glen eira road, new city hall, st. stephen’s uniting church, glasson m. mrs, new caulfield city hall, nicholas n. miss, quaife merlyn, ashton-smith david, lukey desmond, reither charles, caulfield town hall, hirst susan, anderson peter, town halls, orchestras, music, people associated with culture, singers, choirs, official buildings, uniting church, festivals and celebrations, musical events and activities, cultural events and activities, musicians, conductors (music), operas, religious festivals, christmas, official buildings, clubs and associations -
Flagstaff Hill Maritime Museum and Village
Print - Lithograph, Cruiser Melbourne Rescuing crew from the "Helen B Stirling" off Three Kings Islands New Zealand in January 1922, 1924
... for musical scores and maps. There were two sailing ships... and was initially used for musical scores and maps. There were two sailing ...Lithography is a method of printing, originally based on the immiscibility of oil and water. The printing is from a stone or a metal plate with a smooth surface. It was invented in 1796 by the German author and actor Alois Senefelder and was initially used for musical scores and maps. There were two sailing ships with the name Helen B Sterling a six masted vessel and an earlier four masted Helen B Stirling that is the subject of the lithograph depicting the rescue of the crew and passengers by the Australian light Cruiser Melbourne in a gale off three Kings islands 55 kilometres Northwest of Cape Reinga New Zealand. This Helen B Sterling was built as a four mast wooden auxiliary screw Schooner, known as a wind jammer of 1608 tons. The vessel was formally known as the “Tacoma” and owned by the Washington Shipping Corporation based in Seattle USA in 1917. This original Helen B Sterling was caught in this storm and eventually sunk after being abandoned by the crew. The second generation relatives of those who were passengers at the time of the foundering advise that the storm was more like a cyclone. The Zeehan and Dundas Herald reported on January 26th 1922 that the abandoned vessel was still afloat and drifting towards the New Zealand coast. The Kalgoorie Miner newspaper also had an article reporting that on the 7th Feb 1922 the crew, captain, first mate and their families after being heroically rescued by the crew of the Australian light Cruiser Melbourne were arriving in Sydney today aboard the steamer the “Maheno” from New Zealand.Lithograph appears to be by an unknown artist A M Duffield produced in 1924. It is significant in that it depicts the rescuing of the passengers and crew of the schooner “Helen B Stirling”. At the time this was a significant event that made most Australian and New Zealand papers because of the involvement of the Australian cruiser “Melbourne”.Lithograph framed of cruiser Melbourne rescuing crew from Helen B Stirling off New Zealand coast. By A.M. Duffield."Australian Cruiser Melbourne Rescuing crew of (undetermined text _ _) Schooner Helen B Sterling of (Halifax Nth Canada Tons 1343 in a gale in the Pacific Ocean" (this last potion of text is incorrect see note sec this document) Lithograph signed bottom right hand corner in black "A M Duffield Nov 19th 1924"warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, lithograph, a.m.duffield., helen b stirling, schooner, cape reinga new zealand, alois senefelder, cruiser melbourne, three kings islands -
Kew Historical Society Inc
Photograph, Kew Light Opera Company, The Maid of the Mountains, 1956
... . The Maid of the Mountains, called in its original score a musical... original score a musical play, is an operetta or musical comedy ...The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Sepia toned photograph of performers in The Maid of the Mountains, performed in the Kew Recreation Hall in May and June 1956. The Maid of the Mountains, called in its original score a musical play, is an operetta or musical comedy in three acts. The music was by Harold Fraser-Simson, with additional music by James W. Tate, lyrics by Harry Graham and additional lyrics by Frank Clifford Harris and Valentine. For the Kew production, the scenery was executed by James L. Alexander and the wardrobe supplied by J.C. Williamson. performing arts -- kew (vic.), scrapbooks, marion tilley collection, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria -
Kew Historical Society Inc
Photograph, Kew Light Opera Company, The Maid of the Mountains, 1956
... . The Maid of the Mountains, called in its original score a musical... original score a musical play, is an operetta or musical comedy ...The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Sepia toned photograph of performers in The Maid of the Mountains, performed in the Kew Recreation Hall in May and June 1956. The Maid of the Mountains, called in its original score a musical play, is an operetta or musical comedy in three acts. The music was by Harold Fraser-Simson, with additional music by James W. Tate, lyrics by Harry Graham and additional lyrics by Frank Clifford Harris and Valentine. For the Kew production, the scenery was executed by James L. Alexander and the wardrobe supplied by J.C. Williamson. The pianiste, Joy Barker, can be seen at the front of the photograph with an unidentified bassoonist. performing arts -- kew (vic.), scrapbooks, marion tilley collection, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria -
Kew Historical Society Inc
Photograph, Kew Light Opera Company, The Maid of the Mountains, 1956
... . The Maid of the Mountains, called in its original score a musical... original score a musical play, is an operetta or musical comedy ...The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Sepia toned photograph of performers in The Maid of the Mountains, performed in the Kew Recreation Hall in May and June 1956. The Maid of the Mountains, called in its original score a musical play, is an operetta or musical comedy in three acts. The music was by Harold Fraser-Simson, with additional music by James W. Tate, lyrics by Harry Graham and additional lyrics by Frank Clifford Harris and Valentine. For the Kew production, the scenery was executed by James L. Alexander and the wardrobe supplied by J.C. Williamson. The pianiste, Joy Barker, can be seen at the front of the photograph with an unidentified bassoonist. performing arts -- kew (vic.), scrapbooks, marion tilley collection, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria -
Kew Historical Society Inc
Photograph, Kew Light Opera Company, The Maid of the Mountains, 1956
... , called in its original score a musical play, is an operetta..., called in its original score a musical play, is an operetta ...The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Sepia toned photograph of an informal dress rehearsal for The Maid of the Mountains, which was due to be performed in the Kew Recreation Hall in May and June 1956. The Maid of the Mountains, called in its original score a musical play, is an operetta or musical comedy in three acts. The music was by Harold Fraser-Simson, with additional music by James W. Tate, lyrics by Harry Graham and additional lyrics by Frank Clifford Harris and Valentine. For the Kew production, the scenery was executed by James L. Alexander and the wardrobe supplied by J.C. Williamson. The pianiste, Joy Barker, can be seen at the front of the photograph.Underneath the photograph, Marion Tilley wrote: "Informal dress rehearsal of Maid of the Mountains"performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria -
Kew Historical Society Inc
Photograph, Kew Light Opera Company, The Maid of the Mountains, 1956
... . The Maid of the Mountains, called in its original score a musical... original score a musical play, is an operetta or musical comedy ...The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Sepia toned photograph of a dance number in The Maid of the Mountains, performed in the Kew Recreation Hall in May and June 1956. The Maid of the Mountains, called in its original score a musical play, is an operetta or musical comedy in three acts. The music was by Harold Fraser-Simson, with additional music by James W. Tate, lyrics by Harry Graham and additional lyrics by Frank Clifford Harris and Valentine. For the Kew production, the scenery was executed by James L. Alexander and the wardrobe supplied by J.C. Williamson. The ballet and ensembles were choreographed by Lillie Willaton. The pianiste, Joy Barker, can be seen at the front of the photograph. performing arts -- kew (vic.), scrapbooks, marion tilley collection, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria -
Warrnambool and District Historical Society Inc.
Journal - Music and Song book, Music and Songs, Circa 1890
... . A collection of musical scores which were popular at the time ...A collection of music and songs, many labelled Colonial Music Cabinet. Thomas Smith, operated gas printing works in Koroit St Warrnambool opposite the Baptist Church in the latter part of the 19th Century. The business did a number of printing related tasks including lithographic printing, engraving and bookbinding. A collection of musical scores which were popular at the time with links to a well regarded business in Warrnambool.Brown cloth over hard card cover with black leather spine and corners. Contains 12 music folios of various length Bound by Smith Printers Warrnambool. 2nd Edition.warrnambool, thomas smith printers and bookbinders w. h glen & co. colonial musical cabinet -
Warrnambool and District Historical Society Inc.
Document - Music Folio, Mendelsshon Lieder ohne Worte, Circa 1900
This collection of works, “songs without words” was written in the 1830’s by Mendellson. He was of the opinion that the music should stand alone and hence no need for words. This collection of his work for piano solos is still on the music syllabus today. The stamp on the front cover J.B. Shepherd and Son relates the Shepherd family music store in Liebig Street, which operated around the turn of the 20th century . They sold pianos and other musical instruments as well as doing repairs and tuning and lessons.This collection of music scores by Mendelssohn is significant firstly because it is still used by music students 160 years after it was written and secondly this copy has local significance as it was owned by Grace Rome who was born in 1902 and was the daughter of one of Warrnambool’s most successful and longest living business people Thomas Rome, who incidently made one of the earliest sound recordings in Australia.Cream coloured card cover with dark green cloth binding with the title Mendelssohn in red text with black flourish. Other text on cover is black. Edition Peters at the top of cover in black text. Pages contain music scores .132 pages. Kullak printed on front cover. Light blue stamp, “J. E. Shepherd & Son, Piano, organ & music Warehouse. Tuners & repairers Warrnambool. Written in Black ink but scrubbed out with blue ink on inside fly is Grace Rome P.L.C. 1921. 1. Similarly un unknown name is scrubbed on front top right corner of cover. warrnambool, mendelssohn, lieder ohne worte, edition peters, grace rome -
Warrnambool and District Historical Society Inc.
Documents, Sheet Music Back to Warrnambool Song, 1930
This is the original manuscript for the song ‘Back to Warrnambool’, composed for the ‘Back To’ celebrations in Warrnambool in 1930 and reprinted for the ‘Back To’ celebrations in 1934. The song, described as a ‘souvenir foxtrot’ was written by Reginald Stoneham, a professional musician who was engaged to write the song. Reginald Stoneham (1879-1942) was a composer who was Australia’s leading exponent of jazz and ragtime piano styles in the first decades of the 20th century. He composed many tunes for anniversaries and celebrations in country towns and cities in Victoria. The original ‘Back to Warrnambool’ music was given to Henri Worland, the Town Clerk of Warrnambool in 1930 and handed over to the Warrnambool and District Historical Society by Keith Arnel, the Town Clerk in 1973. Note that the original song was ‘Respectfully dedicated to the Pioneers of Warrnambool’. This dedication, for some reason, was not printed on the music issued in the ‘Back To’ programs of either 1930 or 1934. This is a significant item as the song ‘Back to Warrnambool’ has great historical significance as it was popular in Warrnambool in the 1930s and 40s and is still played and sung occasionally today. It is one of the two local songs about Warrnambool composed by Reginald Stoneham. The other is the Warrnambool Waltz Song. It is of interest to historians and researchers to have the original music.This is the original handwritten manuscript of the song, ‘Back to Warrnambool’. There are two pages of pre-ruled music score papers, filled in on both sides of the paper. The paper is marked ‘Boomerang Brand No2’. The musical notes and the words of the song are in black ink. The name of the song is outlined in red ink. The first page has the heading ‘Souvenir Foxtrot Song, Back to Warrnambool, Words and Music composed by Reginald Stoneham, 1930, Respectfully dedicated to the Pioneers of Warrnambool’. The last page has the signature of Reginald Stoneham. The first page has the signature of Henri Worland. warrnambool, reginald stoneham, back to warrnambool