A black craft wood shield with a circular disc with a jet aircraft superimposed on an Australian flag. In blue writing reads Australian International Airshow 2019. In red writing reads Technology for tomorrow.On a silver plaque reads "Presented in appreciation to National Vietnam Veterans Musuem"shield, australian international air show

Greenwich Palace no longer exists however archaeology had added greatly to our understanding of life at the Tudor Court at Greenwich. Since 1971 there have been well over 20 digs on the site. Many wonderful and intriguing items from gold coins to tiled floors and human skeletons have been found. The first major dig uncovered the structure of the royal apartments next to the river. Not only did it clarify the floor plan but finds included some rare Tudor ceiling decorations, a hoard of gold coins and many personal items such as dice used for gaming. Perhaps the most revealing excavations have been the most recent. In 2005 while monitoring the digging of a drainage trench archaeologists found brickwork and tiles that formed the floor of the east end of the Tudor Chapel Royal where the altar once stood.Photograph of interpretation information in Greenwich Chapel and Museumgreenwich, stone, museum, chapel, stone, musuem, chapel

Pioneer xrays were undertaken at the Ballarat School of Mines in 1896. They are discussed in this book.Brown hard-covered book of 82 pages. The book includes information onthe discovery of x-ray, Roentgen's discovery, and a number of Australian pioneers of x-ray, including the Ballarat School of Mines experiments in 1896"Donated to the School of Mines and Industries Ballarat by the Musuem, Australian Medical Association, 293 Royal Pde, Parkville. 20/6/78. David O'Sullivan Hon. Curator.frank, g w selby, f j clendinnen, william john hancock, william fox, william bragg, s barbour, lawrence bragg, h m hewlett, martell, j m sutherland, sutherland, t r treloar, treloar, xray, x-ray

This item contributes to an understanding of those involved in the war in Vietnam.Wooden shield with gold coloured banner across the top. In the centre is a white enamel image of a shark over a blue cross. with the words "HOOK IN" ROYAL AUSTRALIAN REGIMENT/HOOK IN/B COY 4RAR DUTY FIRST/NATIONAL VIETNAM VETERANS' MUSUEM/IN APPRECIATION/B COY 4RAR 20 SEPT 2022b coy, 4 rar, vietnam

Mick Woiwod of the Andrew Ross Musuem, Kangaroio Ground, speaking with host Marie Ryan of Magazine, on Plenty Valley FM Radio talking about his latest book, "Golden Days on the Caledonian Diggings; the diaries of Thomas Young of Kangaroo Ground, Panton Hill and Christmas Hills." Also discussing some activities at the Andrew Ross Museum.audio recording, mick woiwod, andrew ross museum, thomas young, kangaroo ground, panton hill, christmas hills, caledonia mine, gold mining

The Capture of Jenin occurred on 20 September 1918 during the last months of the Sinai and Palestine Campaign of the First World War. This photograph portrays a scene the day after the Battle 21 September 1918. Australian Commanders and Units were involved.This is a photograph of the Jenin area the day after the Capture, 21 September 1918. Australian Commanders and Units were involved in the Capture of Jenin.A black and white photograph on a cardboard backing.On the front of the backing - Jenin, Palestine. 21.9.18. On the bottom right corner of the photograph the figures 259. On the back of the backing - B259 Australian War Musuem, Wool Exchange, King Street, Melbourne. Copyright. Prosecution will follow Infringement.ww1, capture of jenin. september 1918. palestine.

This building was erected c1856 as the Wesley Church. Negotiations for its sale to the Ballarat School of Mines started in 1883, and the sale was completed for 2000 pounds. The Ballarat School of Mines Musuem was transferred to this building in 1885 giving the collection a more permanent and suitable location. The front was remodelled in 1920. The building was converted from the museum to the E.J. Tippett recreation Hall in 1959, after plans to demolish it were abandoned due to lack of funds.Colour photograph of the former Ballarat School of Mines Museum during a fall of snow. ballarat school of mines, e.j. recreation hall, ballarat school of mines museum', former wesleyan church, snow

Adam Lindsay Gordon and His Friends in England and Australia Author: Edith Humphris & Douglas Sladen Publisher: Constable & Co Ltd Date: 1912Label on spine cover with reads R.S. 920 GOR Pastedown front endpaper has sticker from Warrnambool Mechanics Institute and Free Library Front loose endpaper has a stamp from Warrnambool Public Musuem warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, great ocean road, book, warrnambool library, warrnambool mechanics’ institute, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, adam lindsay gordon, edith humphris, douglas sladen

A coloured wall poster freaturing a photograph of the Vung Tau Ferry (HMAS Sydney) with military personnel on the deck.HMAS Sydney (3) a converted Aircraft Carrier began transporting personnel and equipment from Australia to Vietnam in May 1965. She was to become a familiar site and a temporary home for over 16,000 Army and Air Force personnel as they were deployed to and from The vietnam war. Because of her 25 seperate trips to vietnam she bacme affectionately known as the Vung Tau Ferry. Her last trip to Vietnam was in November 1972. Proudly presented by the Musuem of HMAS Cerberusposter, hmas cerberus, vung tau ferry, cerberus collection

A death mask is a plaster or wax mould made of a human face shortly after death (around 30 minutes after the execution). The intention was to capture the likeness of the individual and maintain their facial expression and features before these became distorted in death. They differ from their counterparts the life masks which were made to preserve the likeness of an individual while alive. Death masks were often replicated and sold to various institutions and private buyers. Death masks were created for a variety of reasons. Organisations like museums and scientific institutes collected these masks to support the study of phrenology. Phrenology is the study of the conformation of a skull in an effort to understand the mental faculties and traits of an individual. This was undertaken in a period in which it was argued that the shape of a head could provide detailed knowledge into personality. In addition, death masks were also created to aid effigy making, as tools for sculpture and as objects of veneration. Death masks were often placed on display as objects of curiosity. Edward “Ned” Kelly was convicted of murder on the 29th of October 1880 and executed by hanging on the 11th of November that same year. In the 1800s it was common practice for authorities to make a death mask of an executed criminal. In Kelly’s case, there were multiple copies made of his death mask, one of which is in the collection of the Burke Museum. Copies of the official death Mask (attributed to Maximilian Kreitmayer) have been made by artists including Max Meldrum (1875-1955). It depicts the head, neck and partial right shoulder of Ned Kelly. Whilst generally considered to be a ‘pseudoscience’ today, phrenology and the study of the reception and use of artefacts like Ned Kelly’s death mask, can provide valuable insight into a past era’s views of personality and the human body. This mask presents a unique three-dimensional depiction of Ned Kelly shortly after his execution which is unlike any other depiction of him. It can provide vital information as to the use of death masks in Victoria and their popularity in the 1800s. These masks were mostly done of criminals and used for exhibition purposes alongside phrenological study. Phrenologist AS Hamilton used Kreitmayer’s replication of the mask (displayed in Kreitmayer’s Bourke Street waxworks the day after Kelly’s death) to report a detailed phrenological analysis on Ned Kelly and concluded from his research that the deceased had an “enormous self-esteem”. Portraits of living people represent the way they themselves and/or the artists wished themselves to be remembered. The death mask contrasts this and therefore, creates a likeness of a person in their entirety and not just an ideal representation. Therefore, the study of such artefacts and their history of use and disuse can provide interesting information valuable to understanding the past. Colour rectangular photograph printed on gloss photographic paper.Obverse: Reverse: AGFA kelly album, ned kelly, death mask, kreitmayer, old melbourne gaol, phrenology, craneology, 1800s, pseudoscience, burke musuem, max meldrum

Taken in Beechworth, this photograph was taken from Albert road with a view of the bridge over spring creek. In the foreground, there appears three brothers who worked for Zwar tannery.Black and white rectangular photograph. The image is printed on matte photographic paper. Obverse: NO INSCRIPTION Reverse: 7591 Albert Rd. Italian family, 3 brothers worked for the tannery Copied from the albums of Sergio Santori, Wangaratta. beechworth, albert road, zwar, tannery, spring creek, burke musuem, photograph, black and white

Photograph of four men standing in a burnout area of land and trees. One man is dressed as a helmeted fire-fighter, vehicle is behind them. A total of 111 fires started in Victoria on 14th January 1985 and took two weeks to bring under control. A major fire burned on Mt Buffalo, burning 51,400 hectares. Fire in Beechworth arrived via Woolshed and Eldorado in 1985/ Black and white rectangular photograph printed on photographic paperReverse: 1985 /emergency services, burke musuem, beechworth, fire brigade, fire, fire fighter, photograph, 1985

Photograph of Beechworth Ambulance Station with small crowd of people gathered out the front. Sepia rectangular photograph printed in matte photographic paperObverse: North Eastern Ambulance Service Beechworth Branch / Reverse: 3696 /burke musuem, emergency services, beechworth, photograph, ambulance, ambulance station, beechworth ambulance station

Zilles Printers was begun by Lewis Zilles in the early 1930s. It was in McKenzie Street Ballarat. His son Jeffrey also became a printer - letterpress, offset and screen printer. The business became Zilles Printers/Graphics and was in Armstrong Street and later Bell Street Ballarat. Montrose Cottage was build c1856 by John Alexander, builder. He was a Scottish stone mason. It was built with bluestone and hand-made bricks. It is on the Historic Buildings Register, National Trust (Victoria). It is important as a substantial and very early stone cottage. The house is now open to the public. It also provides short term accommodation - self contained apartments. Double sided cards advertising Montrose Cottage and Eureka Museum. Printed by Zilles Graphic Industries, Ballarat. White card with russet colour print. Printed on both sides. Each side has Eureka Museum and Montrose CottageEureka Flag and Cannon. Drawing of Montrose Cottage and flag with Lion. Symbol of National Trust Australia. Coat of Arms. Location map.zilles graphic industries, montrose cottage, eureka musuem

Information on O Class Trams, First introduced, Last Withdrawn, Electrics, Size and Seating, W2 with a small photo, where they can be found, some went to the USA, W5 with a small photo, W6 and the Bendigo Toastrack Tram with Nos, Introduced, Withdrawn, Electrics, Size and Seating/Crush Load. Also listed is where other trams can be seen. Also mentioned some early history of Bendigo, The Heritage Walk, The Central Deborah, Sandhurst Town, the early route from Melbourne to Bendigo, Creswick, Castlemaine and the Old Market. (7 pages).bendigo, history, long gully history group, the long gully history group - trams information, prahan and malvern tramway trust, hawthorn tramway trust, melbourne and metropolitan tramways board, australian electric transport museum, david hoadley, tramway musuem of victoria, hawthorn tram depot, david bromage, sydney tramway museum, bendigo tramways, museum of transport and technology nz, whiteman park tramway museum, haddon tramway museum, the old canberra tram company, ballarat vintage tramway, bendigo toastrack tram, kilmore cable tramway, railway museum, scienceworks, tasmanian transport museum, launceston tramway museum society, ballarat vintage tramway, central deborah gold mine, chinese joss house, castleton, sandhurst, shamrock hotels, dai gum san wax museum, post office, law courts, alexandra fountain, beehive store, fortuna villa, sandhurst town

The war in Vietnam was cruel and costly in every sense, as indeed all wars are! However the nature of this was was not so markedly different from any other armed conflict in which Australian troops had been involved - certainly not to a degree that would justify the creation of a special purpose single interest musuem, which is the case of the National Vietnam Veterans Museum - so why does this particular museum exist? national vietnam veterans museum, vietnam war, 1961-1975 - veterans - australia

Book - "Bendigo's Vintage Talking Trams" - Edited by Keith Kings tells the story of Bendigo's trams from the battery tram days through to the operation by the Bendigo Trust. Includes the script of the Talking tram (Nov. 1996) and the tram fleet at the time. Has a table of contents, editor's notes and a colour map of the trip with script or talking points.Yields information about Bendigo's trams and that of the Bendigo Trust operations and fleet.Book - A5 landscape, 100 pages + card covers centre stapled, with some colour pages.bendigo, musuems, bendigo trust, keith kings, trams, tramways

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph of a pair of Veitnamese 'Temple Lions' at Danang, South Vietnam. The Temple Lions are said to keep evil spirits from entering places of worship and from entering a private home. These speciments were said to be hundreds of years old.photograph, temple lions, danang, champa musuem, gibbons collection catalogue, vietnam war, denis gibbons, photographer

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph of Lucky Star and Digby Richards along with members of their concert party, leave the Champa Museum in Danag following a visit during a rare break in the concert tour. They had on the previous day entertained the Australian Army Training Team Vietnam.photograph, aattv, entertainers, lucky star, digby richards, champa musuem, gibbons collection catalogue, australian army training team vietnam (aattv), denis gibbons