Myer store in Melbourne staff newsletter shows the Bourke Street store decked out to welcome the Queen and Duke of Edinburgh on their first visit to Melbourne, showing the excitement of the Royal Visit in 1954. This was Queen Elizabeth II's first visit to Australia since ascending the throne.An example of the importance of Royalty to Australians at this time.2 page newsletter from the Myer store in Melbourne. Cover illustration shows the Bourke Street store.house of windsor, duke of edinburgh, royal tour of australia 1954, myer melbourne, queen elizabeth ii

Black and white postcard, divided back with a photo of the Myer Lonsdale St Warehouse with a grip car in front prior to the construction of the 11 storey store. Card dated c1920. Has a number of motor vehicles and horse drawn vehicles in the view. Has space for a stamp on the rear and has card details and some notes about Myer itself.On rear in pencil "Purchased 21/6/1983"trams, tramways, lonsdale st, cable trams, grip tram, myer

This window was previously used in Myer Melbourne Christmas Window displayDigital Photograph Myer (Ballarat) Christmas Window Display showing model of horse drawn tip top vanchristmas windows, tip top, myer, ballarat, sturt street

DVD. Myer.myer, photographs

The first all transistor hearing aids appeared in 1953. They were created to replace vacuum tubes; they were small, required less battery power and had less distortion and heat than their predecessor. The vacuum tubes were typically hot and fragile, so the transistor was the ideal replacement. The size of these transistors led to developments in miniature, carbon microphones. These microphones could be mounted on various items. There were body hearing aids where the earpiece was connected to the hearing aid and battery pack worn on the body. Ear level hearing aids consisted of eyeglass, behind the ear (BTE), in the ear (ITE), and in the canal (ITC, CIC) hearing aids. Tan plastic case hearing aid, with wire, ear piece and ear mold with metal clip. Made in England and sold by Myer Hearing Service. "MYER/HEARING SERVICE" engraved in gold on case. "MADE IN ENGLAND" on bottom of case. deaf children australia, hearing aid, myer hearing service

Delivery service by Myer Emporium to an internee at Camp 3Label for Mail Order Service from Myer Emporium Ltd., Melbourne to internee in B Section of No. 3 Internment CampLuise Hoffmanlabel, myer emporium, hoffman l, camp 3, ww2 camp 3, luise hoffman

Collector says: "Once I had gathered a dozen or so blankets, I started noticing the many different labels; where they were made, by who, the logos and fonts used. Then the labels became a thing, then the blankets had to have a label to join the collection. My favourite labels are by Physician, they had at least 4 different labels over the decades but the best has to be the Lady In Bed logo. Physician, Onkaparinga, Eagley and others matched the colour of the label to the colour of the blanket - a nice touch. Strangely, Castlemaine labels were always sewn on the back of the blanket where all the other mills sewed theirs on the front. To this day I always roll or fold a blanket with its label on display."Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Queen sized Checked blanket, lemon, tan and greenMyrall/Pure Wool/Myer's Own Brand/Made in Australiawool, blanket, blanket fever, myer

Collector says: "Once I had gathered a dozen or so blankets, I started noticing the many different labels; where they were made, by who, the logos and fonts used. Then the labels became a thing, then the blankets had to have a label to join the collection. My favourite labels are by Physician, they had at least 4 different labels over the decades but the best has to be the Lady In Bed logo. Physician, Onkaparinga, Eagley and others matched the colour of the label to the colour of the blanket - a nice touch. Strangely, Castlemaine labels were always sewn on the back of the blanket where all the other mills sewed theirs on the front. To this day I always roll or fold a blanket with its label on display."Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. King sized checked blanket, pinks and grey Myrest/Super Lambswool/Made in Australia/Expressly for the Myer Emporium Ltd.wool, blanket, blanket fever, myer

Kathryn Knitwear, founded by Robert Blake, manufactured high quality children’s knitwear in Melbourne from the 1940s – 1980s. Robert Blake began manufacturing children’s knitwear in his bedroom in Strathmore using a hand powered machine in the late 1940s. The operation moved to Ascot Vale and Essendon, before eventually establishing a factory in Moonee Ponds in the early 1950s. The business continued to expand, necessitating a move to a new factory in Broadmeadows. By 1962, the Broadmeadows factory was producing an average of 20,000 garments per month, which increased to 24,000 by 1964. Robert Blake’s Son, Brendan recalls that “The Kathryn brand was famous around Australia, anywhere children needed to keep warm and dress smartly. It also won a number of wool fashion awards”, including the 1969 Wool Awards, which was held by the Australian Wool Bureau and published in Women’s Weekly. The Kathryn range was designed for durability, comfort and care, without sacrificing style. They used patterning techniques that increase stretchiness, comfort and fit, as well as integrating decorative elements into the fabric to prevent them from being bulky, uncomfortable or tight. Making longevity of style a priority, Brendan Blake remembers that “there was one particular garment that was in the range for at least thirty years”. He also recalls “In the past, when women have found out that I was associated with Kathryn Knitwear, they would often relate to me the story of a garment they had purchased or received as a gift and, when their child had grown out of it, they would hand it on to another child. Several ladies have told me of purchasing garments for their daughters’ glory box, or saving a particular garment after their daughter had grown out of it. Brendan Blake: “At the peak of their operation they employed approximately two hundred people, mainly women and girls. A family would often seek to send their daughter to work in this company because they knew they would be looked after and safe. One lady wrote to me telling me that working at the Moonee Ponds Factory prior to getting married was the happiest time of her life.” In 1963, workers at the Kathryn factory earned £13 per week, which was 8 shillings and 8 pence higher than the minimum weekly wage for female workers in the textile manufacturing industry (£12 11s 4d). By 1970, the Kathryn Knitwear brand expanded from children’s knitwear into womenswear under the brand name ‘Lady Kathryn’, and for boys and men under ‘Robert Blake’. Continuing to diversify their distribution, they also began exporting ‘Kathryn’ garments to New Zealand, the Pacific Islands, and Japan. ‘Kathryn Knitwear’ was well-known for their early adoption of modern materials and techniques that had broad appeal to their customer base. This is shown in their early use of the acrylic fibre ‘Orlon’ in the 50s and 60s and ‘Superwash’ wool in the 1970s. Many of Kathryn Knitwear’s styles, particularly those that were long running staples of the brand, were available in both wool and Orlon to suit the consumer’s preference. Far from the humble origins of one man in his bedroom with a hand-cranked machine; at its closure in 1980, the Broadmeadows factory of ‘Kathryn’ housed more than 100 machines, including 53 sewing machines and 45 knitting machines. Robert Blake was “a passionate advocate for wool and Australian Made” throughout his whole life. A strong thread that ties through the lifespan of Robert Blake and Kathryn Knitwear is a balance between adopting new innovations without sacrificing the core values of durability, comfort, care and style that had made the brand so well known. Their legacy forms an integral part of both Australian social and manufacturing history.Letter from Myer (Melbourne) Limited to William Blake. The letter confirms and details of a meeting held to discuss business arrangements between Kathryn Knitwear and Myer. Due to the lack of signatory, it is likely there was originally additional pages that have been lost. It is typewritten in blue ink on white paper, with smudges and pen marks evident.MYER (MELBOURNE) LIMITED. 314-336 Bourke Street, Melbourne C.1. 66 111 July 10, 1967 Mr. William Blake Kathryn Knitwear. P.O. Box 49. BROADMEADOWS Vic. Dear Mr. Blake. This is to confirm and itemize details of the discussion held in my office on Monday, July 10, at which time the following points were discussed: - 1. Action to be taken on:- (a) Regular Kathryn range. (b) Special lines to be developed under the Kathryn label confined to Myers stores. These to fit into the regular Kathryn price fields. (c) Special price lines to be developed exclusively for Myers stores, also that for these price lines the regular Kathryn quality to be maintained. With regard to Items A and B of the above, it was decided that purchases were to be taken out by departments on regular Kathryn merchandise for the financial year August 1, 1966 to July 31, 1967, and targets were to be set for each department for the same period for 1967-1968. 2. Specific items were to be nominated that are to be made under Item 1(b), eg: angoras, knits, dresses, etc. these items to be quickly collated by Mr C. Rivers.business, business history, manufacturing, knitting machine, fashion textile production, business archives, manufacturing documents, myer, myer emporium, myer (melbourne)

A collection of bills and receipts pertaining to Jack Foley, 10 Francis Street Blackburn, dating from 1966 to 1979 for water, phone, electricity, dog registration, Myer Account, dairy and Hannams.non-fictionA collection of bills and receipts pertaining to Jack Foley, 10 Francis Street Blackburn, dating from 1966 to 1979 for water, phone, electricity, dog registration, Myer Account, dairy and Hannams.financial documents, electricity supply, telephone services, hannams discount stores, water supply, foley, jack, francis street, blackburn no. 10, dairy bills, dog fees

A number of photographs of the Christmas sisplay windows at Myer Ballarat.christmas, santa claus, father christmas, reindeer

In 1949 an architect produced this plan to detail the addition of a bedroom for the nursing staff, who looked after children in the Blind Babies nursery. The plan shows a layout of the RVIB site, including the 'Myers Home' (the name of the nursery) where young children were cared for. The south and eastern elevations are detailed, as well as a plan of the nursery, which had 4 bedrooms, a living room, a dinning room , bathroom, 2 kitchen areas and the proposed additional nurses bedroom next to Bedroom 4.1 architectural plan of Myer House and proposed extensionPercy E Everett, Chief Architectroyal victorian institute for the blind, rvib nursery, plans, myer house

Sidney Myer the founder of the Myer Department storesMounted B&W studio photograph of Sidney B. Myer Esq. by Broothorn MelbourneTo remember him always Merlyn Myersidney myer, michele matthews collection

Colour photograph of a miniature tram in a Myer Christmas window display.christmas windows, tram, conductor

2 photos. Second has sign "Historical Prints and Photographs" with 3 scenes of Ringwood.Written on back of photograph, "Myer Eastland display, March 1981".

An item from an and diverse collection, assembled by members of the Christian and Washfold families of Kew.Greeting card using a print of the Sidney Myer Music Bowl in the Kings Domainmyer music bowl, christian-washfold collection

One of the plans referred to in the application by Eastland Shopping Centre, a wholly owned subsidiary of the Myer Emporium Limited.|Upper floor plan and lower level traffic plan. Application No 3, Ringwood Planning Scheme 1960.|Architects: Tompkins, Shaw & Evans|Traffic Engineers: Len T Frazer and AssociatesTwo copies of plans for the Ringwood Shopping Centre, comprising; 1. Upper floor plan; 2. Lower level traffic level; Buff coloured heavy paper with black printing. Application No 3, Ringwood Planning Scheme. Shopping Centre at Ringwood design for developmetn submitted by EASTLAND SHOPPING CENTRE PTY.LTD a wholly owned subsidiary of THE MYER EMPORIUM LIMITED Architects: Tomkins, Shaw and Evans Taffic Engineers: Len T. Frazer & Assocs

Greta, Edna and Marjorie attended Melton State School 430.Greta [Jongebloed] Daniels, Edna [Myer] Barrie, Marjorie [Myers] Butler visit to Melton Cemeterylocal identities, pioneer families

Written on back of photograph, "Additions to Myer Eastland from outside library, 4/3/73".

This false waistcoat was part of the formal wear worn by men c 1960 . The two breast plates extend to the shoulder with wide lapels, a small pocket and 3 buttons for fastening at the front.The Breastplates are fastened at the nape of the neck by buttons on a thin strip of cotton. This false waistcoat is typical of the type of outfit that men used c 1960 for attending formal occasions in Melbourne Man's White false waistcoat for formal wear consists of two starched breast plates with wide lapels attached by 3 buttons on a thin band that passes under shirt collar . The breastplates are fastened at the front by 3 buttons ENGLISH MADE / FOR / THE WEST END SHOP / MYER / EMPORIUMclothing, formal wear, dress shirt, tuxedo, waistcoat, maynard dennis, city of moorabbin, freemasons lodge, city of moorabbin historical society, early settlers, market gardeners, bentleigh, cheltenham, moorabbin,

Social history of Myer business operations and records.Myer Emporium advertising paper folding fan, made of paper and light card. Unfolded the fan reveals a floral design in white, yellow and orange. Undated production and distribution date.The Myer Emporium, Ltd.social history, adverising

In May 2001, raffle winner, Margaret Buse, is presented with a $50,000 major prize Myer voucher from Myer/Grace Bros representative, Katherine Way. A cropped version of this photo appears on page 15 of the Vol 14 Issue 03, Spring 2001 edition of the Arthritis Foundation of Victoria's quarterly magazine, Update. It is captioned: "Katherine Way (Myer Grace Bros) presents Margaret Buse with the $50,000 spending spree voucher."COL photo of two women standing in front of a department store and smiling. Together, they are holding an envelope which has a magenta and gold ribbon around it. In the top right corner of the envelope, the "MYER" logo/word is in large black text.[On a white label, handwritten in black ink] Katherine Way (Myer Grace Bros) left, presents Margaret Buse with the $50,000 spending spree voucher, 1st prize, raffle drawn 25/5/01. [Handwritten onto the photo in blue ink] PAGE 13 [Handwritten onto the photo in black ink] 15.arthritis foundation of victoria, afv, fundraising, raffles, tickets, sponsorship, sponsors, myer, grace brothers, kathryn way, major prize, spending spree, prize winner, margaret buse, 2001

Archie Harker and Ruby Wilson (whose sister Amy married Stan Wieland) conducted their courtship between England and Melbourne.in the early 1930s.Colection of letters from The Myer Emporium to Archie Harker and 4 receipts for goods bought. 1 receipt for pearl necklet from Ciro Pearls , Cheapside London. !

1992 Nostalgia Calendar Myer's Bendigo on glossy paper held together by metal binding. Front cover shows two adverts dated 1917-1918, Myers Bendigo and 1920 - Sydney / the inside pages show various black and white photographs, and painted period advert fashion posters. Enclosed in a cream Myer folder.Printsec Cambec / Myer Stores Ltd Archivesbooks, fashion, myer

Wilma Hall (later Hobbs) wore this blazer while studying at the Ballarat Teachers' College in 1954-55. The college was established after the Victorian State Government and the State Education Department decided to establish two provincial teachers' colleges, at Ballarat and Bendigo. On 04 May 1926 W.H. Ellwood (Principal), Miss A. Bouchier, and Mr A.B. Jones, welcomed the first enrolment of 61 students to undertake the one year course. In 1927 the College moved to the former Ballarat East Town Hall in Barkly Street, which was remodelled for their use. It closed in December 1931 due to the Great Depression. In 1946 Ballarat Teachers' College reopened and relocated to the Dana Street State School. It was originally planned to open as a women's college, for whom the residence at 130 Victoria Street was purchased, but the decision was made to admit resident men from Ballarat. Mr T.W. Turner was appointed as Principal in 1951 and directed the introduction of a two year course for the Trained Primary Teachers' Certificate. The former one year course was terminated at the end of 1951. In 1958 the College was relocated to a custom built facility at Gillies Street, in close proximity to the Ballarat Botanical Gardens. Numbers increased with the introduction of the Trained Infant Teachers' Certificate course under the guidance of Mary Egan. With the introduction of a three year Diploma Course in 1968 accommodation became cramped. The introduction of the Diploma of Teaching (Primary) led to the Trained Infant Teachers' Certificate being discontinued in 1969, and the end of the Trained Primary Teachers' Certificate in 1969. Secondary Art and Craft students began studies at Ballarat Teachers' College in 1969 under Mr Ted Doney. In 1971 Mr D. Watson was appointed Principal. The State College of Victoria was proclaimed by Order in Council on 24 July 1973, and Ballarat Teachers' College became a constituent college of the State College of Victoria, and was known as State College of Victoria, Ballarat. By 1975 the College moved to Mount Helen as part of the Ballarat College of Advanced Education. Pre service teachers currently undertake their studies on the Mount Helen Campus of Federation University. ("Ruffians Attempted to Carry off the School Tent: A History of State Education in Ballarat", 1974, p73-4.)Blue unlined, woollen Ballarat Teachers' College blazer with embroidered pocket. The jacket had three buttons at the front although two are missing. The edges are all bound with tape including the pocket and the sleeve binding is 12cm from the cuff edge. The seam edges are either turned back and stitched or cut with pinking shears. There is a small panel on either side of the inside between the side seam and the facing which reinforces the pockets.Embroidered emblem of the Ballarat Teachers College and woven makers patch - The Myer Store for Menballarat teachers' college, blazer, wilma hall, wilma hobbs, textiles, costume, embroidery, uniform

Yields information about the launch or a Santa event in 1969 for the Myer Santa Tram at Mt Pleasant.Set of 6 Colour slides, Kodak white cardboard mount, developed Nov 1969 of No.18 as the Myer Santa Christmas tram possibly at the time of its formal launch and one (Dec 1969) in City Loop. .1 - No. 18 leaving the depot in Wendouree Parade .2 - In Wendouree Parade .3 - No. 11 and 18 crossing - No. 17 has a Twin Lakes sign and Briquettes roof advert .4 - No. 30 and 18 crossing at the Grant St loop with a Mobil service station in the background. .5 - At the Mt Pleasant terminus with a number of people and a Father Christmas - Barkly St .6 - In the City Loop, Dec. 1969 along with another tram. Has the Big W and Dickens stores in the background."Duncan St Loop Drummond St" in red ink.ballarat, tramways, trams, santa tram, myer, christmas trams, decorated trams, wendouree parade, barkly st, grant st, mt pleasant, tram 18, tram 11, tram 30