Showing 6 items matching "naïve art"
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Wangaratta Art GalleryPainting, Tony Convey, Mad Dog Morgan, 1976
... ...naïve art...An oil painting that tells the story of the bushranger Mad Dog Morgan, painted in the naïve art style using a colour palette of blue, brown, orange, and red....wangaratta art gallery tony convey naïve art outsider art mad dog morgan painting bushranger An oil painting that tells the story of the bushranger Mad Dog Morgan, painted in the naïve art style using a colour palette of blue, brown, orange, and red. ...naïve art, outsider artRural City of Wangaratta Collection, Wangaratta Art Prize 1977.An oil painting that tells the story of the bushranger Mad Dog Morgan, painted in the naïve art style using a colour palette of blue, brown, orange, and red.wangaratta art gallery, tony convey, naïve art, outsider art, mad dog morgan, painting, bushranger -
Creswick Museumwatercolour painting, Creswick Post Office, 1963
... ...naive art...He is represented in the National Gallery of Victoria, the Art Gallery of Ballarat, the National Gallery of Australia and other regional galleries. victor litherland creswick naive art gouache Signed lower middle "Victor Litherland" and dated 1963. ...Naive painting of the Creswick Post Office painted on site, "en plein air", part of his recording of the town. Litherland was born in Odessa in 1897 and arrived in Creswick in 1938, where he lived until his death in 1978. This painting and 65 others were bequeathed to the town by him.This painting records the life of the town of Creswick at a moment of time, in the naive style. Litherland became a character about town and a noted artist. He is represented in the National Gallery of Victoria, the Art Gallery of Ballarat, the National Gallery of Australia and other regional galleries.Gouache painting on paper of Creswick Post Office in the naive style. Framed by artist. Named on the back by the artist.Signed lower middle "Victor Litherland" and dated 1963. On the back the name "Creswick Post Office" is written by the artist.victor litherland, creswick, naive art, gouache -
Wangaratta Art GalleryPainting, Tony Convey, Home In The Valley, 1980
... ...naïve art...wangaratta art gallery tony convey naïve art landscape painting outsider art A landscape of a valley scene featuring animals and humans painted in oil using vibrant colours. ...naïve art, outsider artRural City of Wangaratta Collection, Wangaratta Art Prize 1980.A landscape of a valley scene featuring animals and humans painted in oil using vibrant colours.wangaratta art gallery, tony convey, naïve art, landscape, painting, outsider art -
Federation University Art CollectionOil on canvas, 'Creswick and Camp Hill' by Victor Litherland, 1968 /1984
... ...naive art...The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007. art artwork victor litherland naive art creswick acrylic on canvas 'Creswick and Camp Hill' by Victor Litherland Oil on canvas Victor Litherland ...Victor LITHERLAND (16 April 1897 - 1978_ Born Odessa, Russia (of English parents) Born in Odessa, Russia to British parents, Victor Litherland migrated to Australia in 1926 and moved to Creswick in 1932. Victor Litherland, who initially trained as a carpenter and cabinet maker, not only made most of his furniture and clothes but also his painting equipment. Victor Litherland is self taught himself. In 1943 he used books in the Sydney Public Library to teach himself painting, and produced a number of works of the environment in which he lived. Litherland's work has a disregard for perspective, unmodelled faces and cool fresh colours. He often made an elaborate frame for this work. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, victor litherland, naive art, creswick, acrylic on canvas -
Wangaratta Art GalleryPainting, Lorna Chick, Up Where The Eagles Nest, 1969
... Chick was a naïve artist who used the aerial viewpoint as a constant device in her landscapes. Her naïve art style allowed her to distort the common notion of landscape paintings being horizontal viewpoints, bringing a different understanding to her artwork....Chick was a naïve artist who used the aerial viewpoint as a constant device in her landscapes. Her naïve art style allowed her to distort the common notion of landscape paintings being horizontal viewpoints, bringing a different understanding to her artwork. wangaratta art gallery lorna chick landscape farming eagles north east victoria painting Obverse: LORNA CHICK © A rectangular aerial landscape oil painting of a farming community overlooked by eagles painted using vibrant colours Up Where The Eagles Nest Painting Lorna Chick ...Lorna Chick was a local artist whose works depict farming and community landscapes, which reflected her main occupation of living and working on the family farm with her husband and two sons. Chick was a naïve artist who used the aerial viewpoint as a constant device in her landscapes. Her naïve art style allowed her to distort the common notion of landscape paintings being horizontal viewpoints, bringing a different understanding to her artwork.naïve artRural City of Wangaratta Collection, purchased with funds from the Wangaratta Art CouncilA rectangular aerial landscape oil painting of a farming community overlooked by eagles painted using vibrant coloursObverse: LORNA CHICK ©wangaratta art gallery, lorna chick, landscape, farming, eagles, north east victoria, painting -
Federation University Art Collection
Gouache on paper, Larwill, David, 'On the Picks' by David Larwill, 2003
... art and abstracted figuration of the 1940s and 1950s. Larwill’s paintings are characterised by their simplified forms and overall pattern. Figures and animals populate his images, painted in an almost child-like naïve manner that is technically very sophisticated. ...art and abstracted figuration of the 1940s and 1950s. Larwill’s paintings are characterised by their simplified forms and overall pattern. Figures and animals populate his images, painted in an almost child-like naïve manner that is technically very sophisticated. ...David Larwill was a founding member of Melbourne’s Roar Studios. His work is influenced by movements as diverse as tribal art, Aboriginal art and abstracted figuration of the 1940s and 1950s. Larwill’s paintings are characterised by their simplified forms and overall pattern. Figures and animals populate his images, painted in an almost child-like naïve manner that is technically very sophisticated. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, david larwill, larwill, gouache
