Tony NANKERVIS A graduate student from the Gippsland Centre for Art and Design (GCAD), Tony Nankervis has been a pioneer of the long wood-fired ceramics technique in Australia. He retired from lecturing at Southern Cross University after working there for 19 years in 2004. He describes his work as 'one-off functional table ware', which includes highly-individualised everyday table items. Nankervis prefers the pre-Industrial Revolution method of firing pottery, involving heating the kiln by burning wood for five days, to the modern, quicker methods using gas or electricity. The distinctive surfacing in wood-fired ceramics is generated by the ash and volatile salts from the burning wood. The wood ash and salts blush the ceramic pieces in the kiln, with finished work taking on the nature of the firing process, which has been described as painting with fire.Two woodfired earthernware cylindrical forms by Tony Nankervis. tony nankervis, woodfire, jan feder memorial collection, jan feder, ceramics, gippsland campus, jan feder memorial ceramics collection, alumni

Tony Nankervis worked in the Lismore area of New South Wales. He exhibited with Owen Rye and Chester Nealie.Woodfired ceramic form by Tony Nankervis. tony nankervis, jan feder memorial collection, ceramics, jan feder, woodfire, gippsland campus, churchill, jan feder memorial ceramics collection

Tony Nankervis worked in the Lismore area of New South Wales. He exhibited with Owen Rye and Chester Nealie.Woodfired ceramic form by Tony Nankervis. Gift of the Artisttony nankervis, jan feder memorial collection, ceramics, jan feder, woodfire, gippsland campus, churchill, jan feder memorial ceramics collection

Mr Albert (Bert) Nankervis was born at Thougla, in the Upper Murray, in 1903. He had a large family and was one of eight children, four boys and four girls. He and his family moved to a farm in Wooragee named ‘Wattle Grove’ in 1918 after his father returned from serving as a soldier in World War One. The family established ‘Wattle Grove’ as a dairy farm as Beechworth has a high demand for milk and little supply. They had 25 milk cows that were hand milked every morning in order to provide milk for approximately 100 customers in the town, with any extra going to the butter factory at Springhurst. Albert married Floré Lilias Hardy in 1930 and they had two sons, Phillip and Barry. In this oral history, Albert discusses his life as a farmer in Wooragee, including his role in getting electricity to Beechworth, as well as his participation in the Young Farmer’s Association Immigration Scheme, which provided work experience to migrants in order for them to learn how to farm. This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: Listen to what they say: voices of twentieth century Beechworth. These cassette tapes were digitised in July 2021 with funds made available by the Friends of the Burke. Mr Albert (Bert) Nankervis’s account of his life in Wooragee and the local area, including Beechworth, during the early 20th century is historically and socially significant to the cultural heritage of the region. He details his life as a farmer and milkman in the early 20th century, particularly the interwar period (1918-1939), but also discusses life after the Second World War, including employing young migrant men to train them as farmers through the Young Farmer’s Association. This oral history account is socially and historically significant as it is a part of a broader collection of interviews conducted by Jennifer Williams which were published in the book 'Listen to what they say: voices of twentieth-century Beechworth.' While the township of Beechworth is known for its history as a gold rush town, these accounts provide a unique insight into the day-to-day life of the town's residents during the 20th century, many of which will have now been lost if they had not been preserved. This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 45 minutes of recordings on each side.Mr Albert (Bert) Nankervis / albert nankervis, bert nankervis, nankervis, wattle grove, wooragee, dairy farm beechworth, dairy farm, dairy factories beechworth, dairying, milkman, oral history, springhurst, butter factory, electricity, rural life, farming and agriculture, farm, farm work, cow, cattle, jersey cattle, interwar period, first world war, second world war, wwi, wwii, greatest generation, centenarian, nonagenarian, 1920s, 1930s beechworth, thougla, upper murray, murray, lucyvale, benalla

Nankervis prefers the pre-Industrial Revolution method of firing pottery, involving heating the kiln by burning wood for five days, to the modern, quicker methods using gas or electricity. The distinctive surfacing in wood-fired ceramics is generated by the ash and volatile salts from the burning wood. "Because the wood ash and salts blush the ceramic pieces in the kiln, the finished work tends to take on the nature of the firing process," he said. "One colleague has described the process as painting with fire."(https://www.strathnairn.com.au/studios/artist-in-residence/montessa-maack-ursula-burgoyne-jen-lyall-and-vicki-grima-5ndd6, accessed 09 July 2021)Tony NANKERVIS Tony Nankervis taught ceramics from 1984 when the university was the Northern Rivers College of Advanced Education from 1984. before moving to Southern Cross University (SCU) in 1994. He retired from full time teaching in 2004. Nankervis was a pioneer of the long wood-fired ceramics technique in Australia: a technique he has been practising since the late 1970s Nankervis prefers the pre-Industrial Revolution method of firing pottery, involving heating the kiln by burning wood for five days, to the modern, quicker methods using gas or electricity. The distinctive surfacing in wood-fired ceramics is generated by the ash and volatile salts from the burning wood. "Because the wood ash and salts blush the ceramic pieces in the kiln, the finished work tends to take on the nature of the firing process," he said. "One colleague has described the process as painting with fire. There are particular qualities that only come from firing in that way, he said. "If you see some of these older ceramics, particularly from Asia, the surface qualities are discernible from the surfaces generated by post-Industrial fuels." (https://www.scu.edu.au/engage/news/latest-news/2004/leading-australian-potter-who-paints-with-fire-retires-from-lecturing-at-scu-after-19-years.php, accessed 09 July 2019)Three Lidded Woodfired Cylinders ceramics, jan feder memorial ceramics collection, tony nankervis, tony nankervic

Nankervis prefers the pre-Industrial Revolution method of firing pottery, involving heating the kiln by burning wood for five days, to the modern, quicker methods using gas or electricity. The distinctive surfacing in wood-fired ceramics is generated by the ash and volatile salts from the burning wood. "Because the wood ash and salts blush the ceramic pieces in the kiln, the finished work tends to take on the nature of the firing process," he said. "One colleague has described the process as painting with fire."(https://www.strathnairn.com.au/studios/artist-in-residence/montessa-maack-ursula-burgoyne-jen-lyall-and-vicki-grima-5ndd6, accessed 09 July 2021)Tony NANKERVIS Tony Nankervis taught ceramics from 1984 when the university was the Northern Rivers College of Advanced Education from 1984. before moving to Southern Cross University (SCU) in 1994. He retired from full time teaching in 2004. Nankervis was a pioneer of the long wood-fired ceramics technique in Australia: a technique he has been practising since the late 1970s Nankervis prefers the pre-Industrial Revolution method of firing pottery, involving heating the kiln by burning wood for five days, to the modern, quicker methods using gas or electricity. The distinctive surfacing in wood-fired ceramics is generated by the ash and volatile salts from the burning wood. "Because the wood ash and salts blush the ceramic pieces in the kiln, the finished work tends to take on the nature of the firing process," he said. "One colleague has described the process as painting with fire. There are particular qualities that only come from firing in that way, he said. "If you see some of these older ceramics, particularly from Asia, the surface qualities are discernible from the surfaces generated by post-Industrial fuels." (https://www.scu.edu.au/engage/news/latest-news/2004/leading-australian-potter-who-paints-with-fire-retires-from-lecturing-at-scu-after-19-years.php, accessed 09 July 2019)Presented by the artistLidded Raku fired box, dry glazedceramics, jan feder memorial ceramics collection, tony nankervis, tony nankervic

Ann Nankervis nee Wallace with her children, William aged 8 and Jane aged 3. ann nankervis, william nankervis, jane nankervis, ballarat, studio portrait, photography, costume

Prior to the election of female Councillors and Mayors in the 1960’s, the Lady Mayoress role was one of the few ways women could officially undertake civic duties. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and federal level. They also undertook some Mayoral duties on occasions when their husband was unavailable. Noela Nankervis served as Mayoress from 1987 - 88.Colour photographic portrait sitting behind oval mount.city of bendigo mayoress, city of greater bendigo portraits, city of bendigo mayor, lansell pendant, mayor nankervis, mayoress nankervis

Mayoral Report Cr. C.M. Nankervis JP. Bendigo the Golden Heart of Victoria. Striving for excellence in quality of life, for our community. 24 pages with photographs.Dr. C.M. Nankervis JPbendigo, council, report, bendigo, council, report, c.m. nankervis

Thought to have been taken on a special school celebration day, as many of the children are either holding or wearing flowers.This is the earliest photograph of pupils at Linton State School in the LDHS collection.Sepia photograph children and adults posed in front of a brick wall.On typed label on back of photograph: "Linton State School No. 880 c1888. Todd, William Joseph born Linton 1882, front row, first on left marked X next to his brother Arthur (Paddy), with hat. As William is approximately 6 years old here, this would date the image at c1888. Thus the headmaster at the time was probably Geo. Clarkson (1887-1891). Miss Milne was the lady teacher. The other two boys marked with a cross in the front row are Dave Nicol on the left and Bert Roberts. The other boy marked with a cross in the body of the picture is M Murrell. The photographer was W H Nankervis, Scotts Parade, Ballarat".linton state school, william joseph todd, arthur todd, george clarkson [head teacher], helen milne [assistant teacher], dave nicol, bert roberts, m. murrell

Certificate presented to Lieut Dick Nankervis MM on Termination of his AppointmentThis framed certificate and memorabilia were donated/bequeath to the Beechworth RSL Sub-Branch by Captain Nankervis’ family. The inscription on the framed box containing the Medal Bar reads, “These medals were awarded to Captain Dick Nankervis for service during World War I and World War II.Certificate "Statement of Service in Australian Imperial Force in wooded picture frame with a glass front.Statement of Service/in/Australian Imperial/Force Lieutenant Dick Nankervis/MM/5th Aust M.G. Bn/ Date of Enlistment 2 August 1915/ Date of Embarkation 10th November 1915/Appointment and Promotions/ Appointed 2nd Lieutenant 20th June 1918/ Promoted Lieutenant 1st December 1918/Returned to Australia/Main 11 October 1919/Appointment Terminated as from 10th December 1919/Reason for Termination of Service/ signed ?? Lieut/a/ S.O. I & R. S. 3MDcerticiate, statement, nankervis

One of a set of display images thought to be produced by the Shire of Eltham c.1979-1987Illustrative of services provided by former Shire of ElthamColour photograph 20 x 29 cm mounted on green-painted chipboard 28 x 35.5 cm (string on back for hanging)Title printed on label adhered to board below photograph (replaced June 2017)nankervis bridge, bridge, arthurs creek

Used in Shire of Eltham display at the Eltham Community Festival, 7 November 1987.Colour photograph mounted on green-painted chipboard with string on back for hangingdisplay panel, eltham festival, infrastructure, shire of eltham, arthurs creek, nankervis bridge

Tall cylindrical wood fired form. If you are able to assist with information of this artist or artwork please use the email link below right. jan feder memorial ceramics collection, ceramics, woodfire, australian studio pottery, tony nankervis

Larrel KANE A Diploma Student at the Gippsland Institute of Advanced Education. This item is a part of the Jan Feder Memorial Ceramics Collection. Jan Feder is an alumna of Federation University having studied ceramics at the Gippsland Institute of Advanced Education (now Federation University Gippsland campus). Jan Feder was respected by all students for her diligence and technical ability. Her tragic death in 1981 evoked an immediate response from her peers for a memorial. Students discussed a number of memorial options, such as funds for equipment, scholarships and awards. The decision to commence a collection was made based on the idea that all future students could benefit from the availability of a collection, whereas only a very few individuals could benefit from a scholarship. Students immediately set about raising money by selling 'seconds' called 'Junque Sales'. a total of $760.00 was raised and the first two works purchased were by Victor Greenaway and Victoria Howlett. Ceramic works were purchased from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught at the Gippsland Campus. The Artist in Residence Program assisted the collection, with many resident artists contributing to the Collection (ie Robin Welch, Anna Zamorska, Sandy Brown), as well as international guests. Ceramic events such as 'Strzelecki Spotkanie 1984' and 'Woodfire 86' also resulted on major contributions to the collection. Earthernware Sculpure with hand thrown element. Gift of the Artist Jan Feder Memorial Ceramics Collectionjan feder memorial collection, ceramics, jan feder, woodfire, churchill, jan feder memorial ceramics collection, alumni

Certificate presented to Dick Nankervis on the occasion of his appointment of an officer in 1918 at Saint James's Court. Refer to Word Document in item 0048Certificate of Appointment in wooden frame with glass frontCertificate appointing Dick Nankervis MM as Officer of the Land Forces by King George VI at the Court of Saint James on 11 December 1918partchment, glass

This original set of medals and memorabilia were donated/bequeath to the Beechworth RSL Sub-Branch by Captain Nankervis’ family. The inscription on the framed box containing the Medal Bar reads, “These medals were awarded to Captain Dick Nankervis for service during World War I and World War II. Part of the Nankervis Collection, there is a lengthy word document in the Media Section6 Court Mounted WWI and WWII medals; laid on green felt, in a wooden display case Measuring 300mm x 220mm with non reflective glass front and metal bar with an engraved inscription Metal Bar measuring 20 x 160 mm engraved with "This original set of medals and memorabilia were donated/bequeath to the Beechworth RSL Sub-Branch by Captain Nankervis’ family. The inscription on the framed box containing the Medal Bar reads, “These medals were awarded to Captain Dick Nankervis for service during World War I and World War II". wwi war medals, wwii war medals, rack of six medals, military medal

Document: copy of photos: J. Nankervis, ham and bacon curing establishment, Golden Square, Bendigo, interior scene at J. Nankervis.place, bendigo, historical items, bendigo, j. nankervis

Coloured photograph, two people, photograph of Colin Nankervis and Daniel Coon at Lord's Raceway doing redevelopment work in 1995. Bendigo Advertiser description on back of photo: 18/4/95 DH Lord's Raceway Redevelopment Colin Nankervis (Engineer) Daniel Coon (Track consultant from the USA)recreations, sports, awards

L-R: Mrs Frank Nankervis, Mr Frank Nankervis, Mr Robert (Bob) Manuell J.P. (Eltham Shire President)Colour photograph1987, activities, senior citizens' centre

A 16 page booklet, printed on paper in dark blue ink, showing patterns for canvas embroidery, with instructions.Written in red ink at top right of front page: "Myrtle Nankervis [Maedon?] - 8/8/13"needlework, canvas embroidery, embroidery, florentine embroidery, myrtle nankervis

Part of the Dick Nankervis collection item 0048This medal ribbon bar was used by Dick Nankervis before WWII service; Refer to word document for item 0048Medal ribbon bar with three WWI ribbons and the Military Medal Ribbon; wrapped around metal bar and hand sewnmedal, ribbon bar, wwi ribbons, wwi medal ribbon bar

L-R: Mrs Nankervis, Mr Nankervis, Mrs Marjorie Smith Motschall, Mrs Sophie Coffey (stooping). The commemorative plaque explains the functions of the various items used in the Victorian 150th Anniversary Monument and Time capsule.Colour photograph1987, activities, eltham community centre, time capsule